Orpheus and Eurydice V
And they that were dead, in his radiant music, remembered thedawn with its low deep crimson,Heard the murmur of doves in the pine-wood, heard the moan of theroaming sea,Heard and remembered the little kisses, in woods where the last ofthe moon yet swims onFragrant, flower-strewn April nights of young-eyed lovers in Arcady;
Saw the soft blue veils of shadow floating over the billowy grassesUnder the crisp white curling clouds that sailed and trailed throughthe melting blue;Heard once more the quarrel of lovers above them pass, as alark-song passes,Light and bright, till it vanished away in an eye-bright heaven ofsilvery dew.
Out of the dark, ah, white as the Huntress, cold and sweet as thepetals that crowned her,Fair and fleet as a fawn that shakes the dew from the fern at breakof day;Wreathed with the clouds of her dusky hair that swept in a sun-brightglory around her,On through the deserts of hell she came, and the brown air bloomedwith the light of May.
Then had she followed him, then had he won her, striking a chord thatshould echo for ever,Had he been steadfast only a little, nor paused in the greattranscendent song;But ere they had won to the glory of day, he came to the brink of theflaming riverAnd ceased, to look on his love a moment, a little moment, andoverlong.
Words in this poem
- billowy a.
- Of or pertaining to billows; swelling or swollen into large waves; full of billows or surges; resembling billows.
- huntress n.
- A woman who hunts or follows the chase; as, the huntress Diana.
- brink n.
- The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Orpheus and Eurydice V is in the public domain. This text is taken from Collected Poems: Volume One, Project Gutenberg ebook #30501; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Alfred Noyes, Orpheus and Eurydice V, in Collected Poems, Volume One (1913), text of Project Gutenberg ebook #30501, Laurel, https://laurelpoetry.com/poem/noyes-collected/orpheus-and-eurydice-v.html, id L25357.
Form and metre
Orpheus and Eurydice V is 30 lines in 4 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic trimeter.
See other poems in iambic trimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAA-B- theA · crimsonB · theA · seaA · of · onB · arcady
- 2 ABB-A-B grassesA · throughB · blueB · a · passesA · of · dewB
- 3 -A-B-A-B the · herA · break · dayB · bright · herA · bloomed · mayB
- 4 ---A---A that · ever · great · songA · the · river · and · overlongA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| And they that were dead, in his radiant music, remembered the | 15 | ·······/˘/˘˘/˘· |
| dawn with its low deep crimson, | 7 | ·····/˘ |
| Heard the murmur of doves in the pine-wood, heard the moan of the | 15 | ··/˘··········· |
| roaming sea, | 3 | /˘· |
| Heard and remembered the little kisses, in woods where the last of | 16 | ··˘/˘·/˘/˘······ |
| the moon yet swims on | 5 | ····· |
| Fragrant, flower-strewn April nights of young-eyed lovers in Arcady; | 16 | /˘/·/˘····/˘···· |
| Saw the soft blue veils of shadow floating over the billowy grasses | 17 | ······/·/˘··/˘˘/˘ |
| Under the crisp white curling clouds that sailed and trailed through | 13 | ·····/˘······ |
| the melting blue; | 4 | ·/˘· |
| Heard once more the quarrel of lovers above them pass, as a | 15 | ····/˘·/˘······ |
| lark-song passes, | 4 | ··/˘ |
| Light and bright, till it vanished away in an eye-bright heaven of | 15 | ·····/˘˘/····/· |
| silvery dew. | 4 | /˘˘· |
| Out of the dark, ah, white as the Huntress, cold and sweet as the | 15 | ········/˘····· |
| petals that crowned her, | 5 | /˘··· |
| Fair and fleet as a fawn that shakes the dew from the fern at break | 15 | ··············· |
| of day; | 2 | ·· |
| Wreathed with the clouds of her dusky hair that swept in a sun-bright | 15 | ······/˘······· |
| glory around her, | 5 | /˘··· |
| On through the deserts of hell she came, and the brown air bloomed | 14 | ···/˘········· |
| with the light of May. | 5 | ····· |
| Then had she followed him, then had he won her, striking a chord that | 16 | ···/˘······/˘··· |
| should echo for ever, | 6 | ·/˘·/˘ |
| Had he been steadfast only a little, nor paused in the great | 15 | ···/·/˘·/˘····· |
| transcendent song; | 4 | ˘/˘· |
| But ere they had won to the glory of day, he came to the brink of the | 18 | ·······/˘········· |
| flaming river | 4 | /˘/˘ |
| And ceased, to look on his love a moment, a little moment, and | 16 | ········/˘·/˘/˘· |
| overlong. | 3 | /˘˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.