In Answer to a Request

Amy Lowell (1874–1925) · 1914

iambic pentameter · heroic couplets · 15 lines · from Sword Blades and Poppy Seed

You ask me for a sonnet. Ah, my Dear,Can clocks tick back to yesterday at noon?Can cracked and fallen leaves recall last JuneAnd leap up on the boughs, now stiff and sere?For your sake, I would go and seek the year,Faded beyond the purple ranks of dune,Blown sands of drifted hours, which the moonStreaks with a ghostly finger, and her sneerPulls at my lengthening shadow. Yes, 'tis that!My shadow stretches forward, and the groundIs dark in front because the light's behind.It is grotesque, with such a funny hat,In watching it and walking I have foundMore than enough to occupy my mind.I cannot turn, the light would make me blind.

Words in this poem

sonnet n.
A short poem, -- usually amatory. [F., fr. It. sonetto, fr. suono a sound, a song, fr. L. sonus a sound. See Sound noise.]
cracked a.
Coarsely ground or broken; as, cracked wheat.
sere n.
Claw; talon. Chapman. [F. serre.]
dune n.
A low hill of drifting sand usually formed on the coats, but often carried far inland by the prevailing winds. [The same word as down: cf. D. duin. See Down a bank of sand.]
ghostly a.
Relating to the soul; not carnal or secular; spiritual; as, a ghostly confessor. [OE. gastlich, gostlich, AS. gastlic. See Ghost.]
funny a.
Droll; comical; amusing; laughable. Funny bone. See crazy bone, under Crazy. [From Fun.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

In Answer to a Request is in the public domain. This text is taken from Sword Blades and Poppy Seed, Project Gutenberg ebook #1020; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Amy Lowell, In Answer to a Request, in Sword Blades and Poppy Seed (1914), text of Project Gutenberg ebook #1020, Laurel, https://laurelpoetry.com/poem/lowell-amy-sword-blades/in-answer-to-a-request.html, id L08230.

Form and metre

In Answer to a Request is 15 lines in a single stanza. It is in rhyming couplets, 53% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 36% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBAABBACDECDEE dearA · noonB · juneB · sereA · yearA · duneB · moonB · sneerA · thatC · groundD · behindE · hatC · foundD · mindE · blindE
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
You ask me for a sonnet. Ah, my Dear,10·····/˘···
Can clocks tick back to yesterday at noon?10·····/˘···
Can cracked and fallen leaves recall last June10···/˘·˘/··
And leap up on the boughs, now stiff and sere?10··········
For your sake, I would go and seek the year,10··········
Faded beyond the purple ranks of dune,10/˘···/˘···
Blown sands of drifted hours, which the moon10···/˘/˘···
Streaks with a ghostly finger, and her sneer10···/˘/˘···
Pulls at my lengthening shadow. Yes, 'tis that!10···/˘/····
My shadow stretches forward, and the ground10·/·/˘/˘···
Is dark in front because the light's behind.10··········
It is grotesque, with such a funny hat,10··˘/···/˘·
In watching it and walking I have found10·/˘··/˘···
More than enough to occupy my mind.10··˘/·/˘···
I cannot turn, the light would make me blind.10·/˘·······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Amy Lowell