To the Memory of My Worthy Friend Coll. Richard Lovelace

Richard Lovelace (1617–1657) · 1649

iambic pentameter · heroic couplets · 180 lines · from Lucasta

To pay my love to thee, and pay it so,As honest men should what they justly owe,Were to write better of thy life, then canThe assured'st pen of the most worthy man.Such was thy composition, such thy mind,Improv'd from vertue, and from vice refin'd;Thy youth an abstract of the world's best parts,Invr'd to arms and exercis'd to arts,Which, with the vigour of a man, becameThine and thy countries piramids of fame.Two glorious lights to guide our hopeful youthInto the paths of honour and of truth.These parts (so rarely met) made up in thee,What man should in his full perfection be:So sweet a temper into every senceAnd each affection breath'd an influence,As smooth'd them to a calme, which still withstoodThe ruffling passions of untamed blood,Without a wrinckle in thy face, to showThy stable breast could a disturbance know.In fortune humble, constant in mischance;Expert in both, and both serv'd to advanceThy name by various trialls of thy spirit,And give the testimony of thy merit.Valiant to envy of the bravest men,And learned to an undisputed pen;Good as the best in both and great, but yetNo dangerous courage nor offensive wit.These ever serv'd the one for to defend,The other, nobly to advance thy friend,Under which title I have found my nameFix'd in the living chronicle of fameTo times succeeding: yet I hence must go,Displeas'd I cannot celebrate thee so.But what respect, acknowledgement and love,What these together, when improv'd, improve:Call it by any name (so it expressOught like a tribute to thy worthyness,And may my bounden gratitude become)LOVELACE, I offer at thy honour'd tomb.And though thy vertues many friends have bredTo love thee liveing, and lament thee dead,In characters far better couch'd then these,Mine will not blott thy fame, nor theirs encrease.'Twas by thine own great merits rais'd so high,That, maugre time and fate, it shall not dye.Sic flevit.Charles Cotton.

The rose and other fragrant flowers smell best,When they are pluck'd and worn in hand or brest,So this fair flow'r of vertue, this rare budOf wit, smells now as fresh as when he stood;And in these Posthume-Poems lets us know,He on the banks of Helicon did grow.The beauty of his soul did correspondWith his sweet out-side: nay, it went beyond.Lovelace, the minion of the Thespian dames,Apollo's darling, born with Enthean flames,Which in his numbers wave and shine so clear,As sparks refracted from rich gemmes appear;Such flames that may inspire, and atoms cast,To make new poets not like him in hast.Jam. Howell.

Pardon (blest shade), that I thus crowd to be'Mong those that sin unto thy memory,And that I think unvalu'd reliques spread,And am the first that pillages the dead;Since who would be thy mourner as befits,But an officious sacriledge commits.How my tears strive to do thee fairer right,And from the characters divide my sight.Untill it (dimmer) a new torrent swells,And what obscur'd it, falls my spectaclesLet the luxurious floods impulsive rise,As they would not be wept, but weep the eyes,The while earth melts, and we above it lyeBut the weak bubbles of mortalitie;Until our griefs are drawn up by the Sun,And that (too) drop the exhalation.How in thy dust we humble now our pride,And bring thee a whole people mortifi'd!For who expects not death, now thou art gone,Shows his low folly, not religion.Can the poetick heaven still hold onThe golden dance, when the first mover's gon?And the snatch'd fires (which circularly hurl'd)In their strong rapture glimmer to the world,And not stupendiously rather riseThe tapers unto these solemnities?Can the chords move in tune, when thou dost dye,At once their universal harmony?But where Apollo's harp (with murmur) laid,Had to the stones a melody convey'd,They by some pebble summon'd would replyIn loud results to every battery;Thus do we come unto thy marble room,To eccho from the musick of thy tombe.May we dare speak thee dead, that wouldest beIn thy remove only not such as we?No wonder, the advance is from us hid;Earth could not lift thee higher then it did!And thou, that didst grow up so ever nigh,Art but now gone to immortality!So near to where thou art, thou here didst dwell,The change to thee is less perceptible.Thy but unably-comprehending clay,To what could not be circumscrib'd, gave way,And the more spacious tennant to return,Crack'd (in the two restrain'd estate) its urn.That is but left to a successive trust;The soul's first buried in his bodies dust.Thou more thy self, now thou art less confin'd,Art not concern'd in what is left behind;While we sustain the losse that thou art gone,Un-essenc'd in the separation;And he that weeps thy funerall, in oneIs pious to the widdow'd nation.And under what (now) covert must I sing,Secure as if beneath a cherub's wing;When thou hast tane thy flight hence, and art nighIn place to some related hierarchie,Where a bright wreath of glories doth but setUpon thy head an equal coronet;And thou, above our humble converse gon,Canst but be reach'd by contemplation.Our lutes (as thine was touch'd) were vocall by,And thence receiv'd the soul by sympathy,That did above the threds inspiring creep,And with soft whispers broke the am'rous sleep;Which now no more (mov'd with the sweet surprise)Awake into delicious rapsodies;But with their silent mistress do comply,And fast in undisturbed slumbers lye.How from thy first ascent thou didst disperseA blushing warmth throughout the universe,While near the morns Lucasta's fires did glow,And to the earth a purer dawn did throw.We ever saw thee in the roll of fameAdvancing thy already deathless name;And though it could but be above its fate,Thou would'st, however, super-errogate.Now as in Venice, when the wanton StateBefore a Spaniard spread their crowded plate,He made it the sage business of his eyeTo find the root of the wild treasury;So learn't from that exchequer but the moreTo rate his masters vegetable ore.Thus when the Greek and Latin muse we read,As but the cold inscriptions of the dead,We to advantage then admired thee,Who did'st live on still with thy poesie;And in our proud enjoyments never knewThe end of the unruly wealth that grew.But now we have the last dear ingots gain'd,And the free vein (however rich) is drein'd;Though what thou hast bequeathed us, no spaceOf this worlds span of time shall ere embrace.But as who sometimes knew not to concludeUpon the waters strange vicissitude,Did to the ocean himself commit,That it might comprehend what could not it,So we in our endeavours must out-doneBe swallowed up within thy Helicon.Thou, who art layd up in thy precious cave,And from the hollow spaces of thy grave,We still may mourn in tune, but must aloneHereafter hope to quaver out a grone;No more the chirping sonnets with shrill notesMust henceforth volley from our treble throtes;But each sad accent must be humour'd wellTo the deep solemn organ of thy cell.Why should some rude hand carve thy sacred stone,And there incise a cheap inscription?When we can shed the tribute of our tearsSo long, till the relenting marble wears;Which shall such order in their cadence keep,That they a native epitaph shall weep;Untill each letter spelt distinctly lyes,Cut by the mystick droppings of our eyes.El. Revett.

Words in this poem 37
vigour v. t.
To invigorate. Feltham.
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
hopeful a.
Full of hope, or agreeable expectation; inclined to hope; expectant.
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
valiant a.
Vigorous in body; strong; powerful; as, a valiant fencer. [OE. valiant, F. vaillant, OF. vaillant, valant, originally p. pr. of OF. & F. valoir to be worth, L. valere to be strong. See Wield, and cf. Avail, Convalesce, ]
nobly adv.
Of noble extraction; as, nobly born or descended.
ought p. p.
Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
bounden a.
Bound; fastened by bonds. [Old. p. p. of bind.]
blott v. t.
To spot, stain, or bespatter, as with ink. [Cf. Dan. plette. See 3d Blot.]
encrease v. t.
i. See Increase.
maugre v. t.
To defy. J. Webster.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
posthume a.
Posthumos. I. Watts. Fuller.
helicon n.
A mountain in Boeotia, in Greece, supposed by the Greeks to be the residence of Apollo and the Muses.
went n.
Course; way; path; journey; direction.
thespian a.
Of or pertaining to Thespis; hence, relating to the drama; dramatic; as, the Thespian art.
enthean a.
Divinely inspired; wrought up to enthusiasm.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
mourner n.
One who mourns or is grieved at any misfortune, as the death of a friend.
untill prep.
To; unto; towards; -- used of material objects. [OE. until, ontil; un- (as in unto) + til till; cf. Dan. indtil, Sw. intill. See Unto, and Till, prep.]
impulsive a.
Having the power of driving or impelling; giving an impulse; moving; impellent. [Cf. F. impulsif.]
circularly adv.
In a circular manner.
didst
, the 2d pers. sing. imp. of Do.
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
losse n.
Praise. See Loos.
vocall a.
Of or pertaining to the voice or speech; having voice; endowed with utterance; full of voice, or voices. [L. vocalis, fr. vox, vocis, voice: cf. F. vocal. See Voice, and cf. Vowel.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
deathless a.
Not subject to death, destruction, or extinction; immortal; undying; imperishable; as, deathless beings; deathless fame.
spaniard n.
A native or inhabitant of Spain.
admired a.
Regarded with wonder and delight; highly prized; as, an admired poem.
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
conclude v. t.
To shut up; to inclose. [L. concludere, conclusum; con- + claudere to shut. See Close, v. t.]
vicissitude n.
Regular change or succession from one thing to another; alternation; mutual succession; interchange. [L. vicissitudo, fr. vicis change, turn: cf. F. vicissitude. See Vicarious.]
hereafter adv.
In time to come; in some future time or state. [AS. hræfter.]
henceforth adv.
From this time forward; henceforward.
incise v. t.
To cut in or into with a sharp instrument; to carve; to engrave. [L. incisus, p. p. of incidere to incise: cf. F. inciser. See Incide.]
revett v. t.
To face, as an embankment, with masonry, wood, or other material. [See Revetment.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To the Memory of My Worthy Friend Coll. Richard Lovelace is in the public domain. This text is taken from Lucasta, Project Gutenberg ebook #703; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Richard Lovelace, To the Memory of My Worthy Friend Coll. Richard Lovelace, in Lucasta (1649), text of Project Gutenberg ebook #703, Laurel, https://laurelpoetry.com/poem/lovelace-lucasta/to-the-memory-of-my-worthy-friend-coll-richard-lovelace.html, id L13115.

Form and metre

To the Memory of My Worthy Friend Coll. Richard Lovelace is 180 lines in 3 verse paragraphs. It is in rhyming couplets, 80% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.8 syllables. 21 lines end on an unstressed syllable, a feminine ending. 21% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGG--HHIIJJKKLLKKMMNNOOPPQQ--RR--SS-- soA · oweA · canB · manB · mindC · refin'dC · partsD · artsD · becameE · fameE · youthF · truthF · theeG · beG · sence · influence · withstoodH · bloodH · showI · knowI · mischanceJ · advanceJ · spiritK · meritK · menL · penL · yetK · witK · defendM · friendM · nameN · fameN · goO · soO · loveP · improveP · expressQ · worthynessQ · become · tomb · bredR · deadR · these · encrease · highS · dyeS · flevit · cotton
  2. 2 AABBCCDDEEFFGG- bestA · brestA · budB · stoodB · knowC · growC · correspondD · beyondD · damesE · flamesE · clearF · appearF · castG · hastG · howell
  3. 3 --AABBCCDDEE--FFGGFFFFHHIIJ-KKJ---JJLLJ-MMNNOOPPQQRRRRSS--TT----UU--VVWWXXYYZZZZ--aabb--ccddeeffgg--hhiijjkkllmmnnoo- be · memory · spreadA · deadA · befitsB · commitsB · rightC · sightC · swellsD · spectaclesD · riseE · eyesE · lye · mortalitie · sunF · exhalationF · prideG · mortifi'dG · goneF · religionF · onF · gonF · hurl'dH · worldH · riseI · solemnitiesI · dyeJ · harmony · laidK · convey'dK · replyJ · battery · room · tombe · beJ · weJ · hidL · didL · nighJ · immortality · dwellM · perceptibleM · clayN · wayN · returnO · urnO · trustP · dustP · confin'dQ · behindQ · goneR · separationR · oneR · nationR · singS · wingS · nigh · hierarchie · setT · coronetT · gon · contemplation · by · sympathy · creepU · sleepU · surprise · rapsodies · complyV · lyeV · disperseW · universeW · glowX · throwX · fameY · nameY · fateZ · errogateZ · stateZ · plateZ · eye · treasury · morea · orea · readb · deadb · thee · poesie · knewc · grewc · gain'dd · drein'dd · spacee · embracee · concludef · vicissitudef · commitg · itg · done · helicon · caveh · graveh · alonei · gronei · notesj · throtesj · wellk · cellk · stonel · inscriptionl · tearsm · wearsm · keepn · weepn · lyeso · eyeso · revett
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
To pay my love to thee, and pay it so,10··········
As honest men should what they justly owe,10·/˘····/˘·
Were to write better of thy life, then can10···/˘·····
The assured'st pen of the most worthy man.11········/˘·
Such was thy composition, such thy mind,10····˘/˘···
Improv'd from vertue, and from vice refin'd;9˘/·····˘/
Thy youth an abstract of the world's best parts,10···˘/·····
Invr'd to arms and exercis'd to arts,9····/˘···
Which, with the vigour of a man, became10···/˘···˘/
Thine and thy countries piramids of fame.10···/˘·····
Two glorious lights to guide our hopeful youth10·/˘···//˘·
Into the paths of honour and of truth.10·····/˘···
These parts (so rarely met) made up in thee,10···/˘·····
What man should in his full perfection be:10······˘/˘·
So sweet a temper into every sence10···/˘··/˘·
And each affection breath'd an influence,10··˘/˘··/˘˘
As smooth'd them to a calme, which still withstood10········˘/
The ruffling passions of untamed blood,10·/˘˘/˘····
Without a wrinckle in thy face, to show10··········
Thy stable breast could a disturbance know.10·/˘···˘/˘·
In fortune humble, constant in mischance;10·/˘/˘/˘·˘/
Expert in both, and both serv'd to advance10/˘······˘/
Thy name by various trialls of thy spirit,11···/˘/˘··/˘
And give the testimony of thy merit.11···/˘·˘··/˘
Valiant to envy of the bravest men,10/˘·/˘··/˘·
And learned to an undisputed pen;10··˘···˘/˘·
Good as the best in both and great, but yet10··········
No dangerous courage nor offensive wit.10·/˘/˘·˘/˘·
These ever serv'd the one for to defend,10·/˘·····˘/
The other, nobly to advance thy friend,10·/˘/˘·˘/··
Under which title I have found my name10···/˘·····
Fix'd in the living chronicle of fame10···/˘/˘˘··
To times succeeding: yet I hence must go,10··˘/˘·····
Displeas'd I cannot celebrate thee so.10˘/·/˘/˘···
But what respect, acknowledgement and love,10··˘/˘/˘˘··
What these together, when improv'd, improve:10··˘/˘·˘/˘/
Call it by any name (so it express10···/˘···˘/
Ought like a tribute to thy worthyness,10···/˘·····
And may my bounden gratitude become)10···/˘/˘·˘/
LOVELACE, I offer at thy honour'd tomb.10/··/˘·····
And though thy vertues many friends have bred9····/˘···
To love thee liveing, and lament thee dead,10···/˘·˘/··
In characters far better couch'd then these,10·/˘˘·/˘···
Mine will not blott thy fame, nor theirs encrease.10········˘/
'Twas by thine own great merits rais'd so high,10·····/˘···
That, maugre time and fate, it shall not dye.10·/˘·······
Sic flevit.3···
Charles Cotton.3·/˘
The rose and other fragrant flowers smell best,10···/˘/˘/··
When they are pluck'd and worn in hand or brest,10··········
So this fair flow'r of vertue, this rare bud9·········
Of wit, smells now as fresh as when he stood;10··········
And in these Posthume-Poems lets us know,10·····/˘···
He on the banks of Helicon did grow.10·····/˘···
The beauty of his soul did correspond10·/˘·····˘/
With his sweet out-side: nay, it went beyond.10··········
Lovelace, the minion of the Thespian dames,10/··/˘··/˘·
Apollo's darling, born with Enthean flames,10˘/˘/˘·····
Which in his numbers wave and shine so clear,10···/˘·····
As sparks refracted from rich gemmes appear;10··˘/˘···˘/
Such flames that may inspire, and atoms cast,10····˘/·/˘·
To make new poets not like him in hast.10···/˘·····
Jam. Howell.3·/˘
Pardon (blest shade), that I thus crowd to be10/˘········
'Mong those that sin unto thy memory,10·······/˘˘
And that I think unvalu'd reliques spread,10··········
And am the first that pillages the dead;10·····/˘˘··
Since who would be thy mourner as befits,10·····/˘·˘/
But an officious sacriledge commits.10··˘/˘···˘/
How my tears strive to do thee fairer right,10·······/˘·
And from the characters divide my sight.10···/˘˘˘/··
Untill it (dimmer) a new torrent swells,10˘/·/˘··/˘·
And what obscur'd it, falls my spectacles10··˘/···/˘˘
Let the luxurious floods impulsive rise,10··˘/˘·˘/˘·
As they would not be wept, but weep the eyes,10··········
The while earth melts, and we above it lye10··········
But the weak bubbles of mortalitie;10···/˘·····
Until our griefs are drawn up by the Sun,10··/·······
And that (too) drop the exhalation.9······˘/˘
How in thy dust we humble now our pride,10·····/˘·/·
And bring thee a whole people mortifi'd!10·····/˘/˘·
For who expects not death, now thou art gone,10··˘/······
Shows his low folly, not religion.9···/˘·˘/˘
Can the poetick heaven still hold on9····/˘···
The golden dance, when the first mover's gon?10·/˘····/˘·
And the snatch'd fires (which circularly hurl'd)10···/·/˘˘˘·
In their strong rapture glimmer to the world,10···/˘/˘···
And not stupendiously rather rise9······/˘·
The tapers unto these solemnities?10·/˘···˘/˘˘
Can the chords move in tune, when thou dost dye,10··········
At once their universal harmony?10····˘/˘/˘˘
But where Apollo's harp (with murmur) laid,10··˘/˘··/˘·
Had to the stones a melody convey'd,10·····/˘˘˘/
They by some pebble summon'd would reply10···/˘/˘·˘/
In loud results to every battery;11··˘/·/˘˘/˘˘
Thus do we come unto thy marble room,10·······/˘·
To eccho from the musick of thy tombe.10·····/˘···
May we dare speak thee dead, that wouldest be10·······/˘·
In thy remove only not such as we?10··˘//˘····
No wonder, the advance is from us hid;10·/˘·˘/····
Earth could not lift thee higher then it did!10·····/˘···
And thou, that didst grow up so ever nigh,10·······/˘·
Art but now gone to immortality!10······˘/˘˘
So near to where thou art, thou here didst dwell,10··········
The change to thee is less perceptible.10······˘/˘˘
Thy but unably-comprehending clay,10······˘/˘·
To what could not be circumscrib'd, gave way,10······˘/··
And the more spacious tennant to return,10···/˘/˘·˘/
Crack'd (in the two restrain'd estate) its urn.10····˘/˘/··
That is but left to a successive trust;10······˘/˘·
The soul's first buried in his bodies dust.10···/˘··/˘·
Thou more thy self, now thou art less confin'd,10········˘/
Art not concern'd in what is left behind;10··˘/······
While we sustain the losse that thou art gone,10··˘/······
Un-essenc'd in the separation;9······˘/˘
And he that weeps thy funerall, in one10·····/˘˘··
Is pious to the widdow'd nation.9·/˘····/˘
And under what (now) covert must I sing,10·····/˘···
Secure as if beneath a cherub's wing;10˘/·····/˘·
When thou hast tane thy flight hence, and art nigh10··········
In place to some related hierarchie,10····˘/˘···
Where a bright wreath of glories doth but set10·····/˘···
Upon thy head an equal coronet;10·····/˘/˘/
And thou, above our humble converse gon,10····//˘/˘·
Canst but be reach'd by contemplation.9······˘/˘
Our lutes (as thine was touch'd) were vocall by,10/······/˘·
And thence receiv'd the soul by sympathy,10··˘/···/˘˘
That did above the threds inspiring creep,10······˘/˘·
And with soft whispers broke the am'rous sleep;10···/˘·····
Which now no more (mov'd with the sweet surprise)10········˘/
Awake into delicious rapsodies;9˘/··˘/˘··
But with their silent mistress do comply,10···/˘/˘·˘/
And fast in undisturbed slumbers lye.10····˘/˘/˘·
How from thy first ascent thou didst disperse10····˘/··˘/
A blushing warmth throughout the universe,10·/˘····/˘·
While near the morns Lucasta's fires did glow,10·······/··
And to the earth a purer dawn did throw.10·····/˘···
We ever saw thee in the roll of fame10·/˘·······
Advancing thy already deathless name;10˘/˘·˘/˘/˘·
And though it could but be above its fate,10··········
Thou would'st, however, super-errogate.10···/˘/˘···
Now as in Venice, when the wanton State10···/˘··/˘·
Before a Spaniard spread their crowded plate,10···/˘··/˘·
He made it the sage business of his eye10·····/˘···
To find the root of the wild treasury;10·······/˘˘
So learn't from that exchequer but the more10····/·˘···
To rate his masters vegetable ore.9···/˘/˘˘·
Thus when the Greek and Latin muse we read,10·····/˘···
As but the cold inscriptions of the dead,10····˘/˘···
We to advantage then admired thee,10··˘/˘·˘/˘·
Who did'st live on still with thy poesie;9·········
And in our proud enjoyments never knew10··/·˘/˘/˘·
The end of the unruly wealth that grew.10····˘/˘···
But now we have the last dear ingots gain'd,10·······/˘·
And the free vein (however rich) is drein'd;10·····/˘···
Though what thou hast bequeathed us, no space10····˘/˘···
Of this worlds span of time shall ere embrace.10········˘/
But as who sometimes knew not to conclude10···/····˘/
Upon the waters strange vicissitude,10···/˘··/˘˘
Did to the ocean himself commit,9···/˘˘/˘/
That it might comprehend what could not it,10····˘/····
So we in our endeavours must out-done10···/˘/˘···
Be swallowed up within thy Helicon.10·/˘····/˘·
Thou, who art layd up in thy precious cave,10·······/˘·
And from the hollow spaces of thy grave,10···/˘/˘···
We still may mourn in tune, but must alone10········˘/
Hereafter hope to quaver out a grone;10˘/˘··/˘···
No more the chirping sonnets with shrill notes10···/˘/˘···
Must henceforth volley from our treble throtes;10·///˘·//˘·
But each sad accent must be humour'd well10···˘/·····
To the deep solemn organ of thy cell.10···/˘/˘···
Why should some rude hand carve thy sacred stone,10·······/˘·
And there incise a cheap inscription?9··˘/··˘/˘
When we can shed the tribute of our tears10·····/˘·/·
So long, till the relenting marble wears;10····˘/˘/˘·
Which shall such order in their cadence keep,10···/˘··/˘·
That they a native epitaph shall weep;10···/˘/˘···
Untill each letter spelt distinctly lyes,10˘/·/˘·˘/˘·
Cut by the mystick droppings of our eyes.10·····/˘·/·
El. Revett.3···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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