Palingenesis
I lay upon the headland-height, and listenedTo the incessant sobbing of the seaIn caverns under me,And watched the waves, that tossed and fled and glistened,Until the rolling meadows of amethystMelted away in mist.
Then suddenly, as one from sleep, I started;For round about me all the sunny capesSeemed peopled with the shapesOf those whom I had known in days departed,Apparelled in the loveliness which gleamsOn faces seen in dreams.
A moment only, and the light and gloryFaded away, and the disconsolate shoreStood lonely as before;And the wild-roses of the promontoryAround me shuddered in the wind, and shedTheir petals of pale red.
There was an old belief that in the embersOf all things their primordial form exists,And cunning alchemistsCould re-create the rose with all its membersFrom its own ashes, but without the bloom,Without the lost perfume.
Ah me! what wonder-working, occult scienceCan from the ashes in our hearts once moreThe rose of youth restore?What craft of alchemy can bid defianceTo time and change, and for a single hourRenew this phantom-flower?
"O, give me back," I cried, "the vanished splendors,The breath of morn, and the exultant strife,When the swift stream of lifeBounds o'er its rocky channel, and surrendersThe pond, with all its lilies, for the leapInto the unknown deep!"
And the sea answered, with a lamentation,Like some old prophet wailing, and it said,"Alas! thy youth is dead!It breathes no more, its heart has no pulsation;In the dark places with the dead of oldIt lies forever cold!"
Then said I, "From its consecrated cerementsI will not drag this sacred dust again,Only to give me pain;But, still remembering all the lost endearments,Go on my way, like one who looks before,And turns to weep no more."
Into what land of harvests, what plantationsBright with autumnal foliage and the glowOf sunsets burning low;Beneath what midnight skies, whose constellationsLight up the spacious avenues betweenThis world and the unseen!
Amid what friendly greetings and caresses,What households, though not alien, yet not mine,What bowers of rest divine;To what temptations in lone wildernesses,What famine of the heart, what pain and loss,The bearing of what cross!
I do not know; nor will I vainly questionThose pages of the mystic book which holdThe story still untold,But without rash conjecture or suggestionTurn its last leaves in reverence and good heed,Until "The End" I read.
Words in this poem 15
- sobbing n.
- A series of short, convulsive inspirations, the glottis being suddenly closed so that little or no air enters into the lungs.
- amethyst
- A variety of crystallized quartz, of a purple or bluish violet color, of different shades. It is much used as a jeweler's stone. [F. ametiste, amatiste, F. améthyste, L. amethystus, fr. Gr. Mead.]
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- peopled a.
- Stocked with, or as with, people; inhabited.
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
- disconsolate n.
- Disconsolateness. Barrow.
- craft n.
- Strength; might; secret power. [AS. cr strength, skill, art, cunning; akin to OS., G., Sw., & Dan. kraft strength, D. kracht, Icel. kraptr; perh. originally, a drawing together, stretching, fr]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- exultant a.
- Inclined to exult; characterized by, or expressing, exultation; rejoicing triumphantly. [L. exsultans, exsultantis, p. pr. of exsultare. See Exult.]
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- unseen a.
- Not seen or discovered.
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- lone n.
- A lane. See Loanin.
- famine n.
- General scarcity of food; dearth; a want of provisions; destitution. [F. famine, fr. L. fames hunger; cf. Gr. hani loss, lack, ha to leave.]
- untold a.
- Not told; not related; not revealed; as, untold secrets.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Palingenesis is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, Palingenesis, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/palingenesis.html, id L17707.
Form and metre
Palingenesis is 66 lines in 11 stanzas of 6 lines each. The rhyme scheme is ABBACC, complete in 9 of its 11 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 24 lines end on an unstressed syllable, a feminine ending. 44% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABBACC listenedA · seaB · meB · glistenedA · amethystC · mistC
- 2 ABBACC startedA · capesB · shapesB · departedA · gleamsC · dreamsC
- 3 ABBACC gloryA · shoreB · beforeB · promontoryA · shedC · redC
- 4 A--ABB embersA · exists · alchemists · membersA · bloomB · perfumeB
- 5 ABBACC scienceA · moreB · restoreB · defianceA · hourC · flowerC
- 6 ABBACC splendorsA · strifeB · lifeB · surrendersA · leapC · deepC
- 7 ABBACC lamentationA · saidB · deadB · pulsationA · oldC · coldC
- 8 ABBACC cerementsA · againB · painB · endearmentsA · beforeC · moreC
- 9 ABBACC plantationsA · glowB · lowB · constellationsA · betweenC · unseenC
- 10 -AA-BB caresses · mineA · divineA · wildernesses · lossB · crossB
- 11 ABBACC questionA · holdB · untoldB · suggestionA · heedC · readC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I lay upon the headland-height, and listened | 11 | ·····/˘··/˘ |
| To the incessant sobbing of the sea | 10 | ··˘/˘/˘··· |
| In caverns under me, | 6 | ·/˘··· |
| And watched the waves, that tossed and fled and glistened, | 11 | ·········/˘ |
| Until the rolling meadows of amethyst | 10 | ···/˘/··/˘ |
| Melted away in mist. | 6 | /˘˘/·· |
| Then suddenly, as one from sleep, I started; | 10 | ·/˘·····/˘ |
| For round about me all the sunny capes | 10 | ·······/˘· |
| Seemed peopled with the shapes | 8 | ·˘/˘˘··· |
| Of those whom I had known in days departed, | 11 | ········˘/˘ |
| Apparelled in the loveliness which gleams | 10 | ˘/˘··/˘˘·· |
| On faces seen in dreams. | 6 | ·/˘··· |
| A moment only, and the light and glory | 11 | ·/˘/˘····/˘ |
| Faded away, and the disconsolate shore | 11 | /˘˘/··˘/˘˘· |
| Stood lonely as before; | 6 | ·/˘··· |
| And the wild-roses of the promontory | 11 | ···/˘··/˘˘˘ |
| Around me shuddered in the wind, and shed | 10 | ···/˘····· |
| Their petals of pale red. | 6 | ·/˘··· |
| There was an old belief that in the embers | 11 | ····˘/···/˘ |
| Of all things their primordial form exists, | 10 | ····˘/˘·˘/ |
| And cunning alchemists | 6 | ·/˘/˘˘ |
| Could re-create the rose with all its members | 11 | ··˘/·····/˘ |
| From its own ashes, but without the bloom, | 10 | ···/˘····· |
| Without the lost perfume. | 6 | ····˘/ |
| Ah me! what wonder-working, occult science | 11 | ···/˘/˘˘//˘ |
| Can from the ashes in our hearts once more | 10 | ···/˘·/··· |
| The rose of youth restore? | 6 | ····˘/ |
| What craft of alchemy can bid defiance | 10 | ···/˘··˘/˘ |
| To time and change, and for a single hour | 10 | ·······/˘/ |
| Renew this phantom-flower? | 7 | ˘/·/˘/˘ |
| "O, give me back," I cried, "the vanished splendors, | 11 | ·······/˘/˘ |
| The breath of morn, and the exultant strife, | 10 | ······˘/˘· |
| When the swift stream of life | 6 | ······ |
| Bounds o'er its rocky channel, and surrenders | 11 | ···/˘/˘·˘/˘ |
| The pond, with all its lilies, for the leap | 10 | ·····/˘··· |
| Into the unknown deep!" | 6 | ···˘/· |
| And the sea answered, with a lamentation, | 11 | ···/˘······ |
| Like some old prophet wailing, and it said, | 10 | ···/˘/˘··· |
| "Alas! thy youth is dead! | 6 | ˘/···· |
| It breathes no more, its heart has no pulsation; | 11 | ········˘/˘ |
| In the dark places with the dead of old | 10 | ···/˘····· |
| It lies forever cold!" | 6 | ··˘/˘· |
| Then said I, "From its consecrated cerements | 12 | ·····/˘·˘··· |
| I will not drag this sacred dust again, | 10 | ·····/˘·˘/ |
| Only to give me pain; | 6 | /˘···· |
| But, still remembering all the lost endearments, | 11 | ··˘/˘···˘/˘ |
| Go on my way, like one who looks before, | 10 | ·········· |
| And turns to weep no more." | 6 | ······ |
| Into what land of harvests, what plantations | 11 | ·····/˘··/˘ |
| Bright with autumnal foliage and the glow | 10 | ··˘/˘/˘··· |
| Of sunsets burning low; | 6 | ·/·/˘· |
| Beneath what midnight skies, whose constellations | 11 | ···/····˘/˘ |
| Light up the spacious avenues between | 10 | ···/˘/˘··· |
| This world and the unseen! | 6 | ····˘/ |
| Amid what friendly greetings and caresses, | 11 | ˘/·/˘/˘·˘/˘ |
| What households, though not alien, yet not mine, | 10 | ·/···/˘··· |
| What bowers of rest divine; | 7 | ·/˘··˘/ |
| To what temptations in lone wildernesses, | 9 | ··˘/˘··/˘ |
| What famine of the heart, what pain and loss, | 10 | ·/˘······· |
| The bearing of what cross! | 6 | ·/˘··· |
| I do not know; nor will I vainly question | 11 | ·······/˘/˘ |
| Those pages of the mystic book which hold | 10 | ·/˘··/˘··· |
| The story still untold, | 6 | ·/˘·˘/ |
| But without rash conjecture or suggestion | 11 | ····˘/˘·˘/˘ |
| Turn its last leaves in reverence and good heed, | 10 | ·····/˘··· |
| Until "The End" I read. | 6 | ······ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.