The Ascension
Mary Magdalene telleth to the family at Bethany the Story of theAscension
In the gray dawn they left Jerusalem,And I rose up to follow after them.He led toward Bethany by the narrow bridgeOf Kedron, upward to the olive ridge.Once on the camel path beyond the City,He looked back, struck at heart with pain and pity—Looked backward from the two lone cedar treesOn Olivet, alive to every breeze—Looked in a rush of sudden tears, and thenWent steadily on, never to turn again.
Near the green quiets of a little woodThe Master halted silently and stood.The figs were purpling, and a fledgling doveHad fallen from a windy bough above,And lay there crying feebly by a thorn,Its little body bruisèd and forlorn.He stept aside a moment from the restAnd put it safely back into the nest.
Then mighty words did seem to rise in HimAnd die away: even as white vapors swimA moment on Mount Carmel’s purple steep,And then are blown back rainless to the deep.And once He looked up with a little start:Perhaps some loved name passed across His heart,Some memory of a road in Galilee,Or old familiar rock beside the Sea.
And suddenly there broke upon our sightA rush of angels terrible with light—The high same host the Shepherds saw go by,Breaking the starry night with lyric cry—A rush of angels, wistful and aware,That shook a thousand colors on the air—Colors that made a music to the eye—Glories of lilac, azure, gold, vermilion,Blown from the air-hung delicate pavilion.
And now His face grew bright with luminous will:The great grave eyes grew planet-like and still.Yea, in that moment all His face fire-whiteSeemed struck out of imperishable light.Delicious apprehension shook the spirit,With song so still that only the heart could hear it.A sense of something sacred, starry, vast,Greater than Earth, across the being passed.
Then with a stretching of His hands to bless,A last unspeakable look that was caress,Up through the vortice of bright cherubimHe rose until the august form grew dim—Up through the blue dome of the day ascended,By circling flights of seraphim befriended.He was uplifted from us, and was goneInto the darkness of another dawn.
Words in this poem
- ascension n.
- The act of ascending; a rising; ascent. [F. ascension, L. ascensio, fr. ascendere. See Ascend.]
- lone n.
- A lane. See Loanin.
- went n.
- Course; way; path; journey; direction.
- forlorn a.
- Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
- rainless a.
- Destitute of rain; as, a rainless region.
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- starry a.
- Abounding with stars; adorned with stars.
- wistful a.
- Longing; wishful; desirous. [For wishful; perhaps influenced by wistly, which is probably corrupted from OE. wisly certainly (from Icel. viss certain, akin to E. wit). See Wish.]
- shook v. t.
- To pack, as staves, in a shook.
- pavilion n.
- A temporary movable habitation; a large tent; a marquee; esp., a tent raised on posts. [F. pavillon, fr. L. pavilio a butterfly, also, a tent, because spread out like a butterfly's wings.]
- caress n.
- An act of endearment; any act or expression of affection; an embracing, or touching, with tenderness. [F. caresse, It. carezza, LL. caritia dearness, fr. L. carus dear. See Charity.]
- cherubim n.
- The Hebrew plural of Cherub.. Cf. Seraphim.
- seraphim n.
- The Hebrew plural of Seraph. Cf. Cherubim.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Ascension is in the public domain. This text is taken from Lincoln & other poems, Project Gutenberg ebook #54527; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Edwin Markham, The Ascension, in Lincoln and Other Poems (1901), text of Project Gutenberg ebook #54527, Laurel, https://laurelpoetry.com/poem/markham-lincoln/the-ascension.html, id L10799.
Form and metre
The Ascension is 53 lines in 7 verse paragraphs. It is in rhyming couplets, 83% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 10.2 syllables. 10 lines end on an unstressed syllable, a feminine ending. 26% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 AABBCCDDEE jerusalemA · themA · bridgeB · ridgeB · cityC · pityC · treesD · breezeD · thenE · againE
- 3 AABBCCDD woodA · stoodA · doveB · aboveB · thornC · forlornC · restD · nestD
- 4 AABBCCDD himA · swimA · steepB · deepB · startC · heartC · galileeD · seaD
- 5 AABBCCBDD sightA · lightA · byB · cryB · awareC · airC · eyeB · vermilionD · pavilionD
- 6 AABBBBCC willA · stillA · whiteB · lightB · spiritB · itB · vastC · passedC
- 7 AA----BB blessA · caressA · cherubim · dim · ascended · befriended · goneB · dawnB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Mary Magdalene telleth to the family at Bethany the Story of the | 19 | /˘/˘·/˘··/˘·/˘·/˘·· |
| Ascension | 3 | ˘/˘ |
| In the gray dawn they left Jerusalem, | 10 | ······˘/˘˘ |
| And I rose up to follow after them. | 10 | ·····/˘··· |
| He led toward Bethany by the narrow bridge | 11 | ····/˘··/˘· |
| Of Kedron, upward to the olive ridge. | 10 | ···/˘··/˘· |
| Once on the camel path beyond the City, | 11 | ···/˘····/˘ |
| He looked back, struck at heart with pain and pity— | 11 | ·········/˘ |
| Looked backward from the two lone cedar trees | 10 | ·/˘····/˘· |
| On Olivet, alive to every breeze— | 10 | ····˘/·/˘· |
| Looked in a rush of sudden tears, and then | 10 | ·····/˘··· |
| Went steadily on, never to turn again. | 10 | ·/˘˘·/··˘/ |
| Near the green quiets of a little wood | 10 | ···/˘··/˘· |
| The Master halted silently and stood. | 10 | ·/˘/˘/˘˘·· |
| The figs were purpling, and a fledgling dove | 10 | ···/˘··/˘· |
| Had fallen from a windy bough above, | 10 | ·/˘··/˘··· |
| And lay there crying feebly by a thorn, | 10 | ···/˘/˘··· |
| Its little body bruisèd and forlorn. | 9 | ·/˘/˘··˘/ |
| He stept aside a moment from the rest | 10 | ··˘/·/˘··· |
| And put it safely back into the nest. | 10 | ···/˘····· |
| Then mighty words did seem to rise in Him | 10 | ·/˘······· |
| And die away: even as white vapors swim | 10 | ··˘//··/˘· |
| A moment on Mount Carmel’s purple steep, | 10 | ·/˘··˘//˘· |
| And then are blown back rainless to the deep. | 10 | ·····/˘··· |
| And once He looked up with a little start: | 10 | ·······/˘· |
| Perhaps some loved name passed across His heart, | 10 | ˘/····˘/·· |
| Some memory of a road in Galilee, | 10 | ·/˘····/˘· |
| Or old familiar rock beside the Sea. | 10 | ··˘/˘·˘/·· |
| And suddenly there broke upon our sight | 10 | ·/˘˘····/· |
| A rush of angels terrible with light— | 10 | ···/˘/˘˘·· |
| The high same host the Shepherds saw go by, | 10 | ·····/˘··· |
| Breaking the starry night with lyric cry— | 10 | /˘·/˘··/˘· |
| A rush of angels, wistful and aware, | 10 | ···/˘/˘·˘/ |
| That shook a thousand colors on the air— | 10 | ···/˘/˘··· |
| Colors that made a music to the eye— | 10 | /˘···/˘··· |
| Glories of lilac, azure, gold, vermilion, | 11 | /˘·/·/˘·˘/˘ |
| Blown from the air-hung delicate pavilion. | 11 | ·····/˘˘˘/˘ |
| And now His face grew bright with luminous will: | 10 | ·······/˘· |
| The great grave eyes grew planet-like and still. | 10 | ·····/˘··· |
| Yea, in that moment all His face fire-white | 10 | ···/˘···/· |
| Seemed struck out of imperishable light. | 10 | ····˘/˘˘˘· |
| Delicious apprehension shook the spirit, | 11 | ˘/˘·˘/˘··/˘ |
| With song so still that only the heart could hear it. | 12 | ·····/˘····· |
| A sense of something sacred, starry, vast, | 10 | ···/˘/˘/˘· |
| Greater than Earth, across the being passed. | 10 | /˘··˘/·/˘· |
| Then with a stretching of His hands to bless, | 10 | ···/˘····· |
| A last unspeakable look that was caress, | 10 | ··˘/˘···˘/ |
| Up through the vortice of bright cherubim | 10 | ·······/˘˘ |
| He rose until the august form grew dim— | 10 | ·····/˘··· |
| Up through the blue dome of the day ascended, | 11 | ········˘/˘ |
| By circling flights of seraphim befriended. | 11 | ·/˘··/˘˘˘/˘ |
| He was uplifted from us, and was gone | 10 | ··/˘˘····· |
| Into the darkness of another dawn. | 10 | ···/˘·˘/˘· |
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