Outcast

Claude McKay (1889–1948) · 1922

iambic pentameter · 14 lines · from Harlem Shadows

For the dim regions whence my fathers cameMy spirit, bondaged by the body, longs.Words felt, but never heard, my lips would frame;My soul would sing forgotten jungle songs.I would go back to darkness and to peace,But the great western world holds me in fee,And I may never hope for full releaseWhile to its alien gods I bend my knee.Something in me is lost, forever lost,Some vital thing has gone out of my heart,And I must walk the way of life a ghostAmong the sons of earth, a thing apart;For I was born, far from my native clime,Under the white man’s menace, out of time.

Words in this poem

jungle n.
A dense growth of brushwood, grasses, reeds, vines, etc.; an almost impenetrable thicket of trees, canes, and reedy vegetation, as in India, Africa, Australia, and Brazil. [Hind. jangal desert, forest, jungle; Skr. ja desert.]
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
clime n.
A climate; a tract or region of the earth. See Climate. [L. clima. See Climate.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Outcast is in the public domain. This text is taken from Harlem shadows, Project Gutenberg ebook #64989; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Claude McKay, Outcast, in Harlem Shadows (1922), text of Project Gutenberg ebook #64989, Laurel, https://laurelpoetry.com/poem/mckay-harlem-shadows/outcast.html, id L01372.

Form and metre

Outcast is 14 lines in a single stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 91%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 21% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCDCD-E-EFF cameA · longsB · frameA · songsB · peaceC · feeD · releaseC · kneeD · lost · heartE · ghost · apartE · climeF · timeF
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
For the dim regions whence my fathers came10···/˘··/˘·
My spirit, bondaged by the body, longs.10·/˘/˘··/˘·
Words felt, but never heard, my lips would frame;10···/˘·····
My soul would sing forgotten jungle songs.10····˘/˘/˘·
I would go back to darkness and to peace,10·····/˘···
But the great western world holds me in fee,10···/˘·····
And I may never hope for full release10···/˘···˘/
While to its alien gods I bend my knee.10···/˘·····
Something in me is lost, forever lost,10/˘····˘/˘·
Some vital thing has gone out of my heart,10·/˘·······
And I must walk the way of life a ghost10··········
Among the sons of earth, a thing apart;10········˘/
For I was born, far from my native clime,10·······/˘·
Under the white man’s menace, out of time.10·····/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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