"The Everlasting Return"

Lola Ridge (1873–1941) · 1918

Free verse · 83 lines · from The Ghetto, and Other Poems

It is dark... so dark, I remember the sun on Chios...It is still... so still, I hear the beat of our paddles on the Aegean...

Ten times we had watched the moonRise like a thin white virgin out of the watersAnd round into a full maternity...For thrice ten moons we had touched no fleshSave the man flesh on either handThat was black and bitter and salt and scaled by the sea.

The Athenian boy sat on my left...His hair was yellow as corn steeped in wine...And on my right was Phildar the Carthaginian,Grinning PhildarWith his mouth pulled taut as by reins from his black gapped teeth.Many a whip had coiled about himAnd his shoulders were rutted deep as wet ground under chariot wheels,And his skin was red and tough as a bull's hide cured in the sun.He did not sing like the other slaves,But when a big wind came up he screamed with it.And always he looked out to sea,Save when he tore at his fish endsOr spat across me at the Greek boy, whose mouth was red and apartlike an opened fruit.

We had rowed from dawn and the green galley hard at our stern.She was green and squat and skulked close to the sea.All day the tish of their paddles had tickled our ears,And when night came onAnd little naked stars dabbled in the waterAnd half the crouching moonSlid over the silver belly of the sea thick-scaled with light,We heard them singing at their oars...We who had no breath for song.

There was no sound in our boatSave the clingle of wrist chainsAnd the sobbing of the young Greek.I cursed him that his hair blew in my mouth, tasting salt of the sea...I cursed him that his oar kept ill time...When he looked at me I cursed him again,That his eyes were soft as a woman's.

How long... since their last shell gouged our batteries?How long... since we rose at aim with a sleuth moon astern?(It was the damned green moon that nosed us out...The moon that flushed our periscope till it shone like a silver flame...)

They loosed each man's right handAs the galley spent on our decks...And amazed and bloodied we reared half upAnd fought askew with the left hand shackled...But a zigzag fire leapt in our socketsAnd knotted our thews like string...Our thews grown stiff as a crooked spine that would not straighten...

How long... since our gauges fellAnd the sea shoved us under?It is dark... so dark...Darkness presses hairy-hotWhere three make crowded company...And the rank steel smells....It is still... so still...I seem to hear the windOn the dimpled face of the water fathoms above...

It was still... so still... we three that were left aliveStared in each other's faces...But three make bitter company at one man's bread...And our hate grew sharp and bright as the moon's edge in the water.

One grinned with his mouth awry from the long gapped teeth...And one shivered and whined like a gull as the waves pawed us over...But one struck with his hate in his hand...

After that I rememberOnly the dead men's oars that flapped in the sea...The dead men's oars that rattled and clicked like idiots' tongues.

It is still... so still, with the jargon of engines quiet.We three awaiting the crunch of the seaReach our hands in the dark and touch each other's faces...We three sheathing hate in our hearts...But when hate shall have made its circuit,Our bones will be loving companyHere in the sea's den...And one whimpers and cries on his GodAnd one sits sullenlyBut both draw away from me...For I am the pyre their memories burn on...Like black flames leapingOur fiery gestures light the walled-in darkness of the sea...The sea that kneels above us...And makes no sign.

Words in this poem

maternity n.
The state of being a mother; the character or relation of a mother. [F. maternité, LL. maternitas.]
scaled a.
Covered with scales, or scalelike structures; -- said of a fish, a reptile, a moth, etc.
carthaginian a.
Of a pertaining to ancient Carthage, a city of northern Africa.
tore n.
The dead grass that remains on mowing land in winter and spring. Mortimer. [Probably from the root of tear; cf. W. tór a break, cut, tóri to break, cut.]
spat n.
A young oyster or other bivalve mollusk, both before and after it first becomes adherent, or such young, collectively. [From the root of spit; hence, literally, that which is ejected.]
sobbing n.
A series of short, convulsive inspirations, the glottis being suddenly closed so that little or no air enters into the lungs.
cursed a.
Deserving a curse; execrable; hateful; detestable; abominable.
sleuth n.
The track of man or beast as followed by the scent. [Icel. sloedh. See Slot a track.]
damned a.
Sentenced to punishment in a future state; condemned; consigned to perdition.
periscope n.
A general or comprehensive view. [Pref. peri- + -scope.]
askew adv.
Awry; askance; asquint; oblique or obliquely; -- sometimes indicating scorn, or contempt, or entry. [Pref. a- + skew.]
crunch v. i.
To chew with force and noise; to craunch. [Prob. of imitative origin; or cf. D. schransen to eat heartily, or E. scrunch.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
pyre n.
A funeral pile; a combustible heap on which the dead are burned; hence, any pile to be burnt. [L. pure, Gr. Fire.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

"The Everlasting Return" is in the public domain. This text is taken from The Ghetto, and Other Poems, Project Gutenberg ebook #4332; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Lola Ridge, "The Everlasting Return", in The Ghetto, and Other Poems (1918), text of Project Gutenberg ebook #4332, Laurel, https://laurelpoetry.com/poem/ridge-ghetto/the-everlasting-return.html, id L20892.

Form and metre

"The Everlasting Return" is 83 lines in 12 stanzas.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 3 -AA----------- left · wineA · carthaginianA · phildar · teeth · him · wheels · sun · slaves · it · sea · ends · apart · fruit
  2. 12 -A-------A--A-- quiet · seaA · faces · hearts · circuit · company · den · god · sullenly · meA · on · leaping · seaA · us · sign
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
It is dark... so dark, I remember the sun on Chios...13······˘/˘····
It is still... so still, I hear the beat of our paddles on the Aegean...19··········/˘/˘··˘/˘
Ten times we had watched the moon7·······
Rise like a thin white virgin out of the waters12·····/˘···/˘
And round into a full maternity...10······˘/˘˘
For thrice ten moons we had touched no flesh9·········
Save the man flesh on either hand8·····/˘·
That was black and bitter and salt and scaled by the sea.13····/˘·······
The Athenian boy sat on my left...10·˘/˘˘·····
His hair was yellow as corn steeped in wine...10···/˘·····
And on my right was Phildar the Carthaginian,13·········˘/˘˘
Grinning Phildar4/˘··
With his mouth pulled taut as by reins from his black gapped teeth.13·············
Many a whip had coiled about him9/˘·······
And his shoulders were rutted deep as wet ground under chariot wheels,17··/˘·/˘······/˘˘·
And his skin was red and tough as a bull's hide cured in the sun.15···············
He did not sing like the other slaves,9······/˘·
But when a big wind came up he screamed with it.11···········
And always he looked out to sea,8·/······
Save when he tore at his fish ends8········
Or spat across me at the Greek boy, whose mouth was red and apart16··˘/··········˘/
like an opened fruit.5··/˘·
We had rowed from dawn and the green galley hard at our stern.15········/˘··/˘·
She was green and squat and skulked close to the sea.11···········
All day the tish of their paddles had tickled our ears,14······/˘·/˘/˘·
And when night came on5·····
And little naked stars dabbled in the water12·/˘/˘·/˘··/˘
And half the crouching moon6···/˘·
Slid over the silver belly of the sea thick-scaled with light,15····/˘/˘·······
We heard them singing at their oars...8···/˘···
We who had no breath for song.7·······
There was no sound in our boat8·····/˘·
Save the clingle of wrist chains7·······
And the sobbing of the young Greek.8··/˘····
I cursed him that his hair blew in my mouth, tasting salt of the sea...16··········/˘····
I cursed him that his oar kept ill time...9·········
When he looked at me I cursed him again,10········˘/
That his eyes were soft as a woman's.9·······/˘
How long... since their last shell gouged our batteries?12·······/˘/˘˘
How long... since we rose at aim with a sleuth moon astern?13···········˘/
(It was the damned green moon that nosed us out...10··········
The moon that flushed our periscope till it shone like a silver flame...)17····/˘/˘······/˘·
They loosed each man's right hand6······
As the galley spent on our decks...9··/˘··/˘·
And amazed and bloodied we reared half up10·˘/·/˘····
And fought askew with the left hand shackled...10··˘/····/˘
But a zigzag fire leapt in our sockets12··/˘/˘··/˘/˘
And knotted our thews like string...8·/˘/˘···
Our thews grown stiff as a crooked spine that would not straighten...15/˘·····/˘····/˘
How long... since our gauges fell8···/˘/˘·
And the sea shoved us under?7·······
It is dark... so dark...5·····
Darkness presses hairy-hot7/˘/˘/˘·
Where three make crowded company...8···/˘/˘˘
And the rank steel smells....5·····
It is still... so still...5·····
I seem to hear the wind6······
On the dimpled face of the water fathoms above...13··/˘···/˘/˘··
It was still... so still... we three that were left alive12··········˘/
Stared in each other's faces...7···/˘/˘
But three make bitter company at one man's bread...12···/˘/˘˘····
And our hate grew sharp and bright as the moon's edge in the water.16·/˘···········/˘
One grinned with his mouth awry from the long gapped teeth...12·····˘/·····
And one shivered and whined like a gull as the waves pawed us over...16··/˘············
But one struck with his hate in his hand...9·········
After that I remember7····˘/˘
Only the dead men's oars that flapped in the sea...11/˘·········
The dead men's oars that rattled and clicked like idiots' tongues.14·····/˘···/˘˘·
It is still... so still, with the jargon of engines quiet.14·······/˘·/˘/˘
We three awaiting the crunch of the sea10··˘/˘·····
Reach our hands in the dark and touch each other's faces...14·/˘·······/˘/˘
We three sheathing hate in our hearts...9··/˘··/˘·
But when hate shall have made its circuit,9·······/˘
Our bones will be loving company10/˘···/˘/˘˘
Here in the sea's den...5·····
And one whimpers and cries on his God9··/˘·····
And one sits sullenly6······
But both draw away from me...7···˘/··
For I am the pyre their memories burn on...12····/˘·/˘˘··
Like black flames leaping5···/˘
Our fiery gestures light the walled-in darkness of the sea...16/˘/˘˘/˘····/˘···
The sea that kneels above us...7·······
And makes no sign.4····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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