Night-Scented Stock

Katherine Mansfield (1888–1923) · 1923

40 lines · from Poems

White, white in the milky nightThe moon danced over a tree.“Wouldn’t it be lovely to swim in the lake!”Someone whispered to me.

“Oh, do—do—do!” cooed someone else,And clasped her hands to her chin.“I should so love to see the white bodies—All the white bodies jump in!”

The big dark house hid secretlyBehind the magnolia and the spreading pear-tree,But there was a sound of music—music rippled and ranLike a lady laughing behind her fan,Laughing and mocking and running away ...“Come into the garden—it’s as light as day!”

“I can’t dance to that Hungarian stuff,The rhythm in it is not passionate enough,”Said somebody. “I absolutely refuse...”But he took off his socks and his shoesAnd round her spun. “It’s like Hungarian fruit dishesHard and bright—a mechanical blue!”His white feet flicked in the grass like fishes ...Someone cried: “I want to dance, too!”

But one with a queer Russian ballet headCurled up on a blue wooden bench instead.And another, shadowy—shadowy and tall—Walked in the shadow of the dark house wall,Someone beside her. It shone in the gloom,His round grey hat, like a wet mushroom.

“Don’t you think perhaps ...” piped someone’s flute ...“How sweet the flowers smell!” I heard the other say—Somebody picked a wet, wet pinkSmelled it and threw it away.“Is the moon a virgin or is she a harlot?”Asked somebody. Nobody would tell.The faces and the hands moved in a patternAs the music rose and fell,In a dancing, mysterious, moon-bright patternLike flowers nodding under the sea ...

The music stopped and there was nothing left of themBut the moon dancing over the tree.

Words in this poem

somebody n.
A person unknown or uncertain; a person indeterminate; some person.
ballet n.
An artistic dance performed as a theatrical entertainment, or an interlude, by a number of persons, usually women. Sometimes, a scene accompanied by pantomime and dancing. [F., a dim. of bal dance. See 2d Ball, n.]
piped a.
Formed with a pipe; having pipe or pipes; tubular.
nobody n.
No person; no one; not anybody. [No, a. + body.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Night-Scented Stock is in the public domain. This text is taken from Poems, Project Gutenberg ebook #59276; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Katherine Mansfield, Night-Scented Stock, in Poems (1923), text of Project Gutenberg ebook #59276, Laurel, https://laurelpoetry.com/poem/mansfield-poems/night-scented-stock.html, id L27605.

Form and metre

Night-Scented Stock is 40 lines in 7 stanzas. The commonest rhyme scheme is AABBCC, in 2 of the 7 stanzas; the rest vary or could not be confirmed.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A night · treeA · lake · meA
  2. 2 -A-A else · chinA · bodies · inA
  3. 3 AABBCC secretlyA · treeA · ranB · fanB · awayC · dayC
  4. 4 AABBCDCD stuffA · enoughA · refuseB · shoesB · dishesC · blueD · fishesC · tooD
  5. 5 AABBCC headA · insteadA · tallB · wallB · gloomC · mushroomC
  6. 6 AB-BACDCD- fluteA · sayB · pink · awayB · harlotA · tellC · patternD · fellC · patternD · sea
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
White, white in the milky night7····/˘·
The moon danced over a tree.8···˘····
“Wouldn’t it be lovely to swim in the lake!”11/˘··/˘·····
Someone whispered to me.7/·/˘˘··
“Oh, do—do—do!” cooed someone else,8·····/··
And clasped her hands to her chin.8··˘·····
“I should so love to see the white bodies—10········/˘
All the white bodies jump in!”7···/˘··
The big dark house hid secretly8·····/˘˘
Behind the magnolia and the spreading pear-tree,12···˘/˘··/˘··
But there was a sound of music—music rippled and ran14······/˘/˘/˘··
Like a lady laughing behind her fan,10··/˘/˘····
Laughing and mocking and running away ...10/˘·/˘·/˘˘/
“Come into the garden—it’s as light as day!”11····/˘·····
“I can’t dance to that Hungarian stuff,9·····˘/˘·
The rhythm in it is not passionate enough,”11·/˘····/˘˘/
Said somebody. “I absolutely refuse...”11·/˘˘··˘/˘/·
But he took off his socks and his shoes9·········
And round her spun. “It’s like Hungarian fruit dishes12······˘/˘·/˘
Hard and bright—a mechanical blue!”8····˘/˘·
His white feet flicked in the grass like fishes ...10········/˘
Someone cried: “I want to dance, too!”8/·······
But one with a queer Russian ballet head10·····/˘˘/·
Curled up on a blue wooden bench instead.10·····/˘·˘/
And another, shadowy—shadowy and tall—10·˘/˘/˘/˘··
Walked in the shadow of the dark house wall,10···/······
Someone beside her. It shone in the gloom,10/·˘/······
His round grey hat, like a wet mushroom.9·······/˘
“Don’t you think perhaps ...” piped someone’s flute ...9···˘/·/··
“How sweet the flowers smell!” I heard the other say—11···/····/˘·
Somebody picked a wet, wet pink8/˘˘·····
Smelled it and threw it away.8·˘····˘/
“Is the moon a virgin or is she a harlot?”12····/˘····/˘
Asked somebody. Nobody would tell.9·/·˘/····
The faces and the hands moved in a pattern11·/˘······/˘
As the music rose and fell,7··/˘···
In a dancing, mysterious, moon-bright pattern11··/˘˘/˘··/˘
Like flowers nodding under the sea ...8·//˘····
The music stopped and there was nothing left of them12·/˘····/˘···
But the moon dancing over the tree.8···/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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