An Old Battle-field

Various (about 750), translated by L. Cranmer-Byng · 1909

iambic pentameter · unrhymed · 87 lines · from A Lute of Jade

Vast, vast -- an endless wilderness of sand;A stream crawls through its tawny banks; the hillsEncompass it; where in the dismal duskMoan the last sighs of sunset. Shrubs are gone,Withered the grass; all chill as the white rimeOf early morn. The birds go soaring past,The beasts avoid it; for the legend runs --Told by the crook'd custodian of the place --Of some old battle-field. "Here many a time,"He quavered, "armies have been overwhelmed,And the faint voices of the unresting deadOften upon the darkness of the nightGo wailing by."O sorrow! O ye Ch`ins!Ye Hans! ye dynasties for ever flown!Ye empires of the dust! for I have heardHow, when the Ch`is and Weis embattled roseAlong the frontier, when the Chings and HansGathered their multitudes, a myriad leaguesOf utter weariness they trod. By dayGrazing their jaded steeds, by night they fordThe hostile stream. The endless earth below,The boundless sky above, they know no dayOf their return. Their breasts are ever baredTo the pitiless steel and all the wounds of warUnspeakable.Methinks I see them now,Dust-mantled in the bitter wind, a hostOf Tartar warriors in ambuscade.Our leader scorns the foe. He would give battleUpon the threshold of the camp. The streamBesets a grim array where order reigns,Though many hearts may beat, where disciplineIs all, and life of no account.The spearNow works its iron will, the startled sandBlinding the combatants together lockedIn the death-grip; while hill and vale and streamGlow with the flash and crash of arms. Then coldThe shades of night o'erwhelm them; to the kneeIn snow, beards stiff with ice. The carrion birdHath sought its nest. The war-horse in its strengthIs broken. Clothes avail not. Hands are dead,Flesh to the frost succumbs. Nature herselfDoth aid the Tartar with a deadly blastFollowing the wild onslaught. Wagons blockThe way. Our men, beset with flank attacks,Surrender with their officers. Their chiefIs slain. The river to its topmost banksSwollen with death; the dykes of the Great WallBrimming with blood. Nation and rank are lostIn that vast-heaped corruption.Faintly now,And fainter beats the drum; for strength is shorn,And arrows spent, and bow-strings snapped, and swordsShattered. The legions fall on one anotherIn the last surge of life and death. To yieldIs to become a slave; to fight is butTo mingle with the desert sands.. . . . . . . No soundOf bird now flutters from the hushed hillside;All, all is still, save for the wind that wailsAnd whistles through the long night where the ghostsHither and thither in the gloom go by,And spirits from the nether world ariseUnder the ominous clouds. The sunlight palesAthwart the trampled grass; the fading moonStill twinkles on the frost-flakes scattered round.

Freighted with eternal principlesAthwart the night's void,Where cloud masses darken,And the wind blows ceaseless around,Beyond the range of conceptionsLet us gain the Centre,And there hold fast without violence,Fed from an inexhaustible supply.*

With such a philosophy there are infinite possibilities.The poet is an occultist in the truest sense of the word.For him, Time and Space no longer exist, and by "concentration"he is able to communicate with the beloved, and

Sweet words falter to and fro --Though the great River rolls between.

And Nature, ever prodigal to her lovers, repays their favours in full measure.To this old artist-lover she grants no petty details, no chance revelationsof this or that sweetness and quality but her whole pure self.Yet such a gift is illimitable; he may only win from secret to secretand die unsatisfied.

Words in this poem 18
dismal a.
Fatal; ill-omened; unlucky. [Formerly a noun; e. g., "I trow it was in the dismalle." Chaucer. Of uncertain origin; but perh. (as suggested by Skeat) from OF. disme, F. dîme, tithe, the phr]
rime n.
A rent or long aperture; a chink; a fissure; a crack. Sir T. [L. rima.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
avoid v. t.
To empty. Wyclif. [OF. esvuidier, es (L. ex) + vuidier, voidier, to empty. See Void, a.]
flown a.
Flushed, inflated.
embattled a.
Having indentations like a battlement.
myriad n.
The number of ten thousand; ten thousand persons or things. [Gr. myriade.]
methinks v.
It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
ambuscade n.
A lying in a wood, concealed, for the purpose of attacking an enemy by surprise. Hence: A lying in wait, and concealed in any situation, for a like purpose; a snare laid for an enemy; an ambush. [F. embuscade, fr. It. imboscata, or Sp. emboscada, fr. emboscar to ambush, fr. LL. imboscare. See Ambush, v. t.]
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
onslaught n.
An attack; an onset; esp., a furious or murderous attack or assault. [OE. on on + slaught, slaht, slaughter. See Slaughter.]
brimming a.
Full to the brim; overflowing.
nether a.
Situated down or below; lying beneath, or in the lower part; having a lower position; belonging to the region below; lower; under; -- opposed to upper. [OE. nethere, neithere, AS. ni, fr. the adv. ni downward; akin to neo below, beneath, D. neder down, G. nieder, Sw. nedre below, nether, a. & adv., and also to S]
fading n.
An Irish dance; also, the burden of a song.
ceaseless a.
Without pause or end; incessant.
centre v. i.
To be placed in a center; to be central.
occultist n.
An adherent of occultism.
falter v. t.
To thrash in the chaff; also, to cleanse or sift, as barley.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

An Old Battle-field is in the public domain. This text is taken from A Lute of Jade, Project Gutenberg ebook #390, the L. Cranmer-Byng translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Various, An Old Battle-field, in A Lute of Jade (1909), text of Project Gutenberg ebook #390, Laurel, https://laurelpoetry.com/poem/lute-of-jade/an-old-battle-field.html, id L15611.

Form and metre

An Old Battle-field is 87 lines in 5 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 82%). 89% of its stressed syllables fall where the metre puts the beat. The lines average 9.8 syllables. 15 lines end on an unstressed syllable, a feminine ending. 56% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ----A---A----------------------------------------------------B---B-- sand · hills · dusk · gone · rimeA · past · runs · place · timeA · overwhelmed · dead · night · by · ch`ins · flown · heard · rose · hans · leagues · day · ford · below · day · bared · war · unspeakable · now · host · ambuscade · battle · stream · reigns · discipline · account · spear · sand · locked · stream · cold · knee · bird · strength · dead · herself · blast · block · attacks · chief · banks · wall · lost · corruption · now · shorn · swords · another · yield · but · sands · sound · hillside · wailsB · ghosts · by · arise · palesB · moon · round
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Vast, vast -- an endless wilderness of sand;10···/˘/˘˘··
A stream crawls through its tawny banks; the hills10·····/˘···
Encompass it; where in the dismal dusk10˘/˘····/˘·
Moan the last sighs of sunset. Shrubs are gone,10·····/····
Withered the grass; all chill as the white rime10/˘········
Of early morn. The birds go soaring past,10·/˘····/˘·
The beasts avoid it; for the legend runs --10··˘/···/˘·
Told by the crook'd custodian of the place --11···/˘˘/˘···
Of some old battle-field. "Here many a time,"10···/˘··/··
He quavered, "armies have been overwhelmed,10·/˘/˘···˘/
And the faint voices of the unresting dead11···/˘··˘/˘·
Often upon the darkness of the night10/˘···/˘···
Go wailing by."4·/˘·
O sorrow! O ye Ch`ins!7·/˘····
Ye Hans! ye dynasties for ever flown!10···/˘˘·/˘·
Ye empires of the dust! for I have heard10·/˘·······
How, when the Ch`is and Weis embattled rose11·······˘/˘·
Along the frontier, when the Chings and Hans10˘/·˘/·····
Gathered their multitudes, a myriad leagues10/˘·/˘··/˘·
Of utter weariness they trod. By day10·/˘/˘˘····
Grazing their jaded steeds, by night they ford10/˘·/˘·····
The hostile stream. The endless earth below,10·/˘··/˘···
The boundless sky above, they know no day10·/˘·······
Of their return. Their breasts are ever bared10··˘/···/˘·
To the pitiless steel and all the wounds of war11··/˘·······
Unspeakable.4˘/˘˘
Methinks I see them now,6˘/····
Dust-mantled in the bitter wind, a host10·/˘··/˘···
Of Tartar warriors in ambuscade.10·/˘/˘˘····
Our leader scorns the foe. He would give battle11//˘······/˘
Upon the threshold of the camp. The stream10···/······
Besets a grim array where order reigns,10˘/··˘/·/˘·
Though many hearts may beat, where discipline10·/˘····/˘˘
Is all, and life of no account.8······˘/
The spear2··
Now works its iron will, the startled sand10···/˘··/˘·
Blinding the combatants together locked10/˘·˘/˘˘/˘·
In the death-grip; while hill and vale and stream10··········
Glow with the flash and crash of arms. Then cold10··········
The shades of night o'erwhelm them; to the knee10··········
In snow, beards stiff with ice. The carrion bird10·······/˘·
Hath sought its nest. The war-horse in its strength10··········
Is broken. Clothes avail not. Hands are dead,10·/˘·˘/····
Flesh to the frost succumbs. Nature herself10····˘//˘˘/
Doth aid the Tartar with a deadly blast10···/˘··/˘·
Following the wild onslaught. Wagons block10/˘˘··/·/˘·
The way. Our men, beset with flank attacks,10··/·˘/··˘/
Surrender with their officers. Their chief10˘/˘··/˘˘··
Is slain. The river to its topmost banks10···/˘··/˘·
Swollen with death; the dykes of the Great Wall10/˘········
Brimming with blood. Nation and rank are lost10/˘··/˘····
In that vast-heaped corruption.7····˘/˘
Faintly now,3/˘·
And fainter beats the drum; for strength is shorn,10·/˘·······
And arrows spent, and bow-strings snapped, and swords10·/˘·······
Shattered. The legions fall on one another11/˘·/˘···˘/˘
In the last surge of life and death. To yield10··········
Is to become a slave; to fight is but10··˘/······
To mingle with the desert sands.8·/˘··/˘·
. . . . . . . No sound2··
Of bird now flutters from the hushed hillside;10···/˘···/·
All, all is still, save for the wind that wails10··········
And whistles through the long night where the ghosts10·/˘·······
Hither and thither in the gloom go by,10/˘·/˘·····
And spirits from the nether world arise10·/˘··/˘·˘/
Under the ominous clouds. The sunlight pales10···/˘··/··
Athwart the trampled grass; the fading moon10˘/·/˘··/˘·
Still twinkles on the frost-flakes scattered round.10·/˘····/˘·
Freighted with eternal principles9/˘·˘/˘/˘˘
Athwart the night's void,5˘/···
Where cloud masses darken,6··/˘/˘
And the wind blows ceaseless around,8····/˘··
Beyond the range of conceptions8·····˘/˘
Let us gain the Centre,6····/˘
And there hold fast without violence,9······/˘˘
Fed from an inexhaustible supply.*10···˘˘/˘˘˘/
With such a philosophy there are infinite possibilities.14···˘/˘··/˘·˘/˘
The poet is an occultist in the truest sense of the word.16·/˘··˘/˘··/˘····
For him, Time and Space no longer exist, and by "concentration"16······/˘˘/···˘/˘
he is able to communicate with the beloved, and14··/˘·˘/˘···˘/·
Sweet words falter to and fro --7··/˘···
Though the great River rolls between.8···/˘···
And Nature, ever prodigal to her lovers, repays their favours in full measure.19·/˘//˘··/˘·/·/˘··/˘
To this old artist-lover she grants no petty details, no chance revelations20···/˘/˘···/˘/˘···˘/˘
of this or that sweetness and quality but her whole pure self.14····/˘·/˘·····
Yet such a gift is illimitable; he may only win from secret to secret21·····˘/˘˘˘··/˘··/˘·/˘
and die unsatisfied.6··˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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