Madeleine in Church
Here, in the darkness, where this plaster saintStands nearer than God stands to our distress,And one small candle shines, but not so faintAs the far lights of everlastingnessI’d rather kneel than over there, in open dayWhere Christ is hanging, rather prayTo something more like my own clay,Not too divine;For, once, perhaps my little saintBefore he got his niche and crown,Had one short stroll about the town;It brings him closer, just that taintAnd anyone can wash the paintOff our poor faces, his and mine!
Is that why I see Monty now? equal to any saint, poor boy,as good as gold,But still, with just the proper traceOf earthliness on his shining wedding face;And then gone suddenly blank and oldThe hateful day of the divorce:Stuart got his, hands down, of courseCrowing like twenty cocks and grinning like a horse:But Monty took it hard. All said and done I liked him best,--He was the first, he stands out clearer than the rest.It seems too funny all we other ripsShould have immortal souls; Monty and Redge quite damnablyKeep theirs afloat while we go down like scuttled ships.--It’s funny too, how easily we sink,One might put up a monument, I thinkTo half the world and cut across it “Lost at Sea!”I should drown Jim, poor little sparrow, if I netted him to-night--No, it’s no use this penny light--Or my poor saint with his tin-pot crown--The trees of Calvary are where they were,When we are sure that we can spareThe tallest, let us go and strike it downAnd leave the other two still standing there.I, too, would ask Him to remember meIf there were any Paradise beyond this earth that I could see.
Oh! quiet Christ who never knewThe poisonous fangs that bite us throughAnd make us do the things we do,See how we suffer and fight and die,How helpless and how low we lie,God holds You, and You hang so high,Though no one looking long at You,Can think You do not suffer too,But, up there, from your still, star-lighted treeWhat can You know, what can You really seeOf this dark ditch, the soul of me!
We are what we are: when I was half a child I could not sitWatching black shadows on green lawns and red carnations burningin the sun,Without paying so heavily for itThat joy and pain, like any mother and her unborn childwere almost one.I could hardly bearThe dreams upon the eyes of white geraniums inthe dusk,The thick, close voice of musk,The jessamine music on the thin night air,Or, sometimes, my own hands about me anywhere--The sight of my own face (for it was lovely then) even the scentof my own hair,Oh! there was nothing, nothing that did not sweep tothe high seatOf laughing gods, and then blow down and beatMy soul into the highway dust, as hoofs do the dropped roses ofthe street.I think my body was my soul,And when we are made thusWho shall controlOur hands, our eyes, the wandering passion ofour feet,Who shall teach usTo thrust the world out of our heart; to say, till perhapsin death,When the race is run,And it is forced from us with our last breath“Thy will be done”?If it is Your will that we should be content with the tame,bloodless things.As pale as angels smirking by, with folded wings.Oh! I know Virtue, and the peace it brings!The temperate, well-worn smileThe one man gives you, when you are evermore his own:And afterwards the child’s, for a little while,With its unknowing and all-seeing eyesSo soon to change, and make you feel how quickThe clock goes round. If one had learned the trick--(How does one though?) quite early on,Of long green pastures under placid skies,One might be walking now with patient truth.What did we ever care for it, who have asked for youth,When, oh! my God! this is going or has gone?
There is a portrait of my mother, at nineteen,With the black spaniel, standing by the garden seat,The dainty head held high against the painted greenAnd throwing out the youngest smile, shy, but half haughtyand half sweet.Her picture then: but simply Youth, or simply SpringTo me to-day: a radiance on the wall,So exquisite, so heart-breaking a thingBeside the mask that I remember, shrunk and small,Sapless and lined like a dead leaf,All that was left of oh! the loveliest face, by time and grief!
And in the glass, last night, I saw a ghost behind my chair--Yet why remember it, when one can still go moderately gay--?Or could--with any one of the old crew,But oh! these boys! the solemn wayThey take you and the things they say--This “I have only as long as you”When you remind them you are not precisely twenty-two--Although at heart perhaps--God! if it wereOnly the face, only the hair!If Jim had written to me as he did to-dayA year ago--and now it leaves me cold--I know what this means, old, old, old!Et avec ça--mais on a vécu, tout se paie.
That is not always true: there was my Mother--(we at least thedead are free!)Yoked to the man that Father was; yoked to the woman I am,Monty too;The little portress at the Convent School, stewing in hellso patiently;The poor, fair boy who shot himself at Aix. And what of me--andwhat of me?But I, I paid for what I had, and they for nothing. No,one cannot seeHow it shall be made up to them in some serene eternity.If there were fifty heavens God could not give us back the childwho went or never came;Here, on our little patch of this great earth, the sun ofany darkened day,Not one of all the starry buds hung on the hawthorn trees oflast year’s May,No shadow from the sloping fields of yesterday;For every hour they slant across the hedge a different way,The shadows are never the same.
“Find rest in Him” One knows the parsons’ tags--Back to the fold, across the evening fields, like any flockof baa-ing sheep:Yes, it may be, when He has shorn, led us to slaughter, torn thebleating soul in us to rags,For so He giveth His beloved sleep.Oh! He will take us stripped and done,Driven into His heart. So we are won:Then safe, safe are we? in the shelter of His everlastingwings--I do not envy Him his victories, His arms are full of brokenthings.
But I shall not be in them. Let Him takeThe finer ones, the easier to break.And they are not gone, yet, for me, the lights, the colours,the perfumes,Though now they speak rather in sumptuous rooms,In silks and in gem-like wines;Here, even, in this corner where my little candle shinesAnd overhead the lancet-window glowsWith golds and crimsons you could almost drinkTo know how jewels taste, just as I used to thinkThere was the scent in every red and yellow roseOf all the sunsets. But this place is grey,And much too quiet. No one here,Why, this is awful, this is fear!Nothing to see, no face.Nothing to hear except your heart beating in spaceAs if the world was ended. Dead at last!Dead soul, dead body, tied together fast.These to go on with and alone, to the slow end:No one to sit with, really, or to speak to, friend to friend:Out of the long procession, black or white or redNot one left now to say “Still I am here, then see you, dear, layhere your head.”Only the doll’s house looking on the ParkTo-night, all nights, I know, when the man puts the lightsout, very dark.With, upstairs, in the blue and gold box of a room, just the maids’footsteps overhead,Then utter silence and the empty world--the room--the bed--
The corpse! No, not quite dead, while this cries outin me,But nearly: very soon to beA handful of forgotten dust--There must be someone. Christ! there must,Tell me there will be someone. Who?If there were no one else, could it be You?
How old was Mary out of whom you castSo many devils? Was she young or perhaps for yearsShe had sat staring, with dry eyes, at this and that mangoing pastTill suddenly she saw You on the steps of Simon’s houseAnd stood and looked at You through tears.I think she must have known by thoseThe thing, for what it was that had come to her.For some of us there is a passion, I supposeSo far from earthly cares and earthly fearsThat in its stillness you can hardly stirOr in its nearness, lift your hand,So great that you have simply got to standLooking at it through tears, through tearsThen straight from these there broke the kiss,I think You must have known by thisThe thing, for what it was, that had come to You:She did not love You like the rest,It was in her own way, but at the worst, the best,She gave you something altogether new.And through it all, from her, no word,She scarcely saw You, scarcely heard:Surely You knew when she so touched You with her hair,Or by the wet cheek lying there,And while her perfume clung to You from head to feet all throughthe dayThat You can change the things for which we care,But even You, unless You kill us, not the way.
This, then was peace for her, but passion too.I wonder was it like a kiss that once I knew,The only one that I would care to takeInto the grave with me, to which if there were afterwards,to wake.Almost as happy as the carven deadIn some dim chancel lying head by headWe slept with it, but face to face, the whole night through--One breath, one throbbing quietness, as if the thing behind ourlips was endless life,Lost, as I woke, to hear in the strange earthly dawn, his “Areyou there?”And lie still, listening to the wind outside, amongthe firs.
So Mary chose the dream of Him for what was left to her ofnight and day,It is the only truth: it is the dream in us that neither lifenor death nor any other thing can take away:But if she had not touched Him in the doorway of the dreamcould she have cared so much?She was a sinner, we are what we are: the spirit afterwards,but first, the touch.
And He has never shared with me my haunted house beneaththe treesOf Eden and Calvary, with its ghosts that have not any eyesfor tears,And the happier guests who would not see, or if they did,remember these,Though they lived there a thousand years.Outside, too gravely looking at me, He seems to stand,And looking at Him, if my forgotten spirit cameUnwillingly back, what could it claimOf those calm eyes, that quiet speech,Breaking like a slow tide upon the beach,The scarred, not quite human hand?--Unwillingly back to the burden of old imaginingsWhen it has learned so long not to think, not to be,Again, again it would speak as it has spoken to me of thingsThat I shall not see!
I cannot bear to look at this divinely bent and gracious head:When I was small I never quite believed that He was dead:And at the Convent school I used to lie awake in bedThinking about His hands. It did not matter what they said,He was alive to me, so hurt, so hurt! And most of all in Holy WeekWhen there was no one else to seeI used to think it would not hurt me too, so terribly,If He had ever seemed to notice meOr, if, for once, He would only speak.
Words in this poem 40
- everlastingness n.
- The state of being everlasting; endless duration; indefinite duration.
- kneel v. i.
- To bend the knee; to fall or rest on the knees; -- sometimes with down. [OE. knelen, cneolien; akin to D. knielen, Dan. knæle. See Knee.]
- closer n.
- One who, or that which, closes; specifically, a boot closer. See under Boot.
- anyone n.
- One taken at random rather than by selection; anybody.
- earthliness n.
- The quality or state of being earthly; worldliness; grossness; perishableness.
- hateful a.
- Manifesting hate or hatred; malignant; malevolent.
- clearer n.
- One who, or that which, clears.
- funny a.
- Droll; comical; amusing; laughable. Funny bone. See crazy bone, under Crazy. [From Fun.]
- damnably adv.
- In a manner to incur sever
- afloat adv.
- Borne on the water; floating; on board ship. [Pref. a- + float.]
- calvary n.
- The place where Christ was crucified, on a small hill outside of Jerusalem. Luke xxiii. 33. [L. calvaria a bare skull, fr. calva the scalp without hair. fr. calvus bald; cf. F. calvaire.]
- unborn a.
- Not born; no yet brought into life; being still to appear; future.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- evermore adv.
- During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
- placid a.
- Pleased; contented; unruffied; undisturbed; serene; peaceful; tranquil; quiet; gentle. [L. placidus, originally, pleasing, mild, from placere to please: cf. F. placide. See Please.]
- spaniel n.
- One of a breed of small dogs having long and thick hair and large drooping ears. The legs are usually strongly feathered, and the tail bushy. See Illust. under Clumber, and Cocker. [OF. espagneul, F. épagneul, espagnol Spanish, Sp. españnol, fr. España Spain, from L. Hispania.]
- dainty n.
- Value; estimation; the gratification or pleasure taken in anything. [OE. deinie, dainte, deintie, deyntee, OF. deintié delicacy, orig., dignity, honor, fr. L. dignitas, fr. dignus worthy. See Deign, and cf. Dignity.]
- haughty a.
- High; lofty; bold. [OE. hautein, F. hautain, fr. haut high, OF. also halt, fr. L. altus. See Altitude.]
- sapless a.
- Destitute of sap; not juicy.
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- remind v. t.
- To put (one) in mind of something; to bring to the remembrance of; to bring to the notice or consideration of (a person).
- tout v. t.
- To act as a tout. See 2d Tout. [Cant. Eng.] [See 1st Toot.]
- portress n.
- A female porter.
- patiently adv.
- In a patient manner.
- went n.
- Course; way; path; journey; direction.
- starry a.
- Abounding with stars; adorned with stars.
- bleating a.
- Crying as a sheep does.
- upstairs adv.
- Up the stairs; in or toward an upper story.
- corpse n.
- A human body in general, whether living or dead; -- sometimes contemptuosly. [OF. cors (sometimes written corps), F. corps, L. corpus; akin to AS. hrif womb. See Midriff, and cf. Corse, Corselet, Corps, Cuerpo.]
- handful n.
- As much as the hand will grasp or contain. [AS. handfull.]
- stillness n.
- The quality or state of being still; quietness; silence; calmness; inactivity.
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- altogether adv.
- All together; conjointly. [OE. altogedere; al all + togedere together. See Together.]
- clung a.
- Wasted away; shrunken. [Prop. p. p. fr. OE. clingen to wither. See Cling, v. i.]
- carven a.
- Wrought by carving; ornamented by carvings; carved.
- doorway n.
- The passage of a door; entrance way into a house or a room.
- sinner n.
- One who has sinned; especially, one who has sinned without repenting; hence, a persistent and incorrigible transgressor; one condemned by the law of God.
- haunted a.
- Inhabited by, or subject to the visits of, apparitions; frequented by a ghost.
- eden n.
- The garden where Adam and Eve first dwelt; hence, a delightful region or residence. [Heb. eden delight, pleasure; also, a place of pleasure, Eden.]
- gravely adv.
- In a grave manner.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Madeleine in Church is in the public domain. This text is taken from The farmer's bride, Project Gutenberg ebook #71305; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Charlotte Mew, Madeleine in Church, in The Farmer's Bride (1916), text of Project Gutenberg ebook #71305, Laurel, https://laurelpoetry.com/poem/mew-farmers-bride/madeleine-in-church.html, id L02469.
Form and metre
Madeleine in Church is 263 lines in 15 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter. 96% of its stressed syllables fall where the metre puts the beat. The lines average 9.6 syllables. 12 lines end on an unstressed syllable, a feminine ending. 40% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCCCDAEEAAD saintA · distressB · faintA · everlastingnessB · dayC · prayC · clayC · divineD · saintA · crownE · townE · taintA · paintA · mineD
- 2 -ABBACCCDDE-EFFGHHI-JIJGG boy · goldA · traceB · faceB · oldA · divorceC · courseC · horseC · bestD · restD · ripsE · damnably · shipsE · sinkF · thinkF · seaG · nightH · lightH · crownI · were · spareJ · downI · thereJ · meG · seeG
- 3 AAABBBAACCC knewA · throughA · doA · dieB · lieB · highB · youA · tooA · treeC · seeC · meC
- 4 A-BA-BCBDDCC-C-EE-EFGF--G-HIHI-JJJK-KLMM-LNN- sitA · burning · sunB · itA · child · oneB · bearC · inB · duskD · muskD · airC · anywhereC · scent · hairC · to · seatE · beatE · of · streetE · soulF · thusG · controlF · of · feet · usG · perhaps · deathH · runI · breathH · doneI · tame · thingsJ · wingsJ · bringsJ · smileK · own · whileK · eyesL · quickM · trickM · on · skiesL · truthN · youthN · gone
- 5 ABA-BCDCDEE nineteenA · seatB · greenA · haughty · sweetB · springC · wallD · thingC · smallD · leafE · griefE
- 6 ABCBBCC-ABDD- chairA · gayB · crewC · wayB · sayB · youC · twoC · were · hairA · dayB · coldD · oldD · paie
- 7 AA-----A-A--BCDCDDDB theA · freeA · am · too · hell · patiently · and · meA · no · seeA · eternity · child · cameB · ofC · dayD · ofC · mayD · yesterdayD · wayD · sameB
- 8 A-B-ABCC-DCD tagsA · flock · sheepB · the · ragsA · sleepB · doneC · wonC · everlasting · wingsD · brokenC · thingsD
- 9 AA-BBCCDEEDFGGHHIIJJKFKL-L-KK takeA · breakA · colours · perfumesB · roomsB · winesC · shinesC · glowsD · drinkE · thinkE · roseD · greyF · hereG · fearG · faceH · spaceH · lastI · fastI · endJ · friendJ · redK · layF · headK · parkL · lights · darkL · maids · overheadK · bedK
- 10 -AABBCC out · meA · beA · dustB · mustB · whoC · youC
- 11 AB-A-BCDCBDEEBFFGHHGIIJJGKJK castA · yearsB · man · pastA · house · tearsB · thoseC · herD · supposeC · fearsB · stirD · handE · standE · tearsB · kissF · thisF · youG · restH · bestH · newG · wordI · heardI · hairJ · thereJ · throughG · dayK · careJ · wayK
- 12 AAB-BCCAD-D--- tooA · knewA · takeB · afterwards · wakeB · deadC · headC · throughA · ourD · life · areD · there · among · firs
- 13 -A-A-B-B of · dayA · life · awayA · dream · muchB · afterwards · touchB
- 14 -A-B-ABCDDEECFGFG beneath · treesA · eyes · tearsB · did · theseA · yearsB · standC · cameD · claimD · speechE · beachE · handC · imaginingsF · beG · thingsF · seeG
- 15 AAAABC-CB headA · deadA · bedA · saidA · weekB · seeC · terribly · meC · speakB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Here, in the darkness, where this plaster saint | 10 | ···/˘··/˘· |
| Stands nearer than God stands to our distress, | 10 | ·/˘····/˘/ |
| And one small candle shines, but not so faint | 10 | ···/˘····· |
| As the far lights of everlastingness | 10 | ·········· |
| I’d rather kneel than over there, in open day | 11 | ·/˘·····/˘· |
| Where Christ is hanging, rather pray | 8 | ···/˘/˘· |
| To something more like my own clay, | 8 | ·/˘····· |
| Not too divine; | 4 | ··˘/ |
| For, once, perhaps my little saint | 8 | ··˘/·/˘· |
| Before he got his niche and crown, | 8 | ········ |
| Had one short stroll about the town; | 8 | ········ |
| It brings him closer, just that taint | 8 | ···/˘··· |
| And anyone can wash the paint | 8 | ·/˘····· |
| Off our poor faces, his and mine! | 8 | ·/·/˘··· |
| Is that why I see Monty now? equal to any saint, poor boy, | 16 | ·····/˘·/˘·/˘··· |
| as good as gold, | 4 | ···· |
| But still, with just the proper trace | 8 | ·····/˘· |
| Of earthliness on his shining wedding face; | 11 | ·/˘˘··/˘/˘· |
| And then gone suddenly blank and old | 8 | ···/˘··· |
| The hateful day of the divorce: | 8 | ·/˘···˘/ |
| Stuart got his, hands down, of course | 8 | /˘······ |
| Crowing like twenty cocks and grinning like a horse: | 12 | /˘·/˘··/˘··· |
| But Monty took it hard. All said and done I liked him best,-- | 14 | ·/˘··········· |
| He was the first, he stands out clearer than the rest. | 12 | ·······/˘··· |
| It seems too funny all we other rips | 10 | ···/˘··/˘· |
| Should have immortal souls; Monty and Redge quite damnably | 14 | ··˘/˘·/˘···/˘˘ |
| Keep theirs afloat while we go down like scuttled ships.-- | 12 | ··˘/·····/˘· |
| It’s funny too, how easily we sink, | 9 | ·/˘··/˘·· |
| One might put up a monument, I think | 9 | ·····/˘·· |
| To half the world and cut across it “Lost at Sea!” | 12 | ······˘/···· |
| I should drown Jim, poor little sparrow, if I netted him to-night-- | 16 | ·····/˘/˘··/˘··· |
| No, it’s no use this penny light-- | 8 | ·····/˘· |
| Or my poor saint with his tin-pot crown-- | 9 | ········· |
| The trees of Calvary are where they were, | 9 | ···/˘···· |
| When we are sure that we can spare | 8 | ········ |
| The tallest, let us go and strike it down | 10 | ·/˘······· |
| And leave the other two still standing there. | 10 | ···/˘··/˘· |
| I, too, would ask Him to remember me | 10 | ······˘/˘· |
| If there were any Paradise beyond this earth that I could see. | 16 | ···/˘/˘········· |
| Oh! quiet Christ who never knew | 8 | ·/˘··/˘· |
| The poisonous fangs that bite us through | 8 | ·/˘····· |
| And make us do the things we do, | 8 | ········ |
| See how we suffer and fight and die, | 9 | ···/˘···· |
| How helpless and how low we lie, | 8 | ·/˘····· |
| God holds You, and You hang so high, | 8 | ········ |
| Though no one looking long at You, | 8 | ···/˘··· |
| Can think You do not suffer too, | 8 | ·····/˘· |
| But, up there, from your still, star-lighted tree | 10 | ·······/˘· |
| What can You know, what can You really see | 10 | ·······/˘· |
| Of this dark ditch, the soul of me! | 8 | ········ |
| We are what we are: when I was half a child I could not sit | 15 | ··············· |
| Watching black shadows on green lawns and red carnations burning | 15 | /˘·/······˘/˘/˘ |
| in the sun, | 3 | ··· |
| Without paying so heavily for it | 9 | ··/˘·/˘·· |
| That joy and pain, like any mother and her unborn child | 14 | ·····/˘/˘··//· |
| were almost one. | 4 | ·/·· |
| I could hardly bear | 5 | ··/˘· |
| The dreams upon the eyes of white geraniums in | 12 | ········˘/˘· |
| the dusk, | 2 | ·· |
| The thick, close voice of musk, | 6 | ······ |
| The jessamine music on the thin night air, | 10 | ·/˘/˘····· |
| Or, sometimes, my own hands about me anywhere-- | 12 | ·/·······/˘· |
| The sight of my own face (for it was lovely then) even the scent | 15 | ·········/˘·/·· |
| of my own hair, | 4 | ···· |
| Oh! there was nothing, nothing that did not sweep to | 12 | ···/˘/˘····· |
| the high seat | 3 | ··· |
| Of laughing gods, and then blow down and beat | 10 | ·/˘······· |
| My soul into the highway dust, as hoofs do the dropped roses of | 16 | ·····/·······/˘· |
| the street. | 2 | ·· |
| I think my body was my soul, | 8 | ···/˘··· |
| And when we are made thus | 6 | ······ |
| Who shall control | 4 | ··˘/ |
| Our hands, our eyes, the wandering passion of | 10 | /·/··/˘/˘· |
| our feet, | 3 | /˘· |
| Who shall teach us | 4 | ···· |
| To thrust the world out of our heart; to say, till perhaps | 13 | ······/····˘/ |
| in death, | 2 | ·· |
| When the race is run, | 5 | ····· |
| And it is forced from us with our last breath | 10 | ·······/·· |
| “Thy will be done”? | 4 | ···· |
| If it is Your will that we should be content with the tame, | 14 | ·········/˘··· |
| bloodless things. | 3 | /˘· |
| As pale as angels smirking by, with folded wings. | 12 | ···/˘/˘··/˘· |
| Oh! I know Virtue, and the peace it brings! | 10 | ···/˘····· |
| The temperate, well-worn smile | 6 | ·/˘··· |
| The one man gives you, when you are evermore his own: | 13 | ········/˘··· |
| And afterwards the child’s, for a little while, | 10 | ·/˘····/˘· |
| With its unknowing and all-seeing eyes | 9 | ··˘/˘··/· |
| So soon to change, and make you feel how quick | 10 | ·········· |
| The clock goes round. If one had learned the trick-- | 10 | ·········· |
| (How does one though?) quite early on, | 8 | ·····/˘· |
| Of long green pastures under placid skies, | 10 | ···/˘··/˘· |
| One might be walking now with patient truth. | 10 | ···/˘··/˘· |
| What did we ever care for it, who have asked for youth, | 12 | ···/········ |
| When, oh! my God! this is going or has gone? | 10 | ······/··· |
| There is a portrait of my mother, at nineteen, | 12 | ···/˘··/˘·// |
| With the black spaniel, standing by the garden seat, | 12 | ···/˘/˘··/˘· |
| The dainty head held high against the painted green | 12 | ·/˘······/˘· |
| And throwing out the youngest smile, shy, but half haughty | 13 | ·/˘··/˘····/˘ |
| and half sweet. | 3 | ··· |
| Her picture then: but simply Youth, or simply Spring | 12 | ·/˘··/˘··/˘· |
| To me to-day: a radiance on the wall, | 10 | ·····/˘··· |
| So exquisite, so heart-breaking a thing | 9 | ·/˘··/˘·· |
| Beside the mask that I remember, shrunk and small, | 12 | ˘/····˘/˘··· |
| Sapless and lined like a dead leaf, | 8 | /˘······ |
| All that was left of oh! the loveliest face, by time and grief! | 15 | ··············· |
| And in the glass, last night, I saw a ghost behind my chair-- | 14 | ·············· |
| Yet why remember it, when one can still go moderately gay--? | 14 | ··˘/˘······/˘· |
| Or could--with any one of the old crew, | 10 | ···/˘····· |
| But oh! these boys! the solemn way | 8 | ·····/˘· |
| They take you and the things they say-- | 8 | ········ |
| This “I have only as long as you” | 9 | ···/˘···· |
| When you remind them you are not precisely twenty-two-- | 14 | ··˘/····˘/˘/˘· |
| Although at heart perhaps--God! if it were | 10 | ····˘/···· |
| Only the face, only the hair! | 8 | /˘··/˘·· |
| If Jim had written to me as he did to-day | 12 | ···/˘······· |
| A year ago--and now it leaves me cold-- | 10 | ··˘/······ |
| I know what this means, old, old, old! | 8 | ········ |
| Et avec ça--mais on a vécu, tout se paie. | 13 | ···········/· |
| That is not always true: there was my Mother--(we at least the | 15 | ···/·····/˘···· |
| dead are free!) | 3 | ··· |
| Yoked to the man that Father was; yoked to the woman I am, | 15 | ·····/˘····/˘·· |
| Monty too; | 3 | /˘· |
| The little portress at the Convent School, stewing in hell | 14 | ·/˘/˘··/˘·/˘·· |
| so patiently; | 4 | ·/˘˘ |
| The poor, fair boy who shot himself at Aix. And what of me--and | 15 | ······˘/······· |
| what of me? | 3 | ··· |
| But I, I paid for what I had, and they for nothing. No, | 14 | ···········/˘· |
| one cannot see | 4 | ·/˘· |
| How it shall be made up to them in some serene eternity. | 15 | ··········˘/˘/˘ |
| If there were fifty heavens God could not give us back the child | 15 | ···/˘/˘········ |
| who went or never came; | 6 | ···/˘· |
| Here, on our little patch of this great earth, the sun of | 13 | ··//˘········ |
| any darkened day, | 5 | /˘/˘· |
| Not one of all the starry buds hung on the hawthorn trees of | 15 | ·····/˘····/··· |
| last year’s May, | 3 | ··· |
| No shadow from the sloping fields of yesterday; | 12 | ·/···/˘··/˘· |
| For every hour they slant across the hedge a different way, | 14 | ·/˘/··˘/···/˘· |
| The shadows are never the same. | 8 | ·/··/˘·· |
| “Find rest in Him” One knows the parsons’ tags-- | 10 | ·······/˘· |
| Back to the fold, across the evening fields, like any flock | 14 | ····˘/·/˘··/˘· |
| of baa-ing sheep: | 4 | ···· |
| Yes, it may be, when He has shorn, led us to slaughter, torn the | 15 | ···········/˘·· |
| bleating soul in us to rags, | 7 | /˘····· |
| For so He giveth His beloved sleep. | 9 | ···/˘·˘/· |
| Oh! He will take us stripped and done, | 8 | ········ |
| Driven into His heart. So we are won: | 9 | /········ |
| Then safe, safe are we? in the shelter of His everlasting | 15 | ·······/˘···˘/˘ |
| wings-- | 1 | · |
| I do not envy Him his victories, His arms are full of broken | 16 | ···/˘··/˘·····/˘ |
| things. | 1 | · |
| But I shall not be in them. Let Him take | 10 | ·········· |
| The finer ones, the easier to break. | 8 | ·/··/˘·· |
| And they are not gone, yet, for me, the lights, the colours, | 13 | ···········/˘ |
| the perfumes, | 3 | ·˘/ |
| Though now they speak rather in sumptuous rooms, | 10 | ····/˘·/˘· |
| In silks and in gem-like wines; | 7 | ······· |
| Here, even, in this corner where my little candle shines | 13 | ·/··/˘··/˘/˘· |
| And overhead the lancet-window glows | 10 | ·/˘/·/˘/˘· |
| With golds and crimsons you could almost drink | 10 | ···/˘··/·· |
| To know how jewels taste, just as I used to think | 12 | ···/˘······· |
| There was the scent in every red and yellow rose | 12 | ·····/˘··/˘· |
| Of all the sunsets. But this place is grey, | 10 | ···/······ |
| And much too quiet. No one here, | 8 | ···/˘··· |
| Why, this is awful, this is fear! | 8 | ···/˘··· |
| Nothing to see, no face. | 6 | /˘···· |
| Nothing to hear except your heart beating in space | 12 | /˘······/˘·· |
| As if the world was ended. Dead at last! | 10 | ·····/˘··· |
| Dead soul, dead body, tied together fast. | 10 | ···/˘·˘/˘· |
| These to go on with and alone, to the slow end: | 12 | ······˘/···· |
| No one to sit with, really, or to speak to, friend to friend: | 14 | ·····/˘······· |
| Out of the long procession, black or white or red | 12 | ····˘/˘····· |
| Not one left now to say “Still I am here, then see you, dear, lay | 15 | ··············· |
| here your head.” | 3 | ··· |
| Only the doll’s house looking on the Park | 10 | /˘···/˘··· |
| To-night, all nights, I know, when the man puts the lights | 12 | ············ |
| out, very dark. | 4 | ·/˘· |
| With, upstairs, in the blue and gold box of a room, just the maids’ | 15 | ·˘/············ |
| footsteps overhead, | 5 | /·/˘/ |
| Then utter silence and the empty world--the room--the bed-- | 14 | ·/˘/˘··/˘····· |
| The corpse! No, not quite dead, while this cries out | 10 | ·········· |
| in me, | 2 | ·· |
| But nearly: very soon to be | 8 | ·/˘/˘··· |
| A handful of forgotten dust-- | 8 | ·/··˘/˘· |
| There must be someone. Christ! there must, | 8 | ···/···· |
| Tell me there will be someone. Who? | 8 | ·····/·· |
| If there were no one else, could it be You? | 10 | ·········· |
| How old was Mary out of whom you cast | 10 | ···/˘····· |
| So many devils? Was she young or perhaps for years | 12 | ·//˘····˘/·· |
| She had sat staring, with dry eyes, at this and that man | 13 | ···/˘········ |
| going past | 3 | /˘· |
| Till suddenly she saw You on the steps of Simon’s house | 13 | ·/˘·······/˘· |
| And stood and looked at You through tears. | 8 | ········ |
| I think she must have known by those | 8 | ········ |
| The thing, for what it was that had come to her. | 11 | ··········· |
| For some of us there is a passion, I suppose | 12 | ·······/˘·˘/ |
| So far from earthly cares and earthly fears | 10 | ···/˘··/˘· |
| That in its stillness you can hardly stir | 10 | ···/˘··/˘· |
| Or in its nearness, lift your hand, | 8 | ···/˘··· |
| So great that you have simply got to stand | 10 | ·····/˘··· |
| Looking at it through tears, through tears | 8 | /˘······ |
| Then straight from these there broke the kiss, | 8 | ········ |
| I think You must have known by this | 8 | ········ |
| The thing, for what it was, that had come to You: | 11 | ··········· |
| She did not love You like the rest, | 8 | ········ |
| It was in her own way, but at the worst, the best, | 12 | ············ |
| She gave you something altogether new. | 10 | ···/˘·˘/˘· |
| And through it all, from her, no word, | 8 | ········ |
| She scarcely saw You, scarcely heard: | 8 | ·/˘··/˘· |
| Surely You knew when she so touched You with her hair, | 12 | /˘·········· |
| Or by the wet cheek lying there, | 8 | ·····/˘· |
| And while her perfume clung to You from head to feet all through | 14 | ···˘/········· |
| the day | 2 | ·· |
| That You can change the things for which we care, | 10 | ·········· |
| But even You, unless You kill us, not the way. | 11 | ·/········· |
| This, then was peace for her, but passion too. | 10 | ·······/˘· |
| I wonder was it like a kiss that once I knew, | 12 | ·/˘········· |
| The only one that I would care to take | 10 | ·/˘······· |
| Into the grave with me, to which if there were afterwards, | 13 | ···········/˘ |
| to wake. | 2 | ·· |
| Almost as happy as the carven dead | 10 | /··/˘··/˘· |
| In some dim chancel lying head by head | 10 | ···/˘/˘··· |
| We slept with it, but face to face, the whole night through-- | 12 | ············ |
| One breath, one throbbing quietness, as if the thing behind our | 14 | ···/˘/˘······/ |
| lips was endless life, | 5 | ··/˘· |
| Lost, as I woke, to hear in the strange earthly dawn, his “Are | 14 | ·········/˘··· |
| you there?” | 2 | ·· |
| And lie still, listening to the wind outside, among | 12 | ···/˘···//·· |
| the firs. | 2 | ·· |
| So Mary chose the dream of Him for what was left to her of | 15 | ·/˘············ |
| night and day, | 3 | ··· |
| It is the only truth: it is the dream in us that neither life | 16 | ···/˘········/˘· |
| nor death nor any other thing can take away: | 12 | ···/˘/˘···˘/ |
| But if she had not touched Him in the doorway of the dream | 14 | ·········/···· |
| could she have cared so much? | 7 | ····˘·· |
| She was a sinner, we are what we are: the spirit afterwards, | 14 | ···/˘······//˘ |
| but first, the touch. | 4 | ···· |
| And He has never shared with me my haunted house beneath | 13 | ···/····/˘··· |
| the trees | 2 | ·· |
| Of Eden and Calvary, with its ghosts that have not any eyes | 15 | ·/˘·/˘······/˘· |
| for tears, | 2 | ·· |
| And the happier guests who would not see, or if they did, | 13 | ··/˘········· |
| remember these, | 4 | ˘/˘· |
| Though they lived there a thousand years. | 8 | ·····/˘· |
| Outside, too gravely looking at me, He seems to stand, | 13 | //·/˘/˘······ |
| And looking at Him, if my forgotten spirit came | 12 | ·/˘····˘/˘/· |
| Unwillingly back, what could it claim | 8 | ˘/˘····· |
| Of those calm eyes, that quiet speech, | 8 | ·····/˘· |
| Breaking like a slow tide upon the beach, | 10 | /˘········ |
| The scarred, not quite human hand?-- | 8 | ··˘··/˘· |
| Unwillingly back to the burden of old imaginings | 13 | ˘/˘···/˘··˘/˘ |
| When it has learned so long not to think, not to be, | 12 | ············ |
| Again, again it would speak as it has spoken to me of things | 16 | ˘/˘/······/˘···· |
| That I shall not see! | 5 | ····· |
| I cannot bear to look at this divinely bent and gracious head: | 16 | ·/˘·····˘/˘··/˘· |
| When I was small I never quite believed that He was dead: | 13 | ·····/·˘/···· |
| And at the Convent school I used to lie awake in bed | 14 | ···/˘·····˘/·· |
| Thinking about His hands. It did not matter what they said, | 14 | /˘·······/˘··· |
| He was alive to me, so hurt, so hurt! And most of all in Holy Week | 18 | ··˘/···········/˘· |
| When there was no one else to see | 8 | ········ |
| I used to think it would not hurt me too, so terribly, | 13 | ···········/˘ |
| If He had ever seemed to notice me | 9 | ···/··/˘· |
| Or, if, for once, He would only speak. | 9 | ······/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.