Devon

Henry John Newbolt (1862–1938) · 1912

iambic pentameter · 14 lines · from Poems: New and Old

Deep-wooded combes, clear-mounded hills of morn,Red sunset tides against a red sea-wall,High lonely barrows where the curlews call,Far moors that echo to the ringing horn,--Devon! thou spirit of all these beauties born,All these are thine, but thou art more than all:Speech can but tell thy name, praise can but fallBeneath the cold white sea-mist of thy scorn.

Yet, yet, O noble land, forbid us notEven now to join our faint memorial chimeTo the fierce chant wherewith their hearts were hotWho took the tide in thy Imperial prime;Whose glory's thine till Glory sleeps forgotWith her ancestral phantoms, Pride and Time.

Words in this poem

morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
chime n.
The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
wherewith adv.
With which; -- used relatively.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Devon is in the public domain. This text is taken from Poems: New and Old, Project Gutenberg ebook #24405; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry John Newbolt, Devon, in Poems: New and Old (1912), text of Project Gutenberg ebook #24405, Laurel, https://laurelpoetry.com/poem/newbolt-poems/devon.html, id L11449.

Form and metre

Devon is 14 lines in 2 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 36% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBAABBA mornA · wallB · callB · hornA · bornA · allB · fallB · scornA
  2. 2 ABABAB notA · chimeB · hotA · primeB · forgotA · timeB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Deep-wooded combes, clear-mounded hills of morn,10·/˘··/˘···
Red sunset tides against a red sea-wall,10·/········
High lonely barrows where the curlews call,10·/˘/˘·····
Far moors that echo to the ringing horn,--10···/˘··/˘·
Devon! thou spirit of all these beauties born,10/˘·/···/˘·
All these are thine, but thou art more than all:10··········
Speech can but tell thy name, praise can but fall10··········
Beneath the cold white sea-mist of thy scorn.10··········
Yet, yet, O noble land, forbid us not10···/˘·˘/··
Even now to join our faint memorial chime10/···/·˘/˘·
To the fierce chant wherewith their hearts were hot10····˘/····
Who took the tide in thy Imperial prime;10······˘/˘·
Whose glory's thine till Glory sleeps forgot10·/˘··/˘·˘/
With her ancestral phantoms, Pride and Time.10··˘/˘/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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