A Dutch Picture
Simon Danz has come home again,From cruising about with his buccaneers;He has singed the beard of the King of Spain,And carried away the Dean of JaenAnd sold him in Algiers.
In his house by the Maese, with its roof of tiles,And weathercocks flying aloft in air,There are silver tankards of antique styles,Plunder of convent and castle, and pilesOf carpets rich and rare.
In his tulip-garden there by the town,Overlooking the sluggish stream,With his Moorish cap and dressing-gown,The old sea-captain, hale and brown,Walks in a waking dream.
A smile in his gray mustachio lurksWhenever he thinks of the King of Spain,And the listed tulips look like Turks,And the silent gardener as he worksIs changed to the Dean of Jaen.
The windmills on the outermostVerge of the landscape in the haze,To him are towers on the Spanish coast,With whiskered sentinels at their post,Though this is the river Maese.
But when the winter rains begin,He sits and smokes by the blazing brands,And old seafaring men come in,Goat-bearded, gray, and with double chin,And rings upon their hands.
They sit there in the shadow and shineOf the flickering fire of the winter night;Figures in color and designLike those by Rembrandt of the Rhine,Half darkness and half light.
And they talk of ventures lost or won,And their talk is ever and ever the same,While they drink the red wine of Tarragon,From the cellars of some Spanish Don,Or convent set on flame.
Restless at times with heavy stridesHe paces his parlor to and fro;He is like a ship that at anchor rides,And swings with the rising and falling tides,And tugs at her anchor-tow.
Voices mysterious far and near,Sound of the wind and sound of the sea,Are calling and whispering in his ear,"Simon Danz! Why stayest thou here?Come forth and follow me!"
So he thinks he shall take to the sea againFor one more cruise with his buccaneers,To singe the beard of the King of Spain,And capture another Dean of JaenAnd sell him in Algiers.
Words in this poem
- gardener n.
- One who makes and tends a garden; a horticulturist.
- whiskered a.
- Formed into whiskers; furnished with whiskers; having or wearing whiskers.
- seafaring a.
- Following the business of a mariner; as, a seafaring man.
- tarragon n.
- A plant of the genus Artemisa (A. dracunculus), much used in France for flavoring vinegar. [Sp. taragona, Ar. tarkh; perhaps fr. Gr. draco; cf. L. dracunculus tarragon. Cf. Dragon.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- cruise v. i.
- To sail back and forth on the ocean; to sail, as for the potection of commerce, in search of an enemy, for plunder, or for pleasure. [D. kruisen to move crosswise or in a zigzag, to cruise, fr. kruis cross, fr. OF. crois, croiz, F. croix, or directly fr. OF. croisier, F. croiser, to cross, cru]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Dutch Picture is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, A Dutch Picture, in A Psalm of Life, and Other Poems (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/a-dutch-picture.html, id L17781.
Form and metre
A Dutch Picture is 55 lines in 11 stanzas of 5 lines each. Every stanza rhymes ABAAB. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 80%). 87% of its stressed syllables fall where the metre puts the beat. The lines average 8.6 syllables. 1 line ends on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAAB againA · buccaneersB · spainA · jaenA · algiersB
- 2 ABAAB tilesA · airB · stylesA · pilesA · rareB
- 3 ABAAB townA · streamB · gownA · brownA · dreamB
- 4 ABAAB lurksA · spainB · turksA · worksA · jaenB
- 5 ABAAB outermostA · hazeB · coastA · postA · maeseB
- 6 ABAAB beginA · brandsB · inA · chinA · handsB
- 7 ABAAB shineA · nightB · designA · rhineA · lightB
- 8 ABAAB wonA · sameB · tarragonA · donA · flameB
- 9 ABAAB stridesA · froB · ridesA · tidesA · towB
- 10 ABAAB nearA · seaB · earA · hereA · meB
- 11 ABAAB againA · buccaneersB · spainA · jaenA · algiersB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Simon Danz has come home again, | 8 | /˘····˘/ |
| From cruising about with his buccaneers; | 10 | ·/˘·····˘/ |
| He has singed the beard of the King of Spain, | 10 | ·········· |
| And carried away the Dean of Jaen | 9 | ·/˘˘/···· |
| And sold him in Algiers. | 6 | ····˘/ |
| In his house by the Maese, with its roof of tiles, | 11 | ··········· |
| And weathercocks flying aloft in air, | 10 | ····/˘˘/·· |
| There are silver tankards of antique styles, | 10 | ··/˘/˘·˘/· |
| Plunder of convent and castle, and piles | 10 | /˘·/··/˘·· |
| Of carpets rich and rare. | 6 | ·/˘··· |
| In his tulip-garden there by the town, | 10 | ··/˘/˘···· |
| Overlooking the sluggish stream, | 8 | /˘·˘·/˘· |
| With his Moorish cap and dressing-gown, | 9 | ··/˘··/˘· |
| The old sea-captain, hale and brown, | 8 | ···/˘··· |
| Walks in a waking dream. | 6 | ···/˘· |
| A smile in his gray mustachio lurks | 10 | ·····˘/˘·· |
| Whenever he thinks of the King of Spain, | 10 | ˘/˘······· |
| And the listed tulips look like Turks, | 9 | ··/˘/˘··· |
| And the silent gardener as he works | 9 | ··/˘/˘··· |
| Is changed to the Dean of Jaen. | 8 | ··˘····· |
| The windmills on the outermost | 8 | ·/···/˘· |
| Verge of the landscape in the haze, | 8 | ···/···· |
| To him are towers on the Spanish coast, | 9 | ···/··/˘· |
| With whiskered sentinels at their post, | 8 | ·/˘/˘··· |
| Though this is the river Maese. | 7 | ····/˘· |
| But when the winter rains begin, | 8 | ···/˘·˘/ |
| He sits and smokes by the blazing brands, | 9 | ······/˘· |
| And old seafaring men come in, | 7 | ··/˘··· |
| Goat-bearded, gray, and with double chin, | 9 | ·/˘···/˘· |
| And rings upon their hands. | 6 | ······ |
| They sit there in the shadow and shine | 9 | ·····/··· |
| Of the flickering fire of the winter night; | 10 | ··/˘/··/˘· |
| Figures in color and design | 8 | /˘·/˘·˘/ |
| Like those by Rembrandt of the Rhine, | 8 | ···/···· |
| Half darkness and half light. | 6 | ·/˘··· |
| And they talk of ventures lost or won, | 9 | ····/˘··· |
| And their talk is ever and ever the same, | 9 | ····/·/·· |
| While they drink the red wine of Tarragon, | 10 | ·······/˘˘ |
| From the cellars of some Spanish Don, | 9 | ··/˘··/˘· |
| Or convent set on flame. | 6 | ·/˘··· |
| Restless at times with heavy strides | 8 | /˘···/˘· |
| He paces his parlor to and fro; | 9 | ·/˘·/˘··· |
| He is like a ship that at anchor rides, | 10 | ·······/˘· |
| And swings with the rising and falling tides, | 10 | ····/˘·/˘· |
| And tugs at her anchor-tow. | 7 | ····/˘· |
| Voices mysterious far and near, | 8 | /˘˘/˘··· |
| Sound of the wind and sound of the sea, | 9 | ········· |
| Are calling and whispering in his ear, | 9 | ·/˘·/˘··· |
| "Simon Danz! Why stayest thou here? | 8 | /˘··/˘·· |
| Come forth and follow me!" | 6 | ···/˘· |
| So he thinks he shall take to the sea again | 11 | ·········˘/ |
| For one more cruise with his buccaneers, | 9 | ·······˘/ |
| To singe the beard of the King of Spain, | 9 | ········· |
| And capture another Dean of Jaen | 9 | ·/˘˘/˘··· |
| And sell him in Algiers. | 6 | ····˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.