The Nile
Out of the unknown South,Through the dark lands of drouth,Far wanders ancient Nile in slumber gliding:Clear-mirrored in his dreamThe deeds that haunt his streamFlash out and fade like stars in midnight sliding.Long since, before the life of manRose from among the lives that creep,With Time's own tide beganThat still mysterious sleep,Only to cease when Time shall reach the eternal deep.
From out his vision vastThe early gods have passed,They waned and perished with the faith that made them;The long phantasmal lineOf Pharaohs crowned divineAre dust among the dust that once obeyed them.Their land is one mute burial mound,Save when across the drifted yearsSome chant of hollow sound,Some triumph blent with tears,From Memnon's lips at dawn wakens the desert meres.
O Nile, and can it beNo memory dwells with theeOf Grecian lore and the sweet Grecian singer?The legions' iron tramp,The Goths' wide-wandering camp,Had these no fame that by thy shore might linger?Nay, then must all be lost indeed,Lost too the swift pursuing mightThat cleft with passionate speedAboukir's tranquil night,And shattered in mid-swoop the great world-eagle's flight.
Yet have there been on earthSpirits of starry birth,Whose splendour rushed to no eternal setting:They over all endure,Their course through all is sure,The dark world's light is still of their begetting.Though the long past forgotten lies,Nile! in thy dream remember him,Whose like no more shall riseAbove our twilight's rim,Until the immortal dawn shall make all glories dim.
For this man was not greatBy gold or kingly state,Or the bright sword, or knowledge of earth's wonder;But more than all his raceHe saw life face to face,And heard the still small voice above the thunder.
O river, while thy waters rollBy yonder vast deserted tomb,There, where so clear a soulSo shone through gathering doom,Thou and thy land shall keep the tale of lost Khartoum.
Words in this poem
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- phantasmal a.
- Pertaining to, of the nature of, or resembling, a phantasm; spectral; illusive.
- burial n.
- A grave; a tomb; a place of sepulture. [OE. buriel, buriels, grave, tomb, AS. byrgels, fr. byrgan to bury, and akin to OS. burgisli sepulcher.]
- blent p. p.
- Blinded. Also (Chaucer), 3d sing. pres. Blindeth.
- starry a.
- Abounding with stars; adorned with stars.
- splendour n.
- Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
- rushed a.
- Abounding or covered with rushes.
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Nile is in the public domain. This text is taken from Poems: New and Old, Project Gutenberg ebook #24405; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry John Newbolt, The Nile, in Poems: New and Old (1912), text of Project Gutenberg ebook #24405, Laurel, https://laurelpoetry.com/poem/newbolt-poems/the-nile.html, id L11431.
Form and metre
The Nile is 55 lines in 6 stanzas. The rhyme scheme is AABCCBDEDEE, complete in 4 of its 6 stanzas. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 89%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 8.0 syllables. 8 lines end on an unstressed syllable, a feminine ending. 33% of the lines run on without a stop at the line end.
See other poems in iambic trimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABCCBDEDEE southA · drouthA · glidingB · dreamC · streamC · slidingB · manD · creepE · beganD · sleepE · deepE
- 2 AABCCBDEDEE vastA · passedA · themB · lineC · divineC · themB · moundD · yearsE · soundD · tearsE · meresE
- 3 AABCCBDEDEE beA · theeA · singerB · trampC · campC · lingerB · indeedD · mightE · speedD · nightE · flightE
- 4 AABCCBDEDEE earthA · birthA · settingB · endureC · sureC · begettingB · liesD · himE · riseD · rimE · dimE
- 5 AABCCB greatA · stateA · wonderB · raceC · faceC · thunderB
- 6 ABABB rollA · tombB · soulA · doomB · khartoumB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Out of the unknown South, | 6 | ···˘/· |
| Through the dark lands of drouth, | 6 | ······ |
| Far wanders ancient Nile in slumber gliding: | 11 | ·/˘/˘··/˘/˘ |
| Clear-mirrored in his dream | 6 | ·/˘··· |
| The deeds that haunt his stream | 6 | ······ |
| Flash out and fade like stars in midnight sliding. | 11 | ·······/·/˘ |
| Long since, before the life of man | 8 | ········ |
| Rose from among the lives that creep, | 8 | ········ |
| With Time's own tide began | 6 | ····˘/ |
| That still mysterious sleep, | 7 | ··˘/˘˘· |
| Only to cease when Time shall reach the eternal deep. | 13 | /˘·······˘/˘· |
| From out his vision vast | 6 | ···/˘· |
| The early gods have passed, | 6 | ·/˘··· |
| They waned and perished with the faith that made them; | 11 | ···/˘······ |
| The long phantasmal line | 6 | ··˘/˘· |
| Of Pharaohs crowned divine | 6 | ·/˘·˘/ |
| Are dust among the dust that once obeyed them. | 11 | ········˘/· |
| Their land is one mute burial mound, | 9 | ·····/˘˘· |
| Save when across the drifted years | 8 | ··˘/·/˘· |
| Some chant of hollow sound, | 6 | ···/˘· |
| Some triumph blent with tears, | 6 | ·/˘··· |
| From Memnon's lips at dawn wakens the desert meres. | 12 | ·/····/˘·˘/· |
| O Nile, and can it be | 6 | ······ |
| No memory dwells with thee | 7 | ·/˘˘··· |
| Of Grecian lore and the sweet Grecian singer? | 11 | ·/˘····/˘/˘ |
| The legions' iron tramp, | 6 | ·/˘/˘· |
| The Goths' wide-wandering camp, | 7 | ···/˘˘· |
| Had these no fame that by thy shore might linger? | 11 | ·········/˘ |
| Nay, then must all be lost indeed, | 8 | ······˘/ |
| Lost too the swift pursuing might | 8 | ····˘/˘· |
| That cleft with passionate speed | 7 | ···/˘˘· |
| Aboukir's tranquil night, | 6 | ···/˘· |
| And shattered in mid-swoop the great world-eagle's flight. | 12 | ·/˘······/˘· |
| Yet have there been on earth | 6 | ······ |
| Spirits of starry birth, | 6 | /˘·/˘· |
| Whose splendour rushed to no eternal setting: | 11 | ·/˘···˘/˘/˘ |
| They over all endure, | 6 | ····˘/ |
| Their course through all is sure, | 6 | ······ |
| The dark world's light is still of their begetting. | 11 | ········˘/˘ |
| Though the long past forgotten lies, | 8 | ····˘/˘· |
| Nile! in thy dream remember him, | 8 | ····˘/˘· |
| Whose like no more shall rise | 6 | ······ |
| Above our twilight's rim, | 7 | ··/˘/·· |
| Until the immortal dawn shall make all glories dim. | 13 | ···˘/˘····/˘· |
| For this man was not great | 6 | ······ |
| By gold or kingly state, | 6 | ···/˘· |
| Or the bright sword, or knowledge of earth's wonder; | 11 | ·····/˘··/˘ |
| But more than all his race | 6 | ······ |
| He saw life face to face, | 6 | ······ |
| And heard the still small voice above the thunder. | 11 | ·········/˘ |
| O river, while thy waters roll | 8 | ·/˘··/˘· |
| By yonder vast deserted tomb, | 8 | ·/˘·˘/˘· |
| There, where so clear a soul | 6 | ······ |
| So shone through gathering doom, | 7 | ···/˘˘· |
| Thou and thy land shall keep the tale of lost Khartoum. | 12 | ···········/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.