At the Foot of the Alps
Here let us pause a moment in the tremblingShadow and sunshine of the roadside trees,And, our tired horses in a group assembling,Inhale long draughts of this delicious breeze.Our fleeter steeds have distanced our attendants;They lag behind us with a slower pace;We will await them under the green pendantsOf the great willows in this shady place.Ho, Barbarossa! how thy mottled haunchesSweat with this canter over hill and glade!Stand still, and let these overhanging branchesFan thy hot sides and comfort thee with shade!
What a delightful landscape spreads before us,Marked with a whitewashed cottage here and there!And, in luxuriant garlands drooping o'er us,Blossoms of grape-vines scent the sunny air.
Hark! what sweet sounds are those, whose accents holyFill the warm noon with music sad and sweet!
It is a band of pilgrims, moving slowlyOn their long journey, with uncovered feet.
PILGRIMS, chanting the Hymn of St. Hildebert.Me receptet Sion illa,Sion David, urbs tranquilla,Cujus faber auctor lucis,Cujus portae lignum crucis,Cujus claves lingua Petri,Cujus cives semper laeti,Cujus muri lapis vivus,Cujus custos rex festivus!
LUCIFER, as a Friar in the procession.Here am I, too, in the pious band,In the garb of a barefooted Carmelite dressed!The soles of my feet are as hard and tannedAs the conscience of old Pope Hildebrand,The Holy Satan, who made the wivesOf the bishops lead such shameful lives,All day long I beat my breast,And chant with a most particular zestThe Latin hymns, which I understandQuite as well, I think, as the rest.And at night such lodging in barns and sheds,Such a hurly-burly in country inns,Such a clatter of tongues in empty heads,Such a helter-skelter of prayers and sins!Of all the contrivances of the timeFor sowing broadcast the seeds of crime,There is none so pleasing to me and mineAs a pilgrimage to some far-off shrine!
If from the outward man we judge the inner,And cleanliness is godliness, I fearA hopeless reprobate, a hardened Sinner,Must be that Carmelite now passing near.
There is my German Prince again,Thus far on his journey to Salern,And the lovesick girl, whose heated brainIs sowing the cloud to reap the rain;But it's a long road that has no turn!Let them quietly hold their way,I have also a part in the play.But first I must act to my heart's contentThis mummery and this merriment,And drive this motley flock of sheepInto the fold, where drink and sleepThe jolly old friars of Benevent.Of a truth, it often provokes me to laughTo see these beggars hobble along,Lamed and maimed, and fed upon chaff,Chanting their wonderful puff and paff,And, to make up for not understanding the song,Singing it fiercely, and wild, and strong!Were it not for my magic garters and staff,And the goblets of goodly wine I quaff,And the mischief I make in the idle throng,I should not continue the business long.
PILGRIMS, chanting.In hac urbe, lux solennis,Ver aeternum, pax perennis;In hac odor implens caelos,In hac semper festum melos!
Do you observe that monk among the train,Who pours from his great throat the roaring bass,As a cathedral spout pours out the rain,And this way turns his rubicund, round face?
It is the same who, on the Strasburg square,Preached to the people in the open air.
And he has crossed o'er mountain, field, and fell,On that good steed, that seems to bear him well,The hackney of the Friars of Orders Gray,His own stout legs! He, too, was in the play,Both as King Herod and Ben Israel.Good morrow, Friar!
Good morrow, noble Sir!
I speak in German, for, unless I err,You are a German.
I cannot gainsay you.But by what instinct, or what secret sign,Meeting me here, do you straightway divineThat northward of the Alps my country lies?
Your accent, like St. Peter's, would betray you,Did not your yellow beard and your blue eyes.Moreover, we have seen your face before,And heard you preach at the Cathedral doorOn Easter Sunday, in the Strasburg square.We were among the crowd that gathered there,And saw you play the Rabbi with great skill,As if, by leaning o'er so many yearsTo walk with little children, your own willHad caught a childish attitude from theirs,A kind of stooping in its form and gait,And could no longer stand erect and straight.Whence come you now?
From the old monasteryOf Hirschau, in the forest; being sentUpon a pilgrimage to Benevent,To see the image of the Virgin Mary,That moves its holy eyes, and sometimes speaks,And lets the piteous tears run down its cheeks,To touch the hearts of the impenitent.
Oh, had I faith, as in the days gone by,That knew no doubt, and feared no mystery!
LUCIFER, at a distance.Ho, Cuthbert! Friar Cuthbert!
Fare well, Prince;I cannot stay to argue and convince.
This is indeed the blessed Mary's land,Virgin and mother of our dear redeemer!All hearts are touched and softened at her name,Alike the bandit, with the bloody hand,The priest, the prince, the scholar, and the peasant,The man of deeds, the visionary dreamer,Pay homage to her as one ever present!And even as children, who have much offendedA too indulgent father, in great shame,Penitent, and yet not daring unattendedTo go into his presence, at the gateSpeak with their sister, and confiding waitTill she goes in before and intercedes;So men, repenting of their evil deeds,And yet not venturing rashly to draw nearWith their requests an angry father's ear,Offer to her their prayers and their confession,And she for them in heaven makes intercession.And if our faith had given us nothing moreThan this example of all womanhood,So mild, so merciful, so strong, so good,So patient, peaceful, loyal, loving, pure,This were enough to prove it higher and truerThan all the creeds the world had known before.
PILGRIMS, chanting afar off.Urbs coelestis, urbs beata,Supra petram collocata,Urbs in portu satis tutoDe longinquo te saluto,Te saluto, te suspiro,Te affecto, te requiro!
Words in this poem 36
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- roadside n.
- Land adjoining a road or highway; the part of a road or highway that borders the traveled part. Also used ajectively.
- await v. t.
- To watch for; to look out for. [OF. awaitier, agaitier; (L. ad) + waitier, gaitier to watch, F. guetter. See Wait.]
- canter n.
- A moderate and easy gallop adapted to pleasure riding. [An abbreviation of Caner bury. See Canterbury gallop, under Canterbury.]
- glade n.
- An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- garb n.
- External appearance, as expressive of the feelings or character; looks; fashion or manner, as of speech. [OF. garbe looks, countenance, grace, ornament, fr. OHG. garawi, garwi, ornament, dress. akin to E. gear. See Gear, n.]
- barefooted a.
- Having the feet bare.
- carmelite a.
- Of or pertaining to the order of Carmelites.
- conscience n.
- Knowledge of one's own thoughts or actions; consciousness. [F. conscience, fr. L. conscientia, fr. consciens, p.pr. of conscire to know, to be conscious; con- + scire to know. See Science.]
- zest n.
- A piece of orange or lemon peel, or the aromatic oil which may be squeezed from such peel, used to give flavor to liquor, etc. [F. zeste, probably fr. L. schistos split, cleft, divided, Gr. Schism.]
- clatter v. i.
- To make a rattling sound by striking hard bodies together; to make a succession of abrupt, rattling sounds. [AS. cla a rattle, akin to D. klateren to rattle. Cf. Clack.]
- broadcast n.
- A casting or throwing seed in all directions, as from the hand in sowing.
- pilgrimage n.
- The journey of a pilgrim; a long journey; especially, a journey to a shrine or other sacred place. Fig., the journey of human life. [OE. pilgrimage, pelgrinage; cf. F. pèlerinage.]
- cleanliness n.
- State of being cleanly; neatness of person or dress. [From Cleanly.]
- godliness n.
- Careful observance of, or conformity to, the laws of God; the state or quality of being godly; piety. [From Godly.]
- reprobate a.
- Not enduring proof or trial; not of standard purity or fineness; disallowed; rejected. [L. reprobatus, p. p. of reprobare to disapprove, condemn. See Reprieve, Reprove.]
- sinner n.
- One who has sinned; especially, one who has sinned without repenting; hence, a persistent and incorrigible transgressor; one condemned by the law of God.
- reap n.
- A bundle of grain; a handful of grain laid down by the reaper as it is cut. Wright. [Cf. AS. rip harvest. See Reap, v.]
- mummery n.
- Masking; frolic in disguise; buffoonery. [F. momerie, of Dutch or German origin. See Mumm.]
- goodly a.
- Pleasant; agreeable; desirable. [OE. godlich, AS. g. See Good, and Like.]
- quaff v. t.
- To drink with relish; to drink copiously of; to swallow in large draughts. [For quach, fr. Gael. & Ir. cuach a drinking cup; cf. L. caucus a drinking vessel. Cf. Quaigh.]
- rubicund a.
- Inclining to redness; ruddy; red. [L. rubicundus, fr. rubere to be red, akin to ruber red. See Red.]
- steed n.
- A horse, especially a spirited horse for state of war; -- used chiefly in poetry or stately prose. [OE. stede, AS. steda a stud-horse, war horse, fr. stod a stud of breeding steeds; akin to G. stute a mare, Icel. stedda, sto, a stud. *163. See Stud of horses.]
- straightway adv.
- Immediately; without loss of time; without delay.
- northward a.
- Toward the north; nearer to the north than to the east or west point. [AS. noredhweard.]
- rabbi n.
- Master; lord; teacher; -- a Jewish title of respect or honor for a teacher or doctor of the law.
- impenitent a.
- Not penitent; not repenting of sin; not contrite; of a hard heart. [L. impaenitens; pref. im- not + paenitens penitens: cf. F. impénitent. See Penitent.]
- convince v. t.
- To overpower; to overcome; to subdue or master. [L. convincere, -victum, to refute, prove; con- + vincere to conquer. See Victor, and cf. Convict.]
- redeemer n.
- One who redeems.
- bandit n.
- An outlaw; a brigand. [It. bandito outlaw, p.p. of bandire to proclaim, to banish, to proscribe, LL. bandire, bannire. See Ban an edict, and cf. Banish.]
- dreamer n.
- One who dreams.
- confiding a.
- That confides; trustful; unsuspicious.
- angry a.
- Troublesome; vexatious; rigorous. [See Anger.]
- intercession n.
- The act of interceding; mediation; interposition between parties at variance, with a view to reconcilation; prayer, petition, or entreaty in favor of, or (less often) against, another or others. [L. intercessio an intervention, a becoming surety: cf. F. intercession. See Intercede.]
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
At the Foot of the Alps is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, At the Foot of the Alps, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/at-the-foot-of-the-alps.html, id L17941.
Form and metre
At the Foot of the Alps is 155 lines in 22 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 82%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 9.4 syllables. 34 lines end on an unstressed syllable, a feminine ending. 21% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB-C-C-D-D tremblingA · treesB · assemblingA · breezeB · attendants · paceC · pendants · placeC · haunches · gladeD · branches · shadeD
- 2 ABAB usA · thereB · usA · airB
- 5 -AABB--CC hildebert · illaA · tranquillaA · lucisB · crucisB · petri · laeti · vivusC · festivusC
- 6 -ABAACCBBABDEDEFFGG procession · bandA · dressedB · tannedA · hildebrandA · wivesC · livesC · breastB · zestB · understandA · restB · shedsD · innsE · headsD · sinsE · timeF · crimeF · mineG · shrineG
- 7 ABAB innerA · fearB · sinnerA · nearB
- 8 A-AA-BBCCDDCEFEEFFEEFF againA · salern · brainA · rainA · turn · wayB · playB · contentC · merrimentC · sheepD · sleepD · beneventC · laughE · alongF · chaffE · paffE · songF · strongF · staffE · quaffE · throngF · longF
- 9 -AA-- chanting · solennisA · perennisA · caelos · melos
- 10 ABAB trainA · bassB · rainA · faceB
- 11 AA squareA · airA
- 12 AABBA- fellA · wellA · grayB · playB · israelA · friar
- 15 -AA- you · signA · divineA · lies
- 16 --AABBC-C-DD- you · eyes · beforeA · doorA · squareB · thereB · skillC · years · willC · theirs · gaitD · straightD · now
- 17 ABBACCB monasteryA · sentB · beneventB · maryA · speaksC · cheeksC · impenitentB
- 20 AA princeA · convinceA
- 21 ABCADBDECEFFGGHHIIJKK--J landA · redeemerB · nameC · handA · peasantD · dreamerB · presentD · offendedE · shameC · unattendedE · gateF · waitF · intercedesG · deedsG · nearH · earH · confessionI · intercessionI · moreJ · womanhoodK · goodK · pure · truer · beforeJ
- 22 ---AABB off · beata · collocata · tutoA · salutoA · suspiroB · requiroB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Here let us pause a moment in the trembling | 11 | ·····/˘··/˘ |
| Shadow and sunshine of the roadside trees, | 10 | /··/···/·· |
| And, our tired horses in a group assembling, | 11 | ·///˘···˘/˘ |
| Inhale long draughts of this delicious breeze. | 10 | ˘/····˘/˘· |
| Our fleeter steeds have distanced our attendants; | 11 | /····/˘/˘/˘ |
| They lag behind us with a slower pace; | 10 | ·······/˘· |
| We will await them under the green pendants | 11 | ··˘/·····/˘ |
| Of the great willows in this shady place. | 10 | ···/···/˘· |
| Ho, Barbarossa! how thy mottled haunches | 11 | ·······/˘·· |
| Sweat with this canter over hill and glade! | 10 | ···/˘····· |
| Stand still, and let these overhanging branches | 11 | ·····/˘·˘/˘ |
| Fan thy hot sides and comfort thee with shade! | 10 | ·····/˘··· |
| What a delightful landscape spreads before us, | 11 | ··˘/˘/····· |
| Marked with a whitewashed cottage here and there! | 10 | ···/·/˘··· |
| And, in luxuriant garlands drooping o'er us, | 11 | ··˘/˘/˘/˘·· |
| Blossoms of grape-vines scent the sunny air. | 10 | /˘·····/˘· |
| Hark! what sweet sounds are those, whose accents holy | 11 | ·······/˘/˘ |
| Fill the warm noon with music sad and sweet! | 10 | ·····/˘··· |
| It is a band of pilgrims, moving slowly | 11 | ·····/˘/˘/˘ |
| On their long journey, with uncovered feet. | 10 | ···/˘·˘/˘· |
| PILGRIMS, chanting the Hymn of St. Hildebert. | 11 | /˘/˘······· |
| Me receptet Sion illa, | 7 | ······· |
| Sion David, urbs tranquilla, | 7 | ·/˘···· |
| Cujus faber auctor lucis, | 8 | ··/˘···· |
| Cujus portae lignum crucis, | 7 | ······· |
| Cujus claves lingua Petri, | 7 | ···/˘/˘ |
| Cujus cives semper laeti, | 7 | ······· |
| Cujus muri lapis vivus, | 8 | ··/˘/˘·· |
| Cujus custos rex festivus! | 8 | ··/˘···· |
| LUCIFER, as a Friar in the procession. | 11 | /˘˘··/··˘/˘ |
| Here am I, too, in the pious band, | 9 | ······/˘· |
| In the garb of a barefooted Carmelite dressed! | 12 | ·····/·˘/˘·· |
| The soles of my feet are as hard and tanned | 10 | ·········· |
| As the conscience of old Pope Hildebrand, | 10 | ··/˘···/˘· |
| The Holy Satan, who made the wives | 9 | ·/˘/˘···· |
| Of the bishops lead such shameful lives, | 9 | ··/˘··/˘· |
| All day long I beat my breast, | 7 | ······· |
| And chant with a most particular zest | 10 | ·····˘/˘˘· |
| The Latin hymns, which I understand | 9 | ·/˘····˘/ |
| Quite as well, I think, as the rest. | 8 | ········ |
| And at night such lodging in barns and sheds, | 10 | ····/˘···· |
| Such a hurly-burly in country inns, | 10 | ··/˘/˘·/˘· |
| Such a clatter of tongues in empty heads, | 10 | ··/˘···/˘· |
| Such a helter-skelter of prayers and sins! | 10 | ··/˘/˘···· |
| Of all the contrivances of the time | 10 | ···˘/˘˘··· |
| For sowing broadcast the seeds of crime, | 9 | ·/˘/····· |
| There is none so pleasing to me and mine | 10 | ····/˘···· |
| As a pilgrimage to some far-off shrine! | 10 | ··/˘˘····· |
| If from the outward man we judge the inner, | 11 | ···/˘····/˘ |
| And cleanliness is godliness, I fear | 10 | ·/˘˘·/˘˘·· |
| A hopeless reprobate, a hardened Sinner, | 11 | ·/˘/˘˘·/˘/˘ |
| Must be that Carmelite now passing near. | 10 | ···/˘··/˘· |
| There is my German Prince again, | 8 | ···/˘·˘/ |
| Thus far on his journey to Salern, | 9 | ····/˘··· |
| And the lovesick girl, whose heated brain | 9 | ··/˘··/˘· |
| Is sowing the cloud to reap the rain; | 9 | ·/˘······ |
| But it's a long road that has no turn! | 9 | ········· |
| Let them quietly hold their way, | 8 | ··/˘˘··· |
| I have also a part in the play. | 9 | ··/˘····· |
| But first I must act to my heart's content | 10 | ········/˘ |
| This mummery and this merriment, | 9 | ·/˘˘··/˘˘ |
| And drive this motley flock of sheep | 8 | ···/˘··· |
| Into the fold, where drink and sleep | 8 | ········ |
| The jolly old friars of Benevent. | 10 | ·/˘·/˘···· |
| Of a truth, it often provokes me to laugh | 11 | ····/˘˘/··· |
| To see these beggars hobble along, | 9 | ···/˘/˘˘/ |
| Lamed and maimed, and fed upon chaff, | 10 | ·˘··˘····· |
| Chanting their wonderful puff and paff, | 9 | /˘·/˘˘··· |
| And, to make up for not understanding the song, | 12 | ·······˘/˘·· |
| Singing it fiercely, and wild, and strong! | 9 | /˘·/˘···· |
| Were it not for my magic garters and staff, | 11 | ·····/˘/˘·· |
| And the goblets of goodly wine I quaff, | 10 | ··/˘·/˘··· |
| And the mischief I make in the idle throng, | 11 | ··/˘····/˘· |
| I should not continue the business long. | 10 | ···˘/˘·/˘· |
| PILGRIMS, chanting. | 4 | /˘/˘ |
| In hac urbe, lux solennis, | 7 | ······· |
| Ver aeternum, pax perennis; | 8 | ········ |
| In hac odor implens caelos, | 8 | ··/˘···· |
| In hac semper festum melos! | 8 | ······/˘ |
| Do you observe that monk among the train, | 10 | ··˘/······ |
| Who pours from his great throat the roaring bass, | 10 | ·······/˘· |
| As a cathedral spout pours out the rain, | 10 | ··˘/˘····· |
| And this way turns his rubicund, round face? | 10 | ·····/˘˘·· |
| It is the same who, on the Strasburg square, | 10 | ·······/˘· |
| Preached to the people in the open air. | 10 | ···/˘··/˘· |
| And he has crossed o'er mountain, field, and fell, | 10 | ·····/˘··· |
| On that good steed, that seems to bear him well, | 10 | ·········· |
| The hackney of the Friars of Orders Gray, | 10 | ·/˘··/·/˘· |
| His own stout legs! He, too, was in the play, | 10 | ·········· |
| Both as King Herod and Ben Israel. | 10 | ···/˘··/˘˘ |
| Good morrow, Friar! | 5 | ·/˘/˘ |
| Good morrow, noble Sir! | 6 | ·/˘/˘· |
| I speak in German, for, unless I err, | 10 | ···/˘····· |
| You are a German. | 5 | ···/˘ |
| I cannot gainsay you. | 6 | ·/˘/·· |
| But by what instinct, or what secret sign, | 10 | ···/˘··/˘· |
| Meeting me here, do you straightway divine | 10 | /˘····/˘˘/ |
| That northward of the Alps my country lies? | 10 | ·/˘····/˘· |
| Your accent, like St. Peter's, would betray you, | 11 | ·/···/˘·˘/· |
| Did not your yellow beard and your blue eyes. | 10 | ···/˘····· |
| Moreover, we have seen your face before, | 10 | ˘/˘······· |
| And heard you preach at the Cathedral door | 10 | ······˘/˘· |
| On Easter Sunday, in the Strasburg square. | 10 | ·/˘/···/˘· |
| We were among the crowd that gathered there, | 10 | ·······/˘· |
| And saw you play the Rabbi with great skill, | 10 | ·····/···· |
| As if, by leaning o'er so many years | 10 | ···/˘··/˘· |
| To walk with little children, your own will | 10 | ···/˘/˘··· |
| Had caught a childish attitude from theirs, | 10 | ···/˘/˘··· |
| A kind of stooping in its form and gait, | 10 | ···/˘····· |
| And could no longer stand erect and straight. | 10 | ···/˘·˘/·· |
| Whence come you now? | 4 | ···· |
| From the old monastery | 7 | ···/˘·˘ |
| Of Hirschau, in the forest; being sent | 10 | ·····/˘/˘· |
| Upon a pilgrimage to Benevent, | 10 | ···/˘˘···· |
| To see the image of the Virgin Mary, | 11 | ···/˘··/˘/˘ |
| That moves its holy eyes, and sometimes speaks, | 10 | ···/˘··/·· |
| And lets the piteous tears run down its cheeks, | 11 | ···/˘˘····· |
| To touch the hearts of the impenitent. | 10 | ······˘/˘˘ |
| Oh, had I faith, as in the days gone by, | 10 | ·········· |
| That knew no doubt, and feared no mystery! | 10 | ·······/˘˘ |
| LUCIFER, at a distance. | 7 | /˘˘··/˘ |
| Ho, Cuthbert! Friar Cuthbert! | 7 | ·/˘/˘/˘ |
| Fare well, Prince; | 3 | ··· |
| I cannot stay to argue and convince. | 10 | ·/˘··/˘·˘/ |
| This is indeed the blessed Mary's land, | 10 | ··˘/··˘/˘· |
| Virgin and mother of our dear redeemer! | 11 | /˘·/˘·/·˘/˘ |
| All hearts are touched and softened at her name, | 10 | ·····/˘··· |
| Alike the bandit, with the bloody hand, | 10 | ˘/·/˘··/˘· |
| The priest, the prince, the scholar, and the peasant, | 11 | ·····/˘··/˘ |
| The man of deeds, the visionary dreamer, | 11 | ·····/˘·˘/˘ |
| Pay homage to her as one ever present! | 11 | ·/˘····/˘/˘ |
| And even as children, who have much offended | 11 | ·/·/˘···˘/˘ |
| A too indulgent father, in great shame, | 10 | ··˘/˘/˘··· |
| Penitent, and yet not daring unattended | 11 | /˘···/˘˘˘/˘ |
| To go into his presence, at the gate | 10 | ·····/˘··· |
| Speak with their sister, and confiding wait | 10 | ···/˘·˘/˘· |
| Till she goes in before and intercedes; | 10 | ········˘/ |
| So men, repenting of their evil deeds, | 10 | ··˘/˘··/˘· |
| And yet not venturing rashly to draw near | 10 | ···/˘/˘··· |
| With their requests an angry father's ear, | 10 | ··˘/·/˘/˘· |
| Offer to her their prayers and their confession, | 11 | /˘······˘/˘ |
| And she for them in heaven makes intercession. | 11 | ·····/··˘/˘ |
| And if our faith had given us nothing more | 10 | ··/··/·/˘· |
| Than this example of all womanhood, | 10 | ··˘/˘··/˘· |
| So mild, so merciful, so strong, so good, | 10 | ···/˘˘···· |
| So patient, peaceful, loyal, loving, pure, | 10 | ·/˘/˘/˘/˘· |
| This were enough to prove it higher and truer | 11 | ··˘/···/·/˘ |
| Than all the creeds the world had known before. | 10 | ·········· |
| PILGRIMS, chanting afar off. | 7 | /˘/˘˘/· |
| Urbs coelestis, urbs beata, | 8 | ·····˘/˘ |
| Supra petram collocata, | 8 | /˘······ |
| Urbs in portu satis tuto | 8 | ········ |
| De longinquo te saluto, | 8 | ········ |
| Te saluto, te suspiro, | 8 | ········ |
| Te affecto, te requiro! | 8 | ········ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.