Palingenesis

Henry Wadsworth Longfellow (1807–1882) · 1839–1882

iambic pentameter · ABBACC · 66 lines · from The Complete Poetical Works

I lay upon the headland-height, and listenedTo the incessant sobbing of the seaIn caverns under me,And watched the waves, that tossed and fled and glistened,Until the rolling meadows of amethystMelted away in mist.

Then suddenly, as one from sleep, I started;For round about me all the sunny capesSeemed peopled with the shapesOf those whom I had known in days departed,Apparelled in the loveliness which gleamsOn faces seen in dreams.

A moment only, and the light and gloryFaded away, and the disconsolate shoreStood lonely as before;And the wild-roses of the promontoryAround me shuddered in the wind, and shedTheir petals of pale red.

There was an old belief that in the embersOf all things their primordial form exists,And cunning alchemistsCould re-create the rose with all its membersFrom its own ashes, but without the bloom,Without the lost perfume.

Ah me! what wonder-working, occult scienceCan from the ashes in our hearts once moreThe rose of youth restore?What craft of alchemy can bid defianceTo time and change, and for a single hourRenew this phantom-flower?

"O, give me back," I cried, "the vanished splendors,The breath of morn, and the exultant strife,When the swift stream of lifeBounds o'er its rocky channel, and surrendersThe pond, with all its lilies, for the leapInto the unknown deep!"

And the sea answered, with a lamentation,Like some old prophet wailing, and it said,"Alas! thy youth is dead!It breathes no more, its heart has no pulsation;In the dark places with the dead of oldIt lies forever cold!"

Then said I, "From its consecrated cerementsI will not drag this sacred dust again,Only to give me pain;But, still remembering all the lost endearments,Go on my way, like one who looks before,And turns to weep no more."

Into what land of harvests, what plantationsBright with autumnal foliage and the glowOf sunsets burning low;Beneath what midnight skies, whose constellationsLight up the spacious avenues betweenThis world and the unseen!

Amid what friendly greetings and caresses,What households, though not alien, yet not mine,What bowers of rest divine;To what temptations in lone wildernesses,What famine of the heart, what pain and loss,The bearing of what cross!

I do not know; nor will I vainly questionThose pages of the mystic book which holdThe story still untold,But without rash conjecture or suggestionTurn its last leaves in reverence and good heed,Until "The End" I read.

Words in this poem 15
sobbing n.
A series of short, convulsive inspirations, the glottis being suddenly closed so that little or no air enters into the lungs.
amethyst
A variety of crystallized quartz, of a purple or bluish violet color, of different shades. It is much used as a jeweler's stone. [F. ametiste, amatiste, F. améthyste, L. amethystus, fr. Gr. Mead.]
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
peopled a.
Stocked with, or as with, people; inhabited.
loveliness n.
The state or quality of being lovely. [From Lovely.]
disconsolate n.
Disconsolateness. Barrow.
craft n.
Strength; might; secret power. [AS. cr strength, skill, art, cunning; akin to OS., G., Sw., & Dan. kraft strength, D. kracht, Icel. kraptr; perh. originally, a drawing together, stretching, fr]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
exultant a.
Inclined to exult; characterized by, or expressing, exultation; rejoicing triumphantly. [L. exsultans, exsultantis, p. pr. of exsultare. See Exult.]
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
unseen a.
Not seen or discovered.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
lone n.
A lane. See Loanin.
famine n.
General scarcity of food; dearth; a want of provisions; destitution. [F. famine, fr. L. fames hunger; cf. Gr. hani loss, lack, ha to leave.]
untold a.
Not told; not related; not revealed; as, untold secrets.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Palingenesis is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Wadsworth Longfellow, Palingenesis, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/palingenesis.html, id L17707.

Form and metre

Palingenesis is 66 lines in 11 stanzas of 6 lines each. The rhyme scheme is ABBACC, complete in 9 of its 11 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 24 lines end on an unstressed syllable, a feminine ending. 44% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBACC listenedA · seaB · meB · glistenedA · amethystC · mistC
  2. 2 ABBACC startedA · capesB · shapesB · departedA · gleamsC · dreamsC
  3. 3 ABBACC gloryA · shoreB · beforeB · promontoryA · shedC · redC
  4. 4 A--ABB embersA · exists · alchemists · membersA · bloomB · perfumeB
  5. 5 ABBACC scienceA · moreB · restoreB · defianceA · hourC · flowerC
  6. 6 ABBACC splendorsA · strifeB · lifeB · surrendersA · leapC · deepC
  7. 7 ABBACC lamentationA · saidB · deadB · pulsationA · oldC · coldC
  8. 8 ABBACC cerementsA · againB · painB · endearmentsA · beforeC · moreC
  9. 9 ABBACC plantationsA · glowB · lowB · constellationsA · betweenC · unseenC
  10. 10 -AA-BB caresses · mineA · divineA · wildernesses · lossB · crossB
  11. 11 ABBACC questionA · holdB · untoldB · suggestionA · heedC · readC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
I lay upon the headland-height, and listened11·····/˘··/˘
To the incessant sobbing of the sea10··˘/˘/˘···
In caverns under me,6·/˘···
And watched the waves, that tossed and fled and glistened,11·········/˘
Until the rolling meadows of amethyst10···/˘/··/˘
Melted away in mist.6/˘˘/··
Then suddenly, as one from sleep, I started;10·/˘·····/˘
For round about me all the sunny capes10·······/˘·
Seemed peopled with the shapes8·˘/˘˘···
Of those whom I had known in days departed,11········˘/˘
Apparelled in the loveliness which gleams10˘/˘··/˘˘··
On faces seen in dreams.6·/˘···
A moment only, and the light and glory11·/˘/˘····/˘
Faded away, and the disconsolate shore11/˘˘/··˘/˘˘·
Stood lonely as before;6·/˘···
And the wild-roses of the promontory11···/˘··/˘˘˘
Around me shuddered in the wind, and shed10···/˘·····
Their petals of pale red.6·/˘···
There was an old belief that in the embers11····˘/···/˘
Of all things their primordial form exists,10····˘/˘·˘/
And cunning alchemists6·/˘/˘˘
Could re-create the rose with all its members11··˘/·····/˘
From its own ashes, but without the bloom,10···/˘·····
Without the lost perfume.6····˘/
Ah me! what wonder-working, occult science11···/˘/˘˘//˘
Can from the ashes in our hearts once more10···/˘·/···
The rose of youth restore?6····˘/
What craft of alchemy can bid defiance10···/˘··˘/˘
To time and change, and for a single hour10·······/˘/
Renew this phantom-flower?7˘/·/˘/˘
"O, give me back," I cried, "the vanished splendors,11·······/˘/˘
The breath of morn, and the exultant strife,10······˘/˘·
When the swift stream of life6······
Bounds o'er its rocky channel, and surrenders11···/˘/˘·˘/˘
The pond, with all its lilies, for the leap10·····/˘···
Into the unknown deep!"6···˘/·
And the sea answered, with a lamentation,11···/˘······
Like some old prophet wailing, and it said,10···/˘/˘···
"Alas! thy youth is dead!6˘/····
It breathes no more, its heart has no pulsation;11········˘/˘
In the dark places with the dead of old10···/˘·····
It lies forever cold!"6··˘/˘·
Then said I, "From its consecrated cerements12·····/˘·˘···
I will not drag this sacred dust again,10·····/˘·˘/
Only to give me pain;6/˘····
But, still remembering all the lost endearments,11··˘/˘···˘/˘
Go on my way, like one who looks before,10··········
And turns to weep no more."6······
Into what land of harvests, what plantations11·····/˘··/˘
Bright with autumnal foliage and the glow10··˘/˘/˘···
Of sunsets burning low;6·/·/˘·
Beneath what midnight skies, whose constellations11···/····˘/˘
Light up the spacious avenues between10···/˘/˘···
This world and the unseen!6····˘/
Amid what friendly greetings and caresses,11˘/·/˘/˘·˘/˘
What households, though not alien, yet not mine,10·/···/˘···
What bowers of rest divine;7·/˘··˘/
To what temptations in lone wildernesses,9··˘/˘··/˘
What famine of the heart, what pain and loss,10·/˘·······
The bearing of what cross!6·/˘···
I do not know; nor will I vainly question11·······/˘/˘
Those pages of the mystic book which hold10·/˘··/˘···
The story still untold,6·/˘·˘/
But without rash conjecture or suggestion11····˘/˘·˘/˘
Turn its last leaves in reverence and good heed,10·····/˘···
Until "The End" I read.6······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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