The Everlasting Mercy, and the Widow in Bye Street

John Masefield (1878–1967) · 1912

iambic pentameter · 5 lines · from The Story of a Round-House, and Other Poems

"--recreates a wholly new drama of existence."--WILLIAM STANLEYBRAITHWAITE, N. Y. Times."They are truly great pieces."--Kentucky Post.

"A vigor and sincerity rare in modern English literature."--TheIndependent.

About this text

The Everlasting Mercy, and the Widow in Bye Street is in the public domain. This text is taken from The Story of a Round-House, and Other Poems, Project Gutenberg ebook #40717; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Masefield, The Everlasting Mercy, and the Widow in Bye Street, in The Story of a Round-House, and Other Poems (1912), text of Project Gutenberg ebook #40717, Laurel, https://laurelpoetry.com/poem/masefield-round-house/the-everlasting-mercy-and-the-widow-in-bye-street.html, id L25030.

Form and metre

The Everlasting Mercy, and the Widow in Bye Street is 5 lines in 2 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
"--recreates a wholly new drama of existence."--WILLIAM STANLEY17˘˘/·/˘·/˘·˘/˘/˘/˘
BRAITHWAITE, N. Y. Times.5/····
"They are truly great pieces."--Kentucky Post.11··/˘·/˘˘/˘·
"A vigor and sincerity rare in modern English literature."--The16·/˘·˘/˘··/˘/˘/˘·
Independent.4·˘/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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