For Annie

Edgar Allan Poe (1809–1849) · 1827–1849

anapaestic dimeter · 102 lines · from The Raven, and Other Poems

Thank Heaven! the crisis—The danger is past,And the lingering illnessIs over at last—And the fever called “Living”Is conquered at last.

Sadly, I knowI am shorn of my strength,And no muscle I moveAs I lie at full length—But no matter!—I feelI am better at length.

And I rest so composedly,Now, in my bed,That any beholderMight fancy me dead—Might start at beholding me,Thinking me dead.

The moaning and groaning,The sighing and sobbing,Are quieted now,With that horrible throbbingAt heart:—ah, that horrible,Horrible throbbing!

The sickness—the nausea—The pitiless pain—Have ceased, with the feverThat maddened my brain—With the fever called “Living”That burned in my brain.

And oh! of all torturesThat torture the worstHas abated—the terribleTorture of thirstFor the naphthaline riverOf Passion accurst:—I have drunk of a waterThat quenches all thirst:—

Of a water that flows,With a lullaby sound,From a spring but a very fewFeet under ground—From a cavern not very farDown under ground.

And ah! let it neverBe foolishly saidThat my room it is gloomyAnd narrow my bed;For man never sleptIn a different bed—And, to sleep, you must slumberIn just such a bed.

My tantalized spiritHere blandly reposes,Forgetting, or neverRegretting its roses—Its old agitationsOf myrtles and roses:

For now, while so quietlyLying, it fanciesA holier odourAbout it, of pansies—A rosemary odour,Commingled with pansies—With rue and the beautifulPuritan pansies.

And so it lies happily,Bathing in manyA dream of the truthAnd the beauty of Annie—Drowned in a bathOf the tresses of Annie.

She tenderly kissed me,She fondly caressed,And then I fell gentlyTo sleep on her breast—Deeply to sleepFrom the heaven of her breast.

When the light was extinguished,She covered me warm,And she prayed to the angelsTo keep me from harm—To the queen of the angelsTo shield me from harm.

And I lie so composedly,Now, in my bed,(Knowing her love)That you fancy me dead—And I rest so contentedly,Now in my bed,(With her love at my breast)That you fancy me dead—That you shudder to look at me,Thinking me dead:—

But my heart it is brighterThan all of the manyStars in the sky,For it sparkles with Annie—It glows with the lightOf the love of my Annie—With the thought of the lightOf the eyes of my Annie.

Words in this poem

thank n.
A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
crisis n.
The point of time when it is to be decided whether any affair or course of action must go on, or be modified or terminate; the decisive moment; the turning point. [L. crisis, Gr. Certain.]
illness n.
The condition of being ill, evil, or bad; badness; unfavorableness. [From Ill.]
sadly adv.
Wearily; heavily; firmly.
beholder n.
One who beholds; a spectator.
beholding a.
Obliged; beholden.
sobbing n.
A series of short, convulsive inspirations, the glottis being suddenly closed so that little or no air enters into the lungs.
accurst p. p.
Doomed to destruction or misery; cursed; hence, bad enough to be under the curse; execrable; detestable; exceedingly hateful; -- as, an accursed deed.
lullaby n.
A song to quiet babes or lull them to sleep; that which quiets. [From Lull, v. t.]
blandly adv.
In a bland manner; mildly; suavely.
odour n.
Any smell, whether fragrant or offensive; scent; perfume. [OE. odor, odour, OF. odor, odour, F. odeur, fr. L. odor; akin to olere to smell, Gr. Olfactory, Osmium, Ozone, Redolent.]
happily adv.
By chance; peradventure; haply. Piers Plowman. [From Happy.]
tenderly adv.
In a tender manner; with tenderness; mildly; gently; softly; in a manner not to injure or give pain; with pity or affection; kindly.
fondly adv.
Foolishly. Verstegan (1673).

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

For Annie is in the public domain. This text is taken from The poetical works of Edgar Allan Poe, Project Gutenberg ebook #79019; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edgar Allan Poe, For Annie, in The Raven, and Other Poems (1827–1849), text of Project Gutenberg ebook #79019, Laurel, https://laurelpoetry.com/poem/poe-poems/for-annie.html, id L04172.

Form and metre

For Annie is 102 lines in 15 stanzas. The metre is anapaestic dimeter, measured from the stress the words themselves fix (confidence 87%). 86% of its stressed syllables fall where the metre puts the beat. The lines average 5.9 syllables. 47 lines end on an unstressed syllable, a feminine ending. 37% of the lines run on without a stop at the line end.

See other poems in anapaestic dimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A-A crisis · pastA · illness · lastA · living · lastA
  2. 2 -A-A-A know · strengthA · move · lengthA · feel · lengthA
  3. 3 -A-A-A composedly · bedA · beholder · deadA · me · deadA
  4. 4 -A-A-A groaning · sobbingA · now · throbbingA · horrible · throbbingA
  5. 5 -A-A-A nausea · painA · fever · brainA · living · brainA
  6. 6 -A-A-A-A tortures · worstA · terrible · thirstA · river · accurstA · water · thirstA
  7. 7 -A-A-A flows · soundA · few · groundA · far · groundA
  8. 8 -A-A-A-A never · saidA · gloomy · bedA · slept · bedA · slumber · bedA
  9. 9 -A-A-A spirit · reposesA · never · rosesA · agitations · rosesA
  10. 10 --ABAB-B quietly · fancies · odourA · pansiesB · odourA · pansiesB · beautiful · pansiesB
  11. 11 ---A-A happily · many · truth · annieA · bath · annieA
  12. 12 -A-A-A me · caressedA · gently · breastA · sleep · breastA
  13. 13 --ABAB extinguished · warm · angelsA · harmB · angelsA · harmB
  14. 14 -A-A-A-A-A composedly · bedA · love · deadA · contentedly · bedA · breast · deadA · me · deadA
  15. 15 ---ABABA brighter · many · sky · annieA · lightB · annieA · lightB · annieA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic dimeter. How this is done.

LineSyl.Stress
Thank Heaven! the crisis—6·/˘·/˘
The danger is past,5·/˘··
And the lingering illness7··/˘˘/˘
Is over at last—5·····
And the fever called “Living”8··/˘·˘/˘
Is conquered at last.5·/˘··
Sadly, I know4/˘··
I am shorn of my strength,6······
And no muscle I move6··/˘··
As I lie at full length—6······
But no matter!—I feel6··/˘··
I am better at length.6··/˘··
And I rest so composedly,8········
Now, in my bed,4····
That any beholder6·/˘˘/˘
Might fancy me dead—5·/˘··
Might start at beholding me,7···˘/˘·
Thinking me dead.4/˘··
The moaning and groaning,6·/˘·/˘
The sighing and sobbing,6·/˘·/˘
Are quieted now,5·/˘˘·
With that horrible throbbing7··/˘˘/˘
At heart:—ah, that horrible,7····/˘˘
Horrible throbbing!5/˘˘/˘
The sickness—the nausea—7·/˘·/˘˘
The pitiless pain—5·/˘˘·
Have ceased, with the fever7··˘··/˘
That maddened my brain—5·/˘··
With the fever called “Living”8··/˘·˘/˘
That burned in my brain.5·····
And oh! of all tortures6····/˘
That torture the worst5·/˘··
Has abated—the terrible8·˘/˘·/˘˘
Torture of thirst4/˘··
For the naphthaline river7·····/˘
Of Passion accurst:—5·/˘··
I have drunk of a water7·····/˘
That quenches all thirst:—5·/˘··
Of a water that flows,6··/˘··
With a lullaby sound,6··/˘··
From a spring but a very few8·····/˘·
Feet under ground—4····
From a cavern not very far8··/˘·/˘·
Down under ground.4····
And ah! let it never6····/˘
Be foolishly said5·/˘˘·
That my room it is gloomy7·····/˘
And narrow my bed;5·/˘··
For man never slept5··/˘·
In a different bed—6··/˘˘·
And, to sleep, you must slumber7·····/˘
In just such a bed.5·····
My tantalized spirit7·/˘·˘/˘
Here blandly reposes,6·/˘/·˘
Forgetting, or never6˘/˘·/˘
Regretting its roses—6˘/˘·/˘
Its old agitations6···˘/˘
Of myrtles and roses:6·/˘·/˘
For now, while so quietly7····/˘˘
Lying, it fancies5/˘·/˘
A holier odour6·/˘˘/˘
About it, of pansies—6····/˘
A rosemary odour,6·/·˘/˘
Commingled with pansies—7˘/˘˘·/˘
With rue and the beautiful7····/˘˘
Puritan pansies.5/˘˘/˘
And so it lies happily,7····/˘˘
Bathing in many5/˘·/˘
A dream of the truth5·····
And the beauty of Annie—7··/˘·/˘
Drowned in a bath4····
Of the tresses of Annie.7··/˘·/˘
She tenderly kissed me,7·/˘˘·˘·
She fondly caressed,5·/˘˘/
And then I fell gently6····/˘
To sleep on her breast—5·····
Deeply to sleep4/˘··
From the heaven of her breast.7··/˘···
When the light was extinguished,8····˘/˘˘
She covered me warm,5·/˘··
And she prayed to the angels8···˘··/˘
To keep me from harm—5·····
To the queen of the angels7·····/˘
To shield me from harm.5·····
And I lie so composedly,8········
Now, in my bed,4····
(Knowing her love)4/˘··
That you fancy me dead—6··/˘··
And I rest so contentedly,8····˘/˘˘
Now in my bed,4····
(With her love at my breast)6······
That you fancy me dead—6··/˘··
That you shudder to look at me,8··/˘····
Thinking me dead:—4/˘··
But my heart it is brighter7·····/˘
Than all of the many6····/˘
Stars in the sky,4····
For it sparkles with Annie—7··/˘·/˘
It glows with the light5·····
Of the love of my Annie—7·····/˘
With the thought of the light6······
Of the eyes of my Annie.7·····/˘

On this poem

Published in 1849, and addressed to Mrs. Richmond of Lowell, Massachusetts. This is the "Annie" so frequently referred to in biographies of Poe, who also figures in his correspondence. Of all the women associated with Poe's later years (see Introduction, pages ), "Annie" was the object of his most sincere and ardent friendship, and was his confidant in all his troubles,--including the courtship of Mrs. Whitman. Poe and Mrs. Clemm were frequent visitors at her home, and the latter found shelter there for a time after her "Eddie's" death. This poem is usually regarded as one of the author's poorest, though it has a distinctly individual character that must be recognized. Thus Professor C.F. Richardson, in his "American Literature," quoting several stanzas, remarks, "This is doggerel, but it is Poe's special doggerel." Some of the lines really deserve this severe epithet, but hardly the entire poem. Its theme seems to be peace in death through the affection of Annie, following a life of passion and sorrow, and so regarded, it has some strength.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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