Nightingales and Larks

Sándor Petőfi (1823–1849), translated by John Bowring · 1866

iambic pentameter · 59 lines · from Translations from Alexander Petofi, the Magyar Poet

How long hast thou poured out thy nightly tune,Worshipper of the moon!From the old time, whose clouds have borne awayThe memories of thy lay?Well hast thou left thy nest,Built midst the trees which crestOur ancient cities' ruins—hurrying farFrom the dark haunts, where owls and ravens are;Thy soul is by sweet witchery inspired—Thrilling, but never tired;It flashes in the eye, it wakes the lyreWith transports' fever' d fire;With tears hot-burning, the sad heart it sears—False are the transports, cowardly the tears;Transports and tears in days like these—That only tell of our degeneracies!Nay! we will have no song, no chant, no chime,But those which echo the departed time:And what are ye but plunderers of the dead,Stealers of corpses from their slumbering bed?Thou bring' st them from the lonely nightInto the morning light,The long departed centuries;And thou wouldst garland theseWith laurels,—I will take no shareIn such a ministration,—'tis a curse—A profanation—murder-stained, and worse;Here mortals pine in gloom and grief and gall,The world is but a general hospital;Contagion spreading here and there,Through the doomed kingdom, festering everywhere!Our country on the altar's footstep lies,A worthless sacrifice.For who that history's dreary page has read,Saw e'er a nation wakened from the dead—Here or elsewhere—ask—and be answered never—If nations, doomed to sleep, must sleep for ever?Ask, in thy misery, restless, anxious, fretful,Will heaven of its own children be forgetful?Ask if there be a sickness, whose conditionIs far beyond the reach of the physician?Ask if there be a curse, whose cure demandsThe heaven's damnation, or earth's hangman's hands:Are these thy songs—are these thy melodies—The music of thy lute strings—these?I ask—and in my misery, floods of tearsBurst from my eyes, and thro' these showers appearsA dream—a shadowy dream—of future years.And thou, sweet tarrying singer of the night,Be silent quite!Thou hast no song of gaiety or gladness,Cease thou thy notes of sadness;They bring no healing to the suffering soul,They will not make the heart that's broken whole.The nightingale belongs to night. But lo!Midnight is passing, and its curtains darkDay draws aside, and now the morning glowBrightens the fields—fly nightingale—and hark!I hear the singing of the morning lark.

Words in this poem

hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
nightly a.
Of or pertaining to the night, or to every night; happening or done by night, or every night; as, nightly shades; he kept nightly vigils.
witchery
Sorcery; enchantment; witchcraft.
thrilling a.
Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
chime n.
The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
ministration n.
The act of ministering; service; ministry. [L. ministratio, fr. ministrare.]
hospital n.
A place for shelter or entertainment; an inn. [OF. hospital, ospital, F. hôpital, LL. hospitale (or perh. E. hospital is directly from the Late Latin), from L. hospitalis relating to a guest, hospitalia apar]
dreary a.
Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
forgetful a.
Apt to forget; easily losing remembrance; as, a forgetful man should use helps to strengthen his memory.
damnation n.
The state of being damned; condemnation; openly expressed disapprobation. [F. damnation, L. damnatio, fr. damnare. See Damn.]
sadness n.
Heaviness; firmness.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Nightingales and Larks is in the public domain. This text is taken from Translations from Alexander Petofi, the Magyar Poet, by Sir John Bowring (London: Trübner & Co., 1866), Internet Archive, the John Bowring translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Sándor Petőfi, Nightingales and Larks, in Translations from Alexander Petofi, the Magyar Poet (1866), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/petofi-poems-bowring/nightingales-and-larks.html, id L29840.

Form and metre

Nightingales and Larks is 59 lines in a single stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 83%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEE----FFGGHHIIJJ-KKLLMM--NNOOPPQQRRSS-TTUUVVWWXYXYY tuneA · moonA · awayB · layB · nestC · crestC · farD · areD · inspiredE · tiredE · lyre · fire · sears · tears · theseF · degeneraciesF · chimeG · timeG · deadH · bedH · nightI · lightI · centuriesJ · theseJ · share · curseK · worseK · gallL · hospitalL · thereM · everywhereM · lies · sacrifice · readN · deadN · neverO · everO · fretfulP · forgetfulP · conditionQ · physicianQ · demandsR · handsR · melodiesS · theseS · tears · appearsT · yearsT · nightU · quiteU · gladnessV · sadnessV · soulW · wholeW · loX · darkY · glowX · harkY · larkY
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
How long hast thou poured out thy nightly tune,10·······/˘·
Worshipper of the moon!6······
From the old time, whose clouds have borne away10········˘/
The memories of thy lay?7·/˘˘···
Well hast thou left thy nest,6······
Built midst the trees which crest6······
Our ancient cities' ruins—hurrying far10//˘/˘/˘/˘·
From the dark haunts, where owls and ravens are;10·······/˘·
Thy soul is by sweet witchery inspired—10·····/˘˘˘/
Thrilling, but never tired;8/˘·/˘/˘˘
It flashes in the eye, it wakes the lyre10·/˘·······
With transports' fever' d fire;8·˘//˘·/˘
With tears hot-burning, the sad heart it sears—10···/˘·····
False are the transports, cowardly the tears;9···/˘/˘··
Transports and tears in days like these—8˘/······
That only tell of our degeneracies!9·/˘··/˘/˘
Nay! we will have no song, no chant, no chime,10··········
But those which echo the departed time:10···/˘·˘/˘·
And what are ye but plunderers of the dead,11···········
Stealers of corpses from their slumbering bed?10/˘·/˘··/˘·
Thou bring' st them from the lonely night9······/˘·
Into the morning light,6···/˘·
The long departed centuries;8··˘/˘/˘˘
And thou wouldst garland these6···/˘·
With laurels,—I will take no share8·/˘·····
In such a ministration,—'tis a curse—10····˘/˘···
A profanation—murder-stained, and worse;10··˘/˘/˘···
Here mortals pine in gloom and grief and gall,10·/˘·······
The world is but a general hospital;10·····/˘/·˘
Contagion spreading here and there,8˘/˘/˘···
Through the doomed kingdom, festering everywhere!10···/˘/˘/˘·
Our country on the altar's footstep lies,10//˘··/˘/··
A worthless sacrifice.6·/˘/˘·
For who that history's dreary page has read,10···/˘/˘···
Saw e'er a nation wakened from the dead—10···/˘/˘···
Here or elsewhere—ask—and be answered never—10··/····/˘/
If nations, doomed to sleep, must sleep for ever?10·/˘······/
Ask, in thy misery, restless, anxious, fretful,11···/˘/˘/˘/˘
Will heaven of its own children be forgetful?11·/···/˘·˘/˘
Ask if there be a sickness, whose condition11·····/˘·˘/˘
Is far beyond the reach of the physician?11········˘/˘
Ask if there be a curse, whose cure demands10········˘/
The heaven's damnation, or earth's hangman's hands:11·/˘˘/˘··/˘·
Are these thy songs—are these thy melodies—9·······/˘
The music of thy lute strings—these?8·/˘·····
I ask—and in my misery, floods of tears10·····/˘···
Burst from my eyes, and thro' these showers appears10·······/˘/
A dream—a shadowy dream—of future years.10···/˘··/˘·
And thou, sweet tarrying singer of the night,10···/˘/˘···
Be silent quite!4·/˘·
Thou hast no song of gaiety or gladness,11·····/˘˘·/˘
Cease thou thy notes of sadness;7·····/˘
They bring no healing to the suffering soul,10···/˘··/˘·
They will not make the heart that's broken whole.10·······/˘·
The nightingale belongs to night. But lo!9·/˘˘/····
Midnight is passing, and its curtains dark10/··/˘··/˘·
Day draws aside, and now the morning glow10··˘/···/˘·
Brightens the fields—fly nightingale—and hark!9/˘···/˘··
I hear the singing of the morning lark.10···/˘··/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Sándor Petőfi