Our Ball
“Comment! c’est lui? que je le regards encore! C’est queVraiment il est bien changé; n’est-ce pas, mon papa?”--Les Premier Amours.
You’ll come to our Ball;--since we parted,I’ve thought of you more than I’ll say;Indeed, I was half broken-heartedFor a week, when they took you away.Fond fancy brought back to my slumbersOur walks on the Ness and the Den,And echoed the musical numbersWhich you used to sing to me then.I know the romance, since it’s over,’Twere idle, or worse, to recall;I know you’re a terrible rover;But Clarence, you’ll come to our Ball!
It’s only a year, since, at College,You put on your cap and your gown;But, Clarence, you’re grown out of knowledge,And changed from the spur to the crown:The voice that was best when it falteredIs fuller and firmer in tone,And the smile that should never have altered--Dear Clarence--it is not your own:Your cravat was badly selected;Your coat don’t become you at all;And why is your hair so neglected?You must have it curled for our Ball.
I’ve often been out upon HaldonTo look for a covey with pup;I’ve often been over to Shaldon,To see how your boat is laid up:In spite of the terrors of Aunty,I’ve ridden the filly you broke;And I’ve studied your sweet little DanteIn the shade of your favourite oak:When I sat in July to Sir Lawrence,I sat in your love of a shawl;And I’ll wear what you brought me from Florence,Perhaps, if you’ll come to our Ball.
You’ll find us all changed since you vanished;We’ve set up a National School;And waltzing is utterly banished,And Ellen has married a fool;The Major is going to travel,Miss Hyacinth threatens a rout,The walk is laid down with fresh gravel,Papa is laid up with the gout;And Jane has gone on with her easels,And Anne has gone off with Sir Paul;And Fanny is sick with the measles,--And I’ll tell you the rest at the Ball.
You’ll meet all your Beauties; the LilyAnd the Fairy of Willowbrook Farm,And Lucy, who made me so sillyAt Dawlish, by taking your arm;Miss Manners, who always abused youFor talking so much about Hock,And her sister, who often amused youBy raving of rebels and Rock;And something which surely would answer,An heiress quite fresh from Bengal;So though you were seldom a dancer,You’ll dance, just for once, at our Ball.
But out on the World! from the flowersIt shuts out the sunshine of truth:It blights the green leaves in the bowers,It makes an old age of our youth;And the flow of our feeling, once in it,Like a streamlet beginning to freeze,Though it cannot turn ice in a minute,Grows harder by sudden degrees:Time treads o’er the graves of affection;Sweet honey is turned into gall;Perhaps you have no recollectionThat ever you danced at our Ball!
You once could be pleased with our ballads,--To-day you have critical ears;You once could be charmed with our salads--Alas! you’ve been dining with Peers;You trifled and flirted with many,--You’ve forgotten the when and the how;There was one you liked better than any,--Perhaps you’ve forgotten her now.But of those you remember most newly,Of those who delight or enthrall,None loves you a quarter so trulyAs some you will find at our Ball.
They tell me you’ve many who flatter,Because of your wit and your song:They tell me--and what does it matter?--You like to be praised by the throng:They tell me you’re shadowed with laurel:They tell me you’re loved by a Blue:They tell me you’re sadly immoral--Dear Clarence, that cannot be true!But to me, you are still what I found you,Before you grew clever and tall;And you’ll think of the spell that once bound you;And you’ll come--won’t you come?--to our Ball!
Words in this poem 16
- encore adv.
- Once more; again; -- used by the auditors and spectators of plays, concerts, and other entertainments, to call for a repetition of a particular part. [F. The last part of the word is fr. L. hora hour. See Hour.]
- papa n.
- A child's word for father. [F. papa, L. papa; cf. Gr. Pope.]
- premier a.
- First; chief; principal; as, the premier place; premier minister. [F. premier, fr. L. primarius of the first rank, principal, fr. primus the first. See Primary, Prime, a.]
- rover n.
- One who practices robbery on the seas; a pirate. [D. roover a robber. See Rove, v. i.]
- clarence n.
- A close four-wheeled carriage, with one seat inside, and a seat for the driver.
- cravat n.
- A neckcloth; a piece of silk, fine muslin, or other cloth, worn by men about the neck. [F. cravate, fr. Cravate a Croat, an inhabitant of Croatia, one of a body of Austrian troops, from whom, in 1636, this article of dress was adopted in France.]
- covey v. i.
- To brood; to incubate.
- aunty n.
- A familiar name for an aunt. In the southern United States a familiar term applied to aged negro women.
- filly n.
- A female foal or colt; a young mare. Cf. Colt, Foal. [Cf. Icel. fylia, fr. foli foal. See Foal.]
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- jane n.
- A coin of Genoa; any small coin. [LL. Janua Genoa; L. Genua, also OE. Jean.]
- heiress
- , A female heir.
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- streamlet n.
- A small stream; a rivulet; a rill.
- enthrall v. t.
- To hold in thrall; to enslave. See Inthrall. [Pref. en- + thrall. Cf. Inthrall.]
- sadly adv.
- Wearily; heavily; firmly.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Our Ball is in the public domain. This text is taken from The poems of Winthrop Mackworth Praed. [selected], Project Gutenberg ebook #71008; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Winthrop Mackworth Praed, Our Ball, in Poems (1820–1839), text of Project Gutenberg ebook #71008, Laurel, https://laurelpoetry.com/poem/praed-poems/our-ball.html, id L10223.
Form and metre
Our Ball is 99 lines in 9 stanzas. The rhyme scheme is ABABCDCDEFEF, complete in 5 of its 9 stanzas. The metre is anapaestic trimeter, measured from the stress the words themselves fix (confidence 83%). 84% of its stressed syllables fall where the metre puts the beat. The lines average 8.7 syllables. 42 lines end on an unstressed syllable, a feminine ending. 14% of the lines run on without a stop at the line end.
See other poems in anapaestic trimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 ABABCDCDEFEF partedA · sayB · heartedA · awayB · slumbersC · denD · numbersC · thenD · overE · recallF · roverE · ballF
- 3 ABAB-C-CDEDE collegeA · gownB · knowledgeA · crownB · faltered · toneC · altered · ownC · selectedD · allE · neglectedD · ballE
- 4 ABAB-C-CDEDE haldonA · pupB · shaldonA · upB · aunty · brokeC · dante · oakC · lawrenceD · shawlE · florenceD · ballE
- 5 ABABCDCDEFEF vanishedA · schoolB · banishedA · foolB · travelC · routD · gravelC · goutD · easelsE · paulF · measlesE · ballF
- 6 ABABCDCDEFEF lilyA · farmB · sillyA · armB · youC · hockD · youC · rockD · answerE · bengalF · dancerE · ballF
- 7 ABABCDCDEFEF flowersA · truthB · bowersA · youthB · itC · freezeD · minuteC · degreesD · affectionE · gallF · recollectionE · ballF
- 8 ABABCDCDEFEF balladsA · earsB · saladsA · peersB · manyC · howD · anyC · nowD · newlyE · enthrallF · trulyE · ballF
- 9 ABABCDCDDEDE flatterA · songB · matterA · throngB · laurelC · blueD · immoralC · trueD · youD · tallE · youD · ballE
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic trimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| “Comment! c’est lui? que je le regards encore! C’est que | 14 | /˘·/˘···˘//··· |
| Vraiment il est bien changé; n’est-ce pas, mon papa?” | 13 | ···˘/······/˘ |
| --Les Premier Amours. | 5 | ·˘//˘ |
| You’ll come to our Ball;--since we parted, | 9 | ···/···/˘ |
| I’ve thought of you more than I’ll say; | 8 | ········ |
| Indeed, I was half broken-hearted | 9 | ˘/···/˘/˘ |
| For a week, when they took you away. | 9 | ·······˘/ |
| Fond fancy brought back to my slumbers | 9 | ·/˘····/˘ |
| Our walks on the Ness and the Den, | 8 | /······· |
| And echoed the musical numbers | 9 | ·/˘·/˘˘/˘ |
| Which you used to sing to me then. | 8 | ········ |
| I know the romance, since it’s over, | 8 | ···˘/··· |
| ’Twere idle, or worse, to recall; | 8 | ·/˘···˘/ |
| I know you’re a terrible rover; | 9 | ····/˘˘/˘ |
| But Clarence, you’ll come to our Ball! | 8 | ·/˘···/· |
| It’s only a year, since, at College, | 9 | ·/˘····/˘ |
| You put on your cap and your gown; | 8 | ········ |
| But, Clarence, you’re grown out of knowledge, | 9 | ·/˘····/˘ |
| And changed from the spur to the crown: | 8 | ········ |
| The voice that was best when it faltered | 9 | ·······/˘ |
| Is fuller and firmer in tone, | 8 | ·/˘·/˘·· |
| And the smile that should never have altered-- | 9 | ·····/·/˘ |
| Dear Clarence--it is not your own: | 8 | ·/˘····· |
| Your cravat was badly selected; | 9 | ·˘/·/˘˘/˘ |
| Your coat don’t become you at all; | 8 | ···˘/··· |
| And why is your hair so neglected? | 9 | ······˘/˘ |
| You must have it curled for our Ball. | 8 | ······/· |
| I’ve often been out upon Haldon | 9 | ·/˘······ |
| To look for a covey with pup; | 8 | ····/˘·· |
| I’ve often been over to Shaldon, | 8 | ·/˘····· |
| To see how your boat is laid up: | 8 | ········ |
| In spite of the terrors of Aunty, | 9 | ····/˘··· |
| I’ve ridden the filly you broke; | 8 | ·/˘·/˘·· |
| And I’ve studied your sweet little Dante | 10 | ··/˘··/˘/˘ |
| In the shade of your favourite oak: | 9 | ········· |
| When I sat in July to Sir Lawrence, | 10 | ·····/··/˘ |
| I sat in your love of a shawl; | 8 | ········ |
| And I’ll wear what you brought me from Florence, | 10 | ········/˘ |
| Perhaps, if you’ll come to our Ball. | 8 | ˘/····/· |
| You’ll find us all changed since you vanished; | 9 | ·······/˘ |
| We’ve set up a National School; | 8 | ····/˘˘· |
| And waltzing is utterly banished, | 9 | ·/˘·/˘˘/˘ |
| And Ellen has married a fool; | 8 | ·/˘·/˘·· |
| The Major is going to travel, | 9 | ·/˘·/˘·/˘ |
| Miss Hyacinth threatens a rout, | 8 | ·/˘·/˘·· |
| The walk is laid down with fresh gravel, | 9 | ·······/˘ |
| Papa is laid up with the gout; | 8 | /˘······ |
| And Jane has gone on with her easels, | 9 | ·······/˘ |
| And Anne has gone off with Sir Paul; | 8 | ········ |
| And Fanny is sick with the measles,-- | 9 | ·/˘····/˘ |
| And I’ll tell you the rest at the Ball. | 9 | ········· |
| You’ll meet all your Beauties; the Lily | 9 | ····/˘·/˘ |
| And the Fairy of Willowbrook Farm, | 9 | ··/˘·/˘·· |
| And Lucy, who made me so silly | 9 | ·/˘····/˘ |
| At Dawlish, by taking your arm; | 8 | ····/˘·· |
| Miss Manners, who always abused you | 9 | ·/˘·/·˘/· |
| For talking so much about Hock, | 8 | ·/˘····· |
| And her sister, who often amused you | 10 | ··/˘·/˘˘/· |
| By raving of rebels and Rock; | 8 | ·/˘·˘/·· |
| And something which surely would answer, | 9 | ·/˘·/˘·/˘ |
| An heiress quite fresh from Bengal; | 8 | ·/˘···/˘ |
| So though you were seldom a dancer, | 9 | ····/˘·/˘ |
| You’ll dance, just for once, at our Ball. | 8 | ······/· |
| But out on the World! from the flowers | 9 | ·······/˘ |
| It shuts out the sunshine of truth: | 8 | ····/··· |
| It blights the green leaves in the bowers, | 9 | ·······/˘ |
| It makes an old age of our youth; | 8 | ······/· |
| And the flow of our feeling, once in it, | 10 | ····//˘··· |
| Like a streamlet beginning to freeze, | 9 | ··/˘˘/˘·· |
| Though it cannot turn ice in a minute, | 10 | ··/˘····/˘ |
| Grows harder by sudden degrees: | 8 | ·/˘·/˘˘/ |
| Time treads o’er the graves of affection; | 9 | ······˘/˘ |
| Sweet honey is turned into gall; | 8 | ·/˘····· |
| Perhaps you have no recollection | 9 | ˘/····˘/˘ |
| That ever you danced at our Ball! | 8 | ·/···/˘· |
| You once could be pleased with our ballads,-- | 9 | ······//˘ |
| To-day you have critical ears; | 8 | ····/˘˘· |
| You once could be charmed with our salads-- | 9 | ······//˘ |
| Alas! you’ve been dining with Peers; | 8 | ˘/··/˘·· |
| You trifled and flirted with many,-- | 9 | ·/˘·/˘·/˘ |
| You’ve forgotten the when and the how; | 9 | ·˘/˘····· |
| There was one you liked better than any,-- | 10 | ·····/˘·/˘ |
| Perhaps you’ve forgotten her now. | 8 | ˘/·˘/˘·· |
| But of those you remember most newly, | 10 | ····˘/˘·/˘ |
| Of those who delight or enthrall, | 8 | ···˘/·˘/ |
| None loves you a quarter so truly | 9 | ····/˘·/˘ |
| As some you will find at our Ball. | 8 | ······/· |
| They tell me you’ve many who flatter, | 9 | ····/˘·/˘ |
| Because of your wit and your song: | 8 | ········ |
| They tell me--and what does it matter?-- | 9 | ·······/˘ |
| You like to be praised by the throng: | 8 | ········ |
| They tell me you’re shadowed with laurel: | 9 | ····/˘·/˘ |
| They tell me you’re loved by a Blue: | 8 | ········ |
| They tell me you’re sadly immoral-- | 9 | ····/˘˘/˘ |
| Dear Clarence, that cannot be true! | 8 | ·/˘·˘/·· |
| But to me, you are still what I found you, | 10 | ·········· |
| Before you grew clever and tall; | 8 | ····/˘·· |
| And you’ll think of the spell that once bound you; | 10 | ·········· |
| And you’ll come--won’t you come?--to our Ball! | 9 | ·······/· |
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