The Progress of Love (A Lyrical Symphony) II

Alfred Noyes (1880–1958) · 1913

iambic pentameter · 81 lines · from Collected Poems, Volume One

And God sighed in the sunset; and the seaChanted the soft recessional of TimeAgainst the golden shores of mystery;

And ever as that long low change and chimeWith one slow sob of molten music yearnedWestward, it seemed as if the Love sublime

Almost uttered itself, where the waves burnedIn little flower-soft flames of rose and greenThat woke to seaward, while the tides returned

Rising and falling, ruffled and serene,With all the mirrored tints of heaven aboveShimmering through their mystic myriad sheen.

As a dove's burnished breast throbbing with loveSwells and subsides to call her soft-eyed mateHome through the rosy gloom of glen or grove,

So when the greenwood noon was growing lateThe sea called softly through the waste of years,Called to the star that still can consecrate

The holy golden haze of human tearsWhich tinges every sunset with our griefUntil the perfect Paraclete appears.

Ah, the long sigh that yields the world reliefRose and relapsed across Eternity,Making a joy of sorrows that are brief,

As, o'er the bright enchantment of the sea,Facing the towers of that old City of PainWhich stands upon the shores of mystery

And frowns across the immeasurable main,Venus among her cloudy sunset flowersWoke; and earth melted into heaven again.

For even the City's immemorial towersWere tinted into secret tone and time,Like old forgotten tombs that age embowers

With muffling roses and with mossy rimeUntil they seem no monument of ours,But one more note in earth's accordant chime.

O Love, Love, Love, all dreams, desires and powers,Were but as chords of that ineffable psalm;And all the long blue lapse of summer hours,

And all the breathing sunset's golden balmBy that æonian sorrow were resolvedAs dew into the music's infinite calm,

Through which the suns and moons and stars revolvedAccording to the song's divine decree,Till Time was but a tide of intervolved

And interweaving worlds of melody;In other worlds I loved you, long ago,--The angelic citoles fainted o'er the sea;

And seraph citerns answered, sweet and low,From where the sunset and the moonrise blend,--In other worlds I loved you, long ago;

Love that hath no beginning hath no end;O Love, Love, Love, the bitter City of PainBidding the golden echoes westward wend,

Chimed in accordant undertone again:Though every grey old tower rose like a tombTo mock the glory of the shoreless main

They could but strike such discords as illumeThe music with strange gleams of utter lightAnd hallow all the valley's rosy gloom.

And there, though greyly sinking out of sightBefore the wonders of the sky and sea,Back through the valley, back into the night,

While mystery melted into mystery,The City still rebuffed the far sweet WestThat dimmed her sorrows with infinity;

Yet sometimes yearning o'er the sea's bright breastTo that remote Avilion would she gazeWhere all lost loves and weary warriors rest.

Then she remembered, through that golden haze,(Oh faint as flowers the rose-white waves resound)Her Arthur whom she loved in the dead days,

And how he sailed to heal him of his wound,And how he lives and reigns eternallyWhere now that unknown love is throned and crowned

Who laid his bleeding head against her kneeAnd loosed the bitter breast-plate and unboundHis casque and brought him strangely o'er the sea,

And how she reigns beside him on that shoreFor ever (Yrma, queen, bend down to me)And they twain have no sorrow any more.

Words in this poem 20
recessional a.
Of or pertaining to recession or withdrawal. Recessional hymn, a hymn sung in a procession returning from the choir to the robing room.
chime n.
The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
seaward a.
Directed or situated toward the sea. Donne.
shimmering n.
A gleam or glimmering.
myriad n.
The number of ten thousand; ten thousand persons or things. [Gr. myriade.]
sheen v. i.
To shine; to glisten.
greenwood n.
A forest as it appears is spring and summer.
paraclete n.
An advocate; one called to aid or support; hence, the Consoler, Comforter, or Intercessor; -- a term applied to the Holy Spirit.
immemorial a.
Extending beyond the reach of memory, record, or tradition; indefinitely ancient; as, existing from time immemorial. [Pref. im- not + memorial: cf. F. immémorial.]
rime n.
A rent or long aperture; a chink; a fissure; a crack. Sir T. [L. rima.]
moonrise n.
The rising of the moon above the horizon; also, the time of its rising.
wend n.
A large extent of ground; a perambulation; a circuit.
undertone n.
A low or subdued tone or utterance; a tone less loud than usual.
shoreless a.
Having no shore or coast; of indefinite or unlimited extent; as, a shoreless ocean. Young.
illume v. t.
To throw or spread light upon; to make light or bright; to illuminate; to illumine. [Cf. F. illuminer. See Illuminate.]
hallow v. t.
To make holy; to set apart for holy or religious use; to consecrate; to treat or keep as sacred; to reverence. [OE. halowen, halwien, halgien, AS. halgian, fr. halig holy. See Holy.]
eternally adv.
In an eternal manner.
casque n.
A piece of defensive or ornamental armor (with or without a vizor) for the head and neck; a helmet. [F. casque, fr. Sp. casco See Cask.]
strangely adv.
As something foreign, or not one's own; in a manner adapted to something foreign and strange.
twain a.
Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Progress of Love (A Lyrical Symphony) II is in the public domain. This text is taken from Collected Poems: Volume One, Project Gutenberg ebook #30501; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Alfred Noyes, The Progress of Love (A Lyrical Symphony) II, in Collected Poems, Volume One (1913), text of Project Gutenberg ebook #30501, Laurel, https://laurelpoetry.com/poem/noyes-collected/the-progress-of-love-a-lyrical-symphony-ii.html, id L21434.

Form and metre

The Progress of Love (A Lyrical Symphony) II is 81 lines in 27 stanzas of 3 lines each. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A- sea · timeA · mystery
  2. 2 ABA chimeA · yearnedB · sublimeA
  3. 3 BCB burnedB · greenC · returnedB
  4. 4 CDC sereneC · aboveD · sheenC
  5. 5 DE- loveD · mateE · grove
  6. 6 EFE lateE · yearsF · consecrateE
  7. 7 -GF tears · griefG · appearsF
  8. 8 G-G reliefG · eternity · briefG
  9. 9 -H- sea · painH · mystery
  10. 10 HI- mainH · flowersI · again
  11. 11 IJI towersI · timeJ · embowersI
  12. 12 JIJ rimeJ · oursI · chimeJ
  13. 13 I-I powersI · psalm · hoursI
  14. 14 KLK balmK · resolvedL · calmK
  15. 15 LML revolvedL · decreeM · intervolvedL
  16. 16 -NM melody · agoN · seaM
  17. 17 NON lowN · blendO · agoN
  18. 18 OPO endO · painP · wendO
  19. 19 -QP again · tombQ · mainP
  20. 20 QRQ illumeQ · lightR · gloomQ
  21. 21 R-R sightR · sea · nightR
  22. 22 -S- mystery · westS · infinity
  23. 23 STS breastS · gazeT · restS
  24. 24 TUT hazeT · resoundU · daysT
  25. 25 U-U woundU · eternally · crownedU
  26. 26 VUV kneeV · unboundU · seaV
  27. 27 WVW shoreW · meV · moreW
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
And God sighed in the sunset; and the sea10·····/····
Chanted the soft recessional of Time10/˘··˘/˘˘··
Against the golden shores of mystery;10···/˘··/˘˘
And ever as that long low change and chime10·/˘·······
With one slow sob of molten music yearned10·····/˘/˘·
Westward, it seemed as if the Love sublime10/˘······˘/
Almost uttered itself, where the waves burned10/·/˘˘/····
In little flower-soft flames of rose and green10·/˘/······
That woke to seaward, while the tides returned10···/˘···˘/
Rising and falling, ruffled and serene,10/˘·/˘/˘·˘/
With all the mirrored tints of heaven above10···/˘··/··
Shimmering through their mystic myriad sheen.10/˘··/˘/˘˘·
As a dove's burnished breast throbbing with love10···/˘·/˘··
Swells and subsides to call her soft-eyed mate10··˘/······
Home through the rosy gloom of glen or grove,10···/˘·····
So when the greenwood noon was growing late10···/···/˘·
The sea called softly through the waste of years,10···/˘·····
Called to the star that still can consecrate10·······/˘·
The holy golden haze of human tears10·/˘/˘··/˘·
Which tinges every sunset with our grief10··/˘/··/˘·
Until the perfect Paraclete appears.10···/·/˘˘˘/
Ah, the long sigh that yields the world relief10········˘/
Rose and relapsed across Eternity,10··˘/˘/˘/˘˘
Making a joy of sorrows that are brief,10/˘···/˘···
As, o'er the bright enchantment of the sea,10····˘/˘···
Facing the towers of that old City of Pain11/˘·/···/˘··
Which stands upon the shores of mystery10·······/˘˘
And frowns across the immeasurable main,11··˘/·˘/˘·˘·
Venus among her cloudy sunset flowers11/˘···/˘/·/˘
Woke; and earth melted into heaven again.10···/˘··/˘/
For even the City's immemorial towers10·/·/˘·˘/˘/
Were tinted into secret tone and time,10·/˘··/˘···
Like old forgotten tombs that age embowers11··˘/˘······
With muffling roses and with mossy rime10·/˘/˘··/˘·
Until they seem no monument of ours,11·····/˘˘·/˘
But one more note in earth's accordant chime.10······˘/˘·
O Love, Love, Love, all dreams, desires and powers,11······˘/·/˘
Were but as chords of that ineffable psalm;10······˘/˘·
And all the long blue lapse of summer hours,11·······/˘/˘
And all the breathing sunset's golden balm10···/˘/·/˘·
By that æonian sorrow were resolved10····/˘·˘/˘
As dew into the music's infinite calm,10·····/˘/˘·
Through which the suns and moons and stars revolved10········˘/
According to the song's divine decree,10˘/˘···˘/˘/
Till Time was but a tide of intervolved10··········
And interweaving worlds of melody;10··˘/˘··/˘˘
In other worlds I loved you, long ago,--10·/˘·····˘/
The angelic citoles fainted o'er the sea;11··/˘··/˘···
And seraph citerns answered, sweet and low,10·/˘··/˘···
From where the sunset and the moonrise blend,--10···/···/˘·
In other worlds I loved you, long ago;10·/˘·····˘/
Love that hath no beginning hath no end;10····˘/˘···
O Love, Love, Love, the bitter City of Pain11·····/˘/˘··
Bidding the golden echoes westward wend,10/˘·/˘/˘/˘·
Chimed in accordant undertone again:10··˘/˘/˘·˘/
Though every grey old tower rose like a tomb10·/˘··/····
To mock the glory of the shoreless main10···/˘··/˘·
They could but strike such discords as illume10·····/˘·˘/
The music with strange gleams of utter light10·/˘····/˘·
And hallow all the valley's rosy gloom.10·/˘··/˘/˘·
And there, though greyly sinking out of sight10·····/˘···
Before the wonders of the sky and sea,10···/˘·····
Back through the valley, back into the night,10···/˘·····
While mystery melted into mystery,11·/˘˘/˘··/˘˘
The City still rebuffed the far sweet West10·/˘·˘/····
That dimmed her sorrows with infinity;10···/˘·˘/˘˘
Yet sometimes yearning o'er the sea's bright breast10·/·/˘·····
To that remote Avilion would she gaze10··˘/······
Where all lost loves and weary warriors rest.10·····/˘/˘·
Then she remembered, through that golden haze,10··˘/˘··/˘·
(Oh faint as flowers the rose-white waves resound)10···/·····/
Her Arthur whom she loved in the dead days,10·/˘·······
And how he sailed to heal him of his wound,10··········
And how he lives and reigns eternally10······˘/˘˘
Where now that unknown love is throned and crowned10···˘/·····
Who laid his bleeding head against her knee10···/˘·····
And loosed the bitter breast-plate and unbound10···/˘···˘/
His casque and brought him strangely o'er the sea,10·····/˘···
And how she reigns beside him on that shore10····˘/····
For ever (Yrma, queen, bend down to me)10·/˘·······
And they twain have no sorrow any more.10·····/˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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