My Two Geniuses
One is a slow and melancholy maid;I know riot if she cometh from the skiesOr from the sleepy gulfs, but she will riseOften before me in the twilight shade,Holding a bunch of poppies and a bladeOf springing wheat: prostrate my body liesBefore her on the turf, the while she tiesA fillet of the weed about my head;And in the gaps of sleep I seem to hearA gentle rustle like the stir of corn,And words like odours thronging to my ear:"Lie still, beloved--still until the morn;Lie still with me upon this rolling sphere--Still till the judgment; thou art faint and worn."
The other meets me in the public throng;Her hair streams backward from her loose attire;She hath a trumpet and an eye of fire;She points me downward, steadily and long:--"There is thy grave--arise, my son, be strong!Hands are upon thy crown--awake, aspireTo immortality; heed not the lyreOf the Enchantress, nor her poppy-song,But in the stillness of the summer calmTremble for what is Godlike in thy being.Listen a while, and thou shall hear the psalmOf victory sung by creatures past thy seeing;And from far battle-fields there comes the neighingOf dreadful onset, though the air is balm."
Maid with the poppies, must I let thee go?Alas, I may not; thou art likewise dear!I am but human, and thou hast a tearWhen she hath nought but splendour, and the glowOf a wild energy that mocks the flowOf the poor sympathies which keep us here:Lay past thy poppies, and come twice as near,And I will teach thee, and thou too shalt grow;And thou shalt walk with me in open dayThrough the rough thoroughfares with quiet grace;And the wild-visaged maid shall lead the way,Timing her footsteps to a gentler paceAs her great orbs turn ever on thy face,Drinking in draughts of loving help alway.
Words in this poem
- rustle v. i.
- To make a quick succession of small sounds, like the rubbing or moving of silk cloth or dry leaves. [AS. hristlan to rustle; or cf. Sw. rusta to stir, make a riot, or E. rush, v.]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- aspire v. t.
- To aspire to; to long for; to try to reach; to mount to.
- enchantress n.
- A woman versed in magical arts; a sorceress; also, a woman who fascinates. [Cf. F. enchanteresse.]
- stillness n.
- The quality or state of being still; quietness; silence; calmness; inactivity.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- dreadful a.
- Full of dread or terror; fearful.
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- splendour n.
- Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
- shalt
- 2d per. sing. of Shall.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
My Two Geniuses is in the public domain. This text is taken from The poetical works of George MacDonald in two volumes — Volume 2, Project Gutenberg ebook #9984; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: George MacDonald, My Two Geniuses, in A Microcosm in Terza Rima, and Other Poems (1893), text of Project Gutenberg ebook #9984, Laurel, https://laurelpoetry.com/poem/macdonald-poems/my-two-geniuses.html, id L22469.
Form and metre
My Two Geniuses is 42 lines in 3 stanzas of 14 lines each. It is in rhyming couplets, 52% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABBAABB-CDCDCD maidA · skiesB · riseB · shadeA · bladeA · liesB · tiesB · head · hearC · cornD · earC · mornD · sphereC · wornD
- 2 ABBAACCADEDEED throngA · attireB · fireB · longA · strongA · aspireC · lyreC · songA · calmD · beingE · psalmD · seeingE · neighingE · balmD
- 3 ABBAABBACDCDD- goA · dearB · tearB · glowA · flowA · hereB · nearB · growA · dayC · graceD · wayC · paceD · faceD · alway
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| One is a slow and melancholy maid; | 10 | ·····/˘·˘· |
| I know riot if she cometh from the skies | 10 | ··/··/˘··· |
| Or from the sleepy gulfs, but she will rise | 10 | ···/˘····· |
| Often before me in the twilight shade, | 10 | /˘·····/·· |
| Holding a bunch of poppies and a blade | 10 | /˘···/˘··· |
| Of springing wheat: prostrate my body lies | 10 | ·/˘·/˘·/˘· |
| Before her on the turf, the while she ties | 10 | ·········· |
| A fillet of the weed about my head; | 10 | ·˘/······· |
| And in the gaps of sleep I seem to hear | 10 | ·········· |
| A gentle rustle like the stir of corn, | 10 | ·/˘/˘····· |
| And words like odours thronging to my ear: | 10 | ···/˘/˘··· |
| "Lie still, beloved--still until the morn; | 10 | ··˘/˘····· |
| Lie still with me upon this rolling sphere-- | 10 | ·······/˘· |
| Still till the judgment; thou art faint and worn." | 10 | ···/˘····· |
| The other meets me in the public throng; | 10 | ·/˘····/˘· |
| Her hair streams backward from her loose attire; | 11 | ···/˘···˘/˘ |
| She hath a trumpet and an eye of fire; | 11 | ···/˘····/˘ |
| She points me downward, steadily and long:-- | 10 | ···/˘/˘˘·· |
| "There is thy grave--arise, my son, be strong! | 10 | ····˘/···· |
| Hands are upon thy crown--awake, aspire | 10 | ······˘/˘/ |
| To immortality; heed not the lyre | 10 | ··˘/˘˘···· |
| Of the Enchantress, nor her poppy-song, | 10 | ··˘/˘··/˘· |
| But in the stillness of the summer calm | 10 | ···/˘··/˘· |
| Tremble for what is Godlike in thy being. | 11 | /˘···/˘··/˘ |
| Listen a while, and thou shall hear the psalm | 10 | /˘········ |
| Of victory sung by creatures past thy seeing; | 10 | ·/˘··/˘··/ |
| And from far battle-fields there comes the neighing | 11 | ···/˘······ |
| Of dreadful onset, though the air is balm." | 10 | ·/˘/······ |
| Maid with the poppies, must I let thee go? | 10 | ···/˘····· |
| Alas, I may not; thou art likewise dear! | 10 | ˘/·····/·· |
| I am but human, and thou hast a tear | 10 | ···/˘····· |
| When she hath nought but splendour, and the glow | 10 | ·····/˘··· |
| Of a wild energy that mocks the flow | 10 | ···/˘˘···· |
| Of the poor sympathies which keep us here: | 10 | ···/˘˘···· |
| Lay past thy poppies, and come twice as near, | 10 | ···/˘····· |
| And I will teach thee, and thou too shalt grow; | 10 | ·········· |
| And thou shalt walk with me in open day | 10 | ·······/˘· |
| Through the rough thoroughfares with quiet grace; | 10 | ···/˘··/˘· |
| And the wild-visaged maid shall lead the way, | 10 | ···/˘····· |
| Timing her footsteps to a gentler pace | 10 | /˘·/···/˘· |
| As her great orbs turn ever on thy face, | 10 | ·····/˘··· |
| Drinking in draughts of loving help alway. | 10 | /˘···/˘·/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.