An Ode to Master Anthony Stafford
Come, spur away,I have no patience for a longer stay,But must go downAnd leave the chargeable noise of this great town:I will the country see,Where old simplicity,Though hid in gray,Doth look more gayThan foppery in plush and scarlet clad.Farewell, you city wits, that areAlmost at civil war--’Tis time that I grow wise, when all the world grows mad.
More of my daysI will not spend to gain an idiot’s praise;Or to make sportFor some slight Puisne of the Inns of Court.Then, worthy Stafford, say,How shall we spend the day?With what delightsShorten the nights?When from this tumult we are got secure,Where mirth with all her freedom goes,Yet shall no finger lose;Where every word is thought, and every thought is pure?
There from the treeWe’ll cherries pluck, and pick the strawberry;And every dayGo see the wholesome country girls make hay,Whose brown hath lovelier graceThan any painted faceThat I do knowHyde Park can show:Where I had rather gain a kiss than meet(Though some of them in greater stateMight court my love with plate)The beauties of the Cheap, and wives of Lombard Street.
But think uponSome other pleasures: these to me are none.Why do I prateOf women, that are things against my fate!I never mean to wedThat torture to my bed:My Muse is sheMy love shall be.Let clowns get wealth and heirs: when I am goneAnd that great bugbear, grisly Death,Shall take this idle breath,If I a poem leave, that poem is my son.
Of this no more!We’ll rather taste the bright Pomona’s store.No fruit shall ’scapeOur palates, from the damson to the grape.Then, full, we’ll seek a shade,And hear what music’s made;How PhilomelHer tale doth tell,And how the other birds do fill the quire;The thrush and blackbird lend their throats,Warbling melodious notes;We will all sports enjoy which others but desire.
Ours is the sky,Where at what fowl we please our hawk shall fly:Nor will we spareTo hunt the crafty fox or timorous hare;But let our hounds run looseIn any ground they’ll choose;The buck shall fall,The stag, and all.Our pleasures must from their own warrants be,For to my Muse, if not to me,I’m sure all game is free:Heaven, earth, are all but parts of her great royalty.
And when we meanTo taste of Bacchus’ blessings now and then,And drink by stealthA cup or two to noble Barkley’s health,I’ll take my pipe and tryThe Phrygian melody;Which he that hears,Lets through his earsA madness to distemper all the brain:Then I another pipe will takeAnd Doric music make,To civilize with graver notes our wits again.
Words in this poem
- foppery n.
- The behavior, dress, or other indication of a fop; coxcombry; affectation of show; showy folly. [From Fop.]
- plush n.
- A textile fabric with a nap or shag on one side, longer and softer than the nap of velvet. [F. pluche, peluche (cf. It. peluzzo), fr. L. pilus hair. See pile hair, and cf. Peruke.]
- clad v.
- To clothe. Holland.
- puisne a.
- Later in age, time, etc.; subsequent. [See Puny.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- lombard a.
- Of or pertaining to Lombardy, or the inhabitants of Lombardy.
- wealth n.
- Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
- damson n.
- A small oval plum of a blue color, the fruit of a variety of the Prunus domestica; -- called also damask plum. [OE. damasin the Damascus plum, fr. L. Damascenus. See Damascene.]
- quire v. i.
- To sing in concert.
- stealth n.
- The act of stealing; theft. [OE. staple. See Steal, v. t.]
- civilize v. t.
- To reclaim from a savage state; to instruct in the rules and customs of civilization; to educate; to refine. [Cf. F. civilizer, fr.L. civilis civil. See Civil.]
- graver n.
- One who graves; an engraver or a sculptor; one whose occupation is te cut letters or figures in stone or other hard material.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
An Ode to Master Anthony Stafford is in the public domain. This text is taken from The Oxford Book of English Verse, 1250-1900, Project Gutenberg ebook #66619; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Thomas Randolph, An Ode to Master Anthony Stafford, in Poems (1605–1635), text of Project Gutenberg ebook #66619, Laurel, https://laurelpoetry.com/poem/obev-thomas-randolph/an-ode-to-master-anthony-stafford.html, id L16082.
Form and metre
An Ode to Master Anthony Stafford is 84 lines in 7 stanzas of 12 lines each. It is in rhyming couplets, 52% of the lines. 95% of its stressed syllables fall where the metre puts the beat. The lines average 7.2 syllables. 6 lines end on an unstressed syllable, a feminine ending. 32% of the lines run on without a stop at the line end.
See other poems in rhyming couplets.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB--AAC--C awayA · stayA · downB · townB · see · simplicity · grayA · gayA · cladC · are · war · madC
- 2 AABBCCDDE--E daysA · praiseA · sportB · courtB · sayC · dayC · delightsD · nightsD · secureE · goes · lose · pureE
- 3 --AABBCCDEED tree · strawberry · dayA · hayA · graceB · faceB · knowC · showC · meetD · stateE · plateE · streetD
- 4 -ABBCCDD-EEA upon · noneA · prateB · fateB · wedC · bedC · sheD · beD · gone · deathE · breathE · sonA
- 5 AABBCC---DD- moreA · storeA · scapeB · grapeB · shadeC · madeC · philomel · tell · quire · throatsD · notesD · desire
- 6 AABB--CCDDD- skyA · flyA · spareB · hareB · loose · choose · fallC · allC · beD · meD · freeD · royalty
- 7 -ABB--CC-DDA mean · thenA · stealthB · healthB · try · melody · hearsC · earsC · brain · takeD · makeD · againA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Come, spur away, | 4 | ··˘/ |
| I have no patience for a longer stay, | 10 | ···/˘··/˘· |
| But must go down | 4 | ···· |
| And leave the chargeable noise of this great town: | 11 | ···/˘˘····· |
| I will the country see, | 6 | ···/˘· |
| Where old simplicity, | 6 | ··˘/˘˘ |
| Though hid in gray, | 4 | ···· |
| Doth look more gay | 4 | ···· |
| Than foppery in plush and scarlet clad. | 10 | ·/˘˘···/˘· |
| Farewell, you city wits, that are | 8 | ·/·/˘··· |
| Almost at civil war-- | 6 | /··/˘· |
| ’Tis time that I grow wise, when all the world grows mad. | 12 | ············ |
| More of my days | 4 | ···· |
| I will not spend to gain an idiot’s praise; | 11 | ·······/˘˘· |
| Or to make sport | 4 | ···· |
| For some slight Puisne of the Inns of Court. | 10 | ···/˘····· |
| Then, worthy Stafford, say, | 6 | ·/˘/˘· |
| How shall we spend the day? | 6 | ······ |
| With what delights | 4 | ··˘/ |
| Shorten the nights? | 4 | /˘·· |
| When from this tumult we are got secure, | 10 | ···/˘···˘/ |
| Where mirth with all her freedom goes, | 8 | ·····/˘· |
| Yet shall no finger lose; | 6 | ···/˘· |
| Where every word is thought, and every thought is pure? | 14 | ·/˘˘····/˘˘··· |
| There from the tree | 4 | ···· |
| We’ll cherries pluck, and pick the strawberry; | 10 | ·/˘····/·˘ |
| And every day | 5 | ·/˘˘· |
| Go see the wholesome country girls make hay, | 10 | ···/˘/˘··· |
| Whose brown hath lovelier grace | 7 | ······· |
| Than any painted face | 6 | ·/˘/˘· |
| That I do know | 4 | ···· |
| Hyde Park can show: | 4 | ···· |
| Where I had rather gain a kiss than meet | 10 | ···/˘····· |
| (Though some of them in greater state | 8 | ·····/˘· |
| Might court my love with plate) | 6 | ······ |
| The beauties of the Cheap, and wives of Lombard Street. | 12 | ·/˘······/˘· |
| But think upon | 4 | ···· |
| Some other pleasures: these to me are none. | 10 | ·/˘/˘····· |
| Why do I prate | 4 | ···· |
| Of women, that are things against my fate! | 10 | ·/˘······· |
| I never mean to wed | 6 | ·/˘··· |
| That torture to my bed: | 6 | ·/˘··· |
| My Muse is she | 4 | ···· |
| My love shall be. | 4 | ···· |
| Let clowns get wealth and heirs: when I am gone | 10 | ·········· |
| And that great bugbear, grisly Death, | 8 | ···/˘/˘· |
| Shall take this idle breath, | 6 | ···/˘· |
| If I a poem leave, that poem is my son. | 12 | ···/˘··/˘··· |
| Of this no more! | 4 | ···· |
| We’ll rather taste the bright Pomona’s store. | 10 | ·/˘···˘/˘· |
| No fruit shall ’scape | 4 | ···· |
| Our palates, from the damson to the grape. | 11 | /˘/˘··/˘··· |
| Then, full, we’ll seek a shade, | 6 | ······ |
| And hear what music’s made; | 6 | ···/˘· |
| How Philomel | 4 | ·/˘˘ |
| Her tale doth tell, | 4 | ···· |
| And how the other birds do fill the quire; | 10 | ···/˘····· |
| The thrush and blackbird lend their throats, | 8 | ···/˘··· |
| Warbling melodious notes; | 8 | /˘˘˘/˘˘· |
| We will all sports enjoy which others but desire. | 13 | ····˘/·/˘·˘/˘ |
| Ours is the sky, | 5 | /˘··· |
| Where at what fowl we please our hawk shall fly: | 11 | ······/˘··· |
| Nor will we spare | 4 | ···· |
| To hunt the crafty fox or timorous hare; | 11 | ···/˘··/˘˘· |
| But let our hounds run loose | 7 | ··/˘··· |
| In any ground they’ll choose; | 6 | ·/˘··· |
| The buck shall fall, | 4 | ···· |
| The stag, and all. | 4 | ···· |
| Our pleasures must from their own warrants be, | 11 | /˘/˘····/˘· |
| For to my Muse, if not to me, | 8 | ········ |
| I’m sure all game is free: | 6 | ······ |
| Heaven, earth, are all but parts of her great royalty. | 13 | /˘········/˘˘ |
| And when we mean | 4 | ···· |
| To taste of Bacchus’ blessings now and then, | 10 | ···/˘/˘··· |
| And drink by stealth | 4 | ···· |
| A cup or two to noble Barkley’s health, | 10 | ·····/˘/˘· |
| I’ll take my pipe and try | 6 | ······ |
| The Phrygian melody; | 7 | ·/˘˘/˘˘ |
| Which he that hears, | 4 | ···· |
| Lets through his ears | 4 | ···· |
| A madness to distemper all the brain: | 10 | ·/˘·˘/˘··· |
| Then I another pipe will take | 8 | ··˘/˘··· |
| And Doric music make, | 6 | ·/˘/˘· |
| To civilize with graver notes our wits again. | 13 | ·/˘··/˘·/˘·˘/ |
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