Advice to My Best Brother, Coll: Francis Lovelace
Frank, wil't live unhandsomely? trust not too farThy self to waving seas: for what thy star,Calculated by sure event, must be,Look in the glassy-epithete, and see.
Yet settle here your rest, and take your state,And in calm halcyon's nest ev'n build your fate;Prethee lye down securely, Frank, and keepWith as much no noyse the inconstant deepAs its inhabitants; nay, stedfast stand,As if discover'd were a New-found-land,Fit for plantation here. Dream, dream still,Lull'd in Dione's cradle; dream, untillHorrour awake your sense, and you now findYour self a bubbled pastime for the wind;And in loose Thetis blankets torn and tost.Frank, to undo thy self why art at cost?
Nor be too confident, fix'd on the shore:For even that too borrows from the storeOf her rich neighbour, since now wisest know(And this to Galileo's judgement ow),The palsie earth it self is every jotAs frail, inconstant, waveing, as that blotWe lay upon the deep, that sometimes liesChang'd, you would think, with 's botoms properties;But this eternal, strange Ixion's wheelOf giddy earth ne'er whirling leaves to reel,Till all things are inverted, till they areTurn'd to that antick confus'd state they were.
Who loves the golden mean, doth safely wantA cobwebb'd cot and wrongs entail'd upon't;He richly needs a pallace for to breedVipers and moths, that on their feeder feed;The toy that we (too true) a mistress call,Whose looking-glass and feather weighs up all;And cloaths which larks would play with in the sun,That mock him in the night, when 's course is run.
To rear an edifice by art so high,That envy should not reach it with her eye,Nay, with a thought come neer it. Wouldst thou know,How such a structure should be raisd, build low.The blust'ring winds invisible rough stroakMore often shakes the stubborn'st, prop'rest oak;And in proud turrets we behold withal,'Tis the imperial top declines to fall:Nor does Heav'n's lightning strike the humble vales,But high-aspiring mounts batters and scales.
A breast of proof defies all shocks of Fate,Fears in the best, hopes in worser state;Heaven forbid that, as of old, time everFlourish'd in spring so contrary, now never.That mighty breath, which blew foul Winter hither,Can eas'ly puffe it to a fairer weather.Why dost despair then, Frank? Aeolus hasA Zephyrus as well as Boreas.
'Tis a false sequel, soloecisme 'gainst thosePrecepts by fortune giv'n us, to supposeThat, 'cause it is now ill, 't will ere be so;Apollo doth not always bend his bow;But oft, uncrowned of his beams divine,With his soft harp awakes the sleeping Nine.
In strictest things magnanimous appear,Greater in hope, howere thy fate, then fear:Draw all your sails in quickly, though no stormThreaten your ruine with a sad alarm;For tell me how they differ, tell me, pray,A cloudy tempest and a too fair day?
"Grant to Fras. Lovelace, of the office of chief steward of theLiberties of the late monastery of St. Augustine, near Canterbury."
Words in this poem
- untill prep.
- To; unto; towards; -- used of material objects. [OE. until, ontil; un- (as in unto) + til till; cf. Dan. indtil, Sw. intill. See Unto, and Till, prep.]
- horrour n.
- A bristling up; a rising into roughness; tumultuous movement. [Formerly written horrour.]
- pastime n.
- That which amuses, and serves to make time pass agreeably; sport; amusement; diversion. [Pass + time: cf. F. passetemps.]
- neighbour v. i.
- To dwell in the vicinity; to be a neighbor, or in the neighborhood; to be near.
- needs adv.
- Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
- feeder n.
- One who, or that which, gives food or supplies nourishment; steward.
- withal adv.
- With this; with that. [With + all.]
- zephyrus n.
- The west wind, or zephyr; -- usually personified, and made the most mild and gentle of all the sylvan deities. [L. See Zephyr.]
- boreas n.
- The north wind; -- usually a personification. [L. boreas, Gr. .]
- sequel n.
- That which follows; a succeeding part; continuation; as, the sequel of a man's advantures or history. [L. sequela, fr. sequit to follow: cf. F. séquelle a following. See Sue to follow.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Advice to My Best Brother, Coll: Francis Lovelace is in the public domain. This text is taken from Lucasta, Project Gutenberg ebook #703; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Richard Lovelace, Advice to My Best Brother, Coll: Francis Lovelace, in Lucasta (1649), text of Project Gutenberg ebook #703, Laurel, https://laurelpoetry.com/poem/lovelace-lucasta/advice-to-my-best-brother-coll-francis-lovelace.html, id L13062.
Form and metre
Advice to My Best Brother, Coll: Francis Lovelace is 68 lines in 9 verse paragraphs. It is in rhyming couplets, 88% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 10.3 syllables. 7 lines end on an unstressed syllable, a feminine ending. 31% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB farA · starA · beB · seeB
- 2 AABBCCDDEEFF stateA · fateA · keepB · deepB · standC · landC · stillD · untillD · findE · windE · tostF · costF
- 3 AABBCCDDEEFF shoreA · storeA · knowB · owB · jotC · blotC · liesD · propertiesD · wheelE · reelE · areF · wereF
- 4 AABBCCDD wantA · upon'tA · breedB · feedB · callC · allC · sunD · runD
- 5 AABBCCDDEE highA · eyeA · knowB · lowB · stroakC · oakC · withalD · fallD · valesE · scalesE
- 6 AABB---- fateA · stateA · everB · neverB · hither · weather · has · boreas
- 7 AABBCC thoseA · supposeA · soB · bowB · divineC · nineC
- 8 AA--BB appearA · fearA · storm · alarm · prayB · dayB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Frank, wil't live unhandsomely? trust not too far | 12 | ············ |
| Thy self to waving seas: for what thy star, | 10 | ···/˘····· |
| Calculated by sure event, must be, | 10 | /˘·˘··˘/·· |
| Look in the glassy-epithete, and see. | 10 | ···/˘····· |
| Yet settle here your rest, and take your state, | 10 | ·/˘······· |
| And in calm halcyon's nest ev'n build your fate; | 10 | ···/˘····· |
| Prethee lye down securely, Frank, and keep | 10 | ····˘/˘··· |
| With as much no noyse the inconstant deep | 10 | ······˘/˘· |
| As its inhabitants; nay, stedfast stand, | 10 | ··˘/˘˘···· |
| As if discover'd were a New-found-land, | 10 | ··˘/˘····· |
| Fit for plantation here. Dream, dream still, | 9 | ···/˘···· |
| Lull'd in Dione's cradle; dream, untill | 9 | ··/˘/˘·˘/ |
| Horrour awake your sense, and you now find | 10 | /˘˘/······ |
| Your self a bubbled pastime for the wind; | 10 | ···/˘/···· |
| And in loose Thetis blankets torn and tost. | 10 | ···/˘/˘··· |
| Frank, to undo thy self why art at cost? | 10 | ··˘/······ |
| Nor be too confident, fix'd on the shore: | 10 | ···/˘˘···· |
| For even that too borrows from the store | 10 | ·/˘··/˘··· |
| Of her rich neighbour, since now wisest know | 10 | ···/˘··/˘· |
| (And this to Galileo's judgement ow), | 10 | ····˘/˘/˘· |
| The palsie earth it self is every jot | 10 | ·······/˘· |
| As frail, inconstant, waveing, as that blot | 10 | ··˘/˘/˘··· |
| We lay upon the deep, that sometimes lies | 10 | ·······˘/· |
| Chang'd, you would think, with 's botoms properties; | 11 | ········/˘˘ |
| But this eternal, strange Ixion's wheel | 10 | ··˘/˘·˘/˘· |
| Of giddy earth ne'er whirling leaves to reel, | 10 | ·/˘··/˘··· |
| Till all things are inverted, till they are | 10 | ····˘/˘··· |
| Turn'd to that antick confus'd state they were. | 10 | ·····˘/··· |
| Who loves the golden mean, doth safely want | 10 | ···/˘··/˘· |
| A cobwebb'd cot and wrongs entail'd upon't; | 10 | ······˘/·· |
| He richly needs a pallace for to breed | 10 | ·/˘······· |
| Vipers and moths, that on their feeder feed; | 10 | /˘·····/˘· |
| The toy that we (too true) a mistress call, | 10 | ·······/˘· |
| Whose looking-glass and feather weighs up all; | 10 | ·/˘··/˘··· |
| And cloaths which larks would play with in the sun, | 10 | ·········· |
| That mock him in the night, when 's course is run. | 11 | ··········· |
| To rear an edifice by art so high, | 10 | ···/˘˘···· |
| That envy should not reach it with her eye, | 10 | ·/˘······· |
| Nay, with a thought come neer it. Wouldst thou know, | 10 | ·········· |
| How such a structure should be raisd, build low. | 10 | ···/˘····· |
| The blust'ring winds invisible rough stroak | 10 | ····˘/˘˘·· |
| More often shakes the stubborn'st, prop'rest oak; | 10 | ·/˘······· |
| And in proud turrets we behold withal, | 10 | ···/˘·˘/˘/ |
| 'Tis the imperial top declines to fall: | 10 | ··˘/˘·˘/·· |
| Nor does Heav'n's lightning strike the humble vales, | 10 | ···/˘··/˘· |
| But high-aspiring mounts batters and scales. | 10 | ··˘/˘·/˘·· |
| A breast of proof defies all shocks of Fate, | 10 | ····˘/···· |
| Fears in the best, hopes in worser state; | 9 | ······/˘· |
| Heaven forbid that, as of old, time ever | 11 | /˘˘/·····/˘ |
| Flourish'd in spring so contrary, now never. | 11 | /˘···˘/˘·/˘ |
| That mighty breath, which blew foul Winter hither, | 11 | ·/˘····/˘/˘ |
| Can eas'ly puffe it to a fairer weather. | 11 | ·······/˘/˘ |
| Why dost despair then, Frank? Aeolus has | 9 | ··˘/····· |
| A Zephyrus as well as Boreas. | 10 | ·/˘˘···/˘˘ |
| 'Tis a false sequel, soloecisme 'gainst those | 10 | ···/˘····· |
| Precepts by fortune giv'n us, to suppose | 10 | /··/˘···˘/ |
| That, 'cause it is now ill, 't will ere be so; | 11 | ··········· |
| Apollo doth not always bend his bow; | 10 | ˘/˘··/···· |
| But oft, uncrowned of his beams divine, | 10 | ····˘···˘/ |
| With his soft harp awakes the sleeping Nine. | 10 | ····˘/·/˘· |
| In strictest things magnanimous appear, | 10 | ·/˘·˘/˘˘˘/ |
| Greater in hope, howere thy fate, then fear: | 10 | /˘········ |
| Draw all your sails in quickly, though no storm | 10 | ·····/˘··· |
| Threaten your ruine with a sad alarm; | 9 | /˘·····˘/ |
| For tell me how they differ, tell me, pray, | 10 | ·····/˘··· |
| A cloudy tempest and a too fair day? | 10 | ·/˘/˘····· |
| "Grant to Fras. Lovelace, of the office of chief steward of the | 15 | ···/···/˘··/˘·· |
| Liberties of the late monastery of St. Augustine, near Canterbury." | 19 | /˘···/˘·˘··/˘··/˘·˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.