An Epistle to a Friend
When, with a REAUMUR’S skill, thy curious mindHas class’d the insect-tribes of human-kind,Each with its busy hum, or gilded wing,Its subtle, web-work, or its venom’d sting;Let me, to claim a few unvalued hours,Point the green lane that leads thro’ fern and flowers;The shelter’d gate that opens to my field,And the white front thro’ mingling elms reveal’d.In vain, alas, a village-friend invitesTo simple comforts, and domestic rites,When the gay months of Carnival resumeTheir annual round of glitter and perfume;When London hails thee to its splendid mart,Its hives of sweets, and cabinets of art;And, lo, majestic as thy manly song,Flows the full tide of human life along.Still must my partial pencil love to dwellOn the home-prospects of my hermit cell;The mossy pales that skirt the orchard-green,Here hid by shrub-wood, there by glimpses seen;And the brown pathway, that, with careless flow,Sinks, and is lost among the trees below.Still must it trace (the flattering tints forgive)Each fleeting charm that bids the landscape live.Oft o’er the mead, at pleasing distance, passaBrowsing the hedge by fits the pannier’d ass;The idling shepherd-boy, with rude delight,Whistling his dog to mark the pebble’s flight;And in her kerchief blue the cottage-maid,With brimming pitcher from the shadowy glade.Far to the south a mountain-vale retires,Rich in its groves, and glens, and village-spires;Its upland lawns, and cliffs with foliage hung,Its wizard-stream, nor nameless nor unsung:And thro’ the various year, the various day,bWhat scenes of glory burst, and melt away!When April-verdure springs in Grosvenor-square,And the furr’d Beauty comes to winter there,She bids old Nature mar the plan no more;Yet still the seasons circle as before.Ah, still as soon the young Aurora plays,Tho’ moons and flambeaux trail their broadest blaze;As soon the sky-lark pours his matin song,Tho’ Evening lingers at the mask so long.There let her strike with momentary ray,As tapers shine their little lives away;There let her practise from herself to steal,And look the happiness she does not feel;The ready smile and bidden blush employAt Faro-routs that dazzle to destroy;Fan with affected ease the essenc’d air,And lisp of fashions with unmeaning stare.Be thine to meditate an humbler flight,When morning fills the fields with rosy light;Be thine to blend, nor thine a vulgar aim,Repose with dignity, with Quiet fame.Here no state-chambers in long line unfold,Bright with broad mirrors, rough with fretted gold;Yet modest ornament, with use combin’d,Attracts the eye to exercise the mind.Small change of scene, small space his home requires,cWho leads a life of satisfied desires.What tho’ no marble breathes, no canvass glows,From every point a ray of genius flows!dBe mine to bless the more mechanic skill,That stamps, renews, and multiplies at will;And cheaply circulates, thro’ distant climes,The fairest relics of the purest times.Here from the mould to conscious being startThose finer forms, the miracles of art;Here chosen gems, imprest on sulphur, shine,That slept for ages in a second mine;And here the faithful graver dares to traceA MICHAEL’S grandeur, and a RAPHAEL’S grace!Thy gallery, Florence, gilds my humble walls,And my low roof the Vatican recalls!Soon as the morning-dream my pillow flies,To waking sense what brighter visions rise!O mark! again the coursers of the Sun,At GUIDO’S call, their round of glory run!eAgain the rosy Hours resume their flight,Obscur’d and lost in floods of golden light!But could thine erring friend so long forget(Sweet source of pensive joy and fond regret)That here its warmest hues the pencil flings,Lo! here the lost restores, the absent brings;And still the Few best lov’d and most rever’dfRise round the board their social smile endear’d?Selected shelves shall claim thy studious hours;There shall thy ranging mind be fed on flowers!There, while the shaded lamp’s mild lustre streams,Read antient books, or woo inspiring dreams;gAnd, when a sage’s bust arrests thee there,hPause, and his features with his thoughts compare.—Ah, most that Art my grateful rapture calls,Which breathes a soul into the silent walls;Which gathers round the Wise of every Tongue,iAll on whose words departed nations hung;Still prompt to charm with many a converse sweet;Guides in the world, companions in retreat!Tho’ my thatch’d bath no rich Mosaic knows,A limpid spring with unfelt current flows.Emblem of Life! which, still as we survey,Seems motionless, yet ever glides away!The shadowy walls record, with Attic art,The strength and beauty that its waves impart.Here THETIS, bending, with a mother’s fearsDips her dear boy, whose pride restrains his tears.There, VENUS, rising, shrinks with sweet surprize,As her fair self reflected seems to rise!Far from the joyless glare, the maddening strife,And all ‘the dull impertinence of life,’These eyelids open to the rising ray,And close, when Nature bids, at close of day.Here, at the dawn, the kindling landscape glows;There noon-day levees call from faint repose.Here the flush’d wave flings back the parting light;There glimmering lamps anticipate the night.When from his classic dreams the student steals,Amid the buzz of crowds, the whirl of wheels,To muse unnotic’d—while around him pressThe meteor-forms of equipage and dress;Alone, in wonder lost, he seems to standA very stranger in his native land!And (tho’ perchance of current coin possest,And modern phrase by living lips exprest)Like those blest Youths, forgive the fabling page,jWhose blameless lives deceiv’d a twilight age,Spent in sweet slumbers; till the miner’s spadeUnclos’d the cavern, and the morning play’d.Ah, what their strange surprize, their wild delight!New arts of life, new manners meet their sight!In a new world they wake, as from the dead;Yet doubt the trance dissolv’d, the vision fled!O come, and, rich in intellectual wealth,Blend thought with exercise, with knowledge health!Long, in this shelter’d scene of letter’d talk,With sober step repeat the pensive walk;Nor scorn, when graver triflings fail to please,The cheap amusements of a mind at ease;Here every care in sweet oblivion cast,And many an idle hour—not idly pass’d.No tuneful echoes, ambush’d at my gate,Catch the blest accents of the wise and great.kVain of its various page, no Album breathesThe sigh that Friendship or the Muse bequeaths.Yet some good Genii o’er my hearth preside,Oft the far friend, with secret spell, to guide;And there I trace, when the grey evening lours,A silent chronicle of happier hours!When Christmas revels in a world of snow,And bids her berries blush, her carols flow;His spangling shower when Frost the wizard flings;Or, borne in ether blue, on viewless wings,O’er the white pane his silvery foliage weaves,And gems with icicles the sheltering eaves;—Thy muffled friend his nectarine-wall pursues,What time the sun the yellow crocus wooes,Screen’d from the arrowy North; and duly hiesTo meet the morning-rumour as it flies;To range the murmuring market-place, and viewThe motley groups that faithful TENIERS drew.When Spring bursts forth in blossoms thro’ the vale,And her wild music triumphs on the gale,Oft with my book I muse from stile to stile;Oft in my porch the listless noon beguile,Framing loose numbers, till declining dayThro’ the green trellis shoots a crimson ray;Till the West-wind leads on the twilight hours,And shakes the fragrant bells of closing flowers.Nor boast, O Choisy! seat of soft delight,The secret charm of thy voluptuous night.Vain is the blaze of wealth, the pomp of power!Lo, here, attendant on the shadowy hour,Thy closet-supper, serv’d by hands unseen,Sheds, like an evening-star, its ray serene,lTo hail our coming. Not a step prophaneDares, with rude sound, the cheerful rite restrain;And, while the frugal banquet glows reveal’d,Pure and unbought—the natives of my field;While blushing fruits thro’ scatter’d leaves invite,Still clad in bloom, and veil’d in azure light;—With wine, as rich in years as HORACE sings,With water, clear as his own fountain flings,The shifting side-board plays its humbler part,Beyond the triumphs of a Loriot’s art.mThus, in this calm recess, so richly fraughtWith mental light, and luxury of thought,My life steals on; (O could it blend with thine!)Careless my course, yet not without design.So thro’ the vales of Loire the bee-hives glide,nThe light raft dropping with the silent tide;So, till the laughing scenes are lost in night,The busy people wing their various flight,Culling unnumber’d sweets from nameless flowers,That scent the vineyard in its purple hours.Rise, ere the watch-relieving clarions play,Caught thro’ St. James’s groves at blush of day;Ere its full voice the choral anthem flingsThro’ trophied tombs of heroes and of kings.Haste to the tranquil shade of learned ease,Tho’ skill’d alike to dazzle and to please;Tho’ each gay scene be search’d with anxious eye,Nor thy shut door be pass’d without a sigh.If, when this roof shall know thy friend no more,Some, form’d like thee, should once, like thee, explore;Invoke the lares of his lov’d retreat,And his lone walks imprint with pilgrim-feet;Then be it said, (as, vain of better days,Some grey domestic prompts the partial praise)“Unknown he liv’d, unenvied, not unblest;Reason his guide, and Happiness his guest.In the clear mirror of his moral page,We trace the manners of a purer age.His soul, with thirst of genuine glory fraught,Scorn’d the false lustre of licentious thought.—One fair asylum from the world he knew,One chosen seat, that charms with various view!Who boasts of more (believe the serious strain)Sighs for a home, and sighs, alas! in vain.Thro’ each he roves, the tenant of a day,And, with the swallow, wings the year away!”o
—apis MatinæMore modoqueGrata carpentis thyma. . .—HOR.
Fallacem circum, vespertinumque pererroSæpe forum.—HOR.
Tantôt, un livre en main, errantdans les préries—
Words in this poem 53
- curious a.
- Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
- unvalued a.
- Not valued; not appraised; hence, not considered; disregarded; valueless; as, an unvalued estate.
- resume n.
- A summing up; a condensed statement; an abridgment or brief recapitulation. [F. See Resume.]
- mart v. t.
- To buy or sell in, or as in, a mart.
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- pathway n.
- A footpath; a beaten track; any path or course. Also used figuratively.
- browsing n.
- Browse; also, a place abounding with shrubs where animals may browse.
- brimming a.
- Full to the brim; overflowing.
- glade n.
- An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
- vale n.
- A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
- nameless a.
- Without a name; not having been given a name; as, a nameless star.
- aurora n.
- The rising light of the morning; the dawn of day; the redness of the sky just before the sun rises. [L. aurora, for ausosa, akin to Gr. ushas, and E. east.]
- matin n.
- A French mastiff. [F. matin.]
- dazzle v. t.
- To overpower with light; to confuse the sight of by brilliance of light. [Freq. of daze.]
- lisp v. i.
- To pronounce the sibilant letter s imperfectly; to give s and z the sound of th; -- a defect common among children. [OE. lispen, lipsen, AS. wlisp stammering, lisping; akin to D. & OHG. lispen to lisp, G. lispeln, Sw. läspa, Dan. lespe.]
- humbler n.
- One who, or that which, humbles some one.
- cheaply adv.
- At a small price; at a low value; in a common or inferior manner.
- mould n.
- Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
- imprest v. t.
- To advance on loan. Burke. [Pref. im- + prest: cf. It. imprestare. See Prest, n.]
- graver n.
- One who graves; an engraver or a sculptor; one whose occupation is te cut letters or figures in stone or other hard material.
- vatican n.
- A magnificent assemblage of buildings at Rome, near the church of St. Peter, including the pope's palace, a museum, a library, a famous chapel, etc. [L. Vaticanus, mons, or collis, Vaticanus, the Vatican hill, in Rome, on the western bank of the Tiber: cf. F. Vatican, It. Vaticano.]
- endear v. t.
- To make dear or beloved.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- lustre n.
- A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
- joyless a.
- Not having joy; not causing joy; unenjoyable.
- glare v. i.
- To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- impertinence n.
- The condition or quality of being impertnent; absence of pertinence, or of adaptedness; irrelevance; unfitness. [Cf. F. impertinence. See Impertinent.]
- classic a.
- Of or relating to the first class or rank, especially in literature or art. [L. classicus relating to the classes of the Roman people, and especially to the frist class; hence, of the first rank, superior, from classis class: cf. F. clas]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- wealth n.
- Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
- oblivion n.
- The act of forgetting, or the state of being forgotten; cessation of remembrance; forgetfulness. [L. oblivio, akin to oblivisci to forget: cf. OF. oblivion.]
- tuneful a.
- Harmonious; melodious; musical; as, tuneful notes.
- viewless a.
- Not perceivable by the eye; invisible; unseen.
- pane n.
- The narrow edge of a hammer head. See Peen. [F. panne.]
- arrowy a.
- Consisting of arrows.
- stile n.
- A pin set on the face of a dial, to cast a shadow; a style. See Style. Moxon. [See Style.]
- listless a.
- Having no desire or inclination; indifferent; heedless; spiritless. [OE. listles, lustles. See Lust.]
- unseen a.
- Not seen or discovered.
- clad v.
- To clothe. Holland.
- fraught n.
- A freight; a cargo. [OE.fraight, fraght; akin to Dan. fragt, Sw. frakt, D. vracht, G. fracht, cf. OHG. fr merit, reward; perh. from corresponding to E. for + The root of E. own. Cf.]
- culling
- The act of one who culls.
- vineyard n.
- An inclosure or yard for grapevines; a plantation of vines producing grapes. [For OE. winyard, AS. wingeard; influenced by E. vine. See Wine, and Yard an inclosure.]
- choral a.
- Of or pertaining to a choir or chorus; singing, sung, or adapted to be sung, in chorus or harmony. Choral service, a service of song. [LL. choralis, fr. L. chorus. See Chorus.]
- anthem v. t.
- To celebrate with anthems.
- trophied a.
- Adorned with trophies.
- explore v. t.
- To seek for or after; to strive to attain by search; to look wisely and carefully for. [L. explorare to explore; ex out+plorare to cry out aloud,prob. orig., to cause to flow; perh. akin to E. flow: cf. F. explorer.]
- lone n.
- A lane. See Loanin.
- unblest a.
- Not blest; excluded from benediction; hence, accursed; wretched. [Pref. un- not + blessed, blest.]
- asylum n.
- A sanctuary or place of refuge and protection, where criminals and debtors found shelter, and from which they could not be forcibly taken without sacrilege.
- apis n.
- A genus of insects of the order Hymenoptera, including the common honeybee (Apis mellifica) and other related species. See Honeybee. [L., bee.]
- forum n.
- A market place or public place in Rome, where causes were judicially tried, and orations delivered to the people. [L.; akin to foris, foras, out of doors. See Foreign.]
- livre n.
- A French money of account, afterward a silver coin equal to 20 sous. It is not now in use, having been superseded by the franc. [F., fr. L. libra a pound of twelve ounces. Cf. Lira.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
An Epistle to a Friend is in the public domain. This text is taken from Poems, Project Gutenberg ebook #13586; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Samuel Rogers, An Epistle to a Friend, in Poems (1792–1834), text of Project Gutenberg ebook #13586, Laurel, https://laurelpoetry.com/poem/rogers-poems/an-epistle-to-a-friend.html, id L26169.
Form and metre
An Epistle to a Friend is 228 lines in 4 verse paragraphs. It is in rhyming couplets, 80% of the lines: heroic couplets. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFFGGHHIIJJKK----LLMMNNOO--PPQQRRSSTTUUVVWWXXYYZZaa-bb-ccddeeffgghhii--jjkkll--mm----nn--ooppqqrr--ssttuuvvwwxxyyzzAA--BBCCDDEEFFGGHH----II--JJKKLL--MMNNOOPPQQRRSSTT--UUVVWWXX--YYZZ--aabbccddeeffgghhiijjkkllmmnn-- mindA · kindA · wingB · stingB · hoursC · flowersC · fieldD · reveal'dD · invitesE · ritesE · resumeF · perfumeF · martG · artG · songH · alongH · dwellI · cellI · greenJ · seenJ · flowK · belowK · forgive · live · passa · ass · delightL · flightL · maidM · gladeM · retiresN · spiresN · hungO · unsungO · day,b · away · squareP · thereP · moreQ · beforeQ · playsR · blazeR · songS · longS · rayT · awayT · stealU · feelU · employV · destroyV · airW · stareW · flightX · lightX · aimY · fameY · unfoldZ · goldZ · combin'da · minda · requires,c · desiresb · glowsb · flows!d · skillc · willc · climesd · timesd · starte · arte · shinef · minef · traceg · graceg · wallsh · recallsh · fliesi · risei · sun · run!e · flightj · lightj · forgetk · regretk · flingsl · bringsl · rever'df · endear'd · hoursm · flowersm · streams · dreams;g · there,h · compare · callsn · wallsn · tongue,i · hung · sweeto · retreato · knowsp · flowsp · surveyq · awayq · artr · impartr · fears · tears · surprizes · rises · strifet · lifet · rayu · dayu · glowsv · reposev · lightw · nightw · stealsx · wheelsx · pressy · dressy · standz · landz · possestA · exprestA · page,j · age · spadeB · play'dB · delightC · sightC · deadD · fledD · wealthE · healthE · talkF · walkF · pleaseG · easeG · castH · pass'dH · gate · great.k · breathes · bequeaths · presideI · guideI · lours · hours · snowJ · flowJ · flingsK · wingsK · weavesL · eavesL · pursues · wooes · hiesM · fliesM · viewN · drewN · valeO · galeO · stileP · beguileP · dayQ · rayQ · hoursR · flowersR · delightS · nightS · powerT · hourT · unseen · serene,l · prophaneU · restrainU · reveal'dV · fieldV · inviteW · lightW · singsX · flingsX · part · art.m · fraughtY · thoughtY · thineZ · designZ · glide,n · tide · nighta · flighta · flowersb · hoursb · playc · dayc · flingsd · kingsd · easee · pleasee · eyef · sighf · moreg · exploreg · retreath · feeth · daysi · praisei · unblestj · guestj · pagek · agek · fraughtl · thoughtl · knewm · viewm · strainn · vainn · day · away!”o
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| When, with a REAUMUR’S skill, thy curious mind | 10 | ·······/˘· |
| Has class’d the insect-tribes of human-kind, | 10 | ···/···/˘· |
| Each with its busy hum, or gilded wing, | 10 | ···/˘··/˘· |
| Its subtle, web-work, or its venom’d sting; | 10 | ·/˘······· |
| Let me, to claim a few unvalued hours, | 11 | ······˘/˘/˘ |
| Point the green lane that leads thro’ fern and flowers; | 11 | ·········/˘ |
| The shelter’d gate that opens to my field, | 10 | ·/˘··/˘··· |
| And the white front thro’ mingling elms reveal’d. | 10 | ·····/˘·˘/ |
| In vain, alas, a village-friend invites | 10 | ··˘/·/˘·˘/ |
| To simple comforts, and domestic rites, | 10 | ·/˘/˘·˘/˘· |
| When the gay months of Carnival resume | 10 | ·····/˘˘˘/ |
| Their annual round of glitter and perfume; | 10 | ·/˘··/˘·˘/ |
| When London hails thee to its splendid mart, | 10 | ·/˘····/˘· |
| Its hives of sweets, and cabinets of art; | 10 | ·····/˘˘·· |
| And, lo, majestic as thy manly song, | 10 | ··˘/˘··/˘· |
| Flows the full tide of human life along. | 10 | ·····/˘·˘/ |
| Still must my partial pencil love to dwell | 10 | ···/˘/˘··· |
| On the home-prospects of my hermit cell; | 10 | ···/˘··/˘· |
| The mossy pales that skirt the orchard-green, | 10 | ·/˘····/˘· |
| Here hid by shrub-wood, there by glimpses seen; | 10 | ·······/˘· |
| And the brown pathway, that, with careless flow, | 10 | ···/···/˘· |
| Sinks, and is lost among the trees below. | 10 | ·········· |
| Still must it trace (the flattering tints forgive) | 10 | ·····/˘·˘/ |
| Each fleeting charm that bids the landscape live. | 10 | ·/˘····/·· |
| Oft o’er the mead, at pleasing distance, passa | 11 | ·····/˘/˘·· |
| Browsing the hedge by fits the pannier’d ass; | 10 | /˘········ |
| The idling shepherd-boy, with rude delight, | 10 | ·/˘/˘···˘/ |
| Whistling his dog to mark the pebble’s flight; | 10 | /˘·····/˘· |
| And in her kerchief blue the cottage-maid, | 10 | ···/˘··/˘· |
| With brimming pitcher from the shadowy glade. | 10 | ·/˘/˘··/˘· |
| Far to the south a mountain-vale retires, | 10 | ·····/˘·˘/ |
| Rich in its groves, and glens, and village-spires; | 10 | ·······/˘· |
| Its upland lawns, and cliffs with foliage hung, | 10 | ·/˘····/˘· |
| Its wizard-stream, nor nameless nor unsung: | 10 | ·/˘··/˘·˘/ |
| And thro’ the various year, the various day,b | 11 | ···/˘··/˘·· |
| What scenes of glory burst, and melt away! | 10 | ···/˘···˘/ |
| When April-verdure springs in Grosvenor-square, | 10 | ·/˘/˘··/˘· |
| And the furr’d Beauty comes to winter there, | 10 | ···/˘··/˘· |
| She bids old Nature mar the plan no more; | 10 | ···/˘····· |
| Yet still the seasons circle as before. | 10 | ···/˘/˘··· |
| Ah, still as soon the young Aurora plays, | 10 | ·········· |
| Tho’ moons and flambeaux trail their broadest blaze; | 10 | ·······/˘· |
| As soon the sky-lark pours his matin song, | 10 | ·······/˘· |
| Tho’ Evening lingers at the mask so long. | 10 | ·/˘/˘····· |
| There let her strike with momentary ray, | 10 | ·····/˘·˘· |
| As tapers shine their little lives away; | 10 | ·/˘··/˘·˘/ |
| There let her practise from herself to steal, | 10 | ···/˘·˘/·· |
| And look the happiness she does not feel; | 10 | ···/˘˘···· |
| The ready smile and bidden blush employ | 10 | ·/˘··/˘·˘/ |
| At Faro-routs that dazzle to destroy; | 10 | ·/˘··/˘·˘/ |
| Fan with affected ease the essenc’d air, | 10 | ··˘/˘····· |
| And lisp of fashions with unmeaning stare. | 10 | ···/˘·˘/˘· |
| Be thine to meditate an humbler flight, | 10 | ···/˘··/˘· |
| When morning fills the fields with rosy light; | 10 | ·/˘····/˘· |
| Be thine to blend, nor thine a vulgar aim, | 10 | ·······/˘· |
| Repose with dignity, with Quiet fame. | 10 | ˘/·/˘˘·/˘· |
| Here no state-chambers in long line unfold, | 10 | ···/˘···˘/ |
| Bright with broad mirrors, rough with fretted gold; | 10 | ···/˘··/˘· |
| Yet modest ornament, with use combin’d, | 10 | ·/˘/˘˘··˘/ |
| Attracts the eye to exercise the mind. | 10 | ˘/···/˘··· |
| Small change of scene, small space his home requires,c | 11 | ········˘/· |
| Who leads a life of satisfied desires. | 11 | ·····/˘·˘/˘ |
| What tho’ no marble breathes, no canvass glows, | 10 | ···/˘··/˘· |
| From every point a ray of genius flows!d | 11 | ·/˘····/˘·· |
| Be mine to bless the more mechanic skill, | 10 | ······˘/˘· |
| That stamps, renews, and multiplies at will; | 10 | ··˘/·/˘··· |
| And cheaply circulates, thro’ distant climes, | 10 | ·/˘/˘··/˘· |
| The fairest relics of the purest times. | 10 | ·/˘/˘··/˘· |
| Here from the mould to conscious being start | 10 | ·····/˘/˘· |
| Those finer forms, the miracles of art; | 10 | ·/˘··/˘˘·· |
| Here chosen gems, imprest on sulphur, shine, | 10 | ·/˘·˘/·/˘· |
| That slept for ages in a second mine; | 10 | ···/˘··/˘· |
| And here the faithful graver dares to trace | 10 | ···/˘/˘··· |
| A MICHAEL’S grandeur, and a RAPHAEL’S grace! | 11 | ·/˘˘/···˘/· |
| Thy gallery, Florence, gilds my humble walls, | 10 | ·/˘/˘··/˘· |
| And my low roof the Vatican recalls! | 10 | ·····/˘˘˘/ |
| Soon as the morning-dream my pillow flies, | 10 | ···/˘··/˘· |
| To waking sense what brighter visions rise! | 10 | ·/˘··/˘/˘· |
| O mark! again the coursers of the Sun, | 10 | ··˘/·/˘··· |
| At GUIDO’S call, their round of glory run!e | 11 | ·/˘····/˘·· |
| Again the rosy Hours resume their flight, | 10 | ˘/·/˘/˘/·· |
| Obscur’d and lost in floods of golden light! | 10 | ˘/·····/˘· |
| But could thine erring friend so long forget | 10 | ···/˘···˘/ |
| (Sweet source of pensive joy and fond regret) | 10 | ···/˘···˘/ |
| That here its warmest hues the pencil flings, | 10 | ···/˘··/˘· |
| Lo! here the lost restores, the absent brings; | 10 | ····˘/·/˘· |
| And still the Few best lov’d and most rever’df | 10 | ·········· |
| Rise round the board their social smile endear’d? | 10 | ·····/˘·˘/ |
| Selected shelves shall claim thy studious hours; | 10 | ˘/˘····/˘/ |
| There shall thy ranging mind be fed on flowers! | 11 | ···/˘····/˘ |
| There, while the shaded lamp’s mild lustre streams, | 10 | ···/˘··/˘· |
| Read antient books, or woo inspiring dreams;g | 11 | ······˘/˘·· |
| And, when a sage’s bust arrests thee there,h | 11 | ···/˘·˘/··· |
| Pause, and his features with his thoughts compare. | 10 | ···/˘···˘/ |
| —Ah, most that Art my grateful rapture calls, | 10 | ·····/˘/˘· |
| Which breathes a soul into the silent walls; | 10 | ·······/˘· |
| Which gathers round the Wise of every Tongue,i | 11 | ·/˘····/˘·· |
| All on whose words departed nations hung; | 10 | ····˘/˘/˘· |
| Still prompt to charm with many a converse sweet; | 10 | ·····/·/˘· |
| Guides in the world, companions in retreat! | 10 | ····˘/˘·˘/ |
| Tho’ my thatch’d bath no rich Mosaic knows, | 10 | ······˘/˘· |
| A limpid spring with unfelt current flows. | 10 | ·/˘····/˘· |
| Emblem of Life! which, still as we survey, | 10 | /˘······/· |
| Seems motionless, yet ever glides away! | 10 | ·/˘˘·/˘·˘/ |
| The shadowy walls record, with Attic art, | 10 | ·/˘·˘/·/˘· |
| The strength and beauty that its waves impart. | 10 | ···/˘···˘/ |
| Here THETIS, bending, with a mother’s fears | 10 | ·/˘/˘··/˘· |
| Dips her dear boy, whose pride restrains his tears. | 10 | ······˘/·· |
| There, VENUS, rising, shrinks with sweet surprize, | 10 | ·/˘/˘····· |
| As her fair self reflected seems to rise! | 10 | ····˘/˘··· |
| Far from the joyless glare, the maddening strife, | 10 | ···/˘··/˘· |
| And all ‘the dull impertinence of life,’ | 10 | ····˘/˘˘·· |
| These eyelids open to the rising ray, | 10 | ·/·/˘··/˘· |
| And close, when Nature bids, at close of day. | 10 | ···/˘····· |
| Here, at the dawn, the kindling landscape glows; | 10 | ·····/˘/·· |
| There noon-day levees call from faint repose. | 10 | ···/˘···˘/ |
| Here the flush’d wave flings back the parting light; | 10 | ·······/˘· |
| There glimmering lamps anticipate the night. | 10 | ·/˘·˘/˘··· |
| When from his classic dreams the student steals, | 10 | ···/˘··/˘· |
| Amid the buzz of crowds, the whirl of wheels, | 10 | ˘/········ |
| To muse unnotic’d—while around him press | 10 | ··˘/˘····· |
| The meteor-forms of equipage and dress; | 10 | ·/˘··/˘˘·· |
| Alone, in wonder lost, he seems to stand | 10 | ˘/·/˘····· |
| A very stranger in his native land! | 10 | ·/˘/˘··/˘· |
| And (tho’ perchance of current coin possest, | 10 | ··˘/·/˘·/˘ |
| And modern phrase by living lips exprest) | 10 | ·/˘··/˘··· |
| Like those blest Youths, forgive the fabling page,j | 11 | ····˘/·/˘·· |
| Whose blameless lives deceiv’d a twilight age, | 10 | ·/˘·˘/·/·· |
| Spent in sweet slumbers; till the miner’s spade | 10 | ···/˘··/˘· |
| Unclos’d the cavern, and the morning play’d. | 10 | ···/˘··/˘· |
| Ah, what their strange surprize, their wild delight! | 10 | ········˘/ |
| New arts of life, new manners meet their sight! | 10 | ·····/˘··· |
| In a new world they wake, as from the dead; | 10 | ·········· |
| Yet doubt the trance dissolv’d, the vision fled! | 10 | ····˘/·/˘· |
| O come, and, rich in intellectual wealth, | 10 | ······˘/˘· |
| Blend thought with exercise, with knowledge health! | 10 | ···/˘··/˘· |
| Long, in this shelter’d scene of letter’d talk, | 10 | ···/˘··/˘· |
| With sober step repeat the pensive walk; | 10 | ·/˘·˘/·/˘· |
| Nor scorn, when graver triflings fail to please, | 10 | ···/˘/˘··· |
| The cheap amusements of a mind at ease; | 10 | ··˘/˘····· |
| Here every care in sweet oblivion cast, | 10 | ·/˘···˘/˘· |
| And many an idle hour—not idly pass’d. | 10 | ·/·/˘/·/˘· |
| No tuneful echoes, ambush’d at my gate, | 10 | ·/˘/˘/···· |
| Catch the blest accents of the wise and great.k | 11 | ···/˘······ |
| Vain of its various page, no Album breathes | 10 | ···/˘··/˘· |
| The sigh that Friendship or the Muse bequeaths. | 10 | ···/˘···˘/ |
| Yet some good Genii o’er my hearth preside, | 10 | ········˘/ |
| Oft the far friend, with secret spell, to guide; | 10 | ·····/˘··· |
| And there I trace, when the grey evening lours, | 10 | ·······/˘· |
| A silent chronicle of happier hours! | 11 | ·/˘/˘˘·/˘/˘ |
| When Christmas revels in a world of snow, | 10 | ·/˘/˘····· |
| And bids her berries blush, her carols flow; | 10 | ···/˘··/˘· |
| His spangling shower when Frost the wizard flings; | 10 | ·/˘/···/˘· |
| Or, borne in ether blue, on viewless wings, | 10 | ···/˘··/˘· |
| O’er the white pane his silvery foliage weaves, | 10 | ·····/˘/˘· |
| And gems with icicles the sheltering eaves; | 10 | ···/˘·/˘˘· |
| —Thy muffled friend his nectarine-wall pursues, | 11 | ·/˘··/˘˘·˘/ |
| What time the sun the yellow crocus wooes, | 10 | ·····/˘/˘· |
| Screen’d from the arrowy North; and duly hies | 11 | ···/˘˘··/˘· |
| To meet the morning-rumour as it flies; | 10 | ···/˘·˘··· |
| To range the murmuring market-place, and view | 10 | ···/˘/˘··· |
| The motley groups that faithful TENIERS drew. | 10 | ·/˘··/˘··· |
| When Spring bursts forth in blossoms thro’ the vale, | 10 | ·····/˘··· |
| And her wild music triumphs on the gale, | 10 | ···/˘/˘··· |
| Oft with my book I muse from stile to stile; | 10 | ·········· |
| Oft in my porch the listless noon beguile, | 10 | ·····/˘·˘/ |
| Framing loose numbers, till declining day | 10 | /˘·/˘·˘/˘· |
| Thro’ the green trellis shoots a crimson ray; | 10 | ···/˘··/˘· |
| Till the West-wind leads on the twilight hours, | 11 | ·······/·/˘ |
| And shakes the fragrant bells of closing flowers. | 11 | ···/˘··/˘/˘ |
| Nor boast, O Choisy! seat of soft delight, | 10 | ········˘/ |
| The secret charm of thy voluptuous night. | 10 | ·/˘···˘/˘· |
| Vain is the blaze of wealth, the pomp of power! | 11 | ·········/˘ |
| Lo, here, attendant on the shadowy hour, | 10 | ··˘/˘··/˘/ |
| Thy closet-supper, serv’d by hands unseen, | 10 | ·/˘/˘···˘/ |
| Sheds, like an evening-star, its ray serene,l | 11 | ···/˘···˘/· |
| To hail our coming. Not a step prophane | 10 | ··//˘···˘/ |
| Dares, with rude sound, the cheerful rite restrain; | 10 | ·····/˘·˘/ |
| And, while the frugal banquet glows reveal’d, | 10 | ···/˘/˘·˘/ |
| Pure and unbought—the natives of my field; | 10 | ·····/˘··· |
| While blushing fruits thro’ scatter’d leaves invite, | 10 | ·/˘··/˘·˘/ |
| Still clad in bloom, and veil’d in azure light;— | 10 | ·······/˘· |
| With wine, as rich in years as HORACE sings, | 10 | ·······/˘· |
| With water, clear as his own fountain flings, | 10 | ·/˘····/˘· |
| The shifting side-board plays its humbler part, | 10 | ·/˘····/˘· |
| Beyond the triumphs of a Loriot’s art.m | 11 | ···/˘······ |
| Thus, in this calm recess, so richly fraught | 10 | ····˘/·/˘· |
| With mental light, and luxury of thought, | 10 | ·/˘··/˘˘·· |
| My life steals on; (O could it blend with thine!) | 10 | ·········· |
| Careless my course, yet not without design. | 10 | /˘······˘/ |
| So thro’ the vales of Loire the bee-hives glide,n | 11 | ··········· |
| The light raft dropping with the silent tide; | 10 | ···/˘··/˘· |
| So, till the laughing scenes are lost in night, | 10 | ···/˘····· |
| The busy people wing their various flight, | 10 | ·/˘/˘··/˘· |
| Culling unnumber’d sweets from nameless flowers, | 11 | /˘·····/˘/˘ |
| That scent the vineyard in its purple hours. | 11 | ···/˘··/˘/˘ |
| Rise, ere the watch-relieving clarions play, | 10 | ····˘/˘/˘· |
| Caught thro’ St. James’s groves at blush of day; | 10 | ···/˘····· |
| Ere its full voice the choral anthem flings | 10 | ·····/˘/˘· |
| Thro’ trophied tombs of heroes and of kings. | 10 | ·/˘··/˘··· |
| Haste to the tranquil shade of learned ease, | 10 | ···/˘···˘· |
| Tho’ skill’d alike to dazzle and to please; | 10 | ··˘/·/˘··· |
| Tho’ each gay scene be search’d with anxious eye, | 10 | ·······/˘· |
| Nor thy shut door be pass’d without a sigh. | 10 | ·········· |
| If, when this roof shall know thy friend no more, | 10 | ·········· |
| Some, form’d like thee, should once, like thee, explore; | 10 | ········˘/ |
| Invoke the lares of his lov’d retreat, | 9 | ˘/·····˘/ |
| And his lone walks imprint with pilgrim-feet; | 10 | ····˘/·/˘· |
| Then be it said, (as, vain of better days, | 10 | ·······/˘· |
| Some grey domestic prompts the partial praise) | 10 | ··˘/˘··/˘· |
| “Unknown he liv’d, unenvied, not unblest; | 9 | ˘/······· |
| Reason his guide, and Happiness his guest. | 10 | /˘···/˘˘·· |
| In the clear mirror of his moral page, | 10 | ···/˘··/˘· |
| We trace the manners of a purer age. | 10 | ···/˘··/˘· |
| His soul, with thirst of genuine glory fraught, | 10 | ·····/˘/˘· |
| Scorn’d the false lustre of licentious thought. | 10 | ···/˘·˘/˘· |
| —One fair asylum from the world he knew, | 10 | ··˘/˘····· |
| One chosen seat, that charms with various view! | 10 | ·/˘····/˘· |
| Who boasts of more (believe the serious strain) | 10 | ····˘/·/˘· |
| Sighs for a home, and sighs, alas! in vain. | 10 | ······˘/·· |
| Thro’ each he roves, the tenant of a day, | 10 | ·····/˘··· |
| And, with the swallow, wings the year away!”o | 11 | ···/˘···˘/· |
| —apis Matinæ | 4 | /˘/˘ |
| More modoque | 3 | ··· |
| Grata carpentis thyma. . .—HOR. | 8 | /˘······ |
| Fallacem circum, vespertinumque pererro | 12 | ···/˘······· |
| Sæpe forum.—HOR. | 4 | ·/˘· |
| Tantôt, un livre en main, errantdans les préries— | 12 | ···/˘······· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.