On the Night of a Friend's Wedding

Edwin Arlington Robinson (1869–1935) · 1897

iambic pentameter · 70 lines · from The Children of the Night

If ever I am old, and all alone,I shall have killed one grief, at any rate;For then, thank God, I shall not have to waitMuch longer for the sheaves that I have sown.The devil only knows what I have done,But here I am, and here are six or eightGood friends, who most ingenuously prateAbout my songs to such and such a one.

But everything is all askew to-night, --As if the time were come, or almost come,For their untenanted mirage of meTo lose itself and crumble out of sight,Like a tall ship that floats above the foamA little while, and then breaks utterly.

The master and the slave go hand in hand,Though touch be lost. The poet is a slave,And there be kings do sorrowfully craveThe joyance that a scullion may command.But, ah, the sonnet-slave must understandThe mission of his bondage, or the graveMay clasp his bones, or ever he shall saveThe perfect word that is the poet's wand!

The sonnet is a crown, whereof the rhymesAre for Thought's purest gold the jewel-stones;But shapes and echoes that are never doneWill haunt the workshop, as regret sometimesWill bring with human yearning to sad thronesThe crash of battles that are never won.

Why do you dig like long-clawed scavengersTo touch the covered corpse of him that fledThe uplands for the fens, and riotedLike a sick satyr with doom's worshippers?Come! let the grass grow there; and leave his verseTo tell the story of the life he led.Let the man go: let the dead flesh be dead,And let the worms be its biographers.

Song sloughs away the sin to find redressIn art's complete remembrance: nothing clingsFor long but laurel to the stricken browThat felt the Muse's finger; nothing lessThan hell's fulfilment of the end of thingsCan blot the star that shines on Paris now.

When we can all so excellently giveThe measure of love's wisdom with a blow, --Why can we not in turn receive it so,And end this murmur for the life we live?And when we do so frantically striveTo win strange faith, why do we shun to knowThat in love's elemental over-glowGod's wholeness gleams with light superlative?

Oh, brother men, if you have eyes at all,Look at a branch, a bird, a child, a rose, --Or anything God ever made that grows, --Nor let the smallest vision of it slip,Till you can read, as on Belshazzar's wall,The glory of eternal partnership!

There is a drear and lonely tract of hellFrom all the common gloom removed afar:A flat, sad land it is, where shadows are,Whose lorn estate my verse may never tell.I walked among them and I knew them well:Men I had slandered on life's little starFor churls and sluggards; and I knew the scarUpon their brows of woe ineffable.

But as I went majestic on my way,Into the dark they vanished, one by one,Till, with a shaft of God's eternal day,The dream of all my glory was undone, --And, with a fool's importunate dismay,I heard the dead men singing in the sun.

Words in this poem 19
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
thank n.
A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
ingenuously adv.
In an ingenuous manner; openly; fairly; candidly; artlessly.
askew adv.
Awry; askance; asquint; oblique or obliquely; -- sometimes indicating scorn, or contempt, or entry. [Pref. a- + skew.]
crave v. t.
To ask with earnestness or importunity; to ask with submission or humility; to beg; to entreat; to beseech; to implore. [AS. crafian; akin to Icel. krefia, Sw. kr, Dan. kr.]
joyance n.
Enjoyment; gayety; festivity; joyfulness. [OF. joiance.]
scullion n.
A servant who cleans pots and kettles, and does other menial services in the kitchen. [OF. escouillon (Cot.) a dishclout, apparently for escouvillon, F. écouvillon a swab; cf. also OF. souillon a servant employed for base offices. Cf. Scovel.]
sonnet n.
A short poem, -- usually amatory. [F., fr. It. sonetto, fr. suono a sound, a song, fr. L. sonus a sound. See Sound noise.]
whereof adv.
Of which; of whom; formerly, also, with which; -- used relatively.
corpse n.
A human body in general, whether living or dead; -- sometimes contemptuosly. [OF. cors (sometimes written corps), F. corps, L. corpus; akin to AS. hrif womb. See Midriff, and cf. Corse, Corselet, Corps, Cuerpo.]
satyr n.
A sylvan deity or demigod, represented as part man and part goat, and characterized by riotous merriment and lasciviousness. [L. satyrus, Gr. satyre.]
stricken p. p.
Struck; smitten; wounded; as, the stricken deer.
excellently adv.
In an excellent manner; well in a high degree.
wholeness n.
The quality or state of being whole, entire, or sound; entireness; totality; completeness.
drear n.
Sadness; dismalness.
afar adv.
At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
lorn a.
Lost; undone; ruined. [Strong p. p. of Lose. See Lose, Forlorn.]
went n.
Course; way; path; journey; direction.
undone a.
Not done or performed; neglected. [Pref. un- not + done.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

On the Night of a Friend's Wedding is in the public domain. This text is taken from Children of the Night, Project Gutenberg ebook #313; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edwin Arlington Robinson, On the Night of a Friend's Wedding, in The Children of the Night (1897), text of Project Gutenberg ebook #313, Laurel, https://laurelpoetry.com/poem/robinson-children-of-night/on-the-night-of-a-friend-s-wedding.html, id L08018.

Form and metre

On the Night of a Friend's Wedding is 70 lines in 10 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 7 lines end on an unstressed syllable, a feminine ending. 41% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBACBBC aloneA · rateB · waitB · sownA · doneC · eightB · prateB · oneC
  2. 2 AB-AB- nightA · comeB · me · sightA · foamB · utterly
  3. 3 ABBAABB- handA · slaveB · craveB · commandA · understandA · graveB · saveB · wand
  4. 4 ABCABC rhymesA · stonesB · doneC · sometimesA · thronesB · wonC
  5. 5 -AA--AA- scavengers · fledA · riotedA · worshippers · verse · ledA · deadA · biographers
  6. 6 ABCABC redressA · clingsB · browC · lessA · thingsB · nowC
  7. 7 ABBAABBA giveA · blowB · soB · liveA · striveA · knowB · glowB · superlativeA
  8. 8 ABBCAC allA · roseB · growsB · slipC · wallA · partnershipC
  9. 9 ABBAABBA hellA · afarB · areB · tellA · wellA · starB · scarB · ineffableA
  10. 10 ABABAB wayA · oneB · dayA · undoneB · dismayA · sunB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
If ever I am old, and all alone,10·/˘·····˘/
I shall have killed one grief, at any rate;10·······/˘·
For then, thank God, I shall not have to wait10··········
Much longer for the sheaves that I have sown.10·/˘·······
The devil only knows what I have done,10·/˘/˘·····
But here I am, and here are six or eight10··········
Good friends, who most ingenuously prate10····˘/˘˘˘·
About my songs to such and such a one.10··········
But everything is all askew to-night, --10·/˘···˘/··
As if the time were come, or almost come,10·······/··
For their untenanted mirage of me10······˘/··
To lose itself and crumble out of sight,10··˘/·/˘···
Like a tall ship that floats above the foam10··········
A little while, and then breaks utterly.10·/˘····/˘˘
The master and the slave go hand in hand,10·/˘·······
Though touch be lost. The poet is a slave,10·····/˘···
And there be kings do sorrowfully crave10··········
The joyance that a scullion may command.10·/˘··/˘·˘/
But, ah, the sonnet-slave must understand10···/˘···˘/
The mission of his bondage, or the grave10·/˘··/˘···
May clasp his bones, or ever he shall save10·····/˘···
The perfect word that is the poet's wand!10·/·····/˘·
The sonnet is a crown, whereof the rhymes10·/˘·······
Are for Thought's purest gold the jewel-stones;10···/˘··/˘·
But shapes and echoes that are never done10···/˘··/˘·
Will haunt the workshop, as regret sometimes10···/··˘/˘/
Will bring with human yearning to sad thrones10···/˘/˘···
The crash of battles that are never won.10···/˘··/˘·
Why do you dig like long-clawed scavengers10·······/˘˘
To touch the covered corpse of him that fled10···/˘·····
The uplands for the fens, and rioted10·/˘····/˘˘
Like a sick satyr with doom's worshippers?10···/˘··/˘˘
Come! let the grass grow there; and leave his verse10··········
To tell the story of the life he led.10···/˘·····
Let the man go: let the dead flesh be dead,10··········
And let the worms be its biographers.10······˘/˘˘
Song sloughs away the sin to find redress10··˘/····˘/
In art's complete remembrance: nothing clings10··˘/˘/˘/˘·
For long but laurel to the stricken brow10···/˘··/˘·
That felt the Muse's finger; nothing less10···/˘/˘/˘·
Than hell's fulfilment of the end of things10··········
Can blot the star that shines on Paris now.10·······/˘·
When we can all so excellently give10·····/˘˘˘·
The measure of love's wisdom with a blow, --10·/˘··/˘···
Why can we not in turn receive it so,10······˘/··
And end this murmur for the life we live?10···/˘·····
And when we do so frantically strive10·····/˘˘˘·
To win strange faith, why do we shun to know10··········
That in love's elemental over-glow10····˘/˘···
God's wholeness gleams with light superlative?10·/˘···˘/˘˘
Oh, brother men, if you have eyes at all,10·/˘·······
Look at a branch, a bird, a child, a rose, --10··········
Or anything God ever made that grows, --10·/˘··/˘···
Nor let the smallest vision of it slip,10···/˘/˘···
Till you can read, as on Belshazzar's wall,10··········
The glory of eternal partnership!10·/˘·˘/˘/˘·
There is a drear and lonely tract of hell10·····/˘···
From all the common gloom removed afar:10···/˘·˘/˘/
A flat, sad land it is, where shadows are,10·······/··
Whose lorn estate my verse may never tell.10··˘/···/˘·
I walked among them and I knew them well:10··········
Men I had slandered on life's little star10···/˘··/˘·
For churls and sluggards; and I knew the scar10··········
Upon their brows of woe ineffable.10······˘/˘˘
But as I went majestic on my way,10····˘/˘···
Into the dark they vanished, one by one,10·····/˘···
Till, with a shaft of God's eternal day,10······˘/˘·
The dream of all my glory was undone, --10·····/˘·˘/
And, with a fool's importunate dismay,10····˘/˘˘˘/
I heard the dead men singing in the sun.10·····/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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