A Night in Italy

Edward Robert Bulwer Lytton, Earl of Lytton (1831–1892) · 1831–1892

iambic pentameter · 168 lines · from Poems

Sweet are the rosy memories of the lipsThat first kiss’d ours, albeit they kiss no more:Sweet is the sight of sunset-sailing ships,Altho’ they leave us on a lonely shore:Sweet are familiar songs, tho’ Music dipsHer hollow shell in Thought’s forlornest wells:And sweet, tho’ sad, the sound of midnight bellsWhen the oped casement with the night-rain drips.

There is a pleasure which is born of pain:The grave of all things hath its violet.Else why, thro’ days which never come again,Roams Hope with that strange longing, like Regret?Why put the posy in the cold dead hand?Why plant the rose above the lonely grave?Why bring the corpse across the salt sea-wave?Why deem the dead more near in native land?

Thy name hath been a silence in my lifeSo long, it falters upon language now,O more to me than sister or than wife,Once ... and now--nothing! It is hard to knowThat such things have been, and are not; and yetLife loiters, keeps a pulse at even measure,And goes upon its business and its pleasure,And knows not all the depths of its regret....

Ah, could the memory cast her spots, as doThe snake’s brood theirs in spring! and be once moreWholly renew’d, to dwell i’ the time that’s new,With no reiterance of those pangs of yore.Peace, peace! My wild song will go wanderingToo wantonly, down paths a private painHath trodden bare. What was it jarr’d the strain?Some crush’d illusion, left with crumpled wing

Tangled in Music’s web of twinèd strings--That started that false note, and crack’d the tuneIn its beginning. Ah, forgotten thingsStumble back strangely! and the ghost of JuneStands by December’s fire, cold, cold! and putsThe last spark out.--How could I sing arightWith those old airs haunting me all the nightAnd those old steps that sound when daylight shuts?

For back she comes, and moves reproachfully,The mistress of my moods, and looks bereft(Cruel to the last!) as tho’ ’twere I, not she,That did the wrong, and broke the spell, and leftMemory comfortless.--Away! away!Phantoms, about whose brows the bindweed clings,Hopeless regret! In thinking of these thingsSome men have lost their minds, and others may.

Yet, O for one deep draught in this dull hour!One deep, deep draught of the departed time!O for one brief strong pulse of ancient power,To beat and breathe thro’ all the valves of rhyme!Thou, Memory, with thy downward eyes, that artThe cup-bearer of gods, pour deep and long,Brim all the vacant chalices of songWith health! Droop down thine urn. I hold my heartOne draught of what I shall not taste againSave when my brain with thy dark wine is brimm’d,--One draught! and then straight onward, spite of pain,And spite of all things changed, with gaze undimm’d,Love’s footsteps thro’ the waning Past to exploreUndaunted; and to carve in the wan lightOf Hope’s last outposts, on Song’s utmost height,The sad resemblance of an hour or more.

Midnight, and love, and youth, and Italy!Love in the land where love most lovely seems!Land of my love, tho’ I be far from thee,Lend, for love’s sake, the light of thy moonbeams,The spirit of thy cypress-groves and allThy dark-eyed beauty for a little whileTo my desire. Yet once more let her smileFall o’er me: o’er me let her long hair fall....

Under the blessèd darkness unreprovedWe were alone, in that best hour of timeWhich first reveal’d to us how much we loved,’Neath the thick starlight. The young night sublimeHung trembling o’er us. At her feet I knelt,And gazed up from her feet into her eyes.Her face was bow’d: we breathed each other’s sighs:We did not speak: not move: we look’d: we felt.

The night said not a word. The breeze was dead.The leaf lay without whispering on the tree,As I lay at her feet. Droop’d was her head:One hand in mine: and one still pensivelyWent wandering through my hair. We were together.How? Where? What matter? Somewhere in a dream,Drifting, slow drifting down a wizard stream:Whither? Together: then what matter whither?

It was enough for me to clasp her hand:To blend with her love-looks my own: no more.Enough (with thoughts like ships that cannot land,Blown by faint winds about a magic shore)To realize, in each mysterious feeling,The droop of the warm cheek so near my own:The cool white arm about my shoulder thrown:Those exquisite fair feet where I was kneeling.

How little know they life’s divinest bliss,That know not to possess and yet refrain!Let the young Psyche roam, a fleeting kiss:Grasp it--a few poor grains of dust remain.See how those floating flowers, the butterflies,Hover the garden thro’, and take no root!Desire for ever hath a flying foot:Free pleasure comes and goes beneath the skies.

Close not thy hand upon the innocent joyThat trusts itself within thy reach. It may,Or may not, linger. Thou canst but destroyThe wingèd wanderer. Let it go or stay.Love thou the rose, yet leave it on its stem.Think! Midas starved by turning all to gold.Blessèd are those that spare, and that withhold;Because the whole world shall be trusted them.

The foolish Faun pursues the unwilling NymphThat culls her flowers beside the precipiceOr dips her shining ankles in the lymph:But, just when she must perish or be his,Heaven puts an arm out. She is safe. The shoreGains some new fountain; or the lilied lawnA rarer sort of rose: but ah, poor Faun!To thee she shall be changed for evermore.

Chase not too close the fading rapture. LeaveTo Love his long auroras, slowly seen.Be ready to release as to receive.Deem those the nearest, soul to soul, betweenWhose lips yet lingers reverence on a sigh.Judge what thy sense can reach not, most thine own,If once thy soul hath seized it. The unknownIs life to love, religion, poetry.

The moon had set. There was not any light,Save of the lonely legion’d watch-stars paleIn outer air, and what by fits made brightHot oleanders in a rosy valeSearched by the lamping fly, whose little sparkWent in and out, like passion’s bashful hope.Meanwhile the sleepy globe began to slopeA ponderous shoulder sunward thro’ the dark.

And the night pass’d in beauty like a dream.Aloof in those dark heavens paused Destiny,With her last star descending in the gleamOf the cold morrow, from the emptied sky.The hour, the distance from her old self, allThe novelty and loneness of the placeHad left a lovely awe on that fair face,And all the land grew strange and magical.

As droops some billowy cloud to the crouch’d hill,Heavy with all heaven’s tears, for all earth’s care,She droop’d unto me, without force or will,And sank upon my bosom, murmuring thereA woman’s inarticulate passionate words.O moment of all moments upon earth!O life’s supreme! How worth, how wildly worth,Whole worlds of flame, to know this world affords.

What even Eternity can not restore!When all the ends of life take hands and meetRound centres of sweet fire. Ah, never more,Ah never, shall the bitter with the sweetBe mingled so in the pale after-years!One hour of life immortal spirits possess.This drains the world, and leaves but weariness,And parching passion, and perplexing tears.

Sad is it, that we cannot even keepThat hour to sweeten life’s last toil: but YouthGrasps all, and leaves us: and when we would weep,We dare not let our tears fall, lest, in truth,They fall upon our work which must be done.And so we bind up our torn hearts from breaking:Our eyes from weeping, and our brows from aching:And follow the long pathway all alone.

Words in this poem 44
albeit conj.
Even though; although; notwithstanding. [OE. al be although it be, where al is our all. Cf. Although.]
casement n.
A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
posy n.
A brief poetical sentiment; hence, any brief sentiment, motto, or legend; especially, one inscribed on a ring. [Contr. fr. poesy.]
corpse n.
A human body in general, whether living or dead; -- sometimes contemptuosly. [OF. cors (sometimes written corps), F. corps, L. corpus; akin to AS. hrif womb. See Midriff, and cf. Corse, Corselet, Corps, Cuerpo.]
deem v. t.
To decide; to judge; to sentence; to condemn. [OE. demen to judge, condemn, AS. d, fr. d doom; akin to OFries. d, OS. ad, D. doemen, OHG. tuommen, Icel. dæma, Sw. dömma, Dan. dömme, Goth. d. See Doom, n., an]
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
yore adv.
In time long past; in old time; long since. [OE. , yare, , AS. geára;akin to geár a year, E. year. Year.]
wantonly adv.
In a wanton manner; without regularity or restraint; loosely; sportively; gayly; playfully; recklessly; lasciviously.
strangely adv.
As something foreign, or not one's own; in a manner adapted to something foreign and strange.
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
aright adv.
Rightly; correctly; in a right way or form; without mistake or crime; as, to worship God aright. [Pref. a- + right.]
daylight n.
The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
comfortless a.
Without comfort or comforts; in want or distress; cheerless.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
waning n.
The act or process of waning, or decreasing.
explore v. t.
To seek for or after; to strive to attain by search; to look wisely and carefully for. [L. explorare to explore; ex out+plorare to cry out aloud,prob. orig., to cause to flow; perh. akin to E. flow: cf. F. explorer.]
undaunted a.
Not daunted; not subdued or depressed by fear.
unreproved a.
Not reproved. Sandys.
starlight n.
The light given by the stars.
pensively adv.
In a pensive manner.
went n.
Course; way; path; journey; direction.
somewhere adv.
In some place unknown or not specified; in one place or another.
whither adv.
To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
realize v. t.
To make real; to convert from the imaginary or fictitious into the actual; to bring into concrete existence; to accomplish; as, to realize a scheme or project. [Cf. F. réaliser.]
psyche n.
A lovely maiden, daughter of a king and mistress of Eros, or Cupid. She is regarded as the personification of the soul.
hover n.
A cover; a shelter; a protection. Carew. C. Kingsley. [Etymol. doubtful.]
midas n.
A genus of longeared South American monkeys, including numerous species of marmosets. See Marmoset. [So called from L. Midas, a man fabled to have had ass's ears.]
faun n.
A god of fields and shipherds, diddering little from the satyr. [L. Faunus, fr. favere to be favorable. See Favor.]
culls n.
Refuse timber, from which the best part has been culled out. [From Cull,, v. t.]
precipice n.
A sudden or headlong fall. Fuller. [F. précipice, L. praecipitium, fr. praeceps, - cipitis, headlong; prae before + caput, capitis, the head. See Pre-, and Chief.]
lilied a.
Covered with, or having many, lilies.
evermore adv.
During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
fading n.
An Irish dance; also, the burden of a song.
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
lamping a.
Shining; brilliant.
bashful a.
Abashed; daunted; dismayed. [See Bash.]
meanwhile n.
The intervening time; as, in the meantime (or mean time).
sunward adv.
Toward the sun.
loneness n.
Solitude; seclusion. Donne.
billowy a.
Of or pertaining to billows; swelling or swollen into large waves; full of billows or surges; resembling billows.
parching a.
Scorching; burning; drying.
aching a.
That aches; continuously painful. See Ache.
pathway n.
A footpath; a beaten track; any path or course. Also used figuratively.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A Night in Italy is in the public domain. This text is taken from The Oxford Book of English Verse, 1250-1900, Project Gutenberg ebook #66619; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edward Robert Bulwer Lytton, Earl of Lytton, A Night in Italy, in Poems (1831–1892), text of Project Gutenberg ebook #66619, Laurel, https://laurelpoetry.com/poem/obev-edward-robert-bulwer-lytton-earl-of-lytton/a-night-in-italy.html, id L16245.

Form and metre

A Night in Italy is 168 lines in 20 stanzas. The commonest rhyme scheme is ABABCDDC, in 6 of the 20 stanzas; the rest vary or could not be confirmed. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 20 lines end on an unstressed syllable, a feminine ending. 33% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABACCA lipsA · moreB · shipsA · shoreB · dipsA · wellsC · bellsC · dripsA
  2. 2 ABABCDDC painA · violetB · againA · regretB · handC · graveD · waveD · landC
  3. 3 A-A-BCCB lifeA · now · wifeA · know · yetB · measureC · pleasureC · regretB
  4. 4 ABABCDDC doA · moreB · newA · yoreB · wanderingC · painD · strainD · wingC
  5. 5 ABAB-CC- stringsA · tuneB · thingsA · juneB · puts · arightC · nightC · shuts
  6. 6 -A-ABCCB reproachfully · bereftA · she · leftA · awayB · clingsC · thingsC · mayB
  7. 7 ABABCDDCEFEFGHHG hourA · timeB · powerA · rhymeB · artC · longD · songD · heartC · againE · brimm'dF · painE · undimm'dF · exploreG · lightH · heightH · moreG
  8. 8 -A-ABCCB italy · seemsA · thee · moonbeamsA · allB · whileC · smileC · fallB
  9. 9 -A-ABCCB unreproved · timeA · loved · sublimeA · kneltB · eyesC · sighsC · feltB
  10. 10 A-A--BB- deadA · tree · headA · pensively · together · dreamB · streamB · whither
  11. 11 ABABCDDC handA · moreB · landA · shoreB · feelingC · ownD · thrownD · kneelingC
  12. 12 ABABC--C blissA · refrainB · kissA · remainB · butterfliesC · root · foot · skiesC
  13. 13 ABABCDDC joyA · mayB · destroyA · stayB · stemC · goldD · withholdD · themC
  14. 14 A-A-BCCB nymphA · precipice · lymphA · his · shoreB · lawnC · faunC · evermoreB
  15. 15 ABAB-CC- leaveA · seenB · receiveA · betweenB · sigh · ownC · unknownC · poetry
  16. 16 ABABCDDC lightA · paleB · brightA · valeB · sparkC · hopeD · slopeD · darkC
  17. 17 A-A-BCCB dreamA · destiny · gleamA · sky · allB · placeC · faceC · magicalB
  18. 18 ABAB-CC- hillA · careB · willA · thereB · words · earthC · worthC · affords
  19. 19 ABABCDDC restoreA · meetB · moreA · sweetB · yearsC · possessD · wearinessD · tearsC
  20. 20 ABAB-CC- keepA · youthB · weepA · truthB · done · breakingC · achingC · alone
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Sweet are the rosy memories of the lips10···/˘/˘···
That first kiss’d ours, albeit they kiss no more:11···/˘/˘····
Sweet is the sight of sunset-sailing ships,10·····/·/˘·
Altho’ they leave us on a lonely shore:10˘/·····/˘·
Sweet are familiar songs, tho’ Music dips10··˘/˘··/˘·
Her hollow shell in Thought’s forlornest wells:10·/˘···˘/˘·
And sweet, tho’ sad, the sound of midnight bells10·······/··
When the oped casement with the night-rain drips.10···/˘·····
There is a pleasure which is born of pain:10···/˘·····
The grave of all things hath its violet.10·······/˘˘
Else why, thro’ days which never come again,10·····/˘·˘/
Roams Hope with that strange longing, like Regret?10·····/˘·˘/
Why put the posy in the cold dead hand?10···/˘·····
Why plant the rose above the lonely grave?10·······/˘·
Why bring the corpse across the salt sea-wave?10····˘/····
Why deem the dead more near in native land?10·······/˘·
Thy name hath been a silence in my life10·····/˘···
So long, it falters upon language now,10···/˘··/˘·
O more to me than sister or than wife,10·····/˘···
Once ... and now--nothing! It is hard to know10···/˘·····
That such things have been, and are not; and yet10··········
Life loiters, keeps a pulse at even measure,11·/˘····/˘/˘
And goes upon its business and its pleasure,11·····/˘··/˘
And knows not all the depths of its regret....10········˘/
Ah, could the memory cast her spots, as do10···/˘·····
The snake’s brood theirs in spring! and be once more10··········
Wholly renew’d, to dwell i’ the time that’s new,11/˘˘/·······
With no reiterance of those pangs of yore.10··········
Peace, peace! My wild song will go wandering10·······/˘˘
Too wantonly, down paths a private pain10·/˘˘···/˘·
Hath trodden bare. What was it jarr’d the strain?10·/˘·······
Some crush’d illusion, left with crumpled wing10··˘/˘··/˘·
Tangled in Music’s web of twinèd strings--10/˘˘·/˘····
That started that false note, and crack’d the tune10·/˘·······
In its beginning. Ah, forgotten things10··˘/˘·˘/˘·
Stumble back strangely! and the ghost of June10/˘·/˘·····
Stands by December’s fire, cold, cold! and puts10··˘/˘/····
The last spark out.--How could I sing aright10········˘/
With those old airs haunting me all the night10····/˘····
And those old steps that sound when daylight shuts?10·······/··
For back she comes, and moves reproachfully,10··········
The mistress of my moods, and looks bereft10·/˘·····˘/
(Cruel to the last!) as tho’ ’twere I, not she,10/·········
That did the wrong, and broke the spell, and left10··········
Memory comfortless.--Away! away!10/˘˘/˘˘˘/˘/
Phantoms, about whose brows the bindweed clings,10/˘·····/˘·
Hopeless regret! In thinking of these things10/˘˘/·/˘···
Some men have lost their minds, and others may.10·······/˘·
Yet, O for one deep draught in this dull hour!11·········/˘
One deep, deep draught of the departed time!10······˘/˘·
O for one brief strong pulse of ancient power,11·······/˘/˘
To beat and breathe thro’ all the valves of rhyme!10··········
Thou, Memory, with thy downward eyes, that art10·/˘˘··/···
The cup-bearer of gods, pour deep and long,10··/˘······
Brim all the vacant chalices of song10···/˘/˘˘··
With health! Droop down thine urn. I hold my heart10··········
One draught of what I shall not taste again10········˘/
Save when my brain with thy dark wine is brimm’d,--10··········
One draught! and then straight onward, spite of pain,10·····/˘···
And spite of all things changed, with gaze undimm’d,10··········
Love’s footsteps thro’ the waning Past to explore11·/···/˘··˘/
Undaunted; and to carve in the wan light10˘/˘·······
Of Hope’s last outposts, on Song’s utmost height,10···/···/··
The sad resemblance of an hour or more.10··˘/˘··/··
Midnight, and love, and youth, and Italy!10/······/˘˘
Love in the land where love most lovely seems!10·······/˘·
Land of my love, tho’ I be far from thee,10··········
Lend, for love’s sake, the light of thy moonbeams,10········/·
The spirit of thy cypress-groves and all10·/˘··/˘···
Thy dark-eyed beauty for a little while10···/˘··/˘·
To my desire. Yet once more let her smile10··˘/······
Fall o’er me: o’er me let her long hair fall....10··········
Under the blessèd darkness unreproved10····/˘···˘
We were alone, in that best hour of time10··˘/···/··
Which first reveal’d to us how much we loved,10··˘/······
’Neath the thick starlight. The young night sublime10···/····˘/
Hung trembling o’er us. At her feet I knelt,10·/˘·······
And gazed up from her feet into her eyes.10··········
Her face was bow’d: we breathed each other’s sighs:10·······/˘·
We did not speak: not move: we look’d: we felt.10··········
The night said not a word. The breeze was dead.10··········
The leaf lay without whispering on the tree,10·····/˘···
As I lay at her feet. Droop’d was her head:10··········
One hand in mine: and one still pensively10·······/˘˘
Went wandering through my hair. We were together.11·/˘·····˘/˘
How? Where? What matter? Somewhere in a dream,10···/˘/····
Drifting, slow drifting down a wizard stream:10/˘·/˘··/˘·
Whither? Together: then what matter whither?11/˘˘/˘··/˘/˘
It was enough for me to clasp her hand:10··˘/······
To blend with her love-looks my own: no more.10··········
Enough (with thoughts like ships that cannot land,10˘/·····/˘·
Blown by faint winds about a magic shore)10·······/˘·
To realize, in each mysterious feeling,11·/···˘/˘˘/˘
The droop of the warm cheek so near my own:10··········
The cool white arm about my shoulder thrown:10·······/˘·
Those exquisite fair feet where I was kneeling.11·/˘˘·····/˘
How little know they life’s divinest bliss,10·/˘···˘/˘·
That know not to possess and yet refrain!10····˘/··˘/
Let the young Psyche roam, a fleeting kiss:10···/˘··/˘·
Grasp it--a few poor grains of dust remain.10········˘/
See how those floating flowers, the butterflies,10···/˘/·/˘·
Hover the garden thro’, and take no root!10/˘·/˘·····
Desire for ever hath a flying foot:10˘/·/˘··/˘·
Free pleasure comes and goes beneath the skies.10·/˘·······
Close not thy hand upon the innocent joy10·······/˘·
That trusts itself within thy reach. It may,10··˘/······
Or may not, linger. Thou canst but destroy10···/˘···˘/
The wingèd wanderer. Let it go or stay.10··/˘˘·····
Love thou the rose, yet leave it on its stem.10··········
Think! Midas starved by turning all to gold.10·/˘··/˘···
Blessèd are those that spare, and that withhold;9·······˘/
Because the whole world shall be trusted them.10·······/˘·
The foolish Faun pursues the unwilling Nymph11·/˘·˘/·˘/˘·
That culls her flowers beside the precipice11···/˘˘/·/˘˘
Or dips her shining ankles in the lymph:10···/˘/˘···
But, just when she must perish or be his,10·····/˘···
Heaven puts an arm out. She is safe. The shore10/·········
Gains some new fountain; or the lilied lawn10···/˘··/˘·
A rarer sort of rose: but ah, poor Faun!10·/˘·······
To thee she shall be changed for evermore.10·······/˘·
Chase not too close the fading rapture. Leave10·····/˘/˘·
To Love his long auroras, slowly seen.10····˘/˘/˘·
Be ready to release as to receive.10·/˘·˘/··˘/
Deem those the nearest, soul to soul, between10···/˘·····
Whose lips yet lingers reverence on a sigh.10···/˘/˘···
Judge what thy sense can reach not, most thine own,10··········
If once thy soul hath seized it. The unknown10········˘/
Is life to love, religion, poetry.10····˘/˘/˘˘
The moon had set. There was not any light,10·······/˘·
Save of the lonely legion’d watch-stars pale10···/˘·····
In outer air, and what by fits made bright10·/˘·······
Hot oleanders in a rosy vale10·/˘·˘··/˘·
Searched by the lamping fly, whose little spark10···/˘··/˘·
Went in and out, like passion’s bashful hope.10·····/˘/˘·
Meanwhile the sleepy globe began to slope10/··/˘·˘/··
A ponderous shoulder sunward thro’ the dark.10·/˘/˘/˘···
And the night pass’d in beauty like a dream.10·····/˘···
Aloof in those dark heavens paused Destiny,11˘/···/˘·/˘˘
With her last star descending in the gleam10····˘/˘···
Of the cold morrow, from the emptied sky.10···/˘··/˘·
The hour, the distance from her old self, all10·/·/˘·····
The novelty and loneness of the place10·/˘˘·/˘···
Had left a lovely awe on that fair face,10···/˘·····
And all the land grew strange and magical.10·······/˘˘
As droops some billowy cloud to the crouch’d hill,11···/˘˘·····
Heavy with all heaven’s tears, for all earth’s care,11/˘··/˘·····
She droop’d unto me, without force or will,10··········
And sank upon my bosom, murmuring there10·····/˘/˘·
A woman’s inarticulate passionate words.10·/˘˘/˘/˘˘·
O moment of all moments upon earth!10·/˘··/˘···
O life’s supreme! How worth, how wildly worth,10··˘/···/˘·
Whole worlds of flame, to know this world affords.10········˘/
What even Eternity can not restore!10·/˘/˘˘··˘/
When all the ends of life take hands and meet10··········
Round centres of sweet fire. Ah, never more,10·/˘··/·/˘·
Ah never, shall the bitter with the sweet10·/˘··/˘···
Be mingled so in the pale after-years!10·/˘·······
One hour of life immortal spirits possess.11·/··˘/˘/˘˘/
This drains the world, and leaves but weariness,10·······/˘˘
And parching passion, and perplexing tears.10·/˘/˘·˘/˘·
Sad is it, that we cannot even keep10·····/˘/˘·
That hour to sweeten life’s last toil: but Youth10·/·/˘·····
Grasps all, and leaves us: and when we would weep,10··········
We dare not let our tears fall, lest, in truth,10····/·····
They fall upon our work which must be done.10····/·····
And so we bind up our torn hearts from breaking:11·····/···/˘
Our eyes from weeping, and our brows from aching:11/··/˘·/··/˘
And follow the long pathway all alone.10·/˘··/··˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Edward Robert Bulwer Lytton, Earl of Lytton