Poem by the Bridge at Ten-Shin
March has come to the bridge head,Peach boughs and apricot boughs hang over a thousand gates,At morning there are flowers to cut the heart,And evening drives them on the eastward-flowing waters.Petals are on the gone waters and on the going,And on the back-swirling eddies,But to-day’s men are not the men of the old days,Though they hang in the same way over the bridge-rail.
The sea’s colour moves at the dawnAnd the princes still stand in rows, about the throne,And the moon falls over the portals of Sei-go-yo,And clings to the walls and the gate-top.With head gear glittering against the cloud and sun,The lords go forth from the court, and into far borders.They ride upon dragon-like horses,Upon horses with head-trappings of yellow metal,And the streets make way for their passage.Haughty their passing,Haughty their steps as they go into great banquets,To high halls and curious food,To the perfumed air and girls dancing,To clear flutes and clear singing;To the dance of the seventy couples;To the mad chase through the gardens.Night and day are given over to pleasureAnd they think it will last a thousand autumns,Unwearying autumns.For them the yellow dogs howl portents in vain,And what are they compared to the ladyRiokushu,That was cause of hate!Who among them is a man like Han-reiWho departed alone with his mistress,With her hair unbound, and he his own skiffsman!
Words in this poem
- haughty a.
- High; lofty; bold. [OE. hautein, F. hautain, fr. haut high, OF. also halt, fr. L. altus. See Altitude.]
- curious a.
- Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Poem by the Bridge at Ten-Shin is in the public domain. This text is taken from Lustra of Ezra Pound, Project Gutenberg ebook #55564; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Ezra Pound, Poem by the Bridge at Ten-Shin, in Lustra (1916), text of Project Gutenberg ebook #55564, Laurel, https://laurelpoetry.com/poem/pound-lustra/poem-by-the-bridge-at-ten-shin.html, id L01312.
Form and metre
Poem by the Bridge at Ten-Shin is 34 lines in 2 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. 88% of its stressed syllables fall where the metre puts the beat. The lines average 9.8 syllables. 18 lines end on an unstressed syllable, a feminine ending. 12% of the lines run on without a stop at the line end.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ---A-AA- head · gates · heart · watersA · going · eddiesA · daysA · rail
- 2 -----------------AA------- dawn · throne · yo · top · sun · borders · horses · metal · passage · passing · banquets · food · dancing · singing · couples · gardens · pleasure · autumnsA · autumnsA · vain · lady · riokushu · hate · rei · mistress · skiffsman
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| March has come to the bridge head, | 7 | ······· |
| Peach boughs and apricot boughs hang over a thousand gates, | 14 | ···/˘······/˘· |
| At morning there are flowers to cut the heart, | 11 | ·/˘··/˘···· |
| And evening drives them on the eastward-flowing waters. | 13 | ·/˘····/˘/˘/˘ |
| Petals are on the gone waters and on the going, | 13 | /˘····/˘···/˘ |
| And on the back-swirling eddies, | 8 | ····/˘/˘ |
| But to-day’s men are not the men of the old days, | 12 | ············ |
| Though they hang in the same way over the bridge-rail. | 12 | ············ |
| The sea’s colour moves at the dawn | 8 | ··/˘···· |
| And the princes still stand in rows, about the throne, | 12 | ··/˘········ |
| And the moon falls over the portals of Sei-go-yo, | 13 | ·······/˘···· |
| And clings to the walls and the gate-top. | 9 | ········· |
| With head gear glittering against the cloud and sun, | 12 | ···/˘˘······ |
| The lords go forth from the court, and into far borders. | 13 | ···········/˘ |
| They ride upon dragon-like horses, | 9 | ····/˘·/˘ |
| Upon horses with head-trappings of yellow metal, | 13 | ··/˘··/˘·/˘/˘ |
| And the streets make way for their passage. | 9 | ·······/˘ |
| Haughty their passing, | 5 | /˘·/˘ |
| Haughty their steps as they go into great banquets, | 12 | /˘········/˘ |
| To high halls and curious food, | 8 | ····/˘˘· |
| To the perfumed air and girls dancing, | 9 | ··˘/···/˘ |
| To clear flutes and clear singing; | 7 | ·····/˘ |
| To the dance of the seventy couples; | 10 | ·····/˘˘/˘ |
| To the mad chase through the gardens. | 8 | ······/˘ |
| Night and day are given over to pleasure | 11 | ····/˘···/˘ |
| And they think it will last a thousand autumns, | 11 | ·······/˘/˘ |
| Unwearying autumns. | 5 | ···/˘ |
| For them the yellow dogs howl portents in vain, | 11 | ···/˘··/··· |
| And what are they compared to the lady | 10 | ····˘/··/˘ |
| Riokushu, | 3 | ··· |
| That was cause of hate! | 5 | ····· |
| Who among them is a man like Han-rei | 10 | ·········· |
| Who departed alone with his mistress, | 10 | ·˘/˘˘/··/˘ |
| With her hair unbound, and he his own skiffsman! | 11 | ···˘/······ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.