Childe Maurice

Arthur Quiller-Couch (1863–1944) · before 1800

common measure · 155 lines · from The Oxford Book of Ballads

Childe Maurice hunted the Silver Wood,He whistled and he sang:‘I think I see the woman yonderThat I have lovèd lang.’

He callèd to his little man John,‘You don’t see what I see;For yonder I see the very first womanThat ever lovèd me.’

He says, ‘Come hither, my little man John,That I pay meat and fee,For thou shalt go to John Steward’s wifeAnd greet her well from me;

‘And as it falls as many timesAs knots be knit in a kell,Or merchantmen go to leeve LondònTo buy ware or to sell;

‘And as it falls as many timesAs any heart can think,Or school-masters are in any schoolWriting with pen and ink.

‘Here is a glove, a glove,’ he says,‘Lined wi’ the silver-gris;Bid her to come to Silver WoodTo speak with Childe Maurice.

‘And here is a ring, a ring,’ he says,‘A ring of the precious stone:He prays her come to Silver WoodAnd ask the leave of none.’--

‘Well do I love your errand, master,But better I love my life.Would ye have me go to John Steward’s castle,To tryst away his wife?’--

‘Do not I give you meat?’ he says,‘Do not I give you fee?How daur you stop my errandWhen that I bid you flee?’

This little man John one while he yode,Another while he ran;Until he came to John Steward’s castleI wis he never blan.

He ask’d no porter’s leave, but ranUp hall and bower free,And when he came to John Steward’s wife,Says, ‘God you save and see!

‘I come, I am come from Childe Maurice--A message unto thee!And Childe Maurice he greets you well,And ever so well from me,

‘And as it falls as oftentimesAs knots be knit in a kell,Or merchantmen go to leeve LondònTo buy ware or to sell;

‘And as oftentimes he greets you wellAs any heart can think,Or schoolmasters are in any schoolWriting with pen and ink.

‘Here is a glove, a glove,’ he says,‘Lined wi’ the silver-gris;Ye’re bidden to come to Silver WoodTo speak with Childe Maurice.

‘And here is a ring, a ring of gold,Set wi’ the precious stone:He prays you to come to Silver WoodAnd ask the leave of none.’--

‘Now peace, now peace, thou little man John,For Christ’s sake I pray thee!For gif my lord heard one o’ thy wordsThou must be hangèd hie!’

O aye she stampèd with her footAnd winkèd with her e’e;But for all that she could say or doForbidden he would not be.

‘It’s surely to my bower-woman,It cannot be to me!’--‘Nay, I brought it to John Steward’s lady,And I trow that thou art she.’

Out then spake the wily nurse,Wi’ the bairn just on her knee:‘If this be come from Childe MauriceIt’s dear welcome to me.’--

‘Thou liest, thou liest, thou wily nurse,So loud as I hear thee lie!I brought it to John Steward’s lady,And I trow thou be not she.’

Then up and rose him John Steward,And an angry man was he:‘Did I think there was a lord in the worldMy lady loved but me!’

He struck the table wi’ his foot,And kepp’d it with his knee,Till silver cup and ezar dishIn flinders they did flee.

He call’d unto his horse-keeper,‘Make ready you my steed!’So did he to his chamberlain,‘Go fetch my lady’s weed!’

O he dress’d himself in the holland smock,And he cast a lease upon his back,And he rode to Silver Wood.

And when he came to Silver Wood,No body saw he thereBut Childe Maurice upon a blockCombing his yellow hair.

Childe Maurice sat in Silver Wood,He whistled and he sang:‘I think I see the woman comeThat I have lovèd lang.’

But then stood up him Childe MauriceHis mother to help from horse:‘O alas, alas!’ says Childe Maurice,‘My mother was ne’er so gross!’

‘No wonder, no wonder,’ John Steward he said,‘My lady loved thee well,For the fairest part of my bodyIs blacker than thy heel.’

John Steward had a little brown swordThat hung low down by his knee;He has cut the head off Childe MauriceAnd the body put on a tree.

And he prick’d the head on his sword’s point,Went singing there beside,And he rode till he came to the castleWhereas his lady ly’ed.

And when he came to his lady--Look’d o’er the castle-wall--He threw the head into her lap,Saying ‘Lady, tak’ the ball!’

Says, ‘Dost thou know Childe Maurice’ head,If that thou dost it see?And lap it soft, and kiss it oft,For thou loved’st him better than me.’

But when she look’d on Childe Maurice’ headShe ne’er spake words but three:‘I never bare no child but one,And you have slain him, trulye.’

And she has taken the bloody headAnd kiss’d it, cheek and chin:‘I was once as full o’ Childe MauriceAs the hip is o’ the stane.

‘I got him in my mother’s bowerWi’ mickle sin and shame;I brought him up in the good greenwoodUnder the shower and rain.’

And she has taken her Childe MauriceAnd kiss’d him, mouth and chin:‘O better I love my Childe MauriceThan all my royal kin!’

‘Woe be to thee!’ John Steward he said,And a woe, woe man was he;‘For if you had told me he was your sonHe had never been slain by me.’

Says, ‘Wicked be my merry men all,I gave meat, drink and cloth!But could they not have holden meWhen I was in all that wrath?’

Words in this poem 16
childe n.
A cognomen formerly prefixed to his name by the oldest son, until he succeeded to his ancestral titles, or was knighted; as, Childe Roland.
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
shalt
2d per. sing. of Shall.
kell n.
The caul; that which covers or envelops as a caul; a net; a fold; a film. [Cf. Caul.]
tryst v. i.
To mutually agree to meet at a certain place.
yode
Went; walked; proceeded. See Yede. [OE. yode, yede, , , eode, AS. eóde, used as the imp. of gan to go; akin to Goth. iddja I, he, went, L. ire to go, Gr. i, ya. Issue.]
oftentimes adv.
Frequently; often; many times. [Often + time. Cf. -wards.]
trow v. i.
To believe; to trust; to think or suppose. [OE. trowen, AS.treówan to trust, believe, fr. treów trust, treówe true, faithful. See True.]
angry a.
Troublesome; vexatious; rigorous. [See Anger.]
flinders n.
Small pieces or splinters; fragments. [Scot. flenders, flendris; perh. akin to E. flutter; cf. D. flenters rags, broken pieces.]
steed n.
A horse, especially a spirited horse for state of war; -- used chiefly in poetry or stately prose. [OE. stede, AS. steda a stud-horse, war horse, fr. stod a stud of breeding steeds; akin to G. stute a mare, Icel. stedda, sto, a stud. *163. See Stud of horses.]
rode n.
Redness; complexion. [See Rud.]
went n.
Course; way; path; journey; direction.
whereas adv.
At which place; where.
mickle a.
Much; great. [Old Eng. & Scot.] [OE. mikel, muchel, mochel, mukel, AS. micel, mycel; akin to OS. mikil, OHG. mihil, mihhil, Icel. mikill, mykill, Goth. mikils, L. magnus, Gr. mahat. sq. root103]
greenwood n.
A forest as it appears is spring and summer.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Childe Maurice is in the public domain. This text is taken from The Oxford Book of Ballads, Project Gutenberg ebook #44593; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Arthur Quiller-Couch, Childe Maurice, in The Oxford Book of Ballads (before 1800), text of Project Gutenberg ebook #44593, Laurel, https://laurelpoetry.com/poem/oxford-ballads/childe-maurice.html, id L08396.

Form and metre

Childe Maurice is 155 lines in 39 stanzas. The metre is common measure, measured from the stress the words themselves fix (confidence 85%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 7.5 syllables. 19 lines end on an unstressed syllable, a feminine ending. 26% of the lines run on without a stop at the line end.

See other poems in common measure.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A wood · sangA · yonder · langA
  2. 2 ABAB johnA · seeB · womanA · meB
  3. 3 -A-A john · feeA · wife · meA
  4. 4 -A-A times · kellA · londòn · sellA
  5. 5 -A-A times · thinkA · school · inkA
  6. 8 -A-A master · lifeA · castle · wifeA
  7. 9 -A-A says · feeA · errand · fleeA
  8. 10 -A-A yode · ranA · castle · blanA
  9. 11 -A-A ran · freeA · wife · seeA
  10. 12 -A-A maurice · theeA · well · meA
  11. 13 -A-A oftentimes · kellA · londòn · sellA
  12. 14 -A-A well · thinkA · school · inkA
  13. 18 -A-A foot · e'eA · do · beA
  14. 19 -A-A woman · meA · lady · sheA
  15. 20 -A-A nurse · kneeA · maurice · meA
  16. 21 -A-A nurse · lieA · lady · sheA
  17. 22 -A-A steward · heA · world · meA
  18. 23 -A-A foot · kneeA · dish · fleeA
  19. 24 -A-A keeper · steedA · chamberlain · weedA
  20. 26 -A-A wood · thereA · block · hairA
  21. 27 -A-A wood · sangA · come · langA
  22. 28 A-A- mauriceA · horse · mauriceA · gross
  23. 30 -A-A sword · kneeA · maurice · treeA
  24. 32 -A-A lady · wallA · lap · ballA
  25. 33 -A-A head · seeA · oft · meA
  26. 37 ABAB mauriceA · chinB · mauriceA · kinB
  27. 38 -A-A said · heA · son · meA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against common measure. How this is done.

LineSyl.Stress
Childe Maurice hunted the Silver Wood,9·˘//˘·/˘·
He whistled and he sang:7·/˘˘···
‘I think I see the woman yonder9·····/˘/˘
That I have lovèd lang.’5·····
He callèd to his little man John,8····/˘··
‘You don’t see what I see;6······
For yonder I see the very first woman11·/˘···/˘·/˘
That ever lovèd me.’5·/˘··
He says, ‘Come hither, my little man John,10···/˘·/˘··
That I pay meat and fee,6······
For thou shalt go to John Steward’s wife9······/˘·
And greet her well from me;6······
‘And as it falls as many times8·····/˘·
As knots be knit in a kell,7·······
Or merchantmen go to leeve Londòn8·/˘·····
To buy ware or to sell;6······
‘And as it falls as many times8·····/˘·
As any heart can think,6·/˘···
Or school-masters are in any school9··/˘··/˘·
Writing with pen and ink.6/˘····
‘Here is a glove, a glove,’ he says,8········
‘Lined wi’ the silver-gris;7·˘··/˘·
Bid her to come to Silver Wood8·····/˘·
To speak with Childe Maurice.6····˘/
‘And here is a ring, a ring,’ he says,9·········
‘A ring of the precious stone:7····/˘·
He prays her come to Silver Wood8·····/˘·
And ask the leave of none.’--6······
‘Well do I love your errand, master,9·····/˘/˘
But better I love my life.7·/˘····
Would ye have me go to John Steward’s castle,11·······/˘/˘
To tryst away his wife?’--6··˘/··
‘Do not I give you meat?’ he says,8········
‘Do not I give you fee?6······
How daur you stop my errand7·····/˘
When that I bid you flee?’6······
This little man John one while he yode,9·/˘······
Another while he ran;6˘/˘···
Until he came to John Steward’s castle10······/˘/˘
I wis he never blan.6···/˘·
He ask’d no porter’s leave, but ran8···/˘···
Up hall and bower free,6···/˘·
And when he came to John Steward’s wife,9······/˘·
Says, ‘God you save and see!6······
‘I come, I am come from Childe Maurice--9·······˘/
A message unto thee!6·/˘···
And Childe Maurice he greets you well,8··˘/····
And ever so well from me,7·/˘····
‘And as it falls as oftentimes8·····/˘·
As knots be knit in a kell,7·······
Or merchantmen go to leeve Londòn8·/˘·····
To buy ware or to sell;6······
‘And as oftentimes he greets you well9··/˘·····
As any heart can think,6·/˘···
Or schoolmasters are in any school9·/·˘··/˘·
Writing with pen and ink.6/˘····
‘Here is a glove, a glove,’ he says,8········
‘Lined wi’ the silver-gris;7·˘··/˘·
Ye’re bidden to come to Silver Wood9·/˘···/˘·
To speak with Childe Maurice.6····˘/
‘And here is a ring, a ring of gold,9·········
Set wi’ the precious stone:6···/˘·
He prays you to come to Silver Wood9······/˘·
And ask the leave of none.’--6······
‘Now peace, now peace, thou little man John,9·····/˘··
For Christ’s sake I pray thee!6······
For gif my lord heard one o’ thy words9·········
Thou must be hangèd hie!’5·····
O aye she stampèd with her foot7·······
And winkèd with her e’e;5·····
But for all that she could say or do9·········
Forbidden he would not be.7˘/˘····
‘It’s surely to my bower-woman,9·/˘··/˘/˘
It cannot be to me!’--6·/˘···
‘Nay, I brought it to John Steward’s lady,10······/˘/˘
And I trow that thou art she.’7·······
Out then spake the wily nurse,7····/˘·
Wi’ the bairn just on her knee:7·······
‘If this be come from Childe Maurice8······˘/
It’s dear welcome to me.’--6··/˘··
‘Thou liest, thou liest, thou wily nurse,8·····/˘·
So loud as I hear thee lie!7·······
I brought it to John Steward’s lady,9·····/˘/˘
And I trow thou be not she.’7·······
Then up and rose him John Steward,8······/˘
And an angry man was he:7··/˘···
‘Did I think there was a lord in the world10··········
My lady loved but me!’7·/˘·˘··
He struck the table wi’ his foot,8···/˘···
And kepp’d it with his knee,6······
Till silver cup and ezar dish8·/˘·····
In flinders they did flee.6·/˘···
He call’d unto his horse-keeper,8······/˘
‘Make ready you my steed!’6·/˘···
So did he to his chamberlain,8·····/˘˘
‘Go fetch my lady’s weed!’6···/˘·
O he dress’d himself in the holland smock,10···˘/··/˘·
And he cast a lease upon his back,9·········
And he rode to Silver Wood.7····/˘·
And when he came to Silver Wood,8·····/˘·
No body saw he there6·/˘···
But Childe Maurice upon a block8··˘/····
Combing his yellow hair.6/˘·/˘·
Childe Maurice sat in Silver Wood,8·/˘··/˘·
He whistled and he sang:7·/˘˘···
‘I think I see the woman come8·····/˘·
That I have lovèd lang.’5·····
But then stood up him Childe Maurice8······˘/
His mother to help from horse:7·/˘····
‘O alas, alas!’ says Childe Maurice,9·˘/˘/··˘/
‘My mother was ne’er so gross!’7·/˘····
‘No wonder, no wonder,’ John Steward he said,11·/˘·/˘·/˘··
‘My lady loved thee well,7·/˘·˘··
For the fairest part of my body9··/˘···/˘
Is blacker than thy heel.’6·/˘···
John Steward had a little brown sword9·/˘··/˘··
That hung low down by his knee;7·······
He has cut the head off Childe Maurice9·······˘/
And the body put on a tree.8··/˘····
And he prick’d the head on his sword’s point,9·········
Went singing there beside,6·/˘·˘/
And he rode till he came to the castle10········/˘
Whereas his lady ly’ed.7˘/·/˘·˘
And when he came to his lady--8······/˘
Look’d o’er the castle-wall--6···/˘·
He threw the head into her lap,8········
Saying ‘Lady, tak’ the ball!’7/˘/˘···
Says, ‘Dost thou know Childe Maurice’ head,8·····˘/·
If that thou dost it see?6······
And lap it soft, and kiss it oft,8········
For thou loved’st him better than me.’9·····/˘··
But when she look’d on Childe Maurice’ head9······˘/·
She ne’er spake words but three:6······
‘I never bare no child but one,8·/˘·····
And you have slain him, trulye.’7·······
And she has taken the bloody head9···/˘·/˘·
And kiss’d it, cheek and chin:6······
‘I was once as full o’ Childe Maurice9·······˘/
As the hip is o’ the stane.7·······
‘I got him in my mother’s bower9·····/˘/˘
Wi’ mickle sin and shame;6·/˘···
I brought him up in the good greenwood9·······/·
Under the shower and rain.’7···/˘··
And she has taken her Childe Maurice9···/˘··/˘
And kiss’d him, mouth and chin:6······
‘O better I love my Childe Maurice9·/˘····/˘
Than all my royal kin!’6···/˘·
‘Woe be to thee!’ John Steward he said,9·····/˘··
And a woe, woe man was he;7·······
‘For if you had told me he was your son10··········
He had never been slain by me.’8··/˘····
Says, ‘Wicked be my merry men all,9·/˘··/˘··
I gave meat, drink and cloth!6······
But could they not have holden me8·····/˘·
When I was in all that wrath?’7·······
Notes from the edition 11

Arthur Quiller-Couch's notes to The Oxford Book of Ballads (1910; Project Gutenberg #44593).

  1. Stanza 4, line 2 kell = hair-net, i. e. give her as many greetings as there are meshes in a net.
  2. Stanza 4, line 3 leeve = lovely.
  3. Stanza 6, line 2 silver-gris = a fur of silver-grey.
  4. Stanza 10, line 1 yode = walked.
  5. Stanza 10, line 4 blan = stopped, stayed.
  6. Stanza 23, line 2 kepp’d = caught.
  7. Stanza 23, line 3 ezar =? for ‘mazer,’ maple.
  8. Stanza 24, line 4 weed = clothing.
  9. Stanza 25, line 2 lease = leash, thong.
  10. Stanza 31, line 4 ly’ed = lived.
  11. Stanza 32, line 4 tak’ = take, catch.

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