The Kingdom of Love
I dreamt a wondrous dream,I know not if in sleeping or awaking;But that I dreamt I know, since no mistakingOf things that are for things that only seemCould fill the soul with such a burning glow,Or make my hand write tremblingly—as now.I lingered on a long and lonesome way;But no! it was not lingering, for I spedHurriedly forward, tho' I seemed to stay—'Twas wearying—from the dullness and delay,And the monotony around me spread.And those who passed or dwelt there seemed imbuedWith the inaction of the solitude;Passionless—satisfied—O how I stroveTo leave that land behind me—to escapeFrom that oppressive power whose every shapeWas clad in doubt and gloom, but none in love.At last I reached the boundary of the sands,And there a diamantine portal stands,With rainbow letters fringed with gold above—"Kingdom of Love!"There was a "Welcome!" waiting on the watch;Raptured, I seized the latch—Opened the door, and boldly rushed within—And saw—O heavenly vision! all around—A more enchanting, more enrapturing sceneThan poet or than painter ever foundWhen they in earth have pictured heavenly gods,And a blest Paradise for their abodes.A wide and fertile vale, a fancy's dream,With myriad flowers, and rose trees towering high,As oaks towards the sky:And by soft song accompanied, a streamGliding, but lingering, oft turned back to kissThe banks it left, as if some thought of bliss—Some memory sweet were there—and everywhereEnchantments all-mysterious filled the air;Odours and many coloured beams of light,Columns of crystal, gems reflecting bright,The grand romantic statues girding roundThat amphitheatre, and every heightWith clouds of pure translucent gold was crowned.Entranced, I looked around me—and forgotTo close the open door—wildered I stood,Gazing upon that clear melodious flood,Whose magic magnet influence I could notResist, and nearer to its banks I drew—An emerald field, flower decked, I wandered thro';I saw young groups bending their heads towardSomething attractive in the tangled sward,And picked up what to my eyes seemed eitherA needle or a feather."What seek ye here?" I asked. "A poisonous weed!"One answered, and again inclined his head;"And when discovered, tell me for what use?""To press the foliage, and to sip its juice."I hastened back; the disenchantment gaveStrong impulse to my footsteps—tired I foundA resting place on the rose-covered ground;Beneath a tree I sat—to weariness a slave—To disappointment—to disgust—strange fear—A wild perplexity had mastered meWhen I look'd upward, and saw hanging there,A youth upon the tree.Startled, I looked around—one, two, three, four—And each its own suspended victim bore,Swinging aloft;—towards the stream I fled,Driven thitherward by dread,And sought wherewith to ford it. Then I cried,"Love's holy kingdom's on the farther side,"And sprang into a boat; I seized the rudder,And midst the rushes floating—with a shudderSaw many corpses—youths and maidens—-seemLike frightened ghosts that leaped into the stream.I reached the distant bank—pale, trembling, weary,And images of terror dark and dreary—And poison-cups—and sorcery-cauldrons rose—There was no resting place and no repose.There spouted from the mountain-tops a floodOf brains and blood;And on that blooming borderWere death and discord, darkness and disorder.I ran about in wild despair,I ran about, lost and bewildered there;One black, black canopy o'ershadowed all—Self-murder—hopeless misery—fall on fall!But the meadows laughed out serene,And beautiful flowers shone thro' the green;The musical stream, and the azure sky,They laughed out with a sparkling joy:Blossoming here, and blossoming there—Peace and blessedness everywhere!
Words in this poem 22
- wondrous adv.
- In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
- mistaking n.
- An error; a mistake.
- lonesome a.
- Secluded from society; not frequented by human beings; solitary.
- monotony n.
- A frequent recurrence of the same tone or sound, producing a dull uniformity; absence of variety, as in speaking or singing. [Gr. monotonie. See Monotonius.]
- passionless a.
- Void of passion; without anger or emotion; not easily excited; calm.
- clad v.
- To clothe. Holland.
- latch v. t.
- To smear; to anoint. [Cf. F. lécher to lick (of German origin). Cf. Lick.]
- boldly adv.
- In a bold manner. [AS. bealdlice.]
- rushed a.
- Abounding or covered with rushes.
- pictured a.
- Furnished with pictures; represented by a picture or pictures; as, a pictured scene.
- vale n.
- A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
- myriad n.
- The number of ten thousand; ten thousand persons or things. [Gr. myriade.]
- towering a.
- Very high; elevated; rising aloft; as, a towering height.
- coloured a.
- Having color; tinged; dyed; painted; stained.
- girding n.
- That with which one is girded; a girdle.
- amphitheatre n.
- An oval or circular building with rising tiers of seats about an open space called the arena. [L. amphitheatrum, fr. Gr. amphithé\'83tre. See Theater.]
- disenchantment n.
- The act of disenchanting, or state of being disenchanted. [Pref. dis- + enchantment: cf. F. désenchantement.]
- disappointment n.
- The act of disappointing, or the state of being disappointed; defeat or failure of expectation or hope; miscarriage of design or plan; frustration. [Cf. F. désappointement.]
- thitherward adv.
- To ward that place; in that direction.
- wherewith adv.
- With which; -- used relatively.
- dreary a.
- Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
- blessedness n.
- The state of being blessed; happiness; felicity; bliss; heavenly joys; the favor of God.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Kingdom of Love is in the public domain. This text is taken from Translations from Alexander Petofi, the Magyar Poet, by Sir John Bowring (London: Trübner & Co., 1866), Internet Archive, the John Bowring translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Sándor Petőfi, The Kingdom of Love, in Translations from Alexander Petofi, the Magyar Poet (1866), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/petofi-poems-bowring/the-kingdom-of-love.html, id L29860.
Form and metre
The Kingdom of Love is 92 lines in a single stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABBA--CDCCDEE-FFGHHGG---I-I--JKKJLLMMNNONOPQQP--RR----SSTUUTVWVWXXYYZZaabbccddeeffgghhii--jj dreamA · awakingB · mistakingB · seemA · glow · now · wayC · spedD · stayC · delayC · spreadD · imbuedE · solitudeE · strove · escapeF · shapeF · loveG · sandsH · standsH · aboveG · loveG · watch · latch · within · aroundI · scene · foundI · gods · abodes · dreamJ · highK · skyK · streamJ · kissL · blissL · everywhereM · airM · lightN · brightN · roundO · heightN · crownedO · forgotP · stoodQ · floodQ · notP · drew · thro · towardR · swardR · either · feather · weed · head · useS · juiceS · gaveT · foundU · groundU · slaveT · fearV · meW · thereV · treeW · fourX · boreX · fledY · dreadY · criedZ · sideZ · ruddera · shuddera · seemb · streamb · wearyc · drearyc · rosed · reposed · floode · bloode · borderf · disorderf · despairg · thereg · allh · fallh · serenei · greeni · sky · joy · therej · everywherej
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I dreamt a wondrous dream, | 6 | ···/˘· |
| I know not if in sleeping or awaking; | 11 | ·····/˘·˘/˘ |
| But that I dreamt I know, since no mistaking | 11 | ········˘/˘ |
| Of things that are for things that only seem | 10 | ·······/˘· |
| Could fill the soul with such a burning glow, | 10 | ·······/˘· |
| Or make my hand write tremblingly—as now. | 10 | ·········· |
| I lingered on a long and lonesome way; | 10 | ·/˘····/˘· |
| But no! it was not lingering, for I sped | 10 | ·····/˘··· |
| Hurriedly forward, tho' I seemed to stay— | 10 | /˘˘/˘····· |
| 'Twas wearying—from the dullness and delay, | 10 | ·/˘··/˘·˘/ |
| And the monotony around me spread. | 10 | ··˘/˘˘···· |
| And those who passed or dwelt there seemed imbued | 10 | ········˘/ |
| With the inaction of the solitude; | 10 | ··˘/˘··/˘· |
| Passionless—satisfied—O how I strove | 10 | /˘˘/˘····· |
| To leave that land behind me—to escape | 10 | ········˘/ |
| From that oppressive power whose every shape | 10 | ··˘/˘/·/˘· |
| Was clad in doubt and gloom, but none in love. | 10 | ·········· |
| At last I reached the boundary of the sands, | 10 | ·····/˘··· |
| And there a diamantine portal stands, | 9 | ······/˘· |
| With rainbow letters fringed with gold above— | 10 | ·/·/˘····· |
| "Kingdom of Love!" | 4 | /˘·· |
| There was a "Welcome!" waiting on the watch; | 10 | ···/˘/˘··· |
| Raptured, I seized the latch— | 6 | /˘···· |
| Opened the door, and boldly rushed within— | 10 | /˘···/˘··· |
| And saw—O heavenly vision! all around— | 10 | ···/˘/˘··· |
| A more enchanting, more enrapturing scene | 10 | ··˘/˘·˘/˘· |
| Than poet or than painter ever found | 10 | ·/˘··/˘/˘· |
| When they in earth have pictured heavenly gods, | 10 | ·····/˘/˘· |
| And a blest Paradise for their abodes. | 10 | ···/˘···˘/ |
| A wide and fertile vale, a fancy's dream, | 10 | ···/˘··/˘· |
| With myriad flowers, and rose trees towering high, | 10 | ·/˘/···/˘· |
| As oaks towards the sky: | 6 | ······ |
| And by soft song accompanied, a stream | 10 | ····˘/˘˘·· |
| Gliding, but lingering, oft turned back to kiss | 10 | /˘·/˘····· |
| The banks it left, as if some thought of bliss— | 10 | ·········· |
| Some memory sweet were there—and everywhere | 10 | ·/˘····/˘· |
| Enchantments all-mysterious filled the air; | 10 | ˘/˘·˘/˘··· |
| Odours and many coloured beams of light, | 10 | /˘·/˘/˘··· |
| Columns of crystal, gems reflecting bright, | 10 | /˘·/˘·˘/˘· |
| The grand romantic statues girding round | 10 | ··˘/˘/·/˘· |
| That amphitheatre, and every height | 10 | ·/˘·˘˘·/˘· |
| With clouds of pure translucent gold was crowned. | 10 | ····˘/˘··· |
| Entranced, I looked around me—and forgot | 10 | ˘/······˘/ |
| To close the open door—wildered I stood, | 10 | ···/˘·/˘·· |
| Gazing upon that clear melodious flood, | 10 | /˘····˘/˘· |
| Whose magic magnet influence I could not | 10 | ·/˘/˘/˘··· |
| Resist, and nearer to its banks I drew— | 10 | ˘/·/˘····· |
| An emerald field, flower decked, I wandered thro'; | 10 | ·/˘·/··/˘· |
| I saw young groups bending their heads toward | 10 | ····/˘···· |
| Something attractive in the tangled sward, | 10 | /˘˘/˘··/˘· |
| And picked up what to my eyes seemed either | 10 | ········/˘ |
| A needle or a feather. | 7 | ·/˘··/˘ |
| "What seek ye here?" I asked. "A poisonous weed!" | 10 | ·······/˘· |
| One answered, and again inclined his head; | 10 | ·/˘·˘/˘/·· |
| "And when discovered, tell me for what use?" | 10 | ··˘/˘····· |
| "To press the foliage, and to sip its juice." | 10 | ···/˘····· |
| I hastened back; the disenchantment gave | 10 | ·/˘··˘˘/˘· |
| Strong impulse to my footsteps—tired I found | 10 | ·/˘··/·/·· |
| A resting place on the rose-covered ground; | 10 | ·/˘····/˘· |
| Beneath a tree I sat—to weariness a slave— | 11 | ·······/˘·· |
| To disappointment—to disgust—strange fear— | 10 | ··˘/˘·˘/·· |
| A wild perplexity had mastered me | 10 | ··˘/˘˘·/˘· |
| When I look'd upward, and saw hanging there, | 10 | ···/˘··/˘· |
| A youth upon the tree. | 6 | ······ |
| Startled, I looked around—one, two, three, four— | 10 | /˘········ |
| And each its own suspended victim bore, | 10 | ····˘/˘/˘· |
| Swinging aloft;—towards the stream I fled, | 10 | /˘˘/······ |
| Driven thitherward by dread, | 7 | /˘/˘˘·· |
| And sought wherewith to ford it. Then I cried, | 10 | ··˘/······ |
| "Love's holy kingdom's on the farther side," | 10 | ·/˘/˘··/˘· |
| And sprang into a boat; I seized the rudder, | 11 | ·········/˘ |
| And midst the rushes floating—with a shudder | 11 | ···/˘/˘··/˘ |
| Saw many corpses—youths and maidens—-seem | 10 | ·/˘/˘··/˘· |
| Like frightened ghosts that leaped into the stream. | 10 | ·/˘······· |
| I reached the distant bank—pale, trembling, weary, | 11 | ···/˘··/˘/˘ |
| And images of terror dark and dreary— | 11 | ·/˘˘·/˘··/˘ |
| And poison-cups—and sorcery-cauldrons rose— | 10 | ·/˘··/˘/˘· |
| There was no resting place and no repose. | 10 | ···/˘···˘/ |
| There spouted from the mountain-tops a flood | 10 | ·/˘··/˘··· |
| Of brains and blood; | 4 | ···· |
| And on that blooming border | 7 | ···/˘/˘ |
| Were death and discord, darkness and disorder. | 11 | ···/˘/˘·˘/˘ |
| I ran about in wild despair, | 8 | ······˘/ |
| I ran about, lost and bewildered there; | 10 | ······˘/˘· |
| One black, black canopy o'ershadowed all— | 10 | ···/˘˘···· |
| Self-murder—hopeless misery—fall on fall! | 10 | ·/˘/˘/˘··· |
| But the meadows laughed out serene, | 9 | ··/··˘·˘/ |
| And beautiful flowers shone thro' the green; | 10 | ·/˘˘/˘···· |
| The musical stream, and the azure sky, | 10 | ·/˘˘···/˘· |
| They laughed out with a sparkling joy: | 9 | ··˘···/˘· |
| Blossoming here, and blossoming there— | 9 | /˘˘··/˘˘· |
| Peace and blessedness everywhere! | 8 | ··/˘˘/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.