Dauber II

John Masefield (1878–1967) · 1912

iambic pentameter · rhyme royal · 189 lines · from The Story of a Round-House, and Other Poems

Next day was Sunday, his free painting day,While the fine weather held, from eight till eight.He rose when called at five, and did arrayThe round-house gear, and set the kit-bags straight;Then kneeling down, like housemaid at a grate,He scrubbed the deck with sand until his kneesWere blue with dye from his wet dungarees.

Soon all was clean, his Sunday tasks were done;His day was clear for painting as he chose.The wetted decks were drying in the sun,The men coiled up, or swabbed, or sought repose.The drifts of silver arrows fell and roseAs flying fish took wing; the breakfast passed,Wasting good time, but he was free at last.

Free for two hours and more to tingle deep,Catching a likeness in a line or tint,The canvas running up in a proud sweep,Wind-wrinkled at the clews, and white like lint,The glittering of the blue waves into glint;Free to attempt it all, the proud ship's pawings,The sea, the sky--he went to fetch his drawings.

Up to the deck-house top he quickly climbed,He stooped to find them underneath the boat.He found them all obliterated, slimed,Blotted, erased, gone from him line and note.They were all spoiled: a lump came in his throat,Being vain of his attempts, and tender skinned--Beneath the skylight watching reefers grinned.

He clambered down, holding the ruined things."Bosun," he called, "look here, did you do these:Wipe off my paints and cut them into strings,And smear them till you can't tell chalk from cheese?Don't stare, but did you do it? Answer, please."The Bosun turned: "I'll give you a thick ear!Do it? I didn't. Get to hell from here!

"I touch your stinking daubs? The Dauber's daft."A crowd was gathering now to hear the fun;The reefers tumbled out, the men laid aft,The Cook blinked, cleaning a mess kid in the sun."What's up with Dauber now?" said everyone."Someone has spoiled my drawings--look at this!""Well, that's a dirty trick, by God, it is!"

"It is," said Sam, "a low-down dirty trick,To spoil a fellow's work in such a way,And if you catch him, Dauber, punch him sick,For he deserves it, be he who he may."A seaman shook his old head wise and grey."It seems to me," he said, "who ain't no judge,Them drawings look much better now they're smudge."

"Where were they, Dauber? On the deck-house? Where?""Under the long-boat, in a secret place.""The blackguard must have seen you put them there.He is a swine! I tell him to his face:I didn't think we'd anyone so base.""Nor I," said Dauber. "There was six weeks' timeJust wasted in these drawings: it's a crime!"

"Well, don't you say we did it," growled his mates,"And as for crime, be damned! the things were smears--Best overboard, like you, with shot for weights;Thank God they're gone, and now go shake your ears."The Dauber listened, very near to tears."Dauber, if I were you," said Sam again,"I'd aft, and see the Captain and complain."

A sigh came from the assembled seamen there.Would he be such a fool for their delightAs go to tell the Captain? Would he dare?And would the thunder roar, the lightning smite?There was the Captain come to take a sight,Handling his sextant by the chart-house aft.The Dauber turned, the seamen thought him daft.

The Captain took his sights--a mate belowNoted the times; they shouted to each other,The Captain quick with "Stop," the answer slow,Repeating slowly one height then another.The swooping clipper stumbled through the smother,The ladder brasses in the sunlight burned,The Dauber waited till the Captain turned.

There stood the Dauber, humbled to the bone,Waiting to speak. The Captain let him wait,Glanced at the course, and called in even tone,"What is the man there wanting, Mr. Mate?"The logship clattered on the grating straight,The reel rolled to the scuppers with a clatter,The Mate came grim: "Well, Dauber, what's the matter?"

"Please, sir, they spoiled my drawings." "Who did?" "They.""Who's they?" "I don't quite know, sir." "Don't quite know, sir?Then why are you aft to talk about it, hey?Whom d'you complain of?" "No one." "No one?" "No, sir.""Well, then, go forward till you've found them. Go, sir.If you complain of someone, then I'll see.Now get to hell! and don't come bothering me."

"But, sir, they washed them off, and some they cut.Look here, sir, how they spoiled them." "Never mind.Go shove your head inside the scuttle butt,And that will make you cooler. You will findNothing like water when you're mad and blind.Where were the drawings? in your chest, or where?""Under the long-boat, sir; I put them there."

"Under the long-boat, hey? Now mind your tip.I'll have the skids kept clear with nothing round them;The long-boat ain't a store in this here ship.Lucky for you it wasn't I who found them.If I had seen them, Dauber, I'd have drowned them.Now you be warned by this. I tell you plain--Don't stow your brass-rags under boats again.

"Go forward to your berth." The Dauber turned.The listeners down below them winked and smiled,Knowing how red the Dauber's temples burned,Having lost the case about his only child.His work was done to nothing and defiled,And there was no redress: the Captain's voiceSpoke, and called "Painter," making him rejoice.

The Captain and the Mate conversed together."Drawings, you tell me, Mister?" "Yes, sir; views:Wiped off with turps, I gather that's his blether.He says they're things he can't afford to lose.He's Dick, who came to sea in dancing shoes,And found the dance a bear dance. They were hiddenUnder the long-boat's chocks, which I've forbidden."

"Wiped off with turps?" The Captain sucked his lip."Who did it, Mister?" "Reefers, I suppose;Them devils do the most pranks in a ship;The round-house might have done it, Cook or Bose.""I can't take notice of it till he knows.How does he do his work?" "Well, no offence;He tries; he does his best. He's got no sense."

"Painter," the Captain called; the Dauber came."What's all this talk of drawings? What's the matter?""They spoiled my drawings, sir." "Well, who's to blame?The long-boat's there for no one to get at her;You broke the rules, and if you choose to scatterGear up and down where it's no right to be,And suffer as result, don't come to me.

"Your place is in the round-house, and your gearBelongs where you belong. Who spoiled your things?Find out who spoiled your things and fetch him here.""But, sir, they cut the canvas into strings.""I want no argument nor questionings.Go back where you belong and say no more,And please remember that you're not on shore."

The Dauber touched his brow and slunk away--They eyed his going with a bitter eye."Dauber," said Sam, "what did the Captain say?"The Dauber drooped his head without reply."Go forward, Dauber, and enjoy your cry."The Mate limped to the rail; like little feetOver his head the drumming reef-points beat.

The Dauber reached the berth and entered in.Much mockery followed after as he went,And each face seemed to greet him with the grinOf hounds hot following on a creature spent."Aren't you a fool?" each mocking visage meant."Who did it, Dauber? What did Captain say?It is a crime, and there'll be hell to pay."

He bowed his head, the house was full of smoke;The Sails was pointing shackles on his chest."Lord, Dauber, be a man and take a joke"--He puffed his pipe--"and let the matter rest.Spit brown, my son, and get a hairy breast;Get shoulders on you at the crojick braces,And let this painting business go to blazes.

"What good can painting do to anyone?I don't say never do it; far from that--No harm in sometimes painting just for fun.Keep it for fun, and stick to what you're at.Your job's to fill your bones up and get fat;Rib up like Barney's bull, and thick your neck.Throw paints to hell, boy; you belong on deck."

"That's right," said Chips; "it's downright good advice.Painting's no good; what good can painting doUp on a lower topsail stiff with ice,With all your little fish-hooks frozen blue?Painting won't help you at the weather clew,Nor pass your gaskets for you, nor make sail.Painting's a balmy job not worth a nail."

The Dauber did not answer; time was passing.He pulled his easel out, his paints, his stool.The wind was dropping, and the sea was glassing--New realms of beauty waited for his rule;The draught out of the crojick kept him cool.He sat to paint, alone and melancholy."No turning fools," the Chips said, "from their folly."

He dipped his brush and tried to fix a line,And then came peace, and gentle beauty came,Turning his spirit's water into wine,Lightening his darkness with a touch of flame:O, joy of trying for beauty, ever the same,You never fail, your comforts never end;O, balm of this world's way; O, perfect friend!

Words in this poem 29
scrubbed a.
Dwarfed or stunted; scrubby.
tingle v. i.
To feel a kind of thrilling sensation, as in hearing a shrill sound. [Freq. of ting. Cf. Tinkle.]
glint n.
A glimpse, glance, or gleam. [OE. glent.]
went n.
Course; way; path; journey; direction.
skylight n.
A window placed in the roof of a building, in the ceiling of a room, or in the deck of a ship, for the admission of light from above.
daft a.
Stupid; folish; idiotic; also, delirious; insance; as, he has gone daft. [OE. daft, deft, deft, stupid; prob. the same word as E. deft. See Deft.]
dauber n.
One who, or that which, daubs; especially, a coarse, unskillful painter.
everyone n.
Everybody; -- commonly separated, every one. [OE. everychon.]
shook v. t.
To pack, as staves, in a shook.
smudge n.
A suffocating smoke. Grose. [Cf. Dan. smuds smut, E. smutch, or smoke.]
anyone n.
One taken at random rather than by selection; anybody.
damned a.
Sentenced to punishment in a future state; condemned; consigned to perdition.
thank n.
A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
clipper n.
One who clips; specifically, one who clips off the edges of coin.
clatter v. i.
To make a rattling sound by striking hard bodies together; to make a succession of abrupt, rattling sounds. [AS. cla a rattle, akin to D. klateren to rattle. Cf. Clack.]
scuttle n.
A broad, shallow basket. [AS. scutel a dish, platter; cf. Icel. skutill; both fr. L. scutella, dim. of scutra, scuta, a dish or platter; cf. scutum a shield. Cf. Skillet.]
cooler n.
That which cools, or abates heat or excitement.
berth v. t.
To give an anchorage to, or a place to lie at; to place in a berth; as, she was berthed stem to stern with the Adelaide.
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
mister n.
A trade, art, or occupation. [OF. mistier trade, office, ministry, need, F. métier trade, fr. L. ministerium service, office, ministry. See Ministry, Mystery trade.]
offence n.
The act of offending in any sense; esp., a crime or a sin, an affront or an injury. [F., fr. L. offensa. See Offend.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
drumming n.
The act of beating upon, or as if upon, a drum; also, the noise which the male of the ruffed grouse makes in spring, by beating his wings upon his sides.
grin n.
A snare; a gin. [AS. grin.]
visage n.
The face, countenance, or look of a person or an animal; -- chiefly applied to the human face. [F. visage, from L. visus a seeing, a look, fr. videre, visum, to see. See Vision.]
downright adv.
Straight down; perpendicularly.
clew v. t.
To direct; to guide, as by a thread. [Cf. D. kluwenen. See Clew, n.]
balmy a.
Having the qualities of balm; odoriferous; aromatic; assuaging; soothing; refreshing; mild.
easel n.
A frame (commonly) of wood serving to hold a canvas upright, or nearly upright, for the painter's convenience or for exhibition. [D. ezel ass, donkey, hence, easel, or G. esel; akin to E. ass. See Ass.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Dauber II is in the public domain. This text is taken from The Story of a Round-House, and Other Poems, Project Gutenberg ebook #40717; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Masefield, Dauber II, in The Story of a Round-House, and Other Poems (1912), text of Project Gutenberg ebook #40717, Laurel, https://laurelpoetry.com/poem/masefield-round-house/dauber-ii.html, id L24976.

Form and metre

Dauber II is 189 lines in 27 stanzas of 7 lines each. The rhyme scheme is ABABBCC, complete in 23 of its 27 stanzas; the stanza is the Rhyme royal. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%).

See other poems in rhyme royal, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABBCC dayA · eightB · arrayA · straightB · grateB · kneesC · dungareesC
  2. 2 ABABBCC doneA · choseB · sunA · reposeB · roseB · passedC · lastC
  3. 3 ABABBCC deepA · tintB · sweepA · lintB · glintB · pawingsC · drawingsC
  4. 4 -A-AABB climbed · boatA · slimed · noteA · throatA · skinnedB · grinnedB
  5. 5 ABABBCC thingsA · theseB · stringsA · cheeseB · pleaseB · earC · hereC
  6. 6 ABABB-- daftA · funB · aftA · sunB · everyoneB · this · is
  7. 7 ABABBCC trickA · wayB · sickA · mayB · greyB · judgeC · smudgeC
  8. 8 ABABBCC whereA · placeB · thereA · faceB · baseB · timeC · crimeC
  9. 9 ABABBCC matesA · smearsB · weightsA · earsB · tearsB · againC · complainC
  10. 10 ABABBCC thereA · delightB · dareA · smiteB · sightB · aftC · daftC
  11. 11 ABABBCC belowA · otherB · slowA · anotherB · smotherB · burnedC · turnedC
  12. 12 ABABBCC boneA · waitB · toneA · mateB · straightB · clatterC · matterC
  13. 13 ABABBCC theyA · sirB · heyA · sirB · sirB · seeC · meC
  14. 14 ABABBCC cutA · mindB · buttA · findB · blindB · whereC · thereC
  15. 15 ABABBCC tipA · themB · shipA · themB · themB · plainC · againC
  16. 16 ABABBCC turnedA · smiledB · burnedA · childB · defiledB · voiceC · rejoiceC
  17. 17 ABABBCC togetherA · viewsB · bletherA · loseB · shoesB · hiddenC · forbiddenC
  18. 18 ABABBCC lipA · supposeB · shipA · boseB · knowsB · offenceC · senseC
  19. 19 ABA-BCC cameA · matterB · blameA · her · scatterB · beC · meC
  20. 20 ABABBCC gearA · thingsB · hereA · stringsB · questioningsB · moreC · shoreC
  21. 21 ABABBCC awayA · eyeB · sayA · replyB · cryB · feetC · beatC
  22. 22 ABABBCC inA · wentB · grinA · spentB · meantB · sayC · payC
  23. 23 ABABB-- smokeA · chestB · jokeA · restB · breastB · braces · blazes
  24. 24 ABABBCC anyoneA · thatB · funA · atB · fatB · neckC · deckC
  25. 25 ABABBCC adviceA · doB · iceA · blueB · clewB · sailC · nailC
  26. 26 ABABBCC passingA · stoolB · glassingA · ruleB · coolB · melancholyC · follyC
  27. 27 ABABBCC lineA · cameB · wineA · flameB · sameB · endC · friendC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Next day was Sunday, his free painting day,10···/···/˘·
While the fine weather held, from eight till eight.10···/˘·····
He rose when called at five, and did array10········˘/
The round-house gear, and set the kit-bags straight;10··········
Then kneeling down, like housemaid at a grate,10·/˘··/˘···
He scrubbed the deck with sand until his knees10··········
Were blue with dye from his wet dungarees.9·········
Soon all was clean, his Sunday tasks were done;10·····/····
His day was clear for painting as he chose.10·····/˘···
The wetted decks were drying in the sun,10·/˘··/˘···
The men coiled up, or swabbed, or sought repose.10········˘/
The drifts of silver arrows fell and rose10···/˘/˘···
As flying fish took wing; the breakfast passed,10·/˘····/˘·
Wasting good time, but he was free at last.10/˘········
Free for two hours and more to tingle deep,10···/···/˘·
Catching a likeness in a line or tint,10/˘·/˘·····
The canvas running up in a proud sweep,10·/˘/˘·····
Wind-wrinkled at the clews, and white like lint,10·/˘·······
The glittering of the blue waves into glint;10·/˘·······
Free to attempt it all, the proud ship's pawings,11··˘/·····/˘
The sea, the sky--he went to fetch his drawings.11·········/˘
Up to the deck-house top he quickly climbed,10·······/˘·
He stooped to find them underneath the boat.10······˘/··
He found them all obliterated, slimed,10····˘/˘·˘·
Blotted, erased, gone from him line and note.10/˘˘/······
They were all spoiled: a lump came in his throat,10··········
Being vain of his attempts, and tender skinned--10/···˘/·/˘·
Beneath the skylight watching reefers grinned.10···/·/˘/˘·
He clambered down, holding the ruined things.10·/˘·/˘·/˘·
"Bosun," he called, "look here, did you do these:10··········
Wipe off my paints and cut them into strings,10··········
And smear them till you can't tell chalk from cheese?10··········
Don't stare, but did you do it? Answer, please."10·······/˘·
The Bosun turned: "I'll give you a thick ear!10··········
Do it? I didn't. Get to hell from here!10···/˘·····
"I touch your stinking daubs? The Dauber's daft."10···/˘··/˘·
A crowd was gathering now to hear the fun;10···/˘·····
The reefers tumbled out, the men laid aft,10·/˘/˘·····
The Cook blinked, cleaning a mess kid in the sun.11···/˘······
"What's up with Dauber now?" said everyone.10···/˘··/˘·
"Someone has spoiled my drawings--look at this!"10/····/˘···
"Well, that's a dirty trick, by God, it is!"10···/˘·····
"It is," said Sam, "a low-down dirty trick,10·······/˘·
To spoil a fellow's work in such a way,10···/˘·····
And if you catch him, Dauber, punch him sick,10·····/˘···
For he deserves it, be he who he may."10··˘/······
A seaman shook his old head wise and grey.10·/˘·······
"It seems to me," he said, "who ain't no judge,10··········
Them drawings look much better now they're smudge."10·/˘··/˘···
"Where were they, Dauber? On the deck-house? Where?"10···/˘·····
"Under the long-boat, in a secret place."10·······/˘·
"The blackguard must have seen you put them there.10·/˘·······
He is a swine! I tell him to his face:10··········
I didn't think we'd anyone so base."10·/˘··/˘···
"Nor I," said Dauber. "There was six weeks' time10···/˘·····
Just wasted in these drawings: it's a crime!"10·/˘··/˘···
"Well, don't you say we did it," growled his mates,10··········
"And as for crime, be damned! the things were smears--10··········
Best overboard, like you, with shot for weights;10·/˘·······
Thank God they're gone, and now go shake your ears."10··········
The Dauber listened, very near to tears.10·/˘/˘/˘···
"Dauber, if I were you," said Sam again,10/˘······˘/
"I'd aft, and see the Captain and complain."10·····/˘·˘/
A sigh came from the assembled seamen there.11·····˘/˘/˘·
Would he be such a fool for their delight10········˘/
As go to tell the Captain? Would he dare?10·····/˘···
And would the thunder roar, the lightning smite?10···/˘··/˘·
There was the Captain come to take a sight,10···/˘·····
Handling his sextant by the chart-house aft.10/˘·/˘·····
The Dauber turned, the seamen thought him daft.10·/˘··/˘···
The Captain took his sights--a mate below10·/˘·······
Noted the times; they shouted to each other,11/˘···/˘··/˘
The Captain quick with "Stop," the answer slow,10·/˘····/˘·
Repeating slowly one height then another.11˘/˘/˘···˘/˘
The swooping clipper stumbled through the smother,11·/˘/˘/˘··/˘
The ladder brasses in the sunlight burned,10·/˘/˘··/··
The Dauber waited till the Captain turned.10·/˘/˘··/˘·
There stood the Dauber, humbled to the bone,10···/˘/˘···
Waiting to speak. The Captain let him wait,10/˘···/˘···
Glanced at the course, and called in even tone,10·······/˘·
"What is the man there wanting, Mr. Mate?"10·····/˘/˘·
The logship clattered on the grating straight,10·/˘/˘··/˘·
The reel rolled to the scuppers with a clatter,11·····/˘··/˘
The Mate came grim: "Well, Dauber, what's the matter?"11·····/˘··/˘
"Please, sir, they spoiled my drawings." "Who did?" "They."10·····/˘···
"Who's they?" "I don't quite know, sir." "Don't quite know, sir?11···········
Then why are you aft to talk about it, hey?11···········
Whom d'you complain of?" "No one." "No one?" "No, sir."11··˘/·······
"Well, then, go forward till you've found them. Go, sir.11···/˘······
If you complain of someone, then I'll see.10··˘/·/····
Now get to hell! and don't come bothering me."10·······/˘·
"But, sir, they washed them off, and some they cut.10··········
Look here, sir, how they spoiled them." "Never mind.10·······/˘·
Go shove your head inside the scuttle butt,10····˘/·/˘·
And that will make you cooler. You will find10·····/˘···
Nothing like water when you're mad and blind.10/˘·/˘·····
Where were the drawings? in your chest, or where?"10···/˘·····
"Under the long-boat, sir; I put them there."10··········
"Under the long-boat, hey? Now mind your tip.10··········
I'll have the skids kept clear with nothing round them;11·······/˘··
The long-boat ain't a store in this here ship.10··········
Lucky for you it wasn't I who found them.11/˘···/˘····
If I had seen them, Dauber, I'd have drowned them.10·····/····
Now you be warned by this. I tell you plain--10··········
Don't stow your brass-rags under boats again.10········˘/
"Go forward to your berth." The Dauber turned.10·/˘····/˘·
The listeners down below them winked and smiled,10·/˘·······
Knowing how red the Dauber's temples burned,10/˘···/˘/˘·
Having lost the case about his only child.11/˘······/˘·
His work was done to nothing and defiled,10·····/˘···
And there was no redress: the Captain's voice10····˘/·/˘·
Spoke, and called "Painter," making him rejoice.10···/˘/˘·˘/
The Captain and the Mate conversed together.11·/˘···˘/˘/˘
"Drawings, you tell me, Mister?" "Yes, sir; views:10/˘···/˘···
Wiped off with turps, I gather that's his blether.11·····/˘····
He says they're things he can't afford to lose.10······˘/··
He's Dick, who came to sea in dancing shoes,10·······/˘·
And found the dance a bear dance. They were hidden11·········/˘
Under the long-boat's chocks, which I've forbidden."11········˘/˘
"Wiped off with turps?" The Captain sucked his lip.10·····/˘···
"Who did it, Mister?" "Reefers, I suppose;10···/˘/˘·˘/
Them devils do the most pranks in a ship;10·/˘·······
The round-house might have done it, Cook or Bose."10··········
"I can't take notice of it till he knows.10···/˘·····
How does he do his work?" "Well, no offence;10········˘/
He tries; he does his best. He's got no sense."10··········
"Painter," the Captain called; the Dauber came.10/˘·/˘··/˘·
"What's all this talk of drawings? What's the matter?"11·····/˘··/˘
"They spoiled my drawings, sir." "Well, who's to blame?10···/˘·····
The long-boat's there for no one to get at her;11···········
You broke the rules, and if you choose to scatter11·········/˘
Gear up and down where it's no right to be,10··········
And suffer as result, don't come to me.10·/˘·˘/····
"Your place is in the round-house, and your gear10··········
Belongs where you belong. Who spoiled your things?10˘/··˘/····
Find out who spoiled your things and fetch him here."10··········
"But, sir, they cut the canvas into strings."10·····/˘···
"I want no argument nor questionings.10···/˘˘·/˘˘
Go back where you belong and say no more,10····˘/····
And please remember that you're not on shore."10··˘/˘·····
The Dauber touched his brow and slunk away--10·/˘·····˘/
They eyed his going with a bitter eye.10···/˘··/˘·
"Dauber," said Sam, "what did the Captain say?"10/˘·····/˘·
The Dauber drooped his head without reply.10·/˘·····˘/
"Go forward, Dauber, and enjoy your cry."10·/˘/˘·˘/··
The Mate limped to the rail; like little feet10·······/˘·
Over his head the drumming reef-points beat.10·····/˘···
The Dauber reached the berth and entered in.10·/˘····/˘·
Much mockery followed after as he went,10·/˘/˘·····
And each face seemed to greet him with the grin10··········
Of hounds hot following on a creature spent.10···/˘··/˘·
"Aren't you a fool?" each mocking visage meant.11/˘····/˘/˘·
"Who did it, Dauber? What did Captain say?10···/˘··/˘·
It is a crime, and there'll be hell to pay."11·····/˘····
He bowed his head, the house was full of smoke;10··········
The Sails was pointing shackles on his chest.10···/˘/˘···
"Lord, Dauber, be a man and take a joke"--10·/˘·······
He puffed his pipe--"and let the matter rest.10·······/˘·
Spit brown, my son, and get a hairy breast;10·······/˘·
Get shoulders on you at the crojick braces,11·/˘······/˘
And let this painting business go to blazes.11···/˘/˘··/˘
"What good can painting do to anyone?10···/˘··/˘·
I don't say never do it; far from that--10···/˘·····
No harm in sometimes painting just for fun.10···/·/˘···
Keep it for fun, and stick to what you're at.10··········
Your job's to fill your bones up and get fat;10··········
Rib up like Barney's bull, and thick your neck.10···/˘·····
Throw paints to hell, boy; you belong on deck."10······˘/··
"That's right," said Chips; "it's downright good advice.10·····/··˘/
Painting's no good; what good can painting do10/˘·····/˘·
Up on a lower topsail stiff with ice,10···/˘/˘···
With all your little fish-hooks frozen blue?10···/˘··/˘·
Painting won't help you at the weather clew,10/˘·····/˘·
Nor pass your gaskets for you, nor make sail.10···/˘·····
Painting's a balmy job not worth a nail."10/˘·/˘·····
The Dauber did not answer; time was passing.11·/˘··/˘··/˘
He pulled his easel out, his paints, his stool.10···/˘·····
The wind was dropping, and the sea was glassing--11···/˘····/˘
New realms of beauty waited for his rule;10···/˘/˘···
The draught out of the crojick kept him cool.10··········
He sat to paint, alone and melancholy.11····˘/·/˘·˘
"No turning fools," the Chips said, "from their folly."11·/˘······/˘
He dipped his brush and tried to fix a line,10··········
And then came peace, and gentle beauty came,10·····/˘/˘·
Turning his spirit's water into wine,10/˘·/˘/˘···
Lightening his darkness with a touch of flame:10/˘·/˘·····
O, joy of trying for beauty, ever the same,11···/˘·/˘/··
You never fail, your comforts never end;10·/˘··/˘/˘·
O, balm of this world's way; O, perfect friend!10·······˘/·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by John Masefield