A Vision of Italy
Wisdom set apart from all desire,A hoary Nestor with youth's own glad eyes,Him met I at the style, and all benignHe greeted me an equal and I knew,By this his lack of pomp, he was himself.
Slow-Smiling is companion unto him,And Mellow-Laughter serves, his trencherman.And I a thousand beauties there beheld.And he and they made merry endlessly.And love was rayed between them as a mist,And yet so fine and delicate a hazeIt did impede the eyes no whit,Unless it were to make the halo round each oneAppear more myriad-jewelled marvellous,Than any pearled and ruby diadem the courts o' earthha' known.Slender as mist-wrought maids and hamadryadsDid meseem these shapes that ministered,These formed harmonies with lake-deep eyes,And first the cities of north ItalyI did behold,Each as a woman wonder-fair,And svelte Verona first I met at eve;And in the dark we kissed and then the wayBore us somewhile apart.And yet my heart keeps tryst with her,So every year our thoughts are interwoveAs fingers were, such times as eyes see much, and tell.And she that loved the master years agone,That bears his signet in her "Signor Square,""Che lo glorifico."She spread her arms,And in that deep embraceAll thoughts of woe were perishedAnd of pain and weariness and all the wrackOf light-contending thoughts and battled-gleams,(That our intelligence doth gain by strife against itself)Of things we have not yet the earnèd right to clearly see.And all, yea all that dust doth symbolizeWas there forgot, and my enfranchised soulGrew as the liquid elements, and was infusedWith joy that is not light, nor might nor harmony,And yet hath part and quality of all these three,Whereto is added calm past earthly peace.
Thus with Verona's spirit, and all timeSwept on beyond my ken, and as the seaHath in no wise a form within itself,Cioè, as liquid hath no form save where it bounden isBy some enshrouding chalice of hard things--As wine its graven goblet, and the seaIts wave-hewn basalt for a bordering,So had my thought and now my thought's remembranceNo "information" of whatso there passedFor this long space the dream-king's horny gate.
And when that age was done and the transfusionOf all my self through her and she through me,I did perceive that she enthroned two things:Verona, and a maid I knew on earth;And dulled some while from dream, and then becomeThat lower thing, deductive intellect, I sawHow all things are but symbols of all things,And each of many, do we knowBut the equation governing.And in my rapture at this vision's scopeI saw no end or bourn to what things mean,So praised Pythagoras and once more raisedBy this said rapture to the house of Dream,Beheld Fenicè as a lotus-flowerDrift through the purple of the wedded seaAnd grow a wraith and then a dark-eyed she,And knew her name was "All-forgetfulness,"And hailed her: "Princess of the Opiates,"And guessed her evil and her good thereby.
And then a maid of nine "Pavia" hight,Passed with a laugh that was all mystery,And when I turned to herShe reached me one clear chalice of white wine,Pressed from the recent grapes that yet were hungAdown her shoulders, and were boundRight cunningly about her elfish brows;So hale a draught, the life of every grapeLurked without ferment in the amber cloud.And memory, this wine was, of all good.
And more I might have seen: Firenza, Goito,Or that proudest gate, Ligurian Genoa,Cornelia of Colombo of far sight,That, man and seer in one, had well been twain,And each a glory to his hills and sea;And past her a great bandBright garlanded or rich with purple skeins,And crimson mantles and queynt fineriesThat tarnished held but so the moreOf dim allurement in their half-shown folds:So swept my vision o'er their filmy ranks,Then rose some opaque cloud,Whose name I have not yet discerned,And music as I heard it one clear nightWithin our earthly night's own mirroring,Cioè,--San Pietro by Adige,Where altar candles blazed out as dim stars,And all the gloom was soft, and shadowy formsMade and sang God, within the far-off choir.And in a clear space high behindThem and the tabernacle of that place,Two tapers shew the master of the keysAs some white power pouring forth itself.
And all the church rang low and murmuredThus in my dream of forms the music swayed.And I was lost in it and only wokeWhen something like a mass bell rang, and thenThat white-foot wind, pale Dawn's annunciatrice.Me bore to earth again, but some strange peaceI had not known so well before this swevynClung round my head and made me hate earth less.
Words in this poem 30
- hoary a.
- White or whitish."The hoary willows."
- nestor n.
- A genus of parrots with gray heads. of New Zeland and papua, allied to the cockatoos. See Kaka.
- endlessly adv.
- In an endless manner.
- whit n.
- The smallest part or particle imaginable; a bit; a jot; an iota; -- generally used in an adverbial phrase in a negative sentence. [OE. wight, wiht, AS. wiht a creature, a thing. See Wight, and cf. Aught, Naught.]
- somewhile adv.
- Once; for a time.
- tryst v. i.
- To mutually agree to meet at a certain place.
- signet n.
- A seal; especially, in England, the seal used by the sovereign in sealing private letters and grants that pass by bill under the sign manual; -- called also privy signet. [OF. signet a signet, F., a bookmark, dim. of signe. See Sign, n., and cf. Sennet.]
- signor n.
- Sir; Mr; -- a title of address or respect among the Italians. [It. See Seignior.]
- wrack n.
- Wreck; ruin; destruction. [OE. wrak wreck. See Wreck.]
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- symbolize v. i.
- To have a resemblance of qualities or properties; to correspond; to harmonize. [Cf. F. symboliser.]
- whereto adv.
- To which; -- used relatively.
- bounden a.
- Bound; fastened by bonds. [Old. p. p. of bind.]
- chalice n.
- A cup or bowl; especially, the cup used in the sacrament of the Lord's Supper. [OR. chalis, calice, OF. chalice, calice, F. calice, fr. L. calix, akin to Gr. helmet. Cf. Calice, Calyx.]
- graven p. p.
- Carved. Graven image, an idol; an object of worship carved from wood, stone, etc.
- whatso pron.
- Whatsoever; whosoever; whatever; anything that.
- transfusion n.
- The act of transfusing, or pouring, as liquor, out of one vessel into another. Howell. [L. transfusio: cf. F. transfusion.]
- deductive a.
- Of or pertaining to deduction; capable of being deduced from premises; deducible. [Cf. L. deductivus derivative.]
- bourn n.
- A stream or rivulet; a burn. [OE. burne, borne, AS. burna; akin to OS. brunno spring, G. born, brunnen, OHG. prunno, Goth. brunna, Icel. brunnr, and perh. to Gr. burn, v., because the source]
- wedded a.
- Joined in wedlock; married.
- wraith n.
- An apparition of a person in his exact likeness, seen before death, or a little after; hence, an apparition; a specter; a vision; an unreal image. [Scot. wraith, warth; probably originally, a guardian angel, from Icel. vörthr a warden, guardian, akin to E. ward. See Ward a guard.]
- princess n.
- A female prince; a woman having sovereign power, or the rank of a prince. [F. princesse. See Prince, and cf. Princesse.]
- hight v. t.
- To be called or named. [OE. heiten, highten, haten, hoten; also hight, hatte, hette, is called, was called, AS. hatan to call, name, be called, to command, promise; also hatte is calle]
- adown adv.
- From a higher to a lower situation; downward; down, to or on the ground. [OE. adun, adoun, adune. AS. of dune off the hill. See Down.]
- elfish a.
- Of or relating to the elves; elflike; implike; weird; scarcely human; mischievous, as though caused by elves.
- twain a.
- Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
- filmy a.
- Composed of film or films.
- shew n.
- Show. [Obs. except in shewbread.]
- swayed a.
- Bent down, and hollow in the back; sway-backed; -- said of a horse.
- clung a.
- Wasted away; shrunken. [Prop. p. p. fr. OE. clingen to wither. See Cling, v. i.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Vision of Italy is in the public domain. This text is taken from Personae, Project Gutenberg ebook #41162; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Ezra Pound, A Vision of Italy, in Personae (1909), text of Project Gutenberg ebook #41162, Laurel, https://laurelpoetry.com/poem/pound-personae/a-vision-of-italy.html, id L01218.
Form and metre
A Vision of Italy is 114 lines in 7 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.7 syllables. 21 lines end on an unstressed syllable, a feminine ending. 39% of the lines run on without a stop at the line end.
See other poems in iambic pentameter, other poems in blank verse.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 3 -A---A---- time · seaA · itself · is · things · seaA · bordering · remembrance · passed · gate
- 4 -AB---B-------AA--A transfusion · meA · thingsB · earth · become · saw · thingsB · know · governing · scope · mean · raised · dream · flower · seaA · sheA · forgetfulness · opiates · therebyA
- 6 --A----------A--------- goito · genoa · sightA · twain · sea · band · skeins · fineries · more · folds · ranks · cloud · discerned · nightA · mirroring · adige · stars · forms · choir · behind · place · keys · itself
- 7 AA------ murmuredA · swayedA · woke · then · annunciatrice · peace · swevyn · less
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Wisdom set apart from all desire, | 10 | /˘·˘/··˘/˘ |
| A hoary Nestor with youth's own glad eyes, | 10 | ·/˘/˘····· |
| Him met I at the style, and all benign | 10 | ········˘/ |
| He greeted me an equal and I knew, | 10 | ·/˘··/˘··· |
| By this his lack of pomp, he was himself. | 10 | ········˘/ |
| Slow-Smiling is companion unto him, | 10 | ·/˘·˘/˘··· |
| And Mellow-Laughter serves, his trencherman. | 9 | ·/˘/˘··/˘ |
| And I a thousand beauties there beheld. | 10 | ···/˘/˘·˘/ |
| And he and they made merry endlessly. | 10 | ·····/˘/˘˘ |
| And love was rayed between them as a mist, | 10 | ·········· |
| And yet so fine and delicate a haze | 10 | ·····/˘˘·· |
| It did impede the eyes no whit, | 8 | ··˘/···· |
| Unless it were to make the halo round each one | 12 | ·······/˘··· |
| Appear more myriad-jewelled marvellous, | 10 | ˘/·/˘/˘··· |
| Than any pearled and ruby diadem the courts o' earth | 14 | ·/˘··/˘/˘····· |
| ha' known. | 2 | ·· |
| Slender as mist-wrought maids and hamadryads | 10 | /˘········ |
| Did meseem these shapes that ministered, | 10 | ······/˘˘˘ |
| These formed harmonies with lake-deep eyes, | 10 | ··˘/˘˘···· |
| And first the cities of north Italy | 10 | ···/˘··/˘˘ |
| I did behold, | 4 | ··˘/ |
| Each as a woman wonder-fair, | 8 | ···/˘/˘· |
| And svelte Verona first I met at eve; | 10 | ··˘/˘····· |
| And in the dark we kissed and then the way | 10 | ·········· |
| Bore us somewhile apart. | 6 | ··/˘˘/ |
| And yet my heart keeps tryst with her, | 8 | ········ |
| So every year our thoughts are interwove | 10 | ·/˘·/····· |
| As fingers were, such times as eyes see much, and tell. | 12 | ·/˘········· |
| And she that loved the master years agone, | 10 | ·····/˘·˘/ |
| That bears his signet in her "Signor Square," | 10 | ···/˘··/˘· |
| "Che lo glorifico." | 6 | ······ |
| She spread her arms, | 4 | ···· |
| And in that deep embrace | 6 | ····˘/ |
| All thoughts of woe were perished | 7 | ·····/˘ |
| And of pain and weariness and all the wrack | 10 | ····/˘···· |
| Of light-contending thoughts and battled-gleams, | 10 | ··˘/˘··/˘· |
| (That our intelligence doth gain by strife against itself) | 13 | ·/˘/˘······˘/ |
| Of things we have not yet the earnèd right to clearly see. | 13 | ··········/˘· |
| And all, yea all that dust doth symbolize | 10 | ·······/˘· |
| Was there forgot, and my enfranchised soul | 10 | ··˘/··˘/·· |
| Grew as the liquid elements, and was infused | 11 | ···/˘/˘··˘/ |
| With joy that is not light, nor might nor harmony, | 11 | ·········/˘ |
| And yet hath part and quality of all these three, | 11 | ·····/˘···· |
| Whereto is added calm past earthly peace. | 10 | ˘/·/˘··/˘· |
| Thus with Verona's spirit, and all time | 10 | ··˘/˘/˘··· |
| Swept on beyond my ken, and as the sea | 10 | ·········· |
| Hath in no wise a form within itself, | 10 | ········˘/ |
| Cioè, as liquid hath no form save where it bounden is | 13 | ··/˘······/˘· |
| By some enshrouding chalice of hard things-- | 10 | ··˘/˘/˘··· |
| As wine its graven goblet, and the sea | 10 | ···/˘/˘··· |
| Its wave-hewn basalt for a bordering, | 10 | ···˘/··/˘˘ |
| So had my thought and now my thought's remembrance | 11 | ········˘/˘ |
| No "information" of whatso there passed | 10 | ·˘//˘·/˘·· |
| For this long space the dream-king's horny gate. | 10 | ·······/˘· |
| And when that age was done and the transfusion | 11 | ········˘/˘ |
| Of all my self through her and she through me, | 10 | ·········· |
| I did perceive that she enthroned two things: | 10 | ··˘/······ |
| Verona, and a maid I knew on earth; | 10 | ˘/˘······· |
| And dulled some while from dream, and then become | 10 | ········˘/ |
| That lower thing, deductive intellect, I saw | 11 | ·/·˘/˘/˘··· |
| How all things are but symbols of all things, | 10 | ·····/˘··· |
| And each of many, do we know | 8 | ···/˘··· |
| But the equation governing. | 8 | ··˘/˘/˘˘ |
| And in my rapture at this vision's scope | 10 | ···/˘··/˘· |
| I saw no end or bourn to what things mean, | 10 | ·········· |
| So praised Pythagoras and once more raised | 10 | ·········· |
| By this said rapture to the house of Dream, | 10 | ···/˘····· |
| Beheld Fenicè as a lotus-flower | 10 | ˘/····/˘/˘ |
| Drift through the purple of the wedded sea | 10 | ···/˘··/˘· |
| And grow a wraith and then a dark-eyed she, | 10 | ·········· |
| And knew her name was "All-forgetfulness," | 10 | ······˘/˘˘ |
| And hailed her: "Princess of the Opiates," | 10 | ···/˘··/˘˘ |
| And guessed her evil and her good thereby. | 10 | ···/˘····· |
| And then a maid of nine "Pavia" hight, | 10 | ······/˘˘· |
| Passed with a laugh that was all mystery, | 10 | ·······/˘˘ |
| And when I turned to her | 6 | ······ |
| She reached me one clear chalice of white wine, | 10 | ·····/˘··· |
| Pressed from the recent grapes that yet were hung | 10 | ···/˘····· |
| Adown her shoulders, and were bound | 8 | ˘/·/˘··· |
| Right cunningly about her elfish brows; | 10 | ·/˘˘···/˘· |
| So hale a draught, the life of every grape | 10 | ·······/˘· |
| Lurked without ferment in the amber cloud. | 10 | ···/˘··/˘· |
| And memory, this wine was, of all good. | 10 | ·/˘˘······ |
| And more I might have seen: Firenza, Goito, | 11 | ······˘/˘·· |
| Or that proudest gate, Ligurian Genoa, | 11 | ··/˘····/˘˘ |
| Cornelia of Colombo of far sight, | 10 | ˘/˘·˘/˘··· |
| That, man and seer in one, had well been twain, | 10 | ·········· |
| And each a glory to his hills and sea; | 10 | ···/˘····· |
| And past her a great band | 6 | ······ |
| Bright garlanded or rich with purple skeins, | 10 | ·/˘˘···/˘· |
| And crimson mantles and queynt fineries | 10 | ·/˘/˘··/˘˘ |
| That tarnished held but so the more | 9 | ·/˘˘····· |
| Of dim allurement in their half-shown folds: | 10 | ··˘/˘····· |
| So swept my vision o'er their filmy ranks, | 10 | ···/˘··/˘· |
| Then rose some opaque cloud, | 6 | ···˘/· |
| Whose name I have not yet discerned, | 9 | ······˘/˘ |
| And music as I heard it one clear night | 10 | ·/˘······· |
| Within our earthly night's own mirroring, | 11 | ··/˘/˘··/˘˘ |
| Cioè,--San Pietro by Adige, | 8 | ··˘/˘··· |
| Where altar candles blazed out as dim stars, | 10 | ·/˘/˘····· |
| And all the gloom was soft, and shadowy forms | 10 | ·······/˘· |
| Made and sang God, within the far-off choir. | 11 | ·········/˘ |
| And in a clear space high behind | 8 | ········ |
| Them and the tabernacle of that place, | 10 | ···/˘·˘··· |
| Two tapers shew the master of the keys | 10 | ·/˘··/˘··· |
| As some white power pouring forth itself. | 10 | ···/˘/˘·˘/ |
| And all the church rang low and murmured | 10 | ·······/˘˘ |
| Thus in my dream of forms the music swayed. | 10 | ·······/˘· |
| And I was lost in it and only woke | 10 | ·······/˘· |
| When something like a mass bell rang, and then | 10 | ·/˘······· |
| That white-foot wind, pale Dawn's annunciatrice. | 10 | ·········· |
| Me bore to earth again, but some strange peace | 10 | ····˘/···· |
| I had not known so well before this swevyn | 11 | ··········· |
| Clung round my head and made me hate earth less. | 10 | ·········· |
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