Orpheus and Eurydice I

Alfred Noyes (1880–1958) · 1913

iambic trimeter · 39 lines · from Collected Poems, Volume One

Height over height, the purple pine-woods clung to the rich Arcadianmountains,Holy-sweet as a sea of incense, under the low dark crimson skies:Glad were the glens where Eurydice bathed, in the beauty of dawn, at thehaunted fountainsDeep in the blue hyacinthine hollows, whence all the rivers ofArcady rise.

Long ago, ah, white as the Huntress, cold and sweet as the petals thatcrowned her,Fair and fleet as the fawn that shakes the dew from the fern atbreak of day,Wreathed with the clouds of her dusky hair that swept in a sun-brightglory around her,Down to the valley her light feet stole, ah, soft as the budding offlowers in May.

Down to the valley she came, for far and far below in thedreaming meadowsPleaded ever the Voice of voices, calling his love by hergolden name;So she arose from her home in the hills, and down through the blossomsthat danced with their shadows,Out of the blue of the dreaming distance, down to the heart of herlover she came.

Red were the lips that hovered above her lips in the flowery haze of theJune-day:Red as a rose through the perfumed mist of passion that reeled beforeher eyes;Strong the smooth young sunburnt arms that folded her heart to his heartin the noon-day,Strong and supple with throbbing sunshine under the blindingsouthern skies.

Ah, the kisses, the little murmurs, mad with pain for theirphantom fleetness,Mad with pain for the passing of love that lives, theydreamed--as we dream--for an hour!Ah, the sudden tempest of passion, mad with pain, for itsover-sweetness,As petal by petal and pang by pang their love broke out intoperfect flower.

Words in this poem

clung a.
Wasted away; shrunken. [Prop. p. p. fr. OE. clingen to wither. See Cling, v. i.]
arcadian a.
Of or pertaining to Arcadia; pastoral; ideally rural; as, Arcadian simplicity or scenery. [L. Arcadius, Arcadicus, fr. Arcadia: cf. F. Arcadien, Arcadique.]
haunted a.
Inhabited by, or subject to the visits of, apparitions; frequented by a ghost.
hyacinthine a.
Belonging to the hyacinth; resemblingthe hyacinth; in color like the hyacinth.
huntress n.
A woman who hunts or follows the chase; as, the huntress Diana.
stole n.
A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
fleetness n.
Swiftness; rapidity; velocity; celerity; speed; as, the fleetness of a horse or of time.
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Orpheus and Eurydice I is in the public domain. This text is taken from Collected Poems: Volume One, Project Gutenberg ebook #30501; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Alfred Noyes, Orpheus and Eurydice I, in Collected Poems, Volume One (1913), text of Project Gutenberg ebook #30501, Laurel, https://laurelpoetry.com/poem/noyes-collected/orpheus-and-eurydice-i.html, id L21477.

Form and metre

Orpheus and Eurydice I is 39 lines in 5 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic trimeter.

See other poems in iambic trimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -AB-A-B arcadian · mountainsA · skiesB · the · fountainsA · of · riseB
  2. 2 ABAC-B-C thatA · herB · atA · dayC · bright · herB · of · mayC
  3. 3 -ABC-ABC the · meadowsA · herB · nameC · blossoms · shadowsA · herB · cameC
  4. 4 -A-B-A-B the · dayA · before · eyesB · heart · dayA · blinding · skiesB
  5. 5 -A-B-A-B their · fleetnessA · they · hourB · its · sweetnessA · into · flowerB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.

LineSyl.Stress
Height over height, the purple pine-woods clung to the rich Arcadian15····/˘·······/˘
mountains,2/˘
Holy-sweet as a sea of incense, under the low dark crimson skies:17/˘·····˘/·····/˘·
Glad were the glens where Eurydice bathed, in the beauty of dawn, at the17···········/˘····
haunted fountains4/˘/˘
Deep in the blue hyacinthine hollows, whence all the rivers of15·······/˘···/˘·
Arcady rise.4····
Long ago, ah, white as the Huntress, cold and sweet as the petals that17·˘/····/˘·····/˘·
crowned her,2··
Fair and fleet as the fawn that shakes the dew from the fern at14··············
break of day,3···
Wreathed with the clouds of her dusky hair that swept in a sun-bright15······/˘·······
glory around her,5/˘···
Down to the valley her light feet stole, ah, soft as the budding of16···/˘········/˘·
flowers in May.4/˘··
Down to the valley she came, for far and far below in the15···/˘··········
dreaming meadows4/˘/·
Pleaded ever the Voice of voices, calling his love by her14/˘/···/˘/˘····
golden name;3/˘·
So she arose from her home in the hills, and down through the blossoms16··˘/··········/˘
that danced with their shadows,6····/·
Out of the blue of the dreaming distance, down to the heart of her16······/˘/˘······
lover she came.4/˘··
Red were the lips that hovered above her lips in the flowery haze of the18·····/˘······/˘···
June-day:2··
Red as a rose through the perfumed mist of passion that reeled before16······˘/··/˘····
her eyes;2··
Strong the smooth young sunburnt arms that folded her heart to his heart15········/˘·····
in the noon-day,4····
Strong and supple with throbbing sunshine under the blinding14··/˘·/˘/····/˘
southern skies.3/˘·
Ah, the kisses, the little murmurs, mad with pain for their14··/˘·/˘/˘·····
phantom fleetness,4/˘/˘
Mad with pain for the passing of love that lives, they12·····/˘·····
dreamed--as we dream--for an hour!9·˘·····/˘
Ah, the sudden tempest of passion, mad with pain, for its14··/˘/˘·/˘·····
over-sweetness,4··/˘
As petal by petal and pang by pang their love broke out into16·/˘·/˘··········
perfect flower.4/·/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Alfred Noyes