A Mendocino Memory
Once in my lonely, eager youth I rode,With jingling spur, into the clouds’ abode—Rode northward lightly as the high crane goes—Rode into the hills in the month of the frail wild rose,To find the soft-eyed heifers in the herds,Strayed north along the trail of nesting birds,Following the slow march of the springing grass,From range to range, from pass to flowering pass.
I took the trail: the fields were yet asleep;I saw the last star hurrying to its deep—Saw the shy wood-folk starting from their restIn many a crannied rock and leafy nest.A bold, tail-flashing squirrel in a fir,Restless as fire, set all the boughs astir;A jay, in dandy blue, flung out a fineFirst fleering sally from a sugar-pine.
A flight of hills, and then a deep ravineHung with madrono boughs—the quail’s demesne;A quick turn in the road, a wingèd whir,And there he came with fluted whispering,The captain of the chaparral, the king,With nodding plume, with circumstance and stir,And step of Carthaginian conqueror!
I climbed the canyon to a river-head,And looking backward saw a splendor spread,Miles beyond miles, of every kingly hueAnd trembling tint the looms of Arras knew—A flowery pomp as of the dying day,A splendor where a god might take his way.
And farther on the wide plains under me,I watched the light-foot winds of morning go,Soft shading over wheat-fields far and free,To keep their old appointment with the sea.And farther yet, dim in the distant glow,Hung on the east a line of ghostly snow.
After the many trails an open spaceWalled by the tulès of a perished lake;And there I stretched out, bending the green brake,And felt it cool against my heated face.My horse went cropping by a sunny crag,In wild oats taller than the antlered stagThat makes his pasture there. In gorge belowBlind waters pounded boulders, blow on blow—Waters that gather, scatter and amassDown the long canyons where the grizzlies pass,Slouching through manzanita thickets old,Strewing the small red apples on the ground,Tearing the wild grape from its tree-top hold,And wafting odors keen through all the hills around.
Now came the fording of the hurling creeks,And joyous days among the breezy peaks,Till through the hush of many canyons fellThe faint quick tenor of a brazen bell,A sudden, soft, hill-stilled, far-falling word,That told the secret of the straying herd.
It was the brink of night, and everywhereTall redwoods spread their filmy tops in air;Huge trunks, like shadows upon shadow cast,Pillared the under twilight, vague and vast.And one had fallen across the mountain way,A tree hurled down by hurricane to lieWith torn-out roots pronged-up against the skyAnd clutching still their little dole of clay.
Lightly I broke green branches for a bed,And gathered ferns, a pillow for my head.And what to this were kingly chambers worth—Sleeping, an ant, upon the sheltering earth,High over Mendocino’s windy capes,Where ships go flying south like shadow-shapes—Gleam into vision and go fading on,Bearing the pines hewn out of Oregon.
Words in this poem 25
- rode n.
- Redness; complexion. [See Rud.]
- jingling n.
- The act or process of producing a jingle; also, the sound itself; a chink.
- abode n.
- Act of waiting; delay. [OE. abad, abood, fr. abiden to abide. See Abide. For the change of vowel, cf. abode, imp. of abide.]
- northward a.
- Toward the north; nearer to the north than to the east or west point. [AS. noredhweard.]
- folk n.
- In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
- crannied a.
- Having crannies, chinks, or fissures; as, a crannied wall.
- astir adv.
- Stirring; in a state of activity or motion; out of bed. [Pref. a- + stir.]
- chaparral n.
- A thicket of low evergreen oaks. [Sp., fr. chaparro an evergeen oak.]
- carthaginian a.
- Of a pertaining to ancient Carthage, a city of northern Africa.
- canyon n.
- The English form of the Spanish word Cañon.
- arras n.
- Tapestry; a rich figured fabric; especially, a screen or hangings of heavy cloth with interwoven figures. [From Arras the capital of Artois, in the French Netherlands.]
- ghostly a.
- Relating to the soul; not carnal or secular; spiritual; as, a ghostly confessor. [OE. gastlich, gostlich, AS. gastlic. See Ghost.]
- went n.
- Course; way; path; journey; direction.
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- crag n.
- The neck or throat [A form of craw: cf. D. kraag neck, collar, G. kragen. See Craw.]
- antlered a.
- Furnished with antlers.
- slouching a.
- Hanging down at the side; limp; drooping; without firmness or shapeliness; moving in an ungainly manner.
- strewing n.
- The act of scattering or spreading.
- creeks n.
- A tribe or confederacy of North American Indians, including the Muskogees, Seminoles, Uchees, and other subordinate tribes. They formerly inhabited Georgia, Florida, and Alabama.
- breezy a.
- Characterized by, or having, breezes; airy.
- brink n.
- The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
- filmy a.
- Composed of film or films.
- pillared a.
- Supported or ornamented by pillars; resembling a pillar, or pillars.
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- fading n.
- An Irish dance; also, the burden of a song.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Mendocino Memory is in the public domain. This text is taken from Lincoln & other poems, Project Gutenberg ebook #54527; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Edwin Markham, A Mendocino Memory, in Lincoln and Other Poems (1901), text of Project Gutenberg ebook #54527, Laurel, https://laurelpoetry.com/poem/markham-lincoln/a-mendocino-memory.html, id L10787.
Form and metre
A Mendocino Memory is 71 lines in 9 verse paragraphs. It is in rhyming couplets, 73% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 3 lines end on an unstressed syllable, a feminine ending. 17% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDD rodeA · abodeA · goesB · roseB · herdsC · birdsC · grassD · passD
- 2 AABBCCDD asleepA · deepA · restB · nestB · firC · astirC · fineD · pineD
- 3 ---AA-- ravine · demesne · whir · whisperingA · kingA · stir · conqueror
- 4 AABBCC headA · spreadA · hueB · knewB · dayC · wayC
- 5 ABAABB meA · goB · freeA · seaA · glowB · snowB
- 6 ABBACCDDEEFGFG spaceA · lakeB · brakeB · faceA · cragC · stagC · belowD · blowD · amassE · passE · oldF · groundG · holdF · aroundG
- 7 AABBCC creeksA · peaksA · fellB · bellB · wordC · herdC
- 8 AABBCDDC everywhereA · airA · castB · vastB · wayC · lieD · skyD · clayC
- 9 AABBCCDD bedA · headA · worthB · earthB · capesC · shapesC · onD · oregonD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Once in my lonely, eager youth I rode, | 10 | ···/˘/˘··· |
| With jingling spur, into the clouds’ abode— | 10 | ·/˘·····˘/ |
| Rode northward lightly as the high crane goes— | 10 | ·/˘/˘····· |
| Rode into the hills in the month of the frail wild rose, | 13 | ············· |
| To find the soft-eyed heifers in the herds, | 10 | ·····/˘··· |
| Strayed north along the trail of nesting birds, | 10 | ··˘/···/˘· |
| Following the slow march of the springing grass, | 10 | /˘·····/˘· |
| From range to range, from pass to flowering pass. | 10 | ·······/˘· |
| I took the trail: the fields were yet asleep; | 10 | ········˘/ |
| I saw the last star hurrying to its deep— | 10 | ·····/˘··· |
| Saw the shy wood-folk starting from their rest | 10 | ·····/˘··· |
| In many a crannied rock and leafy nest. | 10 | ·/·/˘··/˘· |
| A bold, tail-flashing squirrel in a fir, | 10 | ···/˘/˘··· |
| Restless as fire, set all the boughs astir; | 10 | /˘·/····˘/ |
| A jay, in dandy blue, flung out a fine | 10 | ···/˘····· |
| First fleering sally from a sugar-pine. | 10 | ·/˘/˘··/˘· |
| A flight of hills, and then a deep ravine | 10 | ········˘/ |
| Hung with madrono boughs—the quail’s demesne; | 10 | ········˘/ |
| A quick turn in the road, a wingèd whir, | 9 | ········· |
| And there he came with fluted whispering, | 10 | ·····/˘/˘˘ |
| The captain of the chaparral, the king, | 10 | ·/˘···˘/·· |
| With nodding plume, with circumstance and stir, | 10 | ·/˘··/˘··· |
| And step of Carthaginian conqueror! | 11 | ····˘/˘˘/˘˘ |
| I climbed the canyon to a river-head, | 10 | ···/˘··/˘· |
| And looking backward saw a splendor spread, | 10 | ·/˘/˘··/˘· |
| Miles beyond miles, of every kingly hue | 10 | ·····/˘/˘· |
| And trembling tint the looms of Arras knew— | 10 | ·/˘····/˘· |
| A flowery pomp as of the dying day, | 10 | ·/˘····/˘· |
| A splendor where a god might take his way. | 10 | ·/˘······· |
| And farther on the wide plains under me, | 10 | ·/˘······· |
| I watched the light-foot winds of morning go, | 10 | ·······/˘· |
| Soft shading over wheat-fields far and free, | 10 | ·/˘······· |
| To keep their old appointment with the sea. | 10 | ····˘/˘··· |
| And farther yet, dim in the distant glow, | 10 | ·/˘····/˘· |
| Hung on the east a line of ghostly snow. | 10 | ·······/˘· |
| After the many trails an open space | 10 | ···/˘··/˘· |
| Walled by the tulès of a perished lake; | 10 | ·˘·····/˘· |
| And there I stretched out, bending the green brake, | 10 | ·····/˘··· |
| And felt it cool against my heated face. | 10 | ·······/˘· |
| My horse went cropping by a sunny crag, | 10 | ···/˘··/˘· |
| In wild oats taller than the antlered stag | 10 | ···/˘··/˘· |
| That makes his pasture there. In gorge below | 10 | ···/˘····· |
| Blind waters pounded boulders, blow on blow— | 10 | ·/˘/˘/˘··· |
| Waters that gather, scatter and amass | 10 | /˘·/˘/˘·˘/ |
| Down the long canyons where the grizzlies pass, | 10 | ···/˘··/˘· |
| Slouching through manzanita thickets old, | 10 | /˘·····/˘· |
| Strewing the small red apples on the ground, | 10 | /˘···/˘··· |
| Tearing the wild grape from its tree-top hold, | 10 | /˘········ |
| And wafting odors keen through all the hills around. | 12 | ·/˘/˘······· |
| Now came the fording of the hurling creeks, | 10 | ···/˘··/˘· |
| And joyous days among the breezy peaks, | 10 | ·/˘····/˘· |
| Till through the hush of many canyons fell | 10 | ·····/˘/˘· |
| The faint quick tenor of a brazen bell, | 10 | ···/˘··/˘· |
| A sudden, soft, hill-stilled, far-falling word, | 10 | ·/˘····/˘· |
| That told the secret of the straying herd. | 10 | ···/˘··/˘· |
| It was the brink of night, and everywhere | 10 | ·······/˘· |
| Tall redwoods spread their filmy tops in air; | 10 | ·/···/˘··· |
| Huge trunks, like shadows upon shadow cast, | 10 | ···/···/·· |
| Pillared the under twilight, vague and vast. | 10 | /˘···/···· |
| And one had fallen across the mountain way, | 11 | ···/˘˘/·/˘· |
| A tree hurled down by hurricane to lie | 10 | ·····/˘··· |
| With torn-out roots pronged-up against the sky | 10 | ·········· |
| And clutching still their little dole of clay. | 10 | ·/˘··/˘··· |
| Lightly I broke green branches for a bed, | 10 | /˘···/˘··· |
| And gathered ferns, a pillow for my head. | 10 | ·/˘··/˘··· |
| And what to this were kingly chambers worth— | 10 | ·····/˘/˘· |
| Sleeping, an ant, upon the sheltering earth, | 10 | /˘·····/˘· |
| High over Mendocino’s windy capes, | 10 | ····˘/˘/˘· |
| Where ships go flying south like shadow-shapes— | 10 | ···/˘··/·· |
| Gleam into vision and go fading on, | 10 | ···/˘··/˘· |
| Bearing the pines hewn out of Oregon. | 10 | /˘·····/˘˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.