The Progress of Love (A Lyrical Symphony) VII
And down the scented heather-drowsy hillsThe barefoot children wandered, hand in hand,And paddled through the laughing silver rillsIn quest of fairyland;And in each little sunburnt hand a spray,A purple fox-glove bell-branch lightly swung,And Anwyl told Etain how, far away,One day he wandered through the dreamland dellsAnd watched the moonlit fairies as they sungAnd tolled the fox-glove bells;And oh, how sweetly, sweetly to and froThe fragrance of the music reeled and rungUnder the loaded boughs of starry May.
And God sighed in the sunset, and the seaGrew quieter than the hills: the mysteryOf ocean, earth and sky was like a wordUttered, but all unheard,Uttered by every wave and cloud and leafWith all the immortal glory of mortal grief;And every wave that broke its heart of goldIn music on the rainbow-dazzled shoreSeemed telling, strangely telling, evermoreA story that must still remain untold.
Oh, Once upon a time, and o'er and o'erAs aye the Happy ever after cameThe enchanted waves lavished their faery lore
And tossed a foam-bow and a rosy flameAround the whispers of the creaming foam,Till the old rapture with the new sweet name
Through all the old romance began to roam,And Anwyl, gazing out across the sea,Dreamed that he heard the distance whisper "Come."
"Etain," he murmured softly and wistfully,With the soul's wakening wonder in his eyes,"Is it not strange to think that there can be
"No end for ever and ever to those skies,No shore beyond, or if there be a shoreStill without end the world beyond it lies;
"Think; think, Etain;" and all his faery loreMixed with the faith that brought all gods to birthAnd sees new heavens transcend for evermore
The poor impossibilities of earth;But Etain only laughed: the world to herWas one sweet smile of very present mirth;
Its flowers were only flowers, common or rare;Her soul was like a little garden closedBy rose-clad walls, a place of southern airIslanded from the Mystery that reposedIts vast and brooding wings on that abyssThrough which like little clouds that dreamed and dozed
The thoughts of Anwyl wandered toward some blissUnknown, unfathomed, far, how far away,Where God has gathered all the eternitiesInto strange heavens, beyond the night and day.
Words in this poem 17
- barefoot a.
- With the feet bare; without shoes or stockings.
- fairyland n.
- The imaginary land or abode of fairies.
- dreamland n.
- An unreal, delightful country such as in sometimes pictured in dreams; region of fancies; fairyland.
- moonlit a.
- Illumined by the moon.
- rung n.
- A floor timber in a ship. [OE. ronge, AS. hrung, a staff, rod, pole; akin to G. runge a short, thick piece of iron or wood, OD. ronghe a prop, support, Icel. röng a rib in a ship, Goth. H]
- starry a.
- Abounding with stars; adorned with stars.
- quieter n.
- One who, or that which, quiets.
- unheard a.
- Not heard; not perceived by the ear; as, words unheard by those present.
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- strangely adv.
- As something foreign, or not one's own; in a manner adapted to something foreign and strange.
- evermore adv.
- During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
- untold a.
- Not told; not related; not revealed; as, untold secrets.
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
- wakening n.
- The act of one who wakens; esp., the act of ceasing to sleep; an awakening.
- transcend v. i.
- To climb; to mount.
- clad v.
- To clothe. Holland.
- reposed a.
- Composed; calm; tranquil; at rest.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Progress of Love (A Lyrical Symphony) VII is in the public domain. This text is taken from Collected Poems: Volume One, Project Gutenberg ebook #30501; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Alfred Noyes, The Progress of Love (A Lyrical Symphony) VII, in Collected Poems, Volume One (1913), text of Project Gutenberg ebook #30501, Laurel, https://laurelpoetry.com/poem/noyes-collected/the-progress-of-love-a-lyrical-symphony-vii.html, id L21439.
Form and metre
The Progress of Love (A Lyrical Symphony) VII is 54 lines in 11 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCDCEDE-DC hillsA · handB · rillsA · fairylandB · sprayC · swungD · awayC · dellsE · sungD · bellsE · fro · rungD · mayC
- 2 --FFGGHIIH sea · mystery · wordF · unheardF · leafG · griefG · goldH · shoreI · evermoreI · untoldH
- 3 -JI o'er · cameJ · loreI
- 4 JKJ flameJ · foamK · nameJ
- 5 KL- roamK · seaL · come
- 6 -ML wistfully · eyesM · beL
- 7 MNM skiesM · shoreN · liesM
- 8 NON loreN · birthO · evermoreN
- 9 O-O earthO · her · mirthO
- 10 PQPQRQ rareP · closedQ · airP · reposedQ · abyssR · dozedQ
- 11 RS-S blissR · awayS · eternities · dayS
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| And down the scented heather-drowsy hills | 10 | ···/˘/˘/˘· |
| The barefoot children wandered, hand in hand, | 10 | ·/·/˘/˘··· |
| And paddled through the laughing silver rills | 10 | ·/˘··/˘/˘· |
| In quest of fairyland; | 6 | ···/˘· |
| And in each little sunburnt hand a spray, | 10 | ···/˘····· |
| A purple fox-glove bell-branch lightly swung, | 10 | ·/˘····/˘· |
| And Anwyl told Etain how, far away, | 10 | ·/˘·····˘/ |
| One day he wandered through the dreamland dells | 10 | ···/˘··/·· |
| And watched the moonlit fairies as they sung | 10 | ···/·/˘··· |
| And tolled the fox-glove bells; | 6 | ······ |
| And oh, how sweetly, sweetly to and fro | 10 | ···/˘/˘··· |
| The fragrance of the music reeled and rung | 10 | ·/˘··/˘··· |
| Under the loaded boughs of starry May. | 10 | ···/˘··/˘· |
| And God sighed in the sunset, and the sea | 10 | ·····/···· |
| Grew quieter than the hills: the mystery | 11 | ·/˘˘····/˘˘ |
| Of ocean, earth and sky was like a word | 10 | ·/˘······· |
| Uttered, but all unheard, | 6 | /˘··˘/ |
| Uttered by every wave and cloud and leaf | 10 | /˘·/˘····· |
| With all the immortal glory of mortal grief; | 12 | ···˘/˘/˘·/˘· |
| And every wave that broke its heart of gold | 10 | ·/˘······· |
| In music on the rainbow-dazzled shore | 10 | ·/˘··/·/˘· |
| Seemed telling, strangely telling, evermore | 10 | ·/˘/˘/˘/˘· |
| A story that must still remain untold. | 10 | ·/˘···˘/˘/ |
| Oh, Once upon a time, and o'er and o'er | 10 | ·········· |
| As aye the Happy ever after came | 10 | ···/˘/˘··· |
| The enchanted waves lavished their faery lore | 11 | ·˘/˘·/˘···· |
| And tossed a foam-bow and a rosy flame | 10 | ·······/˘· |
| Around the whispers of the creaming foam, | 10 | ···/˘··/˘· |
| Till the old rapture with the new sweet name | 10 | ···/˘····· |
| Through all the old romance began to roam, | 10 | ····˘/˘/·· |
| And Anwyl, gazing out across the sea, | 10 | ·/˘/˘·˘/·· |
| Dreamed that he heard the distance whisper "Come." | 10 | ·····/˘/˘· |
| "Etain," he murmured softly and wistfully, | 11 | ···/˘/˘·/˘˘ |
| With the soul's wakening wonder in his eyes, | 10 | ···/˘/˘··· |
| "Is it not strange to think that there can be | 10 | ·········· |
| "No end for ever and ever to those skies, | 10 | ···/·/˘··· |
| No shore beyond, or if there be a shore | 10 | ·········· |
| Still without end the world beyond it lies; | 10 | ·········· |
| "Think; think, Etain;" and all his faery lore | 10 | ·········· |
| Mixed with the faith that brought all gods to birth | 10 | ·········· |
| And sees new heavens transcend for evermore | 11 | ···/˘˘/·/˘· |
| The poor impossibilities of earth; | 10 | ··˘·˘/˘˘·· |
| But Etain only laughed: the world to her | 10 | ···/˘····· |
| Was one sweet smile of very present mirth; | 10 | ·····/˘/˘· |
| Its flowers were only flowers, common or rare; | 10 | ·/·/˘//˘·· |
| Her soul was like a little garden closed | 10 | ·····/˘/˘· |
| By rose-clad walls, a place of southern air | 10 | ·······/˘· |
| Islanded from the Mystery that reposed | 10 | /˘··/˘˘·/· |
| Its vast and brooding wings on that abyss | 10 | ···/˘···˘/ |
| Through which like little clouds that dreamed and dozed | 10 | ···/˘····· |
| The thoughts of Anwyl wandered toward some bliss | 11 | ···/˘/˘···· |
| Unknown, unfathomed, far, how far away, | 10 | ˘/······˘/ |
| Where God has gathered all the eternities | 11 | ···/˘··˘/˘˘ |
| Into strange heavens, beyond the night and day. | 11 | ···/˘······ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.