The Shade-Catchers

Charlotte Mew (1869–1928) · 1916

iambic pentameter · 38 lines · from The Farmer's Bride

I think they were about as highAs haycocks are. They went running byCatching bits of shade in the sunny street:“I’ve got one,” cried sister to brother.“I’ve got two.” “Now I’ve got another.”But scudding away on their little bare feet,They left the shade in the sunny street.

It is dark up here on the heights,Between the dome and the stars it is quiet too,While down there under the crowded lightsFlares the importunate face of you,Dear Paris of the hot white hands, the scarlet lips, thescented hair,Une jolie fille à vendre, très cher;A thing of gaiety, a thing of sorrow,Bought to-night, possessed, and tossedBack to the mart again to-morrow,Worth and over, what you cost;While half your charm is that you areWithal, like some unpurchasable star,So old, so young and infinite and lost.

It is dark on the dome-capped hill,Serenely dark, divinely still,Yet here is the Man who bought you firstDying of his immortal smart,Your Lover, the King with the broken heart,Who while you, feasting, drink your fill,Pass round the cupNot looking up,Calls down to you, “I thirst.”

“A king with a broken heart! Mon Dieu!One breaks so many, cela peut se croire,To remember all c’est la mer à boire,And the first, mais comme c’est vieux.Perhaps there is still some keepsake--orOne has possibly sold it for a song:On ne peut pas toujours pleurer les morts,And this One--He has been dead so long!”

Words in this poem

went n.
Course; way; path; journey; direction.
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
vendre n.
One who vends; one who transfers the exclusive right of possessing a thing, either his own, or that of another as his agent, for a price or pecuniary equivalent; a seller; a vendor. [From Vend: cf. F. vendeur, OF. vendeor. Cf. Vendor.]
mart v. t.
To buy or sell in, or as in, a mart.
withal adv.
With this; with that. [With + all.]
serenely adv.
In a serene manner; clearly.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Shade-Catchers is in the public domain. This text is taken from The farmer's bride, Project Gutenberg ebook #71305; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Charlotte Mew, The Shade-Catchers, in The Farmer's Bride (1916), text of Project Gutenberg ebook #71305, Laurel, https://laurelpoetry.com/poem/mew-farmers-bride/the-shade-catchers.html, id L02473.

Form and metre

The Shade-Catchers is 38 lines in 4 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 81%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 8.5 syllables. 4 lines end on an unstressed syllable, a feminine ending. 24% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABCCBB highA · byA · streetB · brotherC · anotherC · feetB · streetB
  2. 2 ABAB-CCDEDEFFE heightsA · tooB · lightsA · youB · the · hairC · cherC · sorrowD · tossedE · morrowD · costE · areF · starF · lostE
  3. 3 AABCCADDB hillA · stillA · firstB · smartC · heartC · fillA · cupD · upD · thirstB
  4. 4 -AA--B-B dieu · croireA · boireA · vieux · or · songB · morts · longB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
I think they were about as high8········
As haycocks are. They went running by9·/····/˘·
Catching bits of shade in the sunny street:10/˘·····/˘·
“I’ve got one,” cried sister to brother.9····/˘·/˘
“I’ve got two.” “Now I’ve got another.”9······˘/˘
But scudding away on their little bare feet,11·/˘˘/··/˘··
They left the shade in the sunny street.9······/˘·
It is dark up here on the heights,8········
Between the dome and the stars it is quiet too,11·········/·
While down there under the crowded lights9······/˘·
Flares the importunate face of you,9··˘/˘˘···
Dear Paris of the hot white hands, the scarlet lips, the13·/˘······/˘··
scented hair,3/˘·
Une jolie fille à vendre, très cher;7·······
A thing of gaiety, a thing of sorrow,11···/˘˘···/˘
Bought to-night, possessed, and tossed8···˘/˘··
Back to the mart again to-morrow,9····˘/·/˘
Worth and over, what you cost;7·······
While half your charm is that you are8········
Withal, like some unpurchasable star,10˘/········
So old, so young and infinite and lost.9·····/˘··
It is dark on the dome-capped hill,8········
Serenely dark, divinely still,8˘/˘·˘/˘·
Yet here is the Man who bought you first9·········
Dying of his immortal smart,8/˘··˘/˘·
Your Lover, the King with the broken heart,10·/˘····/˘·
Who while you, feasting, drink your fill,8···/˘···
Pass round the cup4····
Not looking up,4·/˘·
Calls down to you, “I thirst.”6······
“A king with a broken heart! Mon Dieu!9····/˘···
One breaks so many, cela peut se croire,10···//˘··/·
To remember all c’est la mer à boire,9·˘/˘·····
And the first, mais comme c’est vieux.7·······
Perhaps there is still some keepsake--or9˘/····/··
One has possibly sold it for a song:9··/˘·····
On ne peut pas toujours pleurer les morts,10··········
And this One--He has been dead so long!”9·········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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