Part Second: Monologue

Henry Wadsworth Longfellow (1807–1882) · 1883

85 lines · from Michael Angelo: A Fragment

Fled to Viterbo, the old Papal cityWhere once an Emperor, humbled in his pride,Held the Pope's stirrup, as his HolinessAlighted from his mule! A fugitiveFrom Cardinal Caraffa's hate, who hurlsHis thunders at the house of the Colonna,With endless bitterness!--Among the nunsIn Santa Catarina's convent hidden,Herself in soul a nun! And now she chides meFor my too frequent letters, that disturbHer meditations, and that hinder meAnd keep me from my work; now graciouslyShe thanks me for the crucifix I sent her,And says that she will keep it: with one handInflicts a wound, and with the other heals it.

"Profoundly I believed that God would grant youA supernatural faith to paint this Christ;I wished for that which I now see fulfilledSo marvellously, exceeding all my wishes.Nor more could be desired, or even so much.And greatly I rejoice that you have madeThe angel on the right so beautiful;For the Archangel Michael will place you,You, Michael Angelo, on that new dayUpon the Lord's right hand! And waiting that,How can I better serve you than to prayTo this sweet Christ for you, and to beseech youTo hold me altogether yours in all things."

Well, I will write less often, or no more,But wait her coming. No one born in RomeCan live elsewhere; but he must pine for Rome,And must return to it. I, who am bornAnd bred a Tuscan and a Florentine,Feel the attraction, and I linger hereAs if I were a pebble in the pavementTrodden by priestly feet. This I endure,Because I breathe in Rome an atmosphereHeavy with odors of the laurel leavesThat crowned great heroes of the sword and pen,In ages past. I feel myself exaltedTo walk the streets in which a Virgil walked,Or Trajan rode in triumph; but far more,And most of all, because the great ColonnaBreathes the same air I breathe, and is to meAn inspiration. Now that she is gone,Rome is no longer Rome till she return.This feeling overmasters me. I know notIf it be love, this strong desire to beForever in her presence; but I knowThat I, who was the friend of solitude,And ever was best pleased when most alone,Now weary grow of my own company.For the first time old age seems lonely to me.I turn for consolation to the leavesOf the great master of our Tuscan tongue,Whose words, like colored garnet-shirls in lava,Betray the heat in which they were engendered.A mendicant, he ate the bitter breadOf others, but repaid their meagre giftsWith immortality. In courts of princesHe was a by-word, and in streets of townsWas mocked by children, like the Hebrew prophet,Himself a prophet. I too know the cry,Go up, thou bald head! from a generationThat, wanting reverence, wanteth the best foodThe soul can feed on. There's not room enoughFor age and youth upon this little planet.Age must give way. There was not room enoughEven for this great poet. In his songI hear reverberate the gates of Florence,Closing upon him, never more to open;But mingled with the sound are melodiesCelestial from the gates of paradise.He came, and he is gone. The people knew notWhat manner of man was passing by their doors,Until he passed no more; but in his visionHe saw the torments and beatitudesOf souls condemned or pardoned, and hath leftBehind him this sublime Apocalypse.

I strive in vain to draw here on the marginThe face of Beatrice. It is not hers,But the Colonna's. Each hath his ideal,The image of some woman excellent,That is his guide. No Grecian art, nor Roman,Hath yet revealed such loveliness as hers.

Words in this poem

graciously adv.
In a gracious manner; courteously; benignantly.
crucifix n.
A representation in art of the figure of Christ upon the cross; esp., the sculptured figure affixed to a real cross of wood, ivory, metal, or the like, used by the Roman Catholics in their devotions. [F. crucifix or LL. crucifixum, fr. L. crux, crucis, cross + figere, fixum, to fix. See Cross, and Fix, and cf. Crucify.]
profoundly adv.
In a profound manner.
archangel n.
A chief angel; one high in the celestial hierarchy. [L. archangelus, Gr. archangel, F. archange. See Arch-, pref., and Angel.]
altogether adv.
All together; conjointly. [OE. altogedere; al all + togedere together. See Together.]
rode n.
Redness; complexion. [See Rud.]
meagre a.
Destitue of, or having little, flesh; lean. [OE. merge, F. maigre, L. macer; akin to D. & G. mager, Icel. magr, and prob. to Gr. Emaciate, Maigre.]
apocalypse n.
The revelation delivered to St. John, in the isle of Patmos, near the close of the first century, forming the last book of the New Testament. [L. apocalypsis, Gr. apocalypse.]
loveliness n.
The state or quality of being lovely. [From Lovely.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Part Second: Monologue is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Wadsworth Longfellow, Part Second: Monologue, in Michael Angelo: A Fragment (1883), Laurel, https://laurelpoetry.com/poem/longfellow-michael-angelo/part-second-monologue.html.

Form and metre

Part Second: Monologue is 85 lines in 4 stanzas.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --------A-A---- city · pride · holiness · fugitive · hurls · colonna · nuns · hidden · meA · disturb · meA · graciously · her · hand · it
  2. 2 A------AB-BA- youA · christ · fulfilled · wishes · much · made · beautiful · youA · dayB · that · prayB · youA · things
  3. 3 -----A--A------B---B--------CC--------------------- more · rome · rome · born · florentine · hereA · pavement · endure · atmosphereA · leaves · pen · exalted · walked · more · colonna · meB · gone · return · not · beB · know · solitude · alone · company · me · leaves · tongue · lava · engenderedC · breadC · gifts · princes · towns · prophet · cry · generation · food · enough · planet · enough · song · florence · open · melodies · paradise · not · doors · vision · beatitudes · left · apocalypse
  4. 4 -A---A margin · hersA · ideal · excellent · roman · hersA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
Fled to Viterbo, the old Papal city11·······/˘/˘
Where once an Emperor, humbled in his pride,10···/˘/˘···
Held the Pope's stirrup, as his Holiness10···/˘··/˘˘
Alighted from his mule! A fugitive10˘/˘····/˘˘
From Cardinal Caraffa's hate, who hurls10·/˘˘······
His thunders at the house of the Colonna,11·/˘·····˘/˘
With endless bitterness!--Among the nuns10·/˘/˘˘····
In Santa Catarina's convent hidden,11·/˘····/˘/˘
Herself in soul a nun! And now she chides me11˘/·········
For my too frequent letters, that disturb10···/˘/˘·˘/
Her meditations, and that hinder me10··˘/˘··/˘·
And keep me from my work; now graciously10·······/˘˘
She thanks me for the crucifix I sent her,11·····/˘····
And says that she will keep it: with one hand10··········
Inflicts a wound, and with the other heals it.11˘/·····/˘··
"Profoundly I believed that God would grant you11˘/˘·˘/·····
A supernatural faith to paint this Christ;10··˘/˘·····
I wished for that which I now see fulfilled10········˘/
So marvellously, exceeding all my wishes.12·····˘/˘··/˘
Nor more could be desired, or even so much.10····˘/·/··
And greatly I rejoice that you have made10·/˘·˘/····
The angel on the right so beautiful;10·/˘····/˘˘
For the Archangel Michael will place you,10···/˘/˘···
You, Michael Angelo, on that new day10·/˘/˘·····
Upon the Lord's right hand! And waiting that,10·······/˘·
How can I better serve you than to pray10···/˘·····
To this sweet Christ for you, and to beseech you11········˘/·
To hold me altogether yours in all things."11····˘/˘····
Well, I will write less often, or no more,10·····/˘···
But wait her coming. No one born in Rome10···/˘·····
Can live elsewhere; but he must pine for Rome,10··/·······
And must return to it. I, who am born10··˘/······
And bred a Tuscan and a Florentine,10···/˘··/˘·
Feel the attraction, and I linger here10··˘/˘··/˘·
As if I were a pebble in the pavement11·····/˘··/˘
Trodden by priestly feet. This I endure,10/˘·/˘···˘/
Because I breathe in Rome an atmosphere10·······/˘·
Heavy with odors of the laurel leaves10/˘·/˘··/˘·
That crowned great heroes of the sword and pen,10···/˘·····
In ages past. I feel myself exalted11·/˘····/˘/˘
To walk the streets in which a Virgil walked,10·······/˘·
Or Trajan rode in triumph; but far more,10·/˘··/˘···
And most of all, because the great Colonna11········˘/˘
Breathes the same air I breathe, and is to me10··········
An inspiration. Now that she is gone,10··˘/˘·····
Rome is no longer Rome till she return.10···/˘···˘/
This feeling overmasters me. I know not11·/˘········
If it be love, this strong desire to be10······˘/··
Forever in her presence; but I know10˘/˘··/˘···
That I, who was the friend of solitude,10·······/˘·
And ever was best pleased when most alone,10·/˘·····˘/
Now weary grow of my own company.10·/˘····/˘˘
For the first time old age seems lonely to me.11·······/˘··
I turn for consolation to the leaves10····˘/˘···
Of the great master of our Tuscan tongue,10···/˘·//˘·
Whose words, like colored garnet-shirls in lava,11···/˘/˘··/˘
Betray the heat in which they were engendered.11˘/······˘/˘
A mendicant, he ate the bitter bread10·/˘˘···/˘·
Of others, but repaid their meagre gifts10·/˘·˘/·/˘·
With immortality. In courts of princes11··˘/˘˘···/˘
He was a by-word, and in streets of towns10··········
Was mocked by children, like the Hebrew prophet,11···/˘··/˘/˘
Himself a prophet. I too know the cry,10˘/·/˘·····
Go up, thou bald head! from a generation11········˘/˘
That, wanting reverence, wanteth the best food10·/˘/˘/˘···
The soul can feed on. There's not room enough10········˘/
For age and youth upon this little planet.11·······/˘/˘
Age must give way. There was not room enough10········˘/
Even for this great poet. In his song10/˘···/˘···
I hear reverberate the gates of Florence,11··˘/˘˘···/˘
Closing upon him, never more to open;11/˘···/˘··/˘
But mingled with the sound are melodies10·/˘····/˘˘
Celestial from the gates of paradise.10˘/˘····/˘·
He came, and he is gone. The people knew not11·······/˘··
What manner of man was passing by their doors,11·/˘···/˘···
Until he passed no more; but in his vision11·········/˘
He saw the torments and beatitudes9···/·····
Of souls condemned or pardoned, and hath left10··˘/·/˘···
Behind him this sublime Apocalypse.10····˘/˘/˘·
I strive in vain to draw here on the margin11·········/˘
The face of Beatrice. It is not hers,10···/˘˘····
But the Colonna's. Each hath his ideal,10··˘/˘···˘/
The image of some woman excellent,10·/˘··/˘/˘˘
That is his guide. No Grecian art, nor Roman,11·····/˘··/˘
Hath yet revealed such loveliness as hers.10··˘/·/˘˘··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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