The Two Rivers
Slowly the hour-hand of the clock moves round;So slowly that no human eye hath powerTo see it move! Slowly in shine or showerThe painted ship above it, homeward bound,Sails, but seems motionless, as if aground;Yet both arrive at last; and in his towerThe slumberous watchman wakes and strikes the hour,A mellow, measured, melancholy sound.Midnight! the outpost of advancing day!The frontier town and citadel of night!The watershed of Time, from which the streamsOf Yesterday and To-morrow take their way,One to the land of promise and of light,One to the land of darkness and of dreams!
O River of Yesterday, with current swiftThrough chasms descending, and soon lost to sight,I do not care to follow in their flightThe faded leaves, that on thy bosom drift!O River of To-morrow, I upliftMine eyes, and thee I follow, as the nightWanes into morning, and the dawning lightBroadens, and all the shadows fade and shift!I follow, follow, where thy waters runThrough unfrequented, unfamiliar fields,Fragrant with flowers and musical with song;Still follow, follow; sure to meet the sun,And confident, that what the future yieldsWill be the right, unless myself be wrong.
Yet not in vain, O River of Yesterday,Through chasms of darkness to the deep descending,I heard thee sobbing in the rain, and blendingThy voice with other voices far away.I called to thee, and yet thou wouldst not stay,But turbulent, and with thyself contending,And torrent-like thy force on pebbles spending,Thou wouldst not listen to a poet's lay.Thoughts, like a loud and sudden rush of wings,Regrets and recollections of things past,With hints and prophecies of things to be,And inspirations, which, could they be things,And stay with us, and we could hold them fast,Were our good angels,--these I owe to thee.
And thou, O River of To-morrow, flowingBetween thy narrow adamantine walls,But beautiful, and white with waterfalls,And wreaths of mist, like hands the pathway showing;I hear the trumpets of the morning blowing,I hear thy mighty voice, that calls and calls,And see, as Ossian saw in Morven's halls,Mysterious phantoms, coming, beckoning, going!It is the mystery of the unknownThat fascinates us; we are children still,Wayward and wistful; with one hand we clingTo the familiar things we call our own,And with the other, resolute of will,Grope in the dark for what the day will bring.
Words in this poem
- homeward a.
- Being in the direction of home; as, the homeward way.
- slumberous a.
- Inviting slumber; soporiferous.
- watchman n.
- One set to watch; a person who keeps guard; a guard; a sentinel.
- watershed n.
- The whole region or extent of country which contributes to the supply of a river or lake. [Cf. G. wasserscheide; wasser water + scheide a place where two things separate, fr. scheiden to separate.]
- uplift v. t.
- To lift or raise aloft; to raise; to elevate; as, to uplift the arm; to uplift a rock.
- unfrequented a.
- Rarely visited; seldom or never resorted to by human beings; as, an unfrequented place or forest. [Pref. un- + frequented.]
- sobbing n.
- A series of short, convulsive inspirations, the glottis being suddenly closed so that little or no air enters into the lungs.
- blending n.
- The act of mingling.
- spending n.
- The act of expending; expenditure. Spending money, money set apart for extra (not necessary) personal expenses; pocket money.
- pathway n.
- A footpath; a beaten track; any path or course. Also used figuratively.
- trumpets n.
- A plant (Sarracenia flava) with long, hollow leaves.
- wayward a.
- Taking one's own way; disobedient; froward; perverse; willful. [OE. weiward, for aweiward, i. e., turned away. See Away, and -ward.]
- wistful a.
- Longing; wishful; desirous. [For wishful; perhaps influenced by wistly, which is probably corrupted from OE. wisly certainly (from Icel. viss certain, akin to E. wit). See Wish.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Two Rivers is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, The Two Rivers, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/the-two-rivers.html, id L17763.
Form and metre
The Two Rivers is 56 lines in 4 stanzas of 14 lines each. Every stanza rhymes ABBAABBACDECDE, the Italian sonnet. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 88% of its stressed syllables fall where the metre puts the beat. The lines average 10.3 syllables. 12 lines end on an unstressed syllable, a feminine ending. 27% of the lines run on without a stop at the line end.
See other Italian sonnets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABBAABBACDECDE roundA · powerB · showerB · boundA · agroundA · towerB · hourB · soundA · dayC · nightD · streamsE · wayC · lightD · dreamsE
- 2 ABBAABBACDECDE swiftA · sightB · flightB · driftA · upliftA · nightB · lightB · shiftA · runC · fieldsD · songE · sunC · yieldsD · wrongE
- 3 ABBAABBACDECDE yesterdayA · descendingB · blendingB · awayA · stayA · contendingB · spendingB · layA · wingsC · pastD · beE · thingsC · fastD · theeE
- 4 ABBAABBACDECDE flowingA · wallsB · waterfallsB · showingA · blowingA · callsB · hallsB · goingA · unknownC · stillD · clingE · ownC · willD · bringE
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Slowly the hour-hand of the clock moves round; | 10 | /˘·/······ |
| So slowly that no human eye hath power | 11 | ·/˘··/˘··/˘ |
| To see it move! Slowly in shine or shower | 11 | ····/˘···/˘ |
| The painted ship above it, homeward bound, | 10 | ·/˘····/˘· |
| Sails, but seems motionless, as if aground; | 10 | ···/˘˘··˘/ |
| Yet both arrive at last; and in his tower | 11 | ··˘/·····/˘ |
| The slumberous watchman wakes and strikes the hour, | 11 | ·/˘˘/˘····/ |
| A mellow, measured, melancholy sound. | 10 | ·/˘/˘/˘·˘· |
| Midnight! the outpost of advancing day! | 10 | /··/··˘/˘· |
| The frontier town and citadel of night! | 10 | ·˘/··/˘··· |
| The watershed of Time, from which the streams | 10 | ·/˘······· |
| Of Yesterday and To-morrow take their way, | 11 | ·/˘˘··/˘··· |
| One to the land of promise and of light, | 10 | ·····/˘··· |
| One to the land of darkness and of dreams! | 10 | ·····/˘··· |
| O River of Yesterday, with current swift | 11 | ·/˘·/˘··/˘· |
| Through chasms descending, and soon lost to sight, | 11 | ·/˘˘/˘····· |
| I do not care to follow in their flight | 10 | ·····/˘··· |
| The faded leaves, that on thy bosom drift! | 10 | ·/˘····/˘· |
| O River of To-morrow, I uplift | 10 | ·/˘··/˘·/˘ |
| Mine eyes, and thee I follow, as the night | 10 | ·····/˘··· |
| Wanes into morning, and the dawning light | 10 | ···/˘··/˘· |
| Broadens, and all the shadows fade and shift! | 10 | /˘···/···· |
| I follow, follow, where thy waters run | 10 | ·/˘/˘··/˘· |
| Through unfrequented, unfamiliar fields, | 10 | ······˘/˘· |
| Fragrant with flowers and musical with song; | 10 | /˘·/·/˘˘·· |
| Still follow, follow; sure to meet the sun, | 10 | ·/˘/˘····· |
| And confident, that what the future yields | 10 | ·/˘˘···/˘· |
| Will be the right, unless myself be wrong. | 10 | ·······/·· |
| Yet not in vain, O River of Yesterday, | 11 | ·····/˘·/˘˘ |
| Through chasms of darkness to the deep descending, | 12 | ·/˘·/˘···˘/˘ |
| I heard thee sobbing in the rain, and blending | 11 | ···/˘····/˘ |
| Thy voice with other voices far away. | 10 | ···/˘/˘·˘/ |
| I called to thee, and yet thou wouldst not stay, | 10 | ·········· |
| But turbulent, and with thyself contending, | 11 | ·/˘˘··˘/˘/˘ |
| And torrent-like thy force on pebbles spending, | 11 | ·/˘····/˘/˘ |
| Thou wouldst not listen to a poet's lay. | 10 | ···/˘··/˘· |
| Thoughts, like a loud and sudden rush of wings, | 10 | ·····/˘··· |
| Regrets and recollections of things past, | 10 | ˘/··˘/˘··· |
| With hints and prophecies of things to be, | 10 | ···/˘˘···· |
| And inspirations, which, could they be things, | 10 | ··˘/˘····· |
| And stay with us, and we could hold them fast, | 10 | ·········· |
| Were our good angels,--these I owe to thee. | 10 | ·/·/˘····· |
| And thou, O River of To-morrow, flowing | 11 | ···/˘··/˘/˘ |
| Between thy narrow adamantine walls, | 10 | ···/˘····· |
| But beautiful, and white with waterfalls, | 10 | ·/˘˘···/˘· |
| And wreaths of mist, like hands the pathway showing; | 11 | ·······/·/˘ |
| I hear the trumpets of the morning blowing, | 11 | ···/˘··/˘/˘ |
| I hear thy mighty voice, that calls and calls, | 10 | ···/˘····· |
| And see, as Ossian saw in Morven's halls, | 10 | ·······/˘· |
| Mysterious phantoms, coming, beckoning, going! | 10 | ˘/˘/˘/˘/˘/ |
| It is the mystery of the unknown | 10 | ···/˘˘··˘/ |
| That fascinates us; we are children still, | 10 | ·/˘····/˘· |
| Wayward and wistful; with one hand we cling | 10 | /˘·/˘····· |
| To the familiar things we call our own, | 10 | ··˘/˘···/· |
| And with the other, resolute of will, | 10 | ···/˘/˘··· |
| Grope in the dark for what the day will bring. | 10 | ·········· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.