Sonnet CCVI

Petrarch (1304–1374), translated by various hands · 1859

iambic pentameter · Italian sonnet · 14 lines · from The Sonnets, Triumphs and Other Poems

Evil oppresses me and worse dismay,To which a plain and ample way I find;Driven like thee by frantic passion, blind,Urged by harsh thoughts I bend like thee my way.Nor know I if for war or peace to pray:To war is ruin, shame to peace, assign'd.But wherefore languish thus?--Rather, resign'd,Whate'er the Will Supreme ordains, obey.However ill that honour me beseemBy thee conferr'd, whom that affection cheatsWhich many a perfect eye to error sways,To raise thy spirit to that realm supremeMy counsel is, and win those blissful seats:For short the time, and few the allotted days.

Words in this poem

wherefore adv.
For which reason; so; -- used relatively. [Where + for.]
languish v. i.
To cause to dr Shak.
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
beseem v. i.
To seem; to appear; to be fitting.
blissful a.
Full of, characterized by, or causing, joy and felicity; happy in the highest degree.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Sonnet CCVI is in the public domain. This text is taken from The Sonnets, Triumphs and Other Poems, Project Gutenberg ebook #17650, the various hands translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Petrarch, Sonnet CCVI, in The Sonnets, Triumphs and Other Poems (1859), text of Project Gutenberg ebook #17650, Laurel, https://laurelpoetry.com/poem/petrarch-sonnets/sonnet-ccvi.html, id L14808.

Form and metre

Sonnet CCVI is 14 lines in a single stanza. It rhymes ABBAABBACDCDCD, the pattern of the Italian sonnet. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 21% of the lines run on without a stop at the line end.

See other Italian sonnets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBAABBACDCDCD dismayA · findB · blindB · wayA · prayA · assign'dB · resign'dB · obeyA · beseemC · cheatsD · swaysC · supremeD · seatsC · daysD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Evil oppresses me and worse dismay,10/˘˘/˘···˘/
To which a plain and ample way I find;10·····/˘···
Driven like thee by frantic passion, blind,10/˘···/˘/˘·
Urged by harsh thoughts I bend like thee my way.10··········
Nor know I if for war or peace to pray:10··········
To war is ruin, shame to peace, assign'd.10···/˘···˘/
But wherefore languish thus?--Rather, resign'd,10·/˘/˘·/˘˘/
Whate'er the Will Supreme ordains, obey.11˘˘/··˘/˘/˘/
However ill that honour me beseem10·/˘··/˘·˘/
By thee conferr'd, whom that affection cheats10··˘/··˘/˘·
Which many a perfect eye to error sways,10·/·/···/˘·
To raise thy spirit to that realm supreme10···/˘···˘/
My counsel is, and win those blissful seats:10·/˘····/˘·
For short the time, and few the allotted days.11·······˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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