The Fruit Shop
Cross-ribboned shoes; a muslin gown,High-waisted, girdled with bright blue;A straw poke bonnet which hid the frownShe pluckered her little brows intoAs she picked her dainty passage throughThe dusty street. "Ah, Mademoiselle,A dirty pathway, we need rain,My poor fruits suffer, and the shellOf this nut's too big for its kernel, lainHere in the sun it has shrunk again.The baker down at the corner saysWe need a battle to shake the clouds;But I am a man of peace, my waysDon't look to the killing of men in crowds.Poor fellows with guns and bayonets for shrouds!Pray, Mademoiselle, come out of the sun.Let me dust off that wicker chair. It's coolIn here, for the green leaves I have runIn a curtain over the door, make a poolOf shade. You see the pears on that stool--The shadow keeps them plump and fair."Over the fruiterer's door, the leavesHeld back the sun, a greenish flareQuivered and sparked the shop, the sheavesOf sunbeams, glanced from the sign on the eaves,Shot from the golden letters, brokeAnd splintered to little scattered lights.Jeanne Tourmont entered the shop, her pokeBonnet tilted itself to rights,And her face looked out like the moon on nightsOf flickering clouds. "Monsieur Popain, IWant gooseberries, an apple or two,Or excellent plums, but not if they're high;Haven't you some which a strong wind blew?I've only a couple of francs for you."Monsieur Popain shrugged and rubbed his hands.What could he do, the times were sad.A couple of francs and such demands!And asking for fruits a little bad.Wind-blown indeed! He never hadAnything else than the very best.He pointed to baskets of blunted pearsWith the thin skin tight like a bursting vest,All yellow, and red, and brown, in smears.Monsieur Popain's voice denoted tears.He took up a pear with tender care,And pressed it with his hardened thumb."Smell it, Mademoiselle, the perfume thereIs like lavender, and sweet thoughts comeOnly from having a dish at home.And those grapes! They melt in the mouth like wine,Just a click of the tongue, and they burst to honey.They're only this morning off the vine,And I paid for them down in silver money.The Corporal's widow is witness, her ponyBrought them in at sunrise to-day.Those oranges--Gold! They're almost red.They seem little chips just broken awayFrom the sun itself. Or perhaps insteadYou'd like a pomegranate, they're rarely gay,When you split them the seeds are like crimson spray.Yes, they're high, they're high, and those Turkey figs,They all come from the South, and Nelson's shipsMake it a little hard for our rigs.They must be forever giving the slipsTo the cursed English, and when men clipsThrough powder to bring them, why dainties mountsA bit in price. Those almonds now,I'll strip off that husk, when one discountsA life or two in a nigger rowWith the man who grew them, it does seem howThey would come dear; and then the fightAt sea perhaps, our boats have heelsAnd mostly they sail along at night,But once in a way they're caught; one feelsIvory's not better nor finer--why peelsFrom an almond kernel are worth two sous.It's hard to sell them now," he sighed."Purses are tight, but I shall not lose.There's plenty of cheaper things to choose."He picked some currants out of a wideEarthen bowl. "They make the tongueAlmost fly out to suck them, brideCurrants they are, they were planted longAgo for some new Marquise, amongOther great beauties, before the ChateauWas left to rot. Now the Gardener's wife,He that marched off to his death at Marengo,Sells them to me; she keeps her lifeFrom snuffing out, with her pruning knife.She's a poor old thing, but she learnt the tradeWhen her man was young, and the young MarquisCouldn't have enough garden. The flowers he madeAll new! And the fruits! But 'twas said that heWas no friend to the people, and so they laidSome charge against him, a cavalcadeOf citizens took him away; they meantWell, but I think there was some mistake.He just pottered round in his garden, bentOn growing things; we were so awakeIn those days for the New Republic's sake.He's gone, and the garden is all that's leftNot in ruin, but the currants and apricots,And peaches, furred and sweet, with a cleftFull of morning dew, in those green-glazed pots,Why, Mademoiselle, there is never an eftOr worm among them, and as for theft,How the old woman keeps them I cannot say,But they're finer than any grown this way."Jeanne Tourmont drew back the filigree ringOf her striped silk purse, tipped it upside downAnd shook it, two coins fell with a dingOf striking silver, beneath her gownOne rolled, the other lay, a thingSparked white and sharply glistening,In a drop of sunlight between two shades.She jerked the purse, took its empty endsAnd crumpled them toward the centre braids.The whole collapsed to a mass of blendsOf colours and stripes. "Monsieur Popain, friendsWe have always been. In the days beforeThe Great Revolution my aunt was kindWhen you needed help. You need no more;'Tis we now who must beg at your door,And will you refuse?" The little manBustled, denied, his heart was good,But times were hard. He went to a panAnd poured upon the counter a floodOf pungent raspberries, tanged like wood.He took a melon with rough green rindAnd rubbed it well with his apron tip.Then he hunted over the shop to findSome walnuts cracking at the lip,And added to these a barberry slipWhose acrid, oval berries hungLike fringe and trembled. He reached a roundBasket, with handles, from where it swungAgainst the wall, laid it on the groundAnd filled it, then he searched and foundThe francs Jeanne Tourmont had let fall."You'll return the basket, Mademoiselle?"She smiled, "The next time that I call,Monsieur. You know that very well."'Twas lightly said, but meant to tell.Monsieur Popain bowed, somewhat abashed.She took her basket and stepped out.The sunlight was so bright it flashedHer eyes to blindness, and the routOf the little street was all about.Through glare and noise she stumbled, dazed.The heavy basket was a care.She heard a shout and almost grazedThe panels of a chaise and pair.The postboy yelled, and an amazedFace from the carriage window gazed.She jumped back just in time, her heartBeating with fear. Through whirling lightThe chaise departed, but her smartWas keen and bitter. In the whiteDust of the street she saw a brightStreak of colours, wet and gay,Red like blood. Crushed but fair,Her fruit stained the cobbles of the way.Monsieur Popain joined her there."Tiens, Mademoiselle,c'est le General Bonaparte, partant pour la Guerre!"
Words in this poem 23
- dainty n.
- Value; estimation; the gratification or pleasure taken in anything. [OE. deinie, dainte, deintie, deyntee, OF. deintié delicacy, orig., dignity, honor, fr. L. dignitas, fr. dignus worthy. See Deign, and cf. Dignity.]
- mademoiselle n.
- A French title of courtesy given to a girl or an unmarried lady, equivalent to the English Miss. Goldsmith. [F., fr. ma my, f. of mon + demoiselle young lady. See Damsel.]
- pathway n.
- A footpath; a beaten track; any path or course. Also used figuratively.
- flare v. i.
- To burn with an unsteady or waving flame; as, the candle flares. [Cf. Norw. flara to blaze, flame, adorn with tinsel, dial. Sw. flasa upp, and E. flash, or flacker.]
- quivered a.
- Furnished with, or carrying, a quiver.
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- jeanne n.
- A twilled cotton cloth. Satin jean, a kind of jean woven smooth and glossy, after the manner of satin. [Prob. named from Genoa. See Jane.]
- monsieur n.
- The common title of civility in France in speaking to, or of, a man; Mr. or Sir. [Represented by the abbreviation M. or Mons. in the singular, and by MM. or Messrs. in the plural.] [F., fr. mon my + Sieur, abbrev. of seigneur lord. See Monseigneur.]
- vest n.
- An article of clothing covering the person; an outer garment; a vestment; a dress; a vesture; a robe. [L. vestis a garment, vesture; akin to Goth. wasti, and E. wear: cf. F. veste. See Wear to carry on the person, and cf. Divest, Invest, Travesty.]
- cursed a.
- Deserving a curse; execrable; hateful; detestable; abominable.
- nigger n.
- A negro; -- in vulgar derision or depreciation.
- sous n.
- A corrupt form of Sou. Colman, the Elder.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- marquise n.
- The wife of a marquis; a marchioness. [F. See Marquis, and cf. Marquee.]
- chateau n.
- A castle or a fortress in France. [F. château a castle. See Castle.]
- cavalcade n.
- A procession of persons on horseback; a formal, pompous march of horsemen by way of parade. [F. cavalcade, fr. It. cavalcata, fr. cavalcare to go on horseback, fr. LL. caballicare, fr. L. caballus an inferior horse, Gr. Cavalier, Cavalry.]
- shook v. t.
- To pack, as staves, in a shook.
- ding v. t.
- To dash; to throw violently. [OE. dingen, dengen; akin to AS. dencgan to knock, Icel. dengja to beat, hammer, Sw. dänga, G. dengeln.]
- centre v. i.
- To be placed in a center; to be central.
- went n.
- Course; way; path; journey; direction.
- glare v. i.
- To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
- chaise n.
- A two-wheeled carriage for two persons, with a calash top, and the body hung on leather straps, or thoroughbraces. It is usually drawn by one horse. [F. chaise seat, or chair, chaise or carriage, for chaire, from a peculiar Parisian pronunciation. See Chair.]
- postboy n.
- One who rides post horses; a position; a courier.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Fruit Shop is in the public domain. This text is taken from Men, Women and Ghosts, Project Gutenberg ebook #841; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Amy Lowell, The Fruit Shop, in Men, Women and Ghosts (1916), text of Project Gutenberg ebook #841, Laurel, https://laurelpoetry.com/poem/lowell-amy-men-women-ghosts/the-fruit-shop.html, id L24268.
Form and metre
The Fruit Shop is 166 lines in a single stanza. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 79%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABBCDCD--E-EEFGFGGHIHIIJKJKKLMLMMNONOOPQP-QRSRSSTUTU-VWVWVVXYXYYZaZ-abcbccdeddefe-f-g-gghihihhjkjkklmlmllnnopopooqrqrrs-sstutuuvwvwwxyxyyzAzAABCBCCDEDEDDFGFGGHIHI-I gownA · blueB · frownA · intoB · throughB · mademoiselleC · rainD · shellC · lainD · again · says · cloudsE · ways · crowdsE · shroudsE · sunF · coolG · runF · poolG · stoolG · fairH · leavesI · flareH · sheavesI · eavesI · brokeJ · lightsK · pokeJ · rightsK · nightsK · iL · twoM · highL · blewM · youM · handsN · sadO · demandsN · badO · hadO · bestP · pearsQ · vestP · smears · tearsQ · careR · thumbS · thereR · comeS · homeS · wineT · honeyU · vineT · moneyU · pony · dayV · redW · awayV · insteadW · gayV · sprayV · figsX · shipsY · rigsX · slipsY · clipsY · mountsZ · nowa · discountsZ · row · howa · fightb · heelsc · nightb · feelsc · peelsc · sousd · sighede · losed · choosed · widee · tonguef · bridee · long · amongf · chateau · wifeg · marengo · lifeg · knifeg · tradeh · marquisi · madeh · hei · laidh · cavalcadeh · meantj · mistakek · bentj · awakek · sakek · leftl · apricotsm · cleftl · potsm · eftl · theftl · sayn · wayn · ringo · downp · dingo · gownp · thingo · glisteningo · shadesq · endsr · braidsq · blendsr · friendsr · befores · kind · mores · doors · mant · goodu · pant · floodu · woodu · rindv · tipw · findv · lipw · slipw · hungx · roundy · swungx · groundy · foundy · fallz · mademoiselleA · callz · wellA · tellA · abashedB · outC · flashedB · routC · aboutC · dazedD · careE · grazedD · pairE · amazedD · gazedD · heartF · lightG · smartF · whiteG · brightG · gayH · fairI · wayH · thereI · mademoiselle · guerreI
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Cross-ribboned shoes; a muslin gown, | 9 | ·/˘˘··/˘· |
| High-waisted, girdled with bright blue; | 9 | ·/˘/˘˘··· |
| A straw poke bonnet which hid the frown | 9 | ···/˘···· |
| She pluckered her little brows into | 10 | ·/˘˘·/˘··· |
| As she picked her dainty passage through | 10 | ···˘·/˘/˘· |
| The dusty street. "Ah, Mademoiselle, | 9 | ·/˘···˘˘/ |
| A dirty pathway, we need rain, | 8 | ·/˘/···· |
| My poor fruits suffer, and the shell | 8 | ···/˘··· |
| Of this nut's too big for its kernel, lain | 10 | ·······/˘· |
| Here in the sun it has shrunk again. | 9 | ·······˘/ |
| The baker down at the corner says | 9 | ·/˘···/˘· |
| We need a battle to shake the clouds; | 9 | ···/˘···· |
| But I am a man of peace, my ways | 9 | ········· |
| Don't look to the killing of men in crowds. | 10 | ····/˘···· |
| Poor fellows with guns and bayonets for shrouds! | 11 | ·/˘···/˘··· |
| Pray, Mademoiselle, come out of the sun. | 10 | ··˘˘/····· |
| Let me dust off that wicker chair. It's cool | 10 | ·····/˘··· |
| In here, for the green leaves I have run | 9 | ········· |
| In a curtain over the door, make a pool | 10 | ··/˘······ |
| Of shade. You see the pears on that stool-- | 9 | ········· |
| The shadow keeps them plump and fair." | 8 | ·/······ |
| Over the fruiterer's door, the leaves | 9 | ········· |
| Held back the sun, a greenish flare | 8 | ·····/˘· |
| Quivered and sparked the shop, the sheaves | 10 | /˘˘··˘···· |
| Of sunbeams, glanced from the sign on the eaves, | 10 | ·/········ |
| Shot from the golden letters, broke | 8 | ···/˘/˘· |
| And splintered to little scattered lights. | 10 | ·/˘˘·/˘/˘· |
| Jeanne Tourmont entered the shop, her poke | 10 | ···/˘˘···· |
| Bonnet tilted itself to rights, | 8 | /˘/˘˘/·· |
| And her face looked out like the moon on nights | 10 | ·········· |
| Of flickering clouds. "Monsieur Popain, I | 10 | ·/˘˘·˘/··· |
| Want gooseberries, an apple or two, | 9 | ·/·˘·/˘·· |
| Or excellent plums, but not if they're high; | 10 | ·/˘˘······ |
| Haven't you some which a strong wind blew? | 9 | /˘······· |
| I've only a couple of francs for you." | 10 | ·/˘·/˘···· |
| Monsieur Popain shrugged and rubbed his hands. | 10 | ˘/···˘···· |
| What could he do, the times were sad. | 8 | ········ |
| A couple of francs and such demands! | 9 | ·/˘····˘/ |
| And asking for fruits a little bad. | 9 | ·/˘···/˘· |
| Wind-blown indeed! He never had | 8 | ··˘/·/˘· |
| Anything else than the very best. | 9 | /˘····/˘· |
| He pointed to baskets of blunted pears | 10 | ·/˘·/˘·/˘· |
| With the thin skin tight like a bursting vest, | 10 | ·······/˘· |
| All yellow, and red, and brown, in smears. | 9 | ·/˘······ |
| Monsieur Popain's voice denoted tears. | 9 | ˘/···˘/˘· |
| He took up a pear with tender care, | 9 | ······/˘· |
| And pressed it with his hardened thumb. | 10 | ··˘···/˘˘· |
| "Smell it, Mademoiselle, the perfume there | 10 | ···˘˘/·˘/· |
| Is like lavender, and sweet thoughts come | 9 | ··/˘˘···· |
| Only from having a dish at home. | 9 | /˘·/˘···· |
| And those grapes! They melt in the mouth like wine, | 10 | ·········· |
| Just a click of the tongue, and they burst to honey. | 12 | ··········/˘ |
| They're only this morning off the vine, | 9 | ·/˘·/˘··· |
| And I paid for them down in silver money. | 11 | ·······/˘/˘ |
| The Corporal's widow is witness, her pony | 11 | ·/˘/˘·/˘·/˘ |
| Brought them in at sunrise to-day. | 8 | ····/··· |
| Those oranges--Gold! They're almost red. | 9 | ·/˘˘··/·· |
| They seem little chips just broken away | 10 | ··/˘··/˘˘/ |
| From the sun itself. Or perhaps instead | 10 | ···˘/·˘/˘/ |
| You'd like a pomegranate, they're rarely gay, | 9 | ···/˘·/˘· |
| When you split them the seeds are like crimson spray. | 11 | ········/˘· |
| Yes, they're high, they're high, and those Turkey figs, | 10 | ·······/˘· |
| They all come from the South, and Nelson's ships | 10 | ·······/˘· |
| Make it a little hard for our rigs. | 10 | ···/˘··/˘· |
| They must be forever giving the slips | 10 | ···˘/˘/˘·· |
| To the cursed English, and when men clips | 10 | ···˘/˘···· |
| Through powder to bring them, why dainties mounts | 10 | ·/˘····/˘· |
| A bit in price. Those almonds now, | 8 | ·····/˘· |
| I'll strip off that husk, when one discounts | 9 | ·······˘/ |
| A life or two in a nigger row | 9 | ······/˘· |
| With the man who grew them, it does seem how | 10 | ·········· |
| They would come dear; and then the fight | 8 | ········ |
| At sea perhaps, our boats have heels | 9 | ··˘//˘··· |
| And mostly they sail along at night, | 9 | ·/˘··˘/·· |
| But once in a way they're caught; one feels | 9 | ········· |
| Ivory's not better nor finer--why peels | 10 | /˘˘·/˘·/·· |
| From an almond kernel are worth two sous. | 10 | ··/˘/˘···· |
| It's hard to sell them now," he sighed. | 9 | ········˘ |
| "Purses are tight, but I shall not lose. | 9 | /˘······· |
| There's plenty of cheaper things to choose." | 9 | ·/˘·/˘··· |
| He picked some currants out of a wide | 10 | ··˘······· |
| Earthen bowl. "They make the tongue | 7 | /˘····· |
| Almost fly out to suck them, bride | 8 | /······· |
| Currants they are, they were planted long | 9 | ······/˘· |
| Ago for some new Marquise, among | 9 | ˘/······· |
| Other great beauties, before the Chateau | 10 | /˘·/˘···˘/ |
| Was left to rot. Now the Gardener's wife, | 10 | ······/˘˘· |
| He that marched off to his death at Marengo, | 11 | ··········· |
| Sells them to me; she keeps her life | 8 | ········ |
| From snuffing out, with her pruning knife. | 9 | ·/˘···/˘· |
| She's a poor old thing, but she learnt the trade | 10 | ·········· |
| When her man was young, and the young Marquis | 10 | ·········/ |
| Couldn't have enough garden. The flowers he made | 11 | /˘·˘//˘·/·· |
| All new! And the fruits! But 'twas said that he | 10 | ·········· |
| Was no friend to the people, and so they laid | 11 | ·····/˘···· |
| Some charge against him, a cavalcade | 9 | ······/˘· |
| Of citizens took him away; they meant | 10 | ·/˘˘··˘/·· |
| Well, but I think there was some mistake. | 9 | ·······˘/ |
| He just pottered round in his garden, bent | 10 | ··/˘···/˘· |
| On growing things; we were so awake | 9 | ·/˘····˘/ |
| In those days for the New Republic's sake. | 10 | ······˘/˘· |
| He's gone, and the garden is all that's left | 10 | ····/˘···· |
| Not in ruin, but the currants and apricots, | 11 | ··/·····/˘· |
| And peaches, furred and sweet, with a cleft | 10 | ·/˘·˘····· |
| Full of morning dew, in those green-glazed pots, | 10 | ··/˘······ |
| Why, Mademoiselle, there is never an eft | 10 | ··˘˘/··/·· |
| Or worm among them, and as for theft, | 9 | ········· |
| How the old woman keeps them I cannot say, | 11 | ···/˘···˘/· |
| But they're finer than any grown this way." | 10 | ··/˘·/˘··· |
| Jeanne Tourmont drew back the filigree ring | 10 | ······/˘·· |
| Of her striped silk purse, tipped it upside down | 10 | ·······//· |
| And shook it, two coins fell with a ding | 9 | ········· |
| Of striking silver, beneath her gown | 9 | ·/˘/˘···· |
| One rolled, the other lay, a thing | 9 | ··˘·/˘··· |
| Sparked white and sharply glistening, | 9 | ·˘··/˘/˘˘ |
| In a drop of sunlight between two shades. | 10 | ····/····· |
| She jerked the purse, took its empty ends | 10 | ··˘····/˘· |
| And crumpled them toward the centre braids. | 10 | ·/˘····/˘· |
| The whole collapsed to a mass of blends | 10 | ··˘/˘····· |
| Of colours and stripes. "Monsieur Popain, friends | 10 | ·/˘··˘/··· |
| We have always been. In the days before | 10 | ··/······· |
| The Great Revolution my aunt was kind | 10 | ···˘/˘···· |
| When you needed help. You need no more; | 9 | ··/˘····· |
| 'Tis we now who must beg at your door, | 9 | ········· |
| And will you refuse?" The little man | 9 | ···˘/·/˘· |
| Bustled, denied, his heart was good, | 9 | /˘˘˘/···· |
| But times were hard. He went to a pan | 9 | ········· |
| And poured upon the counter a flood | 10 | ··˘···/˘·· |
| Of pungent raspberries, tanged like wood. | 10 | ·/˘/·˘·˘·· |
| He took a melon with rough green rind | 9 | ···/˘···· |
| And rubbed it well with his apron tip. | 10 | ··˘····/˘· |
| Then he hunted over the shop to find | 10 | ··/˘······ |
| Some walnuts cracking at the lip, | 8 | ·/·/˘··· |
| And added to these a barberry slip | 10 | ·/˘···/˘˘· |
| Whose acrid, oval berries hung | 8 | ·/˘/˘/˘· |
| Like fringe and trembled. He reached a round | 10 | ···/˘˘···· |
| Basket, with handles, from where it swung | 9 | /˘·/˘···· |
| Against the wall, laid it on the ground | 9 | ········· |
| And filled it, then he searched and found | 10 | ··˘····˘·· |
| The francs Jeanne Tourmont had let fall. | 8 | ········ |
| "You'll return the basket, Mademoiselle?" | 10 | ·˘/·/˘·˘˘/ |
| She smiled, "The next time that I call, | 9 | ··˘······ |
| Monsieur. You know that very well." | 8 | ˘/···/˘· |
| 'Twas lightly said, but meant to tell. | 8 | ·/˘····· |
| Monsieur Popain bowed, somewhat abashed. | 10 | ˘/···˘//˘/ |
| She took her basket and stepped out. | 9 | ···/˘··˘· |
| The sunlight was so bright it flashed | 9 | ·/······˘ |
| Her eyes to blindness, and the rout | 8 | ···/˘··· |
| Of the little street was all about. | 9 | ··/˘····· |
| Through glare and noise she stumbled, dazed. | 10 | ·····/˘˘·˘ |
| The heavy basket was a care. | 8 | ·/˘/˘··· |
| She heard a shout and almost grazed | 9 | ·····/··˘ |
| The panels of a chaise and pair. | 8 | ·/˘····· |
| The postboy yelled, and an amazed | 10 | ·/˘·˘··˘/˘ |
| Face from the carriage window gazed. | 9 | ···/˘/˘·˘ |
| She jumped back just in time, her heart | 9 | ··˘······ |
| Beating with fear. Through whirling light | 8 | /˘···/˘· |
| The chaise departed, but her smart | 8 | ··˘/˘··· |
| Was keen and bitter. In the white | 8 | ···/˘··· |
| Dust of the street she saw a bright | 8 | ········ |
| Streak of colours, wet and gay, | 7 | ··/˘··· |
| Red like blood. Crushed but fair, | 6 | ······ |
| Her fruit stained the cobbles of the way. | 10 | ···˘·/˘··· |
| Monsieur Popain joined her there. | 7 | ˘/····· |
| "Tiens, Mademoiselle, | 5 | ··˘˘/ |
| c'est le General Bonaparte, partant pour la Guerre!" | 12 | ··/˘/˘······ |
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