Sand of the Desert in an Hour-Glass
A handful of red sand, from the hot climeOf Arab deserts brought,Within this glass becomes the spy of Time,The minister of Thought.
How many weary centuries has it beenAbout those deserts blown!How many strange vicissitudes has seen,How many histories known!
Perhaps the camels of the IshmaeliteTrampled and passed it o'er,When into Egypt from the patriarch's sightHis favorite son they bore.
Perhaps the feet of Moses, burnt and bare,Crushed it beneath their tread;Or Pharaoh's flashing wheels into the airScattered it as they sped;
Or Mary, with the Christ of NazarethHeld close in her caress,Whose pilgrimage of hope and love and faithIllumed the wilderness;
Or anchorites beneath Engaddi's palmsPacing the Dead Sea beach,And singing slow their old Armenian psalmsIn half-articulate speech;
Or caravans, that from Bassora's gateWith westward steps depart;Or Mecca's pilgrims, confident of Fate,And resolute in heart!
These have passed over it, or may have passed!Now in this crystal towerImprisoned by some curious hand at last,It counts the passing hour,
And as I gaze, these narrow walls expand;Before my dreamy eyeStretches the desert with its shifting sand,Its unimpeded sky.
And borne aloft by the sustaining blast,This little golden threadDilates into a column high and vast,A form of fear and dread.
And onward, and across the setting sun,Across the boundless plain,The column and its broader shadow run,Till thought pursues in vain.
The vision vanishes! These walls againShut out the lurid sun,Shut out the hot, immeasurable plain;The half-hour's sand is run!
Words in this poem
- handful n.
- As much as the hand will grasp or contain. [AS. handfull.]
- clime n.
- A climate; a tract or region of the earth. See Climate. [L. clima. See Climate.]
- ishmaelite n.
- A descendant of Ishmael (the son of Abraham and Hagar), of whom it was said,
- caress n.
- An act of endearment; any act or expression of affection; an embracing, or touching, with tenderness. [F. caresse, It. carezza, LL. caritia dearness, fr. L. carus dear. See Charity.]
- pilgrimage n.
- The journey of a pilgrim; a long journey; especially, a journey to a shrine or other sacred place. Fig., the journey of human life. [OE. pilgrimage, pelgrinage; cf. F. pèlerinage.]
- depart v. i.
- To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
- curious a.
- Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
- dreamy a.
- Abounding in dreams or given to dreaming; appropriate to, or like, dreams; visionary.
- lurid a.
- Pale yellow; ghastly pale; wan; gloomy; dismal. [L. luridus.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Sand of the Desert in an Hour-Glass is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, Sand of the Desert in an Hour-Glass, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/sand-of-the-desert-in-an-hour-glass.html, id L17568.
Form and metre
Sand of the Desert in an Hour-Glass is 48 lines in 12 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 10 of its 12 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 8.2 syllables. 5 lines end on an unstressed syllable, a feminine ending. 29% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB climeA · broughtB · timeA · thoughtB
- 2 -A-A been · blownA · seen · knownA
- 3 A-A- ishmaeliteA · o'er · sightA · bore
- 4 ABAB bareA · treadB · airA · spedB
- 5 ABAB nazarethA · caressB · faithA · wildernessB
- 6 ABAB palmsA · beachB · psalmsA · speechB
- 7 ABAB gateA · departB · fateA · heartB
- 8 ABAB passedA · towerB · lastA · hourB
- 9 ABAB expandA · eyeB · sandA · skyB
- 10 ABAB blastA · threadB · vastA · dreadB
- 11 ABAB sunA · plainB · runA · vainB
- 12 ABAB againA · sunB · plainA · runB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| A handful of red sand, from the hot clime | 10 | ·/········ |
| Of Arab deserts brought, | 6 | ·/˘/˘· |
| Within this glass becomes the spy of Time, | 10 | ····˘/···· |
| The minister of Thought. | 6 | ·/˘˘·· |
| How many weary centuries has it been | 10 | ·//˘/˘˘··· |
| About those deserts blown! | 6 | ···/˘· |
| How many strange vicissitudes has seen, | 10 | ·/˘·˘/˘˘·· |
| How many histories known! | 7 | ·/˘/˘˘· |
| Perhaps the camels of the Ishmaelite | 11 | ˘/·/˘··/˘˘˘ |
| Trampled and passed it o'er, | 6 | /˘···· |
| When into Egypt from the patriarch's sight | 11 | ···/˘··/˘·· |
| His favorite son they bore. | 7 | ·/˘˘··· |
| Perhaps the feet of Moses, burnt and bare, | 10 | ˘/···/˘··· |
| Crushed it beneath their tread; | 6 | ······ |
| Or Pharaoh's flashing wheels into the air | 10 | ·/˘/˘····· |
| Scattered it as they sped; | 6 | /˘···· |
| Or Mary, with the Christ of Nazareth | 10 | ·/˘····/˘˘ |
| Held close in her caress, | 6 | ····˘/ |
| Whose pilgrimage of hope and love and faith | 10 | ·/˘˘······ |
| Illumed the wilderness; | 6 | ···/˘˘ |
| Or anchorites beneath Engaddi's palms | 10 | ·········· |
| Pacing the Dead Sea beach, | 6 | /˘···· |
| And singing slow their old Armenian psalms | 10 | ·/˘···˘/˘· |
| In half-articulate speech; | 7 | ··˘/˘·· |
| Or caravans, that from Bassora's gate | 10 | ·/˘······· |
| With westward steps depart; | 6 | ·/˘·˘/ |
| Or Mecca's pilgrims, confident of Fate, | 10 | ·/˘/˘/˘˘·· |
| And resolute in heart! | 6 | ·/˘··· |
| These have passed over it, or may have passed! | 10 | ·········· |
| Now in this crystal tower | 7 | ···/˘/˘ |
| Imprisoned by some curious hand at last, | 10 | ˘/˘··/˘··· |
| It counts the passing hour, | 7 | ···/˘/˘ |
| And as I gaze, these narrow walls expand; | 10 | ·····/˘·˘/ |
| Before my dreamy eye | 6 | ···/˘· |
| Stretches the desert with its shifting sand, | 10 | /˘·/˘··/˘· |
| Its unimpeded sky. | 6 | ··˘/˘· |
| And borne aloft by the sustaining blast, | 10 | ··˘/··˘/˘· |
| This little golden thread | 6 | ·/˘/˘· |
| Dilates into a column high and vast, | 10 | ˘/···/˘··· |
| A form of fear and dread. | 6 | ······ |
| And onward, and across the setting sun, | 10 | ·/˘·˘/·/˘· |
| Across the boundless plain, | 6 | ˘/·/˘· |
| The column and its broader shadow run, | 10 | ·/˘··/˘/·· |
| Till thought pursues in vain. | 6 | ··˘/·· |
| The vision vanishes! These walls again | 10 | ·/˘/˘˘··˘/ |
| Shut out the lurid sun, | 6 | ···/˘· |
| Shut out the hot, immeasurable plain; | 10 | ····˘/˘·˘· |
| The half-hour's sand is run! | 7 | ··/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.