Another

Richard Lovelace (1617–1657) · 1649

iambic tetrameter · rhyming couplets · 4 lines · from Lucasta

The hand of sacred Cato, bad to tearHis breast, did start, and the made wound forbear;Then to the gash he said with angry brow:And is there ought great Cato cannot do?

Words in this poem

angry a.
Troublesome; vexatious; rigorous. [See Anger.]
ought p. p.
Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Another is in the public domain. This text is taken from Lucasta, Project Gutenberg ebook #703; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Richard Lovelace, Another, in Lucasta (1649), text of Project Gutenberg ebook #703, Laurel, https://laurelpoetry.com/poem/lovelace-lucasta/another-4.html, id L13077.

Form and metre

Another is 4 lines in a single stanza. It is in rhyming couplets, 50% of the lines. The lines average 10.0 syllables.

See other poems in rhyming couplets.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AA-- tearA · forbearA · brow · do
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
The hand of sacred Cato, bad to tear10···/˘/˘···
His breast, did start, and the made wound forbear;10········˘/
Then to the gash he said with angry brow:10·······/˘·
And is there ought great Cato cannot do?10·····/˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Richard Lovelace