Spanish Waters
Spanish waters, Spanish waters, you are ringing in my ears,Like a slow sweet piece of music from the grey forgotten years;Telling tales, and beating tunes, and bringing weary thoughts to meOf the sandy beach at Muertos, where I would that I could be.
There's a surf breaks on Los Muertos, and it never stops to roar,And it's there we came to anchor, and it's there we went ashore,Where the blue lagoon is silent amid snags of rotting trees,Dropping like the clothes of corpses cast up by the seas.
We anchored at Los Muertos when the dipping sun was red,We left her half-a-mile to sea, to west of Nigger Head;And before the mist was on the Cay, before the day was done,We were all ashore on Muertos with the gold that we had won.
We bore it through the marshes in a half-score battered chests,Sinking, in the sucking quagmires, to the sunburn on our breasts,Heaving over tree-trunks, gasping, damning at the flies and heat,Longing for a long drink, out of silver, in the ship's cool lazareet.
The moon came white and ghostly as we laid the treasure down,There was gear there'd make a beggarman as rich as Lima Town,Copper charms and silver trinkets from the chests of Spanish crews,Gold doubloons and double moydores, louis d'ors and portagues,
Clumsy yellow-metal earrings from the Indians of Brazil,Uncut emeralds out of Rio, bezoar stones from Guayaquil;Silver, in the crude and fashioned, pots of old Arica bronze,Jewels from the bones of Incas desecrated by the Dons.
We smoothed the place with mattocks, and we took and blazed the tree,Which marks yon where the gear is hid that none will ever see,And we laid aboard the ship again, and south away we steers,Through the loud surf of Los Muertos which is beating in my ears.
I'm the last alive that knows it. All the rest have gone their waysKilled, or died, or come to anchor in the old Mulatas Cays,And I go singing, fiddling, old and starved and in despair,And I know where all that gold is hid, if I were only there.
It's not the way to end it all. I'm old, and nearly blind,And an old man's past's a strange thing, for it never leaves his mind.And I see in dreams, awhiles, the beach, the sun's disc dipping red,And the tall ship, under topsails, swaying in past Nigger Head.
I'd be glad to step ashore there. Glad to take a pick and goTo the lone blazed coco-palm tree in the place no others know,And lift the gold and silver that has mouldered there for yearsBy the loud surf of Los Muertos which is beating in my ears.
Words in this poem
- went n.
- Course; way; path; journey; direction.
- lagoon n.
- A shallow sound, channel, pond, or lake, especially one into which the sea flows; as, the lagoons of Venice. [It. or Sp. laguna, L. lacuna ditch, pool, pond,lacus lake. See Lake, and cf. Lacuna.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- anchored a.
- Held by an anchor; at anchor; held safely; as, an anchored bark; also, shaped like an anchor; forked; as, an anchored tongue.
- nigger n.
- A negro; -- in vulgar derision or depreciation.
- sunburn v. t.
- To burn or discolor by the sun; to tan.
- damning a.
- That damns; damnable; as, damning evidence of guilt.
- ghostly a.
- Relating to the soul; not carnal or secular; spiritual; as, a ghostly confessor. [OE. gastlich, gostlich, AS. gastlic. See Ghost.]
- clumsy a.
- Stiff or benumbed, as with cold. [OE. clumsed benumbed, fr. clumsen to be benumbed; cf. Icel. klumsa lockjaw, dial. Sw. klummsen benumbed with cold. Cf. 1st Clam, and 1st Clamp.]
- uncut a.
- Not cut; not separated or divided by cutting or otherwise; -- said especially of books, periodicals, and the like, when the leaves have not been separated by trimming in binding.
- aboard adv.
- On board; into or within a ship or boat; hence, into or within a railway car. [Pref. a- on, in + board.]
- disc n.
- A flat round plate; (Biol.) [See Disk, Dish.]
- lone n.
- A lane. See Loanin.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Spanish Waters is in the public domain. This text is taken from The Story of a Round-House, and Other Poems, Project Gutenberg ebook #40717; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: John Masefield, Spanish Waters, in The Story of a Round-House, and Other Poems (1912), text of Project Gutenberg ebook #40717, Laurel, https://laurelpoetry.com/poem/masefield-round-house/spanish-waters.html, id L24990.
Form and metre
Spanish Waters is 40 lines in 10 stanzas of 4 lines each. The rhyme scheme is AABB, complete in 8 of its 10 stanzas. The metre is trochaic octameter, measured from the stress the words themselves fix (confidence 83%).
See other poems in trochaic octameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB earsA · yearsA · meB · beB
- 2 AABB roarA · ashoreA · treesB · seasB
- 3 AABB redA · headA · doneB · wonB
- 4 AABB chestsA · breastsA · heatB · lazareetB
- 5 AA-- downA · townA · crews · portagues
- 6 --AA brazil · guayaquil · bronzeA · donsA
- 7 AABB treeA · seeA · steersB · earsB
- 8 AABB waysA · caysA · despairB · thereB
- 9 AABB blindA · mindA · redB · headB
- 10 AABB goA · knowA · yearsB · earsB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic octameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Spanish waters, Spanish waters, you are ringing in my ears, | 15 | /˘/˘/˘/˘··/˘··· |
| Like a slow sweet piece of music from the grey forgotten years; | 15 | ······/˘···˘/˘· |
| Telling tales, and beating tunes, and bringing weary thoughts to me | 15 | /˘··/˘··/˘/˘··· |
| Of the sandy beach at Muertos, where I would that I could be. | 15 | ··/˘··········· |
| There's a surf breaks on Los Muertos, and it never stops to roar, | 15 | ··········/˘··· |
| And it's there we came to anchor, and it's there we went ashore, | 15 | ······/˘·····˘/ |
| Where the blue lagoon is silent amid snags of rotting trees, | 15 | ···˘/·/˘˘/··/˘· |
| Dropping like the clothes of corpses cast up by the seas. | 13 | /˘····/˘····· |
| We anchored at Los Muertos when the dipping sun was red, | 15 | ·/˘˘······/˘··· |
| We left her half-a-mile to sea, to west of Nigger Head; | 14 | ···········/˘· |
| And before the mist was on the Cay, before the day was done, | 15 | ··············· |
| We were all ashore on Muertos with the gold that we had won. | 15 | ···˘/·········· |
| We bore it through the marshes in a half-score battered chests, | 15 | ·····/˘····/˘˘· |
| Sinking, in the sucking quagmires, to the sunburn on our breasts, | 15 | /˘··/˘/˘··/··/· |
| Heaving over tree-trunks, gasping, damning at the flies and heat, | 15 | /˘····/˘/˘····· |
| Longing for a long drink, out of silver, in the ship's cool lazareet. | 17 | /˘······/˘······· |
| The moon came white and ghostly as we laid the treasure down, | 14 | ·····/˘····/˘· |
| There was gear there'd make a beggarman as rich as Lima Town, | 15 | ············/˘· |
| Copper charms and silver trinkets from the chests of Spanish crews, | 15 | /˘··/˘/˘····/˘· |
| Gold doubloons and double moydores, louis d'ors and portagues, | 14 | ····/˘··/˘···· |
| Clumsy yellow-metal earrings from the Indians of Brazil, | 15 | /˘/˘/˘/˘··/˘·˘/ |
| Uncut emeralds out of Rio, bezoar stones from Guayaquil; | 14 | ·//˘··/˘/˘···· |
| Silver, in the crude and fashioned, pots of old Arica bronze, | 15 | /˘····/˘······· |
| Jewels from the bones of Incas desecrated by the Dons. | 15 | /˘····/˘˘˘/˘··· |
| We smoothed the place with mattocks, and we took and blazed the tree, | 15 | ··˘···/˘······· |
| Which marks yon where the gear is hid that none will ever see, | 14 | ···········/˘· |
| And we laid aboard the ship again, and south away we steers, | 15 | ···˘/··˘/··˘/·· |
| Through the loud surf of Los Muertos which is beating in my ears. | 15 | ··········/˘··· |
| I'm the last alive that knows it. All the rest have gone their ways | 15 | ···˘/·········· |
| Killed, or died, or come to anchor in the old Mulatas Cays, | 15 | ······/˘······· |
| And I go singing, fiddling, old and starved and in despair, | 15 | ···/˘/˘···˘··˘/ |
| And I know where all that gold is hid, if I were only there. | 15 | ············/˘· |
| It's not the way to end it all. I'm old, and nearly blind, | 14 | ···········/˘· |
| And an old man's past's a strange thing, for it never leaves his mind. | 15 | ··········/˘··· |
| And I see in dreams, awhiles, the beach, the sun's disc dipping red, | 15 | ·····˘/·····/˘· |
| And the tall ship, under topsails, swaying in past Nigger Head. | 15 | ········/˘··/˘· |
| I'd be glad to step ashore there. Glad to take a pick and go | 15 | ·····˘/········ |
| To the lone blazed coco-palm tree in the place no others know, | 15 | ····/·······/˘· |
| And lift the gold and silver that has mouldered there for years | 15 | ·····/˘··/˘˘··· |
| By the loud surf of Los Muertos which is beating in my ears. | 15 | ··········/˘··· |
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