Roscoe Purkapile
She loved me.Oh! how she loved me I never had a chance to escapeFrom the day she first saw me.But then after we were married I thoughtShe might prove her mortality and let me out,Or she might divorce me. But few die, none resign.Then I ran away and was gone a year on a lark.But she never complained. She said all would be wellThat I would return. And I did return.I told her that while taking a row in a boatI had been captured near Van Buren StreetBy pirates on Lake Michigan,And kept in chains, so I could not write her.She cried and kissed me, and said it was cruel,Outrageous, inhuman! I then concluded our marriageWas a divine dispensationAnd could not be dissolved,Except by death.I was right.
He ran away and was gone for a year.When he came home he told me the silly storyOf being kidnapped by pirates on Lake MichiganAnd kept in chains so he could not write me.I pretended to believe it, though I knew very wellWhat he was doing, and that he metThe milliner, Mrs. Williams, now and thenWhen she went to the city to buy goods, as she said.But a promise is a promiseAnd marriage is marriage,And out of respect for my own characterI refused to be drawn into a divorceBy the scheme of a husband who had merely grown tiredOf his marital vow and duty.
Mr. Kessler, you know, was in the army,And he drew six dollars a month as a pension,And stood on the corner talking politics,Or sat at home reading Grant’s Memoirs;And I supported the family by washing,Learning the secrets of all the peopleFrom their curtains, counterpanes, shirts and skirts.For things that are new grow old at length,They’re replaced with better or none at all:People are prospering or falling back.And rents and patches widen with time;No thread or needle can pace decay,And there are stains that baffle soap,And there are colors that run in spite of you,Blamed though you are for spoiling a dress.Handkerchiefs, napery, have their secrets—The laundress, Life, knows all about it.And I, who went to all the funeralsHeld in Spoon River, swear I neverSaw a dead face without thinking it lookedLike something washed and ironed.
Words in this poem
- mortality n.
- The condition or quality of being mortal; subjection to death or to the necessity of dying. [L. mortalitas: cf. F. mortalité.]
- outrageous a.
- Of the nature of an outrage; exceeding the limits of right, reason, or decency; involving or doing an outrage; furious; violent; atrocious. [OF. outrageus, F. outrageux. See Outrage, n.]
- milliner n.
- Formerly, a man who imported and dealt in small articles of a miscellaneous kind, especially such as please the fancy of women. [From Milaner an inhabitant of Milan, in Italy; hence, a man from Milan who imported women's finery.]
- went n.
- Course; way; path; journey; direction.
- marital a.
- Of or pertaining to a husband; as, marital rights, duties, authority. [F., fr. L. maritalis, fr. maritus belonging to marriage, n., a husband. See Marry, v.]
- baffle v. i.
- To cause to undergo a disgraceful punishment, as a recreant knight. [Cf. Lowland Scotch bauchle to treat contemptuously, bauch tasteless, abashed, jaded, Icel. bagr uneasy, poor, or bagr, n., struggle, bægja to push, treat harshl]
- napery n.
- Table linen; also, linen clothing, or linen in general. [OF. naperie, fr. nape a tablecloth, F. nappe, LL. napa, fr. L. mappa. See Map, and cf. Apron, Napkin.]
- laundress v. i.
- To act as a laundress.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Roscoe Purkapile is in the public domain. This text is taken from Spoon River Anthology, Project Gutenberg ebook #1280; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Edgar Lee Masters, Roscoe Purkapile, in Spoon River Anthology (1915), text of Project Gutenberg ebook #1280, Laurel, https://laurelpoetry.com/poem/masters-spoon-river/roscoe-purkapile.html, id L07862.
Form and metre
Roscoe Purkapile is 54 lines in 3 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 74%). 84% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 19 lines end on an unstressed syllable, a feminine ending. 37% of the lines run on without a stop at the line end.
See other poems in iambic pentameter, other poems in blank verse.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 A-A-----B--B------- meA · escape · meA · thought · out · resign · lark · well · returnB · boat · street · michiganB · her · cruel · marriage · dispensation · dissolved · death · right
- 2 --A---A------- year · story · michiganA · me · well · met · thenA · said · promise · marriage · character · divorce · tired · duty
- 3 -----A--A------------ army · pension · politics · memoirs · washing · peopleA · skirts · length · allA · back · time · decay · soap · you · dress · secrets · it · funerals · never · looked · ironed
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| She loved me. | 3 | ··· |
| Oh! how she loved me I never had a chance to escape | 14 | ······/˘····˘/ |
| From the day she first saw me. | 7 | ······· |
| But then after we were married I thought | 10 | ······/˘·· |
| She might prove her mortality and let me out, | 12 | ····˘/˘˘···· |
| Or she might divorce me. But few die, none resign. | 12 | ···˘/·····˘/ |
| Then I ran away and was gone a year on a lark. | 13 | ···˘/········ |
| But she never complained. She said all would be well | 12 | ··/˘˘/······ |
| That I would return. And I did return. | 10 | ···˘/···˘/ |
| I told her that while taking a row in a boat | 12 | ·····/˘····· |
| I had been captured near Van Buren Street | 10 | ···/˘··/˘· |
| By pirates on Lake Michigan, | 8 | ·/˘··/˘˘ |
| And kept in chains, so I could not write her. | 10 | ·········· |
| She cried and kissed me, and said it was cruel, | 11 | ·········/˘ |
| Outrageous, inhuman! I then concluded our marriage | 15 | ˘/˘˘/˘··˘/˘/˘/˘ |
| Was a divine dispensation | 8 | ··˘/·˘/˘ |
| And could not be dissolved, | 6 | ····˘/ |
| Except by death. | 4 | ···· |
| I was right. | 3 | ··· |
| He ran away and was gone for a year. | 10 | ··˘/······ |
| When he came home he told me the silly story | 12 | ········/˘/˘ |
| Of being kidnapped by pirates on Lake Michigan | 13 | ·/˘/··/˘··/˘˘ |
| And kept in chains so he could not write me. | 10 | ·········· |
| I pretended to believe it, though I knew very well | 14 | ·˘/˘·˘/····/˘· |
| What he was doing, and that he met | 9 | ···/˘···· |
| The milliner, Mrs. Williams, now and then | 11 | ·/˘˘/˘/˘··· |
| When she went to the city to buy goods, as she said. | 13 | ·····/˘······ |
| But a promise is a promise | 8 | ··/˘··/˘ |
| And marriage is marriage, | 6 | ·/˘·/˘ |
| And out of respect for my own character | 11 | ···˘/···/˘˘ |
| I refused to be drawn into a divorce | 11 | ·˘/······˘/ |
| By the scheme of a husband who had merely grown tired | 14 | ·····/˘··/˘·/˘ |
| Of his marital vow and duty. | 9 | ··/˘˘··/˘ |
| Mr. Kessler, you know, was in the army, | 11 | /˘/˘·····/˘ |
| And he drew six dollars a month as a pension, | 12 | ····/˘····/˘ |
| And stood on the corner talking politics, | 11 | ····/˘/˘/˘· |
| Or sat at home reading Grant’s Memoirs; | 9 | ····/˘·/· |
| And I supported the family by washing, | 12 | ··˘/˘·/˘˘·/˘ |
| Learning the secrets of all the people | 10 | /˘·/˘···/˘ |
| From their curtains, counterpanes, shirts and skirts. | 10 | ··/˘······ |
| For things that are new grow old at length, | 9 | ········· |
| They’re replaced with better or none at all: | 10 | ··/·/˘···· |
| People are prospering or falling back. | 10 | /˘·/˘˘·/˘· |
| And rents and patches widen with time; | 9 | ···/˘/˘·· |
| No thread or needle can pace decay, | 9 | ···/˘··˘/ |
| And there are stains that baffle soap, | 8 | ·····/˘· |
| And there are colors that run in spite of you, | 11 | ···/˘······ |
| Blamed though you are for spoiling a dress. | 9 | ·····/˘·· |
| Handkerchiefs, napery, have their secrets— | 10 | /˘˘/˘˘··/˘ |
| The laundress, Life, knows all about it. | 9 | ·/˘······ |
| And I, who went to all the funerals | 10 | ·······/˘˘ |
| Held in Spoon River, swear I never | 9 | ···/˘··/˘ |
| Saw a dead face without thinking it looked | 10 | ······/˘·· |
| Like something washed and ironed. | 7 | ·/˘··/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.