The Good Teacher

Sándor Petőfi (1823–1849), translated by John Bowring · 1866

iambic pentameter · ABAB · 60 lines · from Translations from Alexander Petofi, the Magyar Poet

Amidst the preachings of our many preachers,Only a very fewAre worthy of our self-created teachers,As good or true.

But once I learnt in youth, what yet abidethOn memory's page;It was an old man's lesson, and it glidethFrom youth to age.

Bald was his head and grey, and bore serenelyThe weight of years;Youth's spring flowers he had gathered, nor felt keenly,Time's lost arrears.

There was one flower immortal, for it everBloomed on its bed—That bed, the old man's nose, where faded never—The poppy red.

And every day it glowed more brightly, whenThe fostering wineNourished its roots, and bade the flower againRichly to shine.

It was a marvellous plant, that night and morningMore brilliant grew,—Not needing dews of heaven, and even scorningThe cellar dew.

Under the nose roof, a moustachio hairyLooked gravely round;One end was pointed upward, light and airy,One to the ground.

'Neath the moustachio was an open mouth,Where a pipe hung,The mouth was like a cavern's depth, uncouth,Which caged a tongue.

He wore a coat called Zrinyi, made of yore,'Neath Arpads race,Of the old colours it no colour bore—No! not a trace.

The buttons on the coat that covered those limbsWere ancient jobs,That had been used for shooting at the Moslems,Old, rough, round knobs.

There were such zig-zag laces, bobs and tags,In strange array,That midst them even the lightning's wild zig-zagsSoon lost their way.

With him, for many a month and year, I hadMuch intercourse;A noble fellow was the ancient lad,Worth just—his horse.

He taught me much, experience much he brought me;'Tis useful yet—And all the cunning lessons that he taught meI'll not forget.

And I was grateful then, and I repaid himIn grateful glee;Treasured his precious counsels, and obeyed himMost reverently.

I gave him sausages and ham and bacon,All of the best;Which from mine host's own knapsack I had taken—I was his guest.

Words in this poem

amidst prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
serenely adv.
In a serene manner; clearly.
keenly adv.
In a keen manner.
bade
A form of the pat tense of Bid.
gravely adv.
In a grave manner.
caged a.
Confined in, or as in, a cage; like a cage or prison.
yore adv.
In time long past; in old time; long since. [OE. , yare, , AS. geára;akin to geár a year, E. year. Year.]
glee n.
Music; minstrelsy; entertainment.
reverently adv.
In a reverent manner; in respectful regard.
knapsack n.
A case of canvas or leather, for carrying on the back a soldier's necessaries, or the clothing, etc., of a traveler. [D. knapzak; knappen to eat + zak a bag. See Knap, v. t., and Sack.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Good Teacher is in the public domain. This text is taken from Translations from Alexander Petofi, the Magyar Poet, by Sir John Bowring (London: Trübner & Co., 1866), Internet Archive, the John Bowring translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Sándor Petőfi, The Good Teacher, in Translations from Alexander Petofi, the Magyar Poet (1866), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/petofi-poems-bowring/the-good-teacher.html, id L29802.

Form and metre

The Good Teacher is 60 lines in 15 stanzas of 4 lines each. Every stanza rhymes ABAB. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB preachersA · fewB · teachersA · trueB
  2. 2 ABAB abidethA · pageB · glidethA · ageB
  3. 3 ABAB serenelyA · yearsB · keenlyA · arrearsB
  4. 4 ABAB everA · bedB · neverA · redB
  5. 5 ABAB whenA · wineB · againA · shineB
  6. 6 ABAB morningA · grewB · scorningA · dewB
  7. 7 ABAB hairyA · roundB · airyA · groundB
  8. 8 ABAB mouthA · hungB · uncouthA · tongueB
  9. 9 ABAB yoreA · raceB · boreA · traceB
  10. 10 ABAB limbsA · jobsB · moslemsA · knobsB
  11. 11 ABAB tagsA · arrayB · zagsA · wayB
  12. 12 ABAB hadA · intercourseB · ladA · horseB
  13. 13 ABAB meA · yetB · meA · forgetB
  14. 14 ABAB himA · gleeB · himA · reverentlyB
  15. 15 ABAB baconA · bestB · takenA · guestB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Amidst the preachings of our many preachers,10˘/·/˘·///˘
Only a very few6/˘·/˘·
Are worthy of our self-created teachers,11·/˘·/·˘/˘/˘
As good or true.4····
But once I learnt in youth, what yet abideth10········/˘
On memory's page;5·/˘˘·
It was an old man's lesson, and it glideth11·····/˘··/˘
From youth to age.4····
Bald was his head and grey, and bore serenely11········˘/˘
The weight of years;4····
Youth's spring flowers he had gathered, nor felt keenly,11··/··/˘··/˘
Time's lost arrears.4··˘/
There was one flower immortal, for it ever10···/˘/˘··/
Bloomed on its bed—4····
That bed, the old man's nose, where faded never—10·······/˘/
The poppy red.4·/˘·
And every day it glowed more brightly, when10·/˘····/˘·
The fostering wine5·/˘˘·
Nourished its roots, and bade the flower again10/˘·····/˘/
Richly to shine.4/˘··
It was a marvellous plant, that night and morning12··········/˘
More brilliant grew,—4·/˘·
Not needing dews of heaven, and even scorning10·/˘··/·//˘
The cellar dew.4·/˘·
Under the nose roof, a moustachio hairy11·········/˘
Looked gravely round;4·/˘·
One end was pointed upward, light and airy,11···/˘/˘··/˘
One to the ground.4····
'Neath the moustachio was an open mouth,10·······/˘·
Where a pipe hung,4····
The mouth was like a cavern's depth, uncouth,10·····/˘·//
Which caged a tongue.4····
He wore a coat called Zrinyi, made of yore,10··········
'Neath Arpads race,4····
Of the old colours it no colour bore—10···/˘··/˘·
No! not a trace.4····
The buttons on the coat that covered those limbs11·/˘····/˘··
Were ancient jobs,4·/˘·
That had been used for shooting at the Moslems,11·····/˘··/˘
Old, rough, round knobs.4····
There were such zig-zag laces, bobs and tags,10·····/˘···
In strange array,4··˘/
That midst them even the lightning's wild zig-zags10···/·/˘···
Soon lost their way.4····
With him, for many a month and year, I had10···/······
Much intercourse;4·/˘·
A noble fellow was the ancient lad,10·/˘/˘··/˘·
Worth just—his horse.4····
He taught me much, experience much he brought me;11····˘/˘····
'Tis useful yet—4·/˘·
And all the cunning lessons that he taught me11···/˘/˘····
I'll not forget.4··˘/
And I was grateful then, and I repaid him11···/˘···˘/·
In grateful glee;4·/˘·
Treasured his precious counsels, and obeyed him11/˘·/˘/˘·˘/·
Most reverently.5·/˘˘˘
I gave him sausages and ham and bacon,10···/˘···/˘
All of the best;4····
Which from mine host's own knapsack I had taken—11·····/···/˘
I was his guest.4····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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