Lines Written a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798

William Wordsworth (1770–1850) · 1798

iambic pentameter · 167 lines · from Lyrical Ballads

Five years have passed; five summers, with the lengthOf five long winters! and again I hearThese waters, rolling from their mountain-springsWith a sweet inland murmur.--Once againDo I behold these steep and lofty cliffs,Which on a wild secluded scene impressThoughts of more deep seclusion; and connectThe landscape with the quiet of the sky.The day is come when I again reposeHere, under this dark sycamore, and viewThese plots of cottage-ground, these orchard-tufts,Which, at this season, with their unripe fruits,Among the woods and copses lose themselves,Nor, with their green and simple hue, disturbThe wild green landscape. Once again I seeThese hedge-rows, hardly hedge-rows, little linesOf sportive wood run wild; these pastoral farmsGreen to the very door; and wreathes of smokeSent up, in silence, from among the trees,With some uncertain notice, as might seem,Of vagrant dwellers in the houseless woods,Or of some hermit’s cave, where by his fireThe hermit sits alone.

Though absent long,These forms of beauty have not been to me,As is a landscape to a blind man’s eye:But oft, in lonely rooms, and mid the dinOf towns and cities, I have owed to them,In hours of weariness, sensations sweet,Felt in the blood, and felt along the heart,And passing even into my purer mindWith tranquil restoration:--feelings tooOf unremembered pleasure; such, perhaps,As may have had no trivial influenceOn that best portion of a good man’s life;His little, nameless, unremembered actsOf kindness and of love. Nor less, I trust,To them I may have owed another gift,Of aspect more sublime; that blessed mood,In which the burthen of the mystery,In which the heavy and the weary weightOf all this unintelligible worldIs lighten’d:--that serene and blessed mood,In which the affections gently lead us on,Until, the breath of this corporeal frame,And even the motion of our human bloodAlmost suspended, we are laid asleepIn body, and become a living soul:While with an eye made quiet by the powerOf harmony, and the deep power of joy,We see into the life of things.

If thisBe but a vain belief, yet, oh! how oft,In darkness, and amid the many shapesOf joyless day-light; when the fretful stirUnprofitable, and the fever of the world,Have hung upon the beatings of my heart,How oft, in spirit, have I turned to theeO sylvan Wye! Thou wanderer through the woods,How often has my spirit turned to thee!

And now, with gleams of half-extinguish’d thought,With many recognitions dim and faint,And somewhat of a sad perplexity,The picture of the mind revives again:While here I stand, not only with the senseOf present pleasure, but with pleasing thoughtsThat in this moment there is life and foodFor future years. And so I dare to hopeThough changed, no doubt, from what I was, when firstI came among these hills; when like a roeI bounded o’er the mountains, by the sidesOf the deep rivers, and the lonely streams,Wherever nature led; more like a manFlying from something that he dreads, than oneWho sought the thing he loved. For nature then(The coarser pleasures of my boyish days,And their glad animal movements all gone by,)To me was all in all.--I cannot paintWhat then I was. The sounding cataractHaunted me like a passion: the tall rock,The mountain, and the deep and gloomy wood,Their colours and their forms, were then to meAn appetite: a feeling and a love,That had no need of a remoter charm,By thought supplied, or any interestUnborrowed from the eye.--That time is past,And all its aching joys are now no more,And all its dizzy raptures. Not for thisFaint I, nor mourn nor murmur: other giftsHave followed, for such loss, I would believe,Abundant recompence. For I have learnedTo look on nature, not as in the hourOf thoughtless youth, but hearing oftentimesThe still, sad music of humanity,Not harsh nor grating, though of ample powerTo chasten and subdue. And I have feltA presence that disturbs me with the joyOf elevated thoughts; a sense sublimeOf something far more deeply interfused,Whose dwelling is the light of setting suns,And the round ocean, and the living air,And the blue sky, and in the mind of man,A motion and a spirit, that impelsAll thinking things, all objects of all thought,And rolls through all things. Therefore am I stillA lover of the meadows and the woods,And mountains; and of all that we beholdFrom this green earth; of all the mighty worldOf eye and ear, both what they half-create,And what perceive; well pleased to recognizeIn nature and the language of the sense,The anchor of my purest thoughts, the nurse,The guide, the guardian of my heart, and soulOf all my moral being.

Nor, perchance,If I were not thus taught, should I the moreSuffer my genial spirits to decay:For thou art with me, here, upon the banksOf this fair river; thou, my dearest Friend,My dear, dear Friend, and in thy voice I catchThe language of my former heart, and readMy former pleasures in the shooting lightsOf thy wild eyes. Oh! yet a little whileMay I behold in thee what I was once,My dear, dear Sister! And this prayer I make,Knowing that Nature never did betrayThe heart that loved her; ’tis her privilege,Through all the years of this our life, to leadFrom joy to joy: for she can so informThe mind that is within us, so impressWith quietness and beauty, and so feedWith lofty thoughts, that neither evil tongues,Rash judgments, nor the sneers of selfish men,Nor greetings where no kindness is, nor allThe dreary intercourse of daily life,Shall e’er prevail against us, or disturbOur chearful faith that all which we beholdIs full of blessings. Therefore let the moonShine on thee in thy solitary walk;And let the misty mountain winds be freeTo blow against thee: and in after years,When these wild ecstasies shall be maturedInto a sober pleasure, when thy mindShall be a mansion for all lovely forms,Thy memory be as a dwelling-placeFor all sweet sounds and harmonies; Oh! then,If solitude, or fear, or pain, or grief,Should be thy portion, with what healing thoughtsOf tender joy wilt thou remember me,And these my exhortations! Nor, perchance,If I should be, where I no more can hearThy voice, nor catch from thy wild eyes these gleamsOf past existence, wilt thou then forgetThat on the banks of this delightful streamWe stood together; and that I, so longA worshipper of Nature, hither came,Unwearied in that service: rather sayWith warmer love, oh! with far deeper zealOf holier love. Nor wilt thou then forget,That after many wanderings, many yearsOf absence, these steep woods and lofty cliffs,And this green pastoral landscape, were to meMore dear, both for themselves, and for thy sake.

The river is not affected by the tides a few miles aboveTintern.

This line has a close resemblance to an admirable line ofYoung, the exact expression of which I cannot recollect.

Words in this poem 18
houseless a.
Destitute of the shelter of a house; shelterless; homeless; as, a houseless wanderer.
trivial a.
Found anywhere; common. [L. trivialis, properly, that is in, or belongs to, the crossroads or public streets; hence, that may be found everywhere, common, fr. trivium a place where thre]
nameless a.
Without a name; not having been given a name; as, a nameless star.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
joyless a.
Not having joy; not causing joy; unenjoyable.
wherever adv.
At or in whatever place; wheresoever.
boyish a.
Resembling a boy in a manners or opinions; belonging to a boy; childish; trifling; puerile.
haunted a.
Inhabited by, or subject to the visits of, apparitions; frequented by a ghost.
unborrowed a.
Not borrowed; being one's own; native; original.
aching a.
That aches; continuously painful. See Ache.
oftentimes adv.
Frequently; often; many times. [Often + time. Cf. -wards.]
genial a.
Contributing to, or concerned in, propagation or production; generative; procreative; productive. [L. genialis: cf. OF. genial. See Genius.]
dreary a.
Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
mansion n.
A dwelling place, -- whether a part or whole of a house or other shelter. [OF. mansion, F. maison, fr. L. mansio a staying, remaining, a dwelling, habitation, fr. manere, mansum, to stay, dwell; akin to Gr. Manse, Manor, Menagerie, Men]
unwearied a.
Not wearied; not fatigued or tired; hence, persistent; not tiring or wearying; indefatigable.
admirable a.
Fitted to excite wonder; wonderful; marvelous. [L. admirabilis: cf. F. admirable.]
recollect v. t.
To recover or recall the knowledge of; to bring back to the mind or memory; to remember. [Pref. re- + collect: cf. L. recolligere, recollectum, to collect. Cf. Recollet.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Lines Written a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798 is in the public domain. This text is taken from Lyrical Ballads, With a Few Other Poems (1798), Project Gutenberg ebook #9622; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Wordsworth, Lines Written a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798, in Lyrical Ballads (1798), text of Project Gutenberg ebook #9622, Laurel, https://laurelpoetry.com/poem/lyrical-ballads/lines-written-a-few-miles-above-tintern-abbey-on-revisiting-the-banks-of-the-wye-during-a-tour-july-13-1798.html, id L20642.

Form and metre

Lines Written a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798 is 167 lines in 7 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 -AA------------B---B-------- long · meA · eyeA · din · them · sweet · heart · mind · too · perhaps · influence · life · acts · trust · gift · moodB · mystery · weight · world · moodB · on · frame · blood · asleep · soul · power · joy · things
  2. 3 ------A-A this · oft · shapes · stir · world · heart · theeA · woods · theeA
  3. 4 ------------------------AA-----B--B------------------- thought · faint · perplexity · again · sense · thoughts · food · hope · first · roe · sides · streams · man · one · then · days · by · paint · cataract · rock · wood · me · love · charm · interestA · pastA · more · this · gifts · believe · learned · hourB · oftentimes · humanity · powerB · felt · joy · sublime · interfused · suns · air · man · impels · thought · still · woods · behold · world · create · recognize · sense · nurse · soul · being
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Five years have passed; five summers, with the length10·····/˘···
Of five long winters! and again I hear10···/˘·˘/··
These waters, rolling from their mountain-springs10·/˘/˘··/˘·
With a sweet inland murmur.--Once again10···/·/˘·˘/
Do I behold these steep and lofty cliffs,10··˘/···/˘·
Which on a wild secluded scene impress10····˘/˘·˘/
Thoughts of more deep seclusion; and connect10····˘/˘·˘/
The landscape with the quiet of the sky.10·/···/˘···
The day is come when I again repose10······˘/˘/
Here, under this dark sycamore, and view10·····/˘···
These plots of cottage-ground, these orchard-tufts,10···/˘··/˘·
Which, at this season, with their unripe fruits,10···/˘··˘/·
Among the woods and copses lose themselves,10·····/˘·˘/
Nor, with their green and simple hue, disturb10·····/˘·˘/
The wild green landscape. Once again I see10···/··˘/··
These hedge-rows, hardly hedge-rows, little lines10···/˘··/˘·
Of sportive wood run wild; these pastoral farms10·/˘····/˘·
Green to the very door; and wreathes of smoke10···/˘·····
Sent up, in silence, from among the trees,10···/˘·····
With some uncertain notice, as might seem,10··˘/˘/˘···
Of vagrant dwellers in the houseless woods,10·/˘/˘··/˘·
Or of some hermit’s cave, where by his fire11···/˘····/˘
The hermit sits alone.6·/˘·˘/
Though absent long,4·/˘·
These forms of beauty have not been to me,10···/˘·····
As is a landscape to a blind man’s eye:10···/······
But oft, in lonely rooms, and mid the din10···/˘·····
Of towns and cities, I have owed to them,10···/˘·····
In hours of weariness, sensations sweet,10·/·/˘˘˘/˘·
Felt in the blood, and felt along the heart,10······˘/··
And passing even into my purer mind10·/˘/···/˘·
With tranquil restoration:--feelings too10·/˘·˘/˘/˘·
Of unremembered pleasure; such, perhaps,10·····/˘·˘/
As may have had no trivial influence11·····/˘˘/˘˘
On that best portion of a good man’s life;10···/˘·····
His little, nameless, unremembered acts10·/˘/˘·····
Of kindness and of love. Nor less, I trust,10·/˘·······
To them I may have owed another gift,10······˘/˘·
Of aspect more sublime; that blessed mood,10·/··˘/··˘·
In which the burthen of the mystery,10···/˘··/˘˘
In which the heavy and the weary weight10···/˘··/˘·
Of all this unintelligible world10····˘/˘˘˘·
Is lighten’d:--that serene and blessed mood,10·/˘·˘/··˘·
In which the affections gently lead us on,11···˘/˘/˘···
Until, the breath of this corporeal frame,11······˘/˘˘·
And even the motion of our human blood10·/·/˘·//˘·
Almost suspended, we are laid asleep10/·˘/˘···˘/
In body, and become a living soul:10·/˘·˘/·/˘·
While with an eye made quiet by the power11·····/˘··/˘
Of harmony, and the deep power of joy,10·/˘˘···/··
We see into the life of things.8········
If this2··
Be but a vain belief, yet, oh! how oft,10····˘/····
In darkness, and amid the many shapes10·/˘·˘/·/˘·
Of joyless day-light; when the fretful stir10·/˘····/˘·
Unprofitable, and the fever of the world,10˘/˘··/˘···
Have hung upon the beatings of my heart,10·····/˘···
How oft, in spirit, have I turned to thee10···/˘·····
O sylvan Wye! Thou wanderer through the woods,10·/˘··/˘···
How often has my spirit turned to thee!10·/˘··/˘···
And now, with gleams of half-extinguish’d thought,10······˘/˘·
With many recognitions dim and faint,10·/˘·˘/˘···
And somewhat of a sad perplexity,10·//···˘/˘˘
The picture of the mind revives again:10·/˘···˘/˘/
While here I stand, not only with the sense10·····/˘···
Of present pleasure, but with pleasing thoughts10·/˘/˘··/˘·
That in this moment there is life and food10···/˘·····
For future years. And so I dare to hope10·/˘·······
Though changed, no doubt, from what I was, when first10··········
I came among these hills; when like a roe10··········
I bounded o’er the mountains, by the sides10·/˘··/˘···
Of the deep rivers, and the lonely streams,10···/˘··/˘·
Wherever nature led; more like a man10˘/˘/˘·····
Flying from something that he dreads, than one10/˘·/˘·····
Who sought the thing he loved. For nature then10·······/˘·
(The coarser pleasures of my boyish days,10·/˘/˘··/˘·
And their glad animal movements all gone by,)10···/˘/˘···
To me was all in all.--I cannot paint10·······/˘·
What then I was. The sounding cataract10·····/˘/˘˘
Haunted me like a passion: the tall rock,10/˘···/˘···
The mountain, and the deep and gloomy wood,10·/˘····/˘·
Their colours and their forms, were then to me10·/˘·······
An appetite: a feeling and a love,10·/˘··/˘···
That had no need of a remoter charm,10··········
By thought supplied, or any interest9··˘/·/˘/˘
Unborrowed from the eye.--That time is past,10˘/˘·······
And all its aching joys are now no more,10···/˘·····
And all its dizzy raptures. Not for this10···/˘/˘···
Faint I, nor mourn nor murmur: other gifts10·····/˘/˘·
Have followed, for such loss, I would believe,10·/˘·····˘/
Abundant recompence. For I have learned10˘/˘·······
To look on nature, not as in the hour11···/˘····/˘
Of thoughtless youth, but hearing oftentimes10·/˘··/˘/˘·
The still, sad music of humanity,10···/˘·˘/˘˘
Not harsh nor grating, though of ample power11···/˘··/˘/˘
To chasten and subdue. And I have felt10·/˘·˘/····
A presence that disturbs me with the joy10·/˘·˘/····
Of elevated thoughts; a sense sublime10·/˘·˘···˘/
Of something far more deeply interfused,10·/˘··/˘···
Whose dwelling is the light of setting suns,10·/˘····/˘·
And the round ocean, and the living air,10···/˘··/˘·
And the blue sky, and in the mind of man,10··········
A motion and a spirit, that impels10·/˘··/˘·˘/
All thinking things, all objects of all thought,10·/˘··/˘···
And rolls through all things. Therefore am I still10··········
A lover of the meadows and the woods,10·/˘··/····
And mountains; and of all that we behold10·/˘·····˘/
From this green earth; of all the mighty world10·······/˘·
Of eye and ear, both what they half-create,10········˘/
And what perceive; well pleased to recognize10··˘/···/˘·
In nature and the language of the sense,10·/˘··/˘···
The anchor of my purest thoughts, the nurse,10·/˘··/˘···
The guide, the guardian of my heart, and soul10···/˘·····
Of all my moral being.7···/˘/˘
Nor, perchance,3·˘/
If I were not thus taught, should I the more10··········
Suffer my genial spirits to decay:10/˘·/˘/˘·˘/
For thou art with me, here, upon the banks10··········
Of this fair river; thou, my dearest Friend,10···/˘··/˘·
My dear, dear Friend, and in thy voice I catch10··········
The language of my former heart, and read10·/˘··/˘···
My former pleasures in the shooting lights10·/˘/˘··/˘·
Of thy wild eyes. Oh! yet a little while10·······/˘·
May I behold in thee what I was once,10··˘/······
My dear, dear Sister! And this prayer I make,10···/˘·····
Knowing that Nature never did betray10/˘·/˘/˘·˘/
The heart that loved her; ’tis her privilege,10····˘···/˘
Through all the years of this our life, to lead10······/···
From joy to joy: for she can so inform10········˘/
The mind that is within us, so impress10········˘/
With quietness and beauty, and so feed10·/˘˘·/˘···
With lofty thoughts, that neither evil tongues,10·/˘··/˘/˘·
Rash judgments, nor the sneers of selfish men,10·/˘····/˘·
Nor greetings where no kindness is, nor all10·/˘··/˘···
The dreary intercourse of daily life,10·/˘/˘··/˘·
Shall e’er prevail against us, or disturb10··˘/····˘/
Our chearful faith that all which we behold10/·······˘/
Is full of blessings. Therefore let the moon10···/˘·····
Shine on thee in thy solitary walk;10·····/˘·˘·
And let the misty mountain winds be free10···/˘/˘···
To blow against thee: and in after years,10··········
When these wild ecstasies shall be matured10···/˘˘··˘/
Into a sober pleasure, when thy mind10···/˘/˘···
Shall be a mansion for all lovely forms,10···/˘··/˘·
Thy memory be as a dwelling-place10·/˘˘···/˘·
For all sweet sounds and harmonies; Oh! then,10·····/˘˘··
If solitude, or fear, or pain, or grief,10·/˘·······
Should be thy portion, with what healing thoughts10···/˘··/˘·
Of tender joy wilt thou remember me,10·/˘···˘/˘·
And these my exhortations! Nor, perchance,10·····/˘·˘/
If I should be, where I no more can hear10··········
Thy voice, nor catch from thy wild eyes these gleams10··········
Of past existence, wilt thou then forget10··˘/˘···˘/
That on the banks of this delightful stream10······˘/˘·
We stood together; and that I, so long10··˘/˘·····
A worshipper of Nature, hither came,10·····/˘/˘·
Unwearied in that service: rather say10˘/˘··/˘/˘·
With warmer love, oh! with far deeper zeal10·/˘····/˘·
Of holier love. Nor wilt thou then forget,10·/˘·····˘/
That after many wanderings, many years10···//˘˘/˘·
Of absence, these steep woods and lofty cliffs,10·/˘····/˘·
And this green pastoral landscape, were to me10···/˘/····
More dear, both for themselves, and for thy sake.10····˘/····
The river is not affected by the tides a few miles above16·/˘··˘/˘········
Tintern.2··
This line has a close resemblance to an admirable line of14·····˘/˘··/˘··
Young, the exact expression of which I cannot recollect.15··˘/˘/˘···˘/·˘/

On this poem

Composed Friday, July 13, 1798. ‘No poem of mine was composed under circumstances more pleasant for me to remember than this. I began it upon leaving Tintern, after crossing the Wye, and concluded it just as I was entering Bristol in the evening, after a ramble of four or five days with my sister. Not a line of it was altered, and not any part of it written down till I reached Bristol’ (Wordsworth, 1843). ‘I have not ventured to call this Poem an Ode; but it was written with a hope that in the transitions, and the impassioned music of the versification, would be found the principal requisites of that species of composition’ (note, ed. 1800). [Hutchinson]
Notes from the edition 3

Notes credited “[Hutchinson]” are Thomas Hutchinson’s, from his edition Lyrical Ballads 1798 (Duckworth, 3rd ed. 1920; Internet Archive lyricalballads00worduoft), keyed to his own line numbers within each poem (the Ancyent Marinere numbered continuously 1-658 across all seven Parts). Notes credited “[W. Wordsworth, 1798]” are the poet’s own five footnotes printed in the site’s own source text (Project Gutenberg #9622).

  1. Stanza 1, line 4 sweet inland murmur. The river is not affected by the tides a few miles above Tintern. [W. Wordsworth, 1798]
  2. Stanza 4, line 49 half-create. This line has a close resemblance to an admirable line of Young, the exact expression of which I cannot recollect. [W. Wordsworth, 1798]
  3. Stanza 4, line 49 half-create. The words of Young to which Wordsworth refers in his own footnote (above) occur in Night Thoughts (The Complaint), vi. 424: ‘And half-create the wondrous world they see.’ [Hutchinson]

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