The Progress of Love (A Lyrical Symphony) II
And God sighed in the sunset; and the seaChanted the soft recessional of TimeAgainst the golden shores of mystery;
And ever as that long low change and chimeWith one slow sob of molten music yearnedWestward, it seemed as if the Love sublime
Almost uttered itself, where the waves burnedIn little flower-soft flames of rose and greenThat woke to seaward, while the tides returned
Rising and falling, ruffled and serene,With all the mirrored tints of heaven aboveShimmering through their mystic myriad sheen.
As a dove's burnished breast throbbing with loveSwells and subsides to call her soft-eyed mateHome through the rosy gloom of glen or grove,
So when the greenwood noon was growing lateThe sea called softly through the waste of years,Called to the star that still can consecrate
The holy golden haze of human tearsWhich tinges every sunset with our griefUntil the perfect Paraclete appears.
Ah, the long sigh that yields the world reliefRose and relapsed across Eternity,Making a joy of sorrows that are brief,
As, o'er the bright enchantment of the sea,Facing the towers of that old City of PainWhich stands upon the shores of mystery
And frowns across the immeasurable main,Venus among her cloudy sunset flowersWoke; and earth melted into heaven again.
For even the City's immemorial towersWere tinted into secret tone and time,Like old forgotten tombs that age embowers
With muffling roses and with mossy rimeUntil they seem no monument of ours,But one more note in earth's accordant chime.
O Love, Love, Love, all dreams, desires and powers,Were but as chords of that ineffable psalm;And all the long blue lapse of summer hours,
And all the breathing sunset's golden balmBy that æonian sorrow were resolvedAs dew into the music's infinite calm,
Through which the suns and moons and stars revolvedAccording to the song's divine decree,Till Time was but a tide of intervolved
And interweaving worlds of melody;In other worlds I loved you, long ago,--The angelic citoles fainted o'er the sea;
And seraph citerns answered, sweet and low,From where the sunset and the moonrise blend,--In other worlds I loved you, long ago;
Love that hath no beginning hath no end;O Love, Love, Love, the bitter City of PainBidding the golden echoes westward wend,
Chimed in accordant undertone again:Though every grey old tower rose like a tombTo mock the glory of the shoreless main
They could but strike such discords as illumeThe music with strange gleams of utter lightAnd hallow all the valley's rosy gloom.
And there, though greyly sinking out of sightBefore the wonders of the sky and sea,Back through the valley, back into the night,
While mystery melted into mystery,The City still rebuffed the far sweet WestThat dimmed her sorrows with infinity;
Yet sometimes yearning o'er the sea's bright breastTo that remote Avilion would she gazeWhere all lost loves and weary warriors rest.
Then she remembered, through that golden haze,(Oh faint as flowers the rose-white waves resound)Her Arthur whom she loved in the dead days,
And how he sailed to heal him of his wound,And how he lives and reigns eternallyWhere now that unknown love is throned and crowned
Who laid his bleeding head against her kneeAnd loosed the bitter breast-plate and unboundHis casque and brought him strangely o'er the sea,
And how she reigns beside him on that shoreFor ever (Yrma, queen, bend down to me)And they twain have no sorrow any more.
Words in this poem 20
- recessional a.
- Of or pertaining to recession or withdrawal. Recessional hymn, a hymn sung in a procession returning from the choir to the robing room.
- chime n.
- The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
- seaward a.
- Directed or situated toward the sea. Donne.
- shimmering n.
- A gleam or glimmering.
- myriad n.
- The number of ten thousand; ten thousand persons or things. [Gr. myriade.]
- sheen v. i.
- To shine; to glisten.
- greenwood n.
- A forest as it appears is spring and summer.
- paraclete n.
- An advocate; one called to aid or support; hence, the Consoler, Comforter, or Intercessor; -- a term applied to the Holy Spirit.
- immemorial a.
- Extending beyond the reach of memory, record, or tradition; indefinitely ancient; as, existing from time immemorial. [Pref. im- not + memorial: cf. F. immémorial.]
- rime n.
- A rent or long aperture; a chink; a fissure; a crack. Sir T. [L. rima.]
- moonrise n.
- The rising of the moon above the horizon; also, the time of its rising.
- wend n.
- A large extent of ground; a perambulation; a circuit.
- undertone n.
- A low or subdued tone or utterance; a tone less loud than usual.
- shoreless a.
- Having no shore or coast; of indefinite or unlimited extent; as, a shoreless ocean. Young.
- illume v. t.
- To throw or spread light upon; to make light or bright; to illuminate; to illumine. [Cf. F. illuminer. See Illuminate.]
- hallow v. t.
- To make holy; to set apart for holy or religious use; to consecrate; to treat or keep as sacred; to reverence. [OE. halowen, halwien, halgien, AS. halgian, fr. halig holy. See Holy.]
- eternally adv.
- In an eternal manner.
- casque n.
- A piece of defensive or ornamental armor (with or without a vizor) for the head and neck; a helmet. [F. casque, fr. Sp. casco See Cask.]
- strangely adv.
- As something foreign, or not one's own; in a manner adapted to something foreign and strange.
- twain a.
- Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Progress of Love (A Lyrical Symphony) II is in the public domain. This text is taken from Collected Poems: Volume One, Project Gutenberg ebook #30501; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Alfred Noyes, The Progress of Love (A Lyrical Symphony) II, in Collected Poems, Volume One (1913), text of Project Gutenberg ebook #30501, Laurel, https://laurelpoetry.com/poem/noyes-collected/the-progress-of-love-a-lyrical-symphony-ii.html, id L21434.
Form and metre
The Progress of Love (A Lyrical Symphony) II is 81 lines in 27 stanzas of 3 lines each. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A- sea · timeA · mystery
- 2 ABA chimeA · yearnedB · sublimeA
- 3 BCB burnedB · greenC · returnedB
- 4 CDC sereneC · aboveD · sheenC
- 5 DE- loveD · mateE · grove
- 6 EFE lateE · yearsF · consecrateE
- 7 -GF tears · griefG · appearsF
- 8 G-G reliefG · eternity · briefG
- 9 -H- sea · painH · mystery
- 10 HI- mainH · flowersI · again
- 11 IJI towersI · timeJ · embowersI
- 12 JIJ rimeJ · oursI · chimeJ
- 13 I-I powersI · psalm · hoursI
- 14 KLK balmK · resolvedL · calmK
- 15 LML revolvedL · decreeM · intervolvedL
- 16 -NM melody · agoN · seaM
- 17 NON lowN · blendO · agoN
- 18 OPO endO · painP · wendO
- 19 -QP again · tombQ · mainP
- 20 QRQ illumeQ · lightR · gloomQ
- 21 R-R sightR · sea · nightR
- 22 -S- mystery · westS · infinity
- 23 STS breastS · gazeT · restS
- 24 TUT hazeT · resoundU · daysT
- 25 U-U woundU · eternally · crownedU
- 26 VUV kneeV · unboundU · seaV
- 27 WVW shoreW · meV · moreW
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| And God sighed in the sunset; and the sea | 10 | ·····/···· |
| Chanted the soft recessional of Time | 10 | /˘··˘/˘˘·· |
| Against the golden shores of mystery; | 10 | ···/˘··/˘˘ |
| And ever as that long low change and chime | 10 | ·/˘······· |
| With one slow sob of molten music yearned | 10 | ·····/˘/˘· |
| Westward, it seemed as if the Love sublime | 10 | /˘······˘/ |
| Almost uttered itself, where the waves burned | 10 | /·/˘˘/···· |
| In little flower-soft flames of rose and green | 10 | ·/˘/······ |
| That woke to seaward, while the tides returned | 10 | ···/˘···˘/ |
| Rising and falling, ruffled and serene, | 10 | /˘·/˘/˘·˘/ |
| With all the mirrored tints of heaven above | 10 | ···/˘··/·· |
| Shimmering through their mystic myriad sheen. | 10 | /˘··/˘/˘˘· |
| As a dove's burnished breast throbbing with love | 10 | ···/˘·/˘·· |
| Swells and subsides to call her soft-eyed mate | 10 | ··˘/······ |
| Home through the rosy gloom of glen or grove, | 10 | ···/˘····· |
| So when the greenwood noon was growing late | 10 | ···/···/˘· |
| The sea called softly through the waste of years, | 10 | ···/˘····· |
| Called to the star that still can consecrate | 10 | ·······/˘· |
| The holy golden haze of human tears | 10 | ·/˘/˘··/˘· |
| Which tinges every sunset with our grief | 10 | ··/˘/··/˘· |
| Until the perfect Paraclete appears. | 10 | ···/·/˘˘˘/ |
| Ah, the long sigh that yields the world relief | 10 | ········˘/ |
| Rose and relapsed across Eternity, | 10 | ··˘/˘/˘/˘˘ |
| Making a joy of sorrows that are brief, | 10 | /˘···/˘··· |
| As, o'er the bright enchantment of the sea, | 10 | ····˘/˘··· |
| Facing the towers of that old City of Pain | 11 | /˘·/···/˘·· |
| Which stands upon the shores of mystery | 10 | ·······/˘˘ |
| And frowns across the immeasurable main, | 11 | ··˘/·˘/˘·˘· |
| Venus among her cloudy sunset flowers | 11 | /˘···/˘/·/˘ |
| Woke; and earth melted into heaven again. | 10 | ···/˘··/˘/ |
| For even the City's immemorial towers | 10 | ·/·/˘·˘/˘/ |
| Were tinted into secret tone and time, | 10 | ·/˘··/˘··· |
| Like old forgotten tombs that age embowers | 11 | ··˘/˘······ |
| With muffling roses and with mossy rime | 10 | ·/˘/˘··/˘· |
| Until they seem no monument of ours, | 11 | ·····/˘˘·/˘ |
| But one more note in earth's accordant chime. | 10 | ······˘/˘· |
| O Love, Love, Love, all dreams, desires and powers, | 11 | ······˘/·/˘ |
| Were but as chords of that ineffable psalm; | 10 | ······˘/˘· |
| And all the long blue lapse of summer hours, | 11 | ·······/˘/˘ |
| And all the breathing sunset's golden balm | 10 | ···/˘/·/˘· |
| By that æonian sorrow were resolved | 10 | ····/˘·˘/˘ |
| As dew into the music's infinite calm, | 10 | ·····/˘/˘· |
| Through which the suns and moons and stars revolved | 10 | ········˘/ |
| According to the song's divine decree, | 10 | ˘/˘···˘/˘/ |
| Till Time was but a tide of intervolved | 10 | ·········· |
| And interweaving worlds of melody; | 10 | ··˘/˘··/˘˘ |
| In other worlds I loved you, long ago,-- | 10 | ·/˘·····˘/ |
| The angelic citoles fainted o'er the sea; | 11 | ··/˘··/˘··· |
| And seraph citerns answered, sweet and low, | 10 | ·/˘··/˘··· |
| From where the sunset and the moonrise blend,-- | 10 | ···/···/˘· |
| In other worlds I loved you, long ago; | 10 | ·/˘·····˘/ |
| Love that hath no beginning hath no end; | 10 | ····˘/˘··· |
| O Love, Love, Love, the bitter City of Pain | 11 | ·····/˘/˘·· |
| Bidding the golden echoes westward wend, | 10 | /˘·/˘/˘/˘· |
| Chimed in accordant undertone again: | 10 | ··˘/˘/˘·˘/ |
| Though every grey old tower rose like a tomb | 10 | ·/˘··/···· |
| To mock the glory of the shoreless main | 10 | ···/˘··/˘· |
| They could but strike such discords as illume | 10 | ·····/˘·˘/ |
| The music with strange gleams of utter light | 10 | ·/˘····/˘· |
| And hallow all the valley's rosy gloom. | 10 | ·/˘··/˘/˘· |
| And there, though greyly sinking out of sight | 10 | ·····/˘··· |
| Before the wonders of the sky and sea, | 10 | ···/˘····· |
| Back through the valley, back into the night, | 10 | ···/˘····· |
| While mystery melted into mystery, | 11 | ·/˘˘/˘··/˘˘ |
| The City still rebuffed the far sweet West | 10 | ·/˘·˘/···· |
| That dimmed her sorrows with infinity; | 10 | ···/˘·˘/˘˘ |
| Yet sometimes yearning o'er the sea's bright breast | 10 | ·/·/˘····· |
| To that remote Avilion would she gaze | 10 | ··˘/······ |
| Where all lost loves and weary warriors rest. | 10 | ·····/˘/˘· |
| Then she remembered, through that golden haze, | 10 | ··˘/˘··/˘· |
| (Oh faint as flowers the rose-white waves resound) | 10 | ···/·····/ |
| Her Arthur whom she loved in the dead days, | 10 | ·/˘······· |
| And how he sailed to heal him of his wound, | 10 | ·········· |
| And how he lives and reigns eternally | 10 | ······˘/˘˘ |
| Where now that unknown love is throned and crowned | 10 | ···˘/····· |
| Who laid his bleeding head against her knee | 10 | ···/˘····· |
| And loosed the bitter breast-plate and unbound | 10 | ···/˘···˘/ |
| His casque and brought him strangely o'er the sea, | 10 | ·····/˘··· |
| And how she reigns beside him on that shore | 10 | ····˘/···· |
| For ever (Yrma, queen, bend down to me) | 10 | ·/˘······· |
| And they twain have no sorrow any more. | 10 | ·····/˘/˘· |
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