The Maniac

Sándor Petőfi (1823–1849), translated by John Bowring · 1866

iambic pentameter · 95 lines · from Translations from Alexander Petofi, the Magyar Poet

What wilt thou now—why trouble me?Away! away! away with thee;I'm busy! I'm busy! so leave me alone—I'm twisting a whip—a fire-whip of my own—I'm twisting it out of the rays of the sun,And will scourge all the world when my labour is done;It will howl—I shall laugh—ha! ha! hear!—ha! ha! hear!It laughed, when I howl'd: "The avenger is near;"I know what it means—this world's screaming and scowling—'Tis howling and laughter—'tis laughter and howling;And then comes death's messenger, whispering "Be still!"Did I not die? Am I not dead?Death—was it death—or death's phantom instead?They drenched my wine with poison, thenForced me to drink that wine again;Death's angels shrieking round with voices shrill.My murderers! Tell me what they did to hideTheir foul—foul crime?They poured their death-shrieks out on every side,Looked pale and wept aloud—I could have started from my cerement shroud,Bitten the nose from each false face to showThe fraudful mark—but no!I bide my time.Let them preserve their noses and their smell,And in their nostrils stinking let me dwellTill I am buried—buried where? Ha! ha!In Africa!In Africa! there would I rest, for thereShall a hyena shield me in his lair;And be my benefactor—he will say—"I will devour thee."—"Well! you may—you may,"I'll answer, and my heart I'll fling him; heShall spring upon it—'twill so bitter be,That he shall, poisoned, die in agony.Look!—ha! ha! ha!—this is the fit reward,For those who serve mankind, serve men; and what are men?A something rooted in the dusty sward,With branches towering upwards—No! no! no!It is not so—I answer No! again.'Tis true, man is a tree, whose deep, deep rootAscends from hell:I heard a learned sage his history tell,—He was a fool, and yet without disputeHis tale was true,—the sage was naked, poor—Why did he not break thro' some rich man's doorAnd steal—and steal?—the fool! and am not IAs great a fool to be inquiring why?No! better far to weep—unsolaced—sad—The world it is so bad;But heaven has wept enough from weeping clouds.That such a world God for its maker had,Who His regrets in dark repentance shrouds;And what avail heaven's tears for grace or good?They fall on earth, man tramples them to mud—To mud—ha ha!—to mud.O heaven! O heaven! thy soldier, he has doneHis duty, for a victor-wreath the sun,For vestments the bright clouds were promised—heHath won his victory.And now, and now, the exhausted soldier wearsThe brass cross which his ragged waistcoat bears;And is this all? Come hither, ye who drawLessons of wisdom—ask the solemn dawWhat it all means—he answers, "Caw! caw! caw!"Cry—measure woman! fly her fatal ban,Woman that draws that master-subject—man,Like the lost river in the absorbing sea,Sucked in both spirit and shape—a mystery—Creation's greatest mystery is she;A blooming garden, both in body and soulHow lovely—but a lecherous, leprous whole;In her fair hand she holds a golden cup—'Tis poison—drink it up!O love! O extasy of love! I drankThe poison, in delight, delirium sank;One drop is sweeter, dearer, more divineThan deepest oceans filled with honied wine;And yet one drop more fatal, poisonous, moreThan seas impregnated with hellebore;I saw those seas the wild tornadoes move,Wrecked ships, drowned sailors' corpses, float above;Death and destruction,—play-things,ha! ha! ha!The ripe fruit falls, and thou, thou perishing worldArt ripe to rottenness, and shalt be hurledTo ruin, with a dread anathema!The curse is on thee—Perish! shall I waitUntil to-morrow wakes; but if to-morrowWrite not the last page of my shame and sorrow,I'll bury me within thine entrails straight;And to thy fires bring pyramids of powder,And there explode in thunderbolts, but louder;Flung up to heaven midst planet, star, and sun—You hear me—ha! ha! ha!—the work is done.

Words in this poem

scourge n.
A lash; a strap or cord; especially, a lash used to inflict pain or punishment; an instrument of punishment or discipline; a whip. [F. escourgée, fr. L. excoriata (sc. scutica) a stripped off (lash or whip), fr. excoriate to strip, to skin. See Excoriate.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
screaming a.
Uttering screams; shrieking.
aloud adv.
With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
fraudful a.
Full of fraud, deceit, or treachery; trickish; treacherous; fraudulent; -- applied to persons or things. I. Taylor.
bide v. i.
To dwell; to inhabit; to abide; to stay. [OE. biden, AS. bidan; akin to OHG. bitan, Goth. beidan, Icel. bi; perh. orig., to wait with trust, and akin to bid. See Bid, v. t., and cf. Abide.]
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
hyena n.
Any carnivorous mammal of the family Hyænidæ, of which three living species are known. They are large and strong, but cowardly. [L. hyaena, Gr. hyène. See Sow female hog.]
lair n.
A place in which to lie or rest; especially, the bed or couch of a wild beast. [OE. leir, AS. leger; akin to D. leger, G. lager couch, lair, OHG. laga, Goth. ligrs, and to E. lie. See Lie to be prostrate, and cf. Layer, Leaguer.]
towering a.
Very high; elevated; rising aloft; as, a towering height.
lecherous a.
Like a lecher; addicted to lewdness; lustful; also, lust- provoking.
drank n.
Wild oats, or darnel grass. See Drake a plant. [Cf. 3d Drake.]
shalt
2d per. sing. of Shall.
anathema n.
A ban or curse pronounced with religious solemnity by ecclesiastical authority, and accompanied by excommunication. Hence: Denunciation of anything as accursed. [L. anath, fr. Gr. anath, fr. Gr. Thesis.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Maniac is in the public domain. This text is taken from Translations from Alexander Petofi, the Magyar Poet, by Sir John Bowring (London: Trübner & Co., 1866), Internet Archive, the John Bowring translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Sándor Petőfi, The Maniac, in Translations from Alexander Petofi, the Magyar Poet (1866), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/petofi-poems-bowring/the-maniac.html, id L29835.

Form and metre

The Maniac is 95 lines in a single stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 82%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEE-FFGG-H-HIIJJ-KK--LLMMNN-OPOQQPRSSR--TTUUVUVWWWXX--YYZZZaab-bccddeeffgghh-ii-jkkjllmm meA · theeA · aloneB · ownB · sunC · doneC · hearD · nearD · scowlingE · howlingE · still · deadF · insteadF · thenG · againG · shrill · hideH · crime · sideH · aloudI · shroudI · showJ · noJ · time · smellK · dwellK · ha · africa · thereL · lairL · sayM · mayM · heN · beN · agony · rewardO · menP · swardO · noQ · soQ · againP · rootR · hellS · tellS · disputeR · poor · door · iT · whyT · sadU · badU · cloudsV · hadU · shroudsV · goodW · mudW · mudW · doneX · sunX · he · victory · wearsY · bearsY · drawZ · dawZ · cawZ · bana · mana · seab · mystery · sheb · soulc · wholec · cupd · upd · dranke · sanke · divinef · winef · moreg · helleboreg · moveh · aboveh · ha · worldi · hurledi · anathema · waitj · morrowk · sorrowk · straightj · powderl · louderl · sunm · donem
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
What wilt thou now—why trouble me?8·····/˘·
Away! away! away with thee;8˘/˘/˘/··
I'm busy! I'm busy! so leave me alone—11·/˘·/˘···˘/
I'm twisting a whip—a fire-whip of my own—11·/˘···/····
I'm twisting it out of the rays of the sun,11·/˘········
And will scourge all the world when my labour is done;12········/···
It will howl—I shall laugh—ha! ha! hear!—ha! ha! hear!12············
It laughed, when I howl'd: "The avenger is near;"11······˘/˘··
I know what it means—this world's screaming and scowling—12·······/˘·/˘
'Tis howling and laughter—'tis laughter and howling;12·/˘·/˘·/˘·/˘
And then comes death's messenger, whispering "Be still!"10····/˘/˘··
Did I not die? Am I not dead?8········
Death—was it death—or death's phantom instead?10······/˘˘/
They drenched my wine with poison, then9··˘···/˘·
Forced me to drink that wine again;9·˘·····˘/
Death's angels shrieking round with voices shrill.10·/˘/˘··/˘·
My murderers! Tell me what they did to hide10·/˘·······
Their foul—foul crime?4····
They poured their death-shrieks out on every side,10·······/˘·
Looked pale and wept aloud—6····˘/
I could have started from my cerement shroud,10···/˘··/˘·
Bitten the nose from each false face to show10/˘········
The fraudful mark—but no!6·/˘···
I bide my time.4····
Let them preserve their noses and their smell,10··˘/·/˘···
And in their nostrils stinking let me dwell10···/˘/˘···
Till I am buried—buried where? Ha! ha!10···/˘/˘···
In Africa!4·/˘˘
In Africa! there would I rest, for there10·/˘˘······
Shall a hyena shield me in his lair;10··˘/˘·····
And be my benefactor—he will say—10···/˘·˘···
"I will devour thee."—"Well! you may—you may,"10··˘/······
I'll answer, and my heart I'll fling him; he10·/˘·······
Shall spring upon it—'twill so bitter be,10·······/˘·
That he shall, poisoned, die in agony.10···/˘··/˘˘
Look!—ha! ha! ha!—this is the fit reward,10········˘/
For those who serve mankind, serve men; and what are men?12····//······
A something rooted in the dusty sward,10·/˘/˘··/˘·
With branches towering upwards—No! no! no!10·/˘/˘/˘···
It is not so—4····
I answer No! again.6·/˘·˘/
'Tis true, man is a tree, whose deep, deep root10··········
Ascends from hell:4˘/··
I heard a learned sage his history tell,—10······/˘˘·
He was a fool, and yet without dispute10········˘/
His tale was true,—the sage was naked, poor—10·······/˘·
Why did he not break thro' some rich man's door10··········
And steal—and steal?—the fool! and am not I10··········
As great a fool to be inquiring why?10······˘/˘·
No! better far to weep—unsolaced—sad—10·/˘·······
The world it is so bad;6······
But heaven has wept enough from weeping clouds.10·/··˘/·/˘·
That such a world God for its maker had,10·······/˘·
Who His regrets in dark repentance shrouds;10··˘/··˘/˘·
And what avail heaven's tears for grace or good?11··˘//˘·····
They fall on earth, man tramples them to mud—10·····/˘···
To mud—ha ha!—to mud.6······
O heaven! O heaven! thy soldier, he has done10·/·/·/˘···
His duty, for a victor-wreath the sun,10·/˘··/˘···
For vestments the bright clouds were promised—he10·······/˘·
Hath won his victory.6···/˘˘
And now, and now, the exhausted soldier wears11·····˘/˘/˘·
The brass cross which his ragged waistcoat bears;10·····/˘/˘·
And is this all? Come hither, ye who draw10·····/˘···
Lessons of wisdom—ask the solemn daw10/˘·/˘··/˘·
What it all means—he answers, "Caw! caw! caw!"10·····/˘···
Cry—measure woman! fly her fatal ban,10·/˘/˘··/˘·
Woman that draws that master-subject—man,10/˘···/˘˘/·
Like the lost river in the absorbing sea,11···/˘··˘/˘·
Sucked in both spirit and shape—a mystery—11···/˘···/˘˘
Creation's greatest mystery is she;10˘/˘/˘/˘˘··
A blooming garden, both in body and soul11·/˘/˘··/˘··
How lovely—but a lecherous, leprous whole;10·/˘··/˘/˘·
In her fair hand she holds a golden cup—10·······/˘·
'Tis poison—drink it up!6·/˘···
O love! O extasy of love! I drank10···/˘˘····
The poison, in delight, delirium sank;10·/˘·˘/˘/˘·
One drop is sweeter, dearer, more divine10···/˘/˘·˘/
Than deepest oceans filled with honied wine;10·/˘/˘··/˘·
And yet one drop more fatal, poisonous, more10·····/˘/˘·
Than seas impregnated with hellebore;10··˘/·˘·/˘˘
I saw those seas the wild tornadoes move,10······˘/˘·
Wrecked ships, drowned sailors' corpses, float above;10···/˘/˘···
Death and destruction,—play-things,ha! ha! ha!10··˘/˘·····
The ripe fruit falls, and thou, thou perishing world10·······/˘·
Art ripe to rottenness, and shalt be hurled10··········
To ruin, with a dread anathema!10·/˘···˘/˘˘
The curse is on thee—Perish! shall I wait10·····/˘···
Until to-morrow wakes; but if to-morrow11···/˘····/˘
Write not the last page of my shame and sorrow,11·········/˘
I'll bury me within thine entrails straight;10·/˘····/˘·
And to thy fires bring pyramids of powder,11···/·/˘˘·/˘
And there explode in thunderbolts, but louder;11··˘/·/˘··/˘
Flung up to heaven midst planet, star, and sun—10···/·/˘···
You hear me—ha! ha! ha!—the work is done.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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