Hungarian Plains
Whence the influence strange, O ye Carpathian mountains,Wild romantic forests, where the fir trees, moving,Bring to me the sense of beauty and of grandeur,But no thoughts nor dreams of longing or of loving?
But the broad, flat plains, extended in the distance,Wide in their expanse, and level as the ocean;When on these I look, like an enfranchised eagle,All my soul is moved with magical emotion.
Bear me upwards then—high, high above earth's bosom,To the realms where roll the clouds in their careering,Let me at my feet behold the mighty Danube,Towards the laughing Theiss with steps majestic steering.
'Neath the Delibab, see the outstretched Kumania,Covered with its herds under the roof of heaven;How they track their course onward in steady silence,Towards the running stream to slack their thirsts at even.
Now I hear the rush, the galloping of the horses;Rattling of the hoofs I hear, and nostrils snorting;Cracking of the whips, and shouting of the Csikós;Laughs and merry song, and echoes of the sporting.
In the cottage meadows, rocked by gentle zephyrs,Roll the golden corn-waves o'er their crests ascending;Forests tower aloft, while hang on trees prolificFruits like rubies red, with leaves of emerald blending.
Hither come the flocks of wild geese from the marshes,When the dying light portends the evening's gloaming;Midst the reeds they hear the startled breezes rustling,And, alarmed, take flight towards the high heaven roaming.
On the Puszta's waste, close to a ruined cottage,With fallen chimney, stands the Csarda—lonely dwelling.There the Betyárs meet, from many markets gathered,There their songs are singing, there their tales are telling
In the Linden wood, adjacent to the Csárda,Built upon the sands of melon tinge, is nestedThe tower-falcon, screaming shrill, but neverIn his deep recess by truant lads molested.
Orphan-maiden-hair in those retreats is growing,And the thistles blue their spiky heads are waving,Sheltered at whose foot repose the scattered acorns,Which the dews of morn and dews of night are laving.
Far away where heaven the fettered earth has girded,Fruit trees, with their wealth, the distant landscape cover;While we dimly trace a pale and misty column—'Tis the village spire the green fields towering over.
All is charming—all—at least, to me 'tis charming;On the flat land born and bred—I well may love it;'Neath its sod let me repose in peace and silence,When my corpse is wrapt in funeral shroud above it.
Words in this poem
- carpathian a.
- Of or pertaining to a range of mountains in Austro-Hungary, called the Carpathians, which partially inclose Hungary on the north, east, and south.
- galloping a.
- Going at a gallop; progressing rapidly; as, a galloping horse.
- blending n.
- The act of mingling.
- gloaming n.
- Twilight; dusk; the fall of the evening. [Scot. & North of Eng., and in poetry.] Hogg. [See Gloom.]
- chimney n.
- A fireplace or hearth. Sir W. Raleigh.
- screaming a.
- Uttering screams; shrieking.
- spiky a.
- Like a spike; spikelike.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- fettered a.
- Seeming as if fettered, as the feet pf certain animals which bend backward, and appear unfit for walking.
- wealth n.
- Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
- dimly adv.
- In a dim or obscure manner; not brightly or clearly; with imperfect sight.
- towering a.
- Very high; elevated; rising aloft; as, a towering height.
- corpse n.
- A human body in general, whether living or dead; -- sometimes contemptuosly. [OF. cors (sometimes written corps), F. corps, L. corpus; akin to AS. hrif womb. See Midriff, and cf. Corse, Corselet, Corps, Cuerpo.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Hungarian Plains is in the public domain. This text is taken from Translations from Alexander Petofi, the Magyar Poet, by Sir John Bowring (London: Trübner & Co., 1866), Internet Archive, the John Bowring translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Sándor Petőfi, Hungarian Plains, in Translations from Alexander Petofi, the Magyar Poet (1866), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/petofi-poems-bowring/hungarian-plains.html, id L29817.
Form and metre
Hungarian Plains is 48 lines in 12 stanzas of 4 lines each. The metre is trochaic hexameter, measured from the stress the words themselves fix (confidence 91%).
See other poems in trochaic hexameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 -A-A distance · oceanA · eagle · emotionA
- 3 -A-A bosom · careeringA · danube · steeringA
- 5 -A-A horses · snortingA · csikós · sportingA
- 6 -A-A zephyrs · ascendingA · prolific · blendingA
- 7 -A-A marshes · gloamingA · rustling · roamingA
- 8 -A-A cottage · dwellingA · gathered · tellingA
- 9 -A-A csárda · nestedA · never · molestedA
- 10 AA-A growingA · wavingA · acorns · lavingA
- 12 -A-A charming · itA · silence · itA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic hexameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Whence the influence strange, O ye Carpathian mountains, | 13 | ··/˘···˘/˘˘/˘ |
| Wild romantic forests, where the fir trees, moving, | 12 | ·˘/˘/˘····/˘ |
| Bring to me the sense of beauty and of grandeur, | 12 | ······/˘··˘/ |
| But no thoughts nor dreams of longing or of loving? | 12 | ······/˘··/˘ |
| But the broad, flat plains, extended in the distance, | 12 | ·····˘/˘··/˘ |
| Wide in their expanse, and level as the ocean; | 12 | ···˘/·/˘··/˘ |
| When on these I look, like an enfranchised eagle, | 12 | ·······˘/·/˘ |
| All my soul is moved with magical emotion. | 12 | ······/˘˘˘/˘ |
| Bear me upwards then—high, high above earth's bosom, | 12 | ··/˘······/˘ |
| To the realms where roll the clouds in their careering, | 12 | ·········˘/˘ |
| Let me at my feet behold the mighty Danube, | 12 | ·····˘/·/˘/˘ |
| Towards the laughing Theiss with steps majestic steering. | 13 | ···/˘···˘/˘/˘ |
| 'Neath the Delibab, see the outstretched Kumania, | 12 | ·······˘/··· |
| Covered with its herds under the roof of heaven; | 12 | /˘········/˘ |
| How they track their course onward in steady silence, | 12 | ·····/˘·/˘/˘ |
| Towards the running stream to slack their thirsts at even. | 13 | ···/˘······/˘ |
| Now I hear the rush, the galloping of the horses; | 13 | ······/˘˘··/˘ |
| Rattling of the hoofs I hear, and nostrils snorting; | 12 | /˘······/˘/˘ |
| Cracking of the whips, and shouting of the Csikós; | 12 | /˘····/˘···· |
| Laughs and merry song, and echoes of the sporting. | 12 | ··/˘··/˘··/˘ |
| In the cottage meadows, rocked by gentle zephyrs, | 12 | ··/˘/···/˘/˘ |
| Roll the golden corn-waves o'er their crests ascending; | 12 | ··/˘·····˘/˘ |
| Forests tower aloft, while hang on trees prolific | 13 | /˘/˘˘/····˘/˘ |
| Fruits like rubies red, with leaves of emerald blending. | 12 | ··/˘····/˘/˘ |
| Hither come the flocks of wild geese from the marshes, | 12 | /˘········/˘ |
| When the dying light portends the evening's gloaming; | 12 | ··/˘·˘/·/˘/˘ |
| Midst the reeds they hear the startled breezes rustling, | 12 | ······/˘/˘/˘ |
| And, alarmed, take flight towards the high heaven roaming. | 13 | ·˘/······/˘/˘ |
| On the Puszta's waste, close to a ruined cottage, | 12 | ········/˘/˘ |
| With fallen chimney, stands the Csarda—lonely dwelling. | 13 | ·/˘/˘····/˘/˘ |
| There the Betyárs meet, from many markets gathered, | 12 | ······/˘/˘/˘ |
| There their songs are singing, there their tales are telling | 12 | ····/˘····/˘ |
| In the Linden wood, adjacent to the Csárda, | 12 | ··/˘·˘/˘···· |
| Built upon the sands of melon tinge, is nested | 12 | ······/˘··/˘ |
| The tower-falcon, screaming shrill, but never | 11 | ·/˘/˘/˘··/˘ |
| In his deep recess by truant lads molested. | 12 | ···˘/·/˘·˘/˘ |
| Orphan-maiden-hair in those retreats is growing, | 12 | /˘/˘···˘/·/˘ |
| And the thistles blue their spiky heads are waving, | 12 | ··/˘··/˘··/˘ |
| Sheltered at whose foot repose the scattered acorns, | 12 | /˘···˘/·/˘/˘ |
| Which the dews of morn and dews of night are laving. | 12 | ············ |
| Far away where heaven the fettered earth has girded, | 13 | ·˘/·/˘·/˘··/˘ |
| Fruit trees, with their wealth, the distant landscape cover; | 12 | ······/˘/·/˘ |
| While we dimly trace a pale and misty column— | 12 | ··/˘····/˘/˘ |
| 'Tis the village spire the green fields towering over. | 12 | ··/˘····/˘˘· |
| All is charming—all—at least, to me 'tis charming; | 12 | ··/˘······/˘ |
| On the flat land born and bred—I well may love it; | 12 | ············ |
| 'Neath its sod let me repose in peace and silence, | 12 | ·····˘/···/˘ |
| When my corpse is wrapt in funeral shroud above it. | 12 | ······/˘···· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.