Borgo Delle Vergine at Naples
JULIA.Do not go yet.
VALDESSO.The night is far advanced;I fear to stay too late, and weary youWith these discussions.
JULIA.I have much to say.I speak to you, Valdesso, with that franknessWhich is the greatest privilege of friendship.--Speak as I hardly would to my confessor,Such is my confidence in you.
VALDESSO.Dear CountessIf loyalty to friendship be a claimUpon your confidence, then I may claim it.
JULIA.Then sit again, and listen unto thingsThat nearer are to me than life itself.
VALDESSO.In all things I am happy to obey you,And happiest then when you command me most.
JULIA.Laying aside all useless rhetoric,That is superfluous between us two,I come at once unto the point and say,You know my outward life, my rank and fortune;Countess of Fondi, Duchess of Trajetto,A widow rich and flattered, for whose handIn marriage princes ask, and ask it onlyTo be rejected. All the world can offerLies at my feet. If I remind you of it,It is not in the way of idle boasting,But only to the better understandingOf what comes after.
VALDESSO.God hath given you alsoBeauty and intellect; and the signal graceTo lead a spotless life amid temptations,That others yield to.
JULIA.But the inward life,--That you know not; 't is known but to myself,And is to me a mystery and a pain.A soul disquieted, and ill at ease,A mind perplexed with doubts and apprehensions,A heart dissatisfied with all around me,And with myself, so that sometimes I weep,Discouraged and disgusted with the world.
VALDESSO.Whene'er we cross a river at a ford,If we would pass in safety, we must keepOur eyes fixed steadfast on the shore beyond,For if we cast them on the flowing stream,The head swims with it; so if we would crossThe running flood of things here in the world,Our souls must not look down, but fix their sightOn the firm land beyond.
JULIA.I comprehend you.You think I am too worldly; that my headSwims with the giddying whirl of life about me.Is that your meaning?
VALDESSO.Yes; your meditationsAre more of this world and its vanitiesThan of the world to come.
JULIA.Between the twoI am confused.
VALDESSO.Yet have I seen you listenEnraptured when Fra Bernardino preachedOf faith and hope and charity.
JULIA.I listen,But only as to music without meaning.It moves me for the moment, and I thinkHow beautiful it is to be a saint,As dear Vittoria is; but I am weakAnd wayward, and I soon fall back againTo my old ways, so very easily.There are too many week-days for one Sunday.
VALDESSO.Then take the Sunday with you through the week,And sweeten with it all the other days.
JULIA.In part I do so; for to put a stopTo idle tongues, what men might say of meIf I lived all alone here in my palace,And not from a vocation that I feelFor the monastic life, I now am livingWith Sister Caterina at the conventOf Santa Chiara, and I come here onlyOn certain days, for my affairs, or visitsOf ceremony, or to be with friends.For I confess, to live among my friendsIs Paradise to me; my PurgatoryIs living among people I dislike.And so I pass my life in these two worlds,This palace and the convent.
VALDESSO.It was thenThe fear of man, and not the love of God,That led you to this step. Why will you notGive all your heart to God?
JULIA.If God commands it,Wherefore hath He not made me capableOf doing for Him what I wish to doAs easily as I could offer HimThis jewel from my hand, this gown I wear,Or aught else that is mine?
VALDESSO.The hindrance liesIn that original sin, by which all fell.
JULIA.Ah me, I cannot bring my troubled mindTo wish well to that Adam, our first parent,Who by his sin lost Paradise for us,And brought such ills upon us.
VALDESSO.We ourselves,When we commit a sin, lose Paradise,As much as he did. Let us think of this,And how we may regain it.
JULIA.Teach me, then,To harmonize the discord of my life,And stop the painful jangle of these wires.
VALDESSO.That is a task impossible, untilYou tune your heart-strings to a higher keyThan earthly melodies.
JULIA.How shall I do it?Point out to me the way of this perfection,And I will follow you; for you have madeMy soul enamored with it, and I cannotRest satisfied until I find it out.But lead me privately, so that the worldHear not my steps; I would not give occasionFor talk among the people.
VALDESSO.Now at lastI understand you fully. Then, what needIs there for us to beat about the bush?I know what you desire of me.
JULIA.What rudeness!If you already know it, why not tell me?
VALDESSO.Because I rather wait for you to ask itWith your own lips.
JULIA.Do me the kindness, then,To speak without reserve; and with all frankness,If you divine the truth, will I confess it.
VALDESSO.I am content.
JULIA.Then speak.
VALDESSO.You would be freeFrom the vexatious thoughts that come and goThrough your imagination, and would have mePoint out some royal road and lady-likeWhich you may walk in, and not wound your feet;You would attain to the divine perfection,And yet not turn your back upon the world;You would possess humility within,But not reveal it in your outward actions;You would have patience, but without the rudeOccasions that require its exercise;You would despise the world, but in such fashionThe world should not despise you in return;Would clothe the soul with all the Christian graces,Yet not despoil the body of its gauds;Would feed the soul with spiritual food,Yet not deprive the body of its feasts;Would seem angelic in the sight of God,Yet not too saint-like in the eyes of men;In short, would lead a holy Christian lifeIn such a way that even your nearest friendWould not detect therein one circumstanceTo show a change from what it was before.Have I divined your secret?
JULIA.You have drawnThe portrait of my inner self as trulyAs the most skilful painter ever paintedA human face.
VALDESSO.This warrants me in sayingYou think you can win heaven by compromise,And not by verdict.
JULIAYou have often told meThat a bad compromise was better evenThan a good verdict.
VALDESSO.Yes, in suits at law;Not in religion. With the human soulThere is no compromise. By faith aloneCan man be justified.
JULIA.Hush, dear Valdesso;That is a heresy. Do not, I pray you,Proclaim it from the house-top, but preserve itAs something precious, hidden in your heart,As I, who half believe and tremble at it.
VALDESSO.I must proclaim the truth.
JULIA.Enthusiast!Why must you? You imperil both yourselfAnd friends by your imprudence. Pray, be patient.You have occasion now to show that virtueWhich you lay stress upon. Let us returnTo our lost pathway. Show me by what stepsI shall walk in it.
VALDESSO.Hark! the convent bellsAre ringing; it is midnight; I must leave you.And yet I linger. Pardon me, dear Countess,Since you to-night have made me your confessor,If I so far may venture, I will warn youUpon one point.
JULIA.What is it? Speak, I pray you,For I have no concealments in my conduct;All is as open as the light of day.What is it you would warn me of?
VALDESSO.Your friendshipWith Cardinal Ippolito.
JULIA.What is thereTo cause suspicion or alarm in that,More than in friendships that I entertainWith you and others? I ne'er sat with himAlone at night, as I am sitting nowWith you, Valdesso.
VALDESSO.Pardon me; the portraitThat Fra Bastiano painted was for him.Is that quite prudent?
JULIA.That is the same questionVittoria put to me, when I last saw her.I make you the same answer. That was notA pledge of love, but of pure gratitude.Recall the adventure of that dreadful nightWhen Barbarossa with two thousand MoorsLanded upon the coast, and in the darknessAttacked my castle. Then, without delay,The Cardinal came hurrying down from RomeTo rescue and protect me. Was it wrongThat in an hour like that I did not weighToo nicely this or that, but granted himA boon that pleased him, and that flattered me?
VALDESSO.Only beware lest, in disguise of friendshipAnother corsair, worse than Barbarossa,Steal in and seize the castle, not by stormBut strategy. And now I take my leave.
JULIA.Farewell; but ere you go look forth and seeHow night hath hushed the clamor and the stirOf the tumultuous streets. The cloudless moonRoofs the whole city as with tiles of silver;The dim, mysterious sea in silence sleeps;And straight into the air Vesuvius liftsHis plume of smoke. How beautiful it is!
Poisoned at Itri.
Poisoned? Who is poisoned?
The Cardinal Ippolito, my master.Call it malaria. It was sudden.
Words in this poem 22
- frankness n.
- The quality of being frank; candor; openess; ingenuousness; fairness; liberality.
- countess n.
- The wife of an earl in the British peerage, or of a count in the Continental nobility; also, a lady possessed of the same dignity in her own right. See the Note under Count. [F. comtesse. See Count a nobleman.]
- duchess n.
- The wife or widow of a duke; also, a lady who has the sovereignty of a duchy in her own right. [F. duchesse, fr. duc duke.]
- remind v. t.
- To put (one) in mind of something; to bring to the remembrance of; to bring to the notice or consideration of (a person).
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- wayward a.
- Taking one's own way; disobedient; froward; perverse; willful. [OE. weiward, for aweiward, i. e., turned away. See Away, and -ward.]
- vocation n.
- A call; a summons; a citation; especially, a designation or appointment to a particular state, business, or profession. [L. vocatio a bidding, invitation, fr. vocare to call, fr. vox, vocis, voice: cf. F. vocation. See Vocal.]
- purgatory a.
- Tending to cleanse; cleansing; expiatory. Burke. [L. purgatorius.]
- wherefore adv.
- For which reason; so; -- used relatively. [Where + for.]
- aught n.
- Property; possession. [AS. , fr. agan to own, p. p. ahte.]
- jangle v. i.
- To sound harshly or discordantly, as bells out of tune. [OE. janglen to quarrel, OF. jangler to rail, quarrel; of Dutch or German origin; cf. D. jangelen, janken, to whimper, chide, brawl, quarrel.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- despise v. t.
- To look down upon with disfavor or contempt; to contemn; to scorn; to disdain; to have a low opinion or contemptuous dislike of. [OF. despis-, in some forms of despire to despise, fr. L. despicere, despectum, to look down upon, despise; de- + spicere, specere, to look. See Spy, and cf. Des]
- despoil v. t.
- To strip, as of clothing; to divest or unclothe. [OF. despoiller, F. dépouiller, L. despoliare, despoliatum; de- + spoliare to strip, rob, spolium spoil, booty. Cf. Spoil, Despoliation.]
- compromise n.
- A mutual agreement to refer matters in dispute to the decision of arbitrators. Burrill. [F. compromis, fr. L. compromissum a mutual promise to abide by the decision of an arbiter, fr. compromittere to make such a promise; com- + promittere to promis]
- imperil v. t.
- To bring into peril; to endanger.
- pathway n.
- A footpath; a beaten track; any path or course. Also used figuratively.
- dreadful a.
- Full of dread or terror; fearful.
- boon n.
- A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
- beware v. t.
- To avoid; to take care of; to have a care for.
- corsair n.
- A pirate; one who cruises about without authorization from any government, to seize booty on sea or land. [F. corsaire (cf. It. corsare, corsale, Pr. corsari), LL. corsarius, fr. L. cursus a running, course, whence Sp. corso cruise, corsa cruise, coasting voyage, cor]
- cloudless a.
- Without a cloud; clear; bright.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Borgo Delle Vergine at Naples is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, Borgo Delle Vergine at Naples, in Michael Angelo: A Fragment (1883), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-michael-angelo/borgo-delle-vergine-at-naples.html, id L19254.
Form and metre
Borgo Delle Vergine at Naples is 278 lines in 50 stanzas.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 10 ---A----A valdesso · ford · keep · beyondA · stream · cross · world · sight · beyondA
- 17 ------A--BB---A julia · stop · me · palace · feel · living · conventA · only · visits · friendsB · friendsB · purgatory · dislike · worlds · conventA
- 18 --A-A valdesso · then · godA · not · godA
- 21 ---AA julia · mind · parent · usA · usA
- 25 -A--AA--- julia · itA · perfection · made · cannotA · outA · world · occasion · people
- 32 -A-A--B-B-CDBBD-C-------- valdesso · freeA · go · meA · like · feet · perfectionB · world · withinB · actions · rudeC · exerciseD · fashionB · returnB · gracesD · gauds · foodC · feasts · god · men · life · friend · circumstance · before · secret
- 37 ---A-A julia · valdesso · you · itA · heart · itA
- 40 --A--A- valdesso · bells · youA · countess · confessor · youA · point
- 45 --------A--A-- julia · question · her · not · gratitude · night · moors · darkness · delayA · rome · wrong · weighA · him · me
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| JULIA. | 2 | ·· |
| Do not go yet. | 4 | ···· |
| VALDESSO. | 3 | ··· |
| The night is far advanced; | 6 | ····˘/ |
| I fear to stay too late, and weary you | 10 | ·······/˘· |
| With these discussions. | 5 | ··˘/˘ |
| JULIA. | 2 | ·· |
| I have much to say. | 5 | ····· |
| I speak to you, Valdesso, with that frankness | 11 | ·········/˘ |
| Which is the greatest privilege of friendship.-- | 10 | ···/˘/˘·/˘ |
| Speak as I hardly would to my confessor, | 11 | ···/˘···˘/˘ |
| Such is my confidence in you. | 8 | ···/˘˘·· |
| VALDESSO. | 3 | ··· |
| Dear Countess | 3 | ·/˘ |
| If loyalty to friendship be a claim | 10 | ·/˘˘·/˘··· |
| Upon your confidence, then I may claim it. | 10 | ···/˘····· |
| JULIA. | 2 | ·· |
| Then sit again, and listen unto things | 10 | ··˘/·/˘··· |
| That nearer are to me than life itself. | 10 | ·/˘·····˘/ |
| VALDESSO. | 3 | ··· |
| In all things I am happy to obey you, | 11 | ·····/˘·˘/· |
| And happiest then when you command me most. | 10 | ·/˘···˘/·· |
| JULIA. | 2 | ·· |
| Laying aside all useless rhetoric, | 10 | /˘˘/·/˘/˘˘ |
| That is superfluous between us two, | 9 | ··/˘····· |
| I come at once unto the point and say, | 10 | ·········· |
| You know my outward life, my rank and fortune; | 11 | ···/˘····/˘ |
| Countess of Fondi, Duchess of Trajetto, | 11 | /˘···/˘···· |
| A widow rich and flattered, for whose hand | 10 | ·/˘··/˘··· |
| In marriage princes ask, and ask it only | 11 | ·/˘/˘····/˘ |
| To be rejected. All the world can offer | 11 | ··˘/˘····/˘ |
| Lies at my feet. If I remind you of it, | 11 | ······˘/··· |
| It is not in the way of idle boasting, | 11 | ·······/˘/˘ |
| But only to the better understanding | 11 | ·/˘··/˘·˘/˘ |
| Of what comes after. | 5 | ····· |
| VALDESSO. | 3 | ··· |
| God hath given you also | 7 | ··/˘·/˘ |
| Beauty and intellect; and the signal grace | 11 | /˘·/˘···/˘· |
| To lead a spotless life amid temptations, | 11 | ···/˘·˘/˘/˘ |
| That others yield to. | 5 | ·/˘·· |
| JULIA. | 2 | ·· |
| But the inward life,-- | 5 | ··/˘· |
| That you know not; 't is known but to myself, | 11 | ··········/ |
| And is to me a mystery and a pain. | 10 | ·····/˘··· |
| A soul disquieted, and ill at ease, | 10 | ··˘/˘˘···· |
| A mind perplexed with doubts and apprehensions, | 11 | ··˘/····˘/˘ |
| A heart dissatisfied with all around me, | 11 | ··˘/˘······ |
| And with myself, so that sometimes I weep, | 10 | ···/··˘/·· |
| Discouraged and disgusted with the world. | 10 | ˘/˘·˘/˘··· |
| VALDESSO. | 3 | ··· |
| Whene'er we cross a river at a ford, | 11 | ······/˘··· |
| If we would pass in safety, we must keep | 10 | ·····/˘··· |
| Our eyes fixed steadfast on the shore beyond, | 10 | /··/······ |
| For if we cast them on the flowing stream, | 10 | ·······/˘· |
| The head swims with it; so if we would cross | 10 | ·········· |
| The running flood of things here in the world, | 10 | ·/˘······· |
| Our souls must not look down, but fix their sight | 10 | /········· |
| On the firm land beyond. | 6 | ······ |
| JULIA. | 2 | ·· |
| I comprehend you. | 5 | ··˘/· |
| You think I am too worldly; that my head | 10 | ·····/˘··· |
| Swims with the giddying whirl of life about me. | 11 | ···/˘······ |
| Is that your meaning? | 5 | ···/˘ |
| VALDESSO. | 3 | ··· |
| Yes; your meditations | 6 | ···˘/˘ |
| Are more of this world and its vanities | 10 | ·······/˘˘ |
| Than of the world to come. | 6 | ······ |
| JULIA. | 2 | ·· |
| Between the two | 4 | ···· |
| I am confused. | 4 | ··˘/ |
| VALDESSO. | 3 | ··· |
| Yet have I seen you listen | 7 | ·····/˘ |
| Enraptured when Fra Bernardino preached | 10 | ˘/˘···˘/˘· |
| Of faith and hope and charity. | 8 | ·····/˘˘ |
| JULIA. | 2 | ·· |
| I listen, | 3 | ·/˘ |
| But only as to music without meaning. | 11 | ·/˘··/˘··/˘ |
| It moves me for the moment, and I think | 10 | ·····/˘··· |
| How beautiful it is to be a saint, | 10 | ·/˘˘······ |
| As dear Vittoria is; but I am weak | 10 | ··˘/˘····· |
| And wayward, and I soon fall back again | 10 | ·/˘·····˘/ |
| To my old ways, so very easily. | 10 | ·····/˘/˘˘ |
| There are too many week-days for one Sunday. | 10 | ···/····/· |
| VALDESSO. | 3 | ··· |
| Then take the Sunday with you through the week, | 10 | ···/······ |
| And sweeten with it all the other days. | 10 | ·/˘····/˘· |
| JULIA. | 2 | ·· |
| In part I do so; for to put a stop | 10 | ·········· |
| To idle tongues, what men might say of me | 10 | ·/˘······· |
| If I lived all alone here in my palace, | 11 | ····˘/···/˘ |
| And not from a vocation that I feel | 10 | ····˘/˘··· |
| For the monastic life, I now am living | 11 | ··˘/˘····/˘ |
| With Sister Caterina at the convent | 11 | ·/˘······/˘ |
| Of Santa Chiara, and I come here only | 11 | ·/˘/˘····/˘ |
| On certain days, for my affairs, or visits | 11 | ·/˘···˘/·/˘ |
| Of ceremony, or to be with friends. | 10 | ·/˘·˘····· |
| For I confess, to live among my friends | 10 | ··˘/······ |
| Is Paradise to me; my Purgatory | 11 | ·/˘····/˘·˘ |
| Is living among people I dislike. | 10 | ·/˘··/˘·˘/ |
| And so I pass my life in these two worlds, | 10 | ·········· |
| This palace and the convent. | 7 | ·/˘··/˘ |
| VALDESSO. | 3 | ··· |
| It was then | 3 | ··· |
| The fear of man, and not the love of God, | 10 | ·········· |
| That led you to this step. Why will you not | 10 | ·········· |
| Give all your heart to God? | 6 | ······ |
| JULIA. | 2 | ·· |
| If God commands it, | 5 | ··˘/· |
| Wherefore hath He not made me capable | 10 | /˘·····/˘˘ |
| Of doing for Him what I wish to do | 10 | ·/˘······· |
| As easily as I could offer Him | 10 | ·/˘˘···/˘· |
| This jewel from my hand, this gown I wear, | 10 | ·/˘······· |
| Or aught else that is mine? | 6 | ······ |
| VALDESSO. | 3 | ··· |
| The hindrance lies | 4 | ·/˘· |
| In that original sin, by which all fell. | 10 | ··˘/˘····· |
| JULIA. | 2 | ·· |
| Ah me, I cannot bring my troubled mind | 10 | ···/˘··/˘· |
| To wish well to that Adam, our first parent, | 11 | ·····/˘/·/˘ |
| Who by his sin lost Paradise for us, | 10 | ·····/˘··· |
| And brought such ills upon us. | 7 | ······· |
| VALDESSO. | 3 | ··· |
| We ourselves, | 4 | ·˘˘/ |
| When we commit a sin, lose Paradise, | 10 | ··˘/···/˘· |
| As much as he did. Let us think of this, | 10 | ·········· |
| And how we may regain it. | 7 | ····˘/· |
| JULIA. | 2 | ·· |
| Teach me, then, | 3 | ··· |
| To harmonize the discord of my life, | 10 | ·/˘··/˘··· |
| And stop the painful jangle of these wires. | 11 | ···/˘/˘··/˘ |
| VALDESSO. | 3 | ··· |
| That is a task impossible, until | 10 | ····˘/˘˘·· |
| You tune your heart-strings to a higher key | 10 | ·······/˘· |
| Than earthly melodies. | 6 | ·/˘/˘˘ |
| JULIA. | 2 | ·· |
| How shall I do it? | 5 | ····· |
| Point out to me the way of this perfection, | 11 | ········˘/˘ |
| And I will follow you; for you have made | 10 | ···/˘····· |
| My soul enamored with it, and I cannot | 11 | ··˘/˘····/˘ |
| Rest satisfied until I find it out. | 10 | ·/˘······· |
| But lead me privately, so that the world | 10 | ···/˘˘···· |
| Hear not my steps; I would not give occasion | 11 | ········˘/˘ |
| For talk among the people. | 7 | ·····/˘ |
| VALDESSO. | 3 | ··· |
| Now at last | 3 | ··· |
| I understand you fully. Then, what need | 10 | ··˘/·/˘··· |
| Is there for us to beat about the bush? | 10 | ·········· |
| I know what you desire of me. | 9 | ····˘/˘·· |
| JULIA. | 2 | ·· |
| What rudeness! | 3 | ·/˘ |
| If you already know it, why not tell me? | 11 | ··˘/˘······ |
| VALDESSO. | 3 | ··· |
| Because I rather wait for you to ask it | 11 | ···/˘······ |
| With your own lips. | 4 | ···· |
| JULIA. | 2 | ·· |
| Do me the kindness, then, | 6 | ···/˘· |
| To speak without reserve; and with all frankness, | 11 | ····˘/···/˘ |
| If you divine the truth, will I confess it. | 11 | ··˘/····˘/· |
| VALDESSO. | 3 | ··· |
| I am content. | 4 | ··/˘ |
| JULIA. | 2 | ·· |
| Then speak. | 2 | ·· |
| VALDESSO. | 3 | ··· |
| You would be free | 4 | ···· |
| From the vexatious thoughts that come and go | 10 | ··˘/˘····· |
| Through your imagination, and would have me | 11 | ··˘·˘/˘···· |
| Point out some royal road and lady-like | 10 | ···/˘··/˘· |
| Which you may walk in, and not wound your feet; | 10 | ·········· |
| You would attain to the divine perfection, | 11 | ··˘/··˘/˘/˘ |
| And yet not turn your back upon the world; | 10 | ·········· |
| You would possess humility within, | 10 | ··˘/˘/˘˘·· |
| But not reveal it in your outward actions; | 11 | ··˘/···/˘/˘ |
| You would have patience, but without the rude | 10 | ···/˘····· |
| Occasions that require its exercise; | 10 | ˘/˘··/·/˘· |
| You would despise the world, but in such fashion | 11 | ··˘/·····/˘ |
| The world should not despise you in return; | 10 | ····˘/··˘/ |
| Would clothe the soul with all the Christian graces, | 11 | ·······/˘/˘ |
| Yet not despoil the body of its gauds; | 10 | ··˘/·/˘··· |
| Would feed the soul with spiritual food, | 10 | ·····/˘˘˘· |
| Yet not deprive the body of its feasts; | 10 | ··˘/·/˘··· |
| Would seem angelic in the sight of God, | 10 | ···/˘····· |
| Yet not too saint-like in the eyes of men; | 10 | ·········· |
| In short, would lead a holy Christian life | 10 | ·····/˘/˘· |
| In such a way that even your nearest friend | 10 | ·····/·/˘· |
| Would not detect therein one circumstance | 10 | ··˘/···/˘· |
| To show a change from what it was before. | 10 | ·········· |
| Have I divined your secret? | 7 | ··˘/·/˘ |
| JULIA. | 2 | ·· |
| You have drawn | 3 | ··· |
| The portrait of my inner self as truly | 11 | ·/˘··/˘··/˘ |
| As the most skilful painter ever painted | 11 | ···/˘/˘/˘/˘ |
| A human face. | 4 | ·/˘· |
| VALDESSO. | 3 | ··· |
| This warrants me in saying | 7 | ·/˘··/˘ |
| You think you can win heaven by compromise, | 10 | ·····/·/˘· |
| And not by verdict. | 5 | ···/˘ |
| JULIA | 2 | ·· |
| You have often told me | 6 | ··/˘·· |
| That a bad compromise was better even | 11 | ···/˘··/˘/˘ |
| Than a good verdict. | 5 | ···/˘ |
| VALDESSO. | 3 | ··· |
| Yes, in suits at law; | 5 | ····· |
| Not in religion. With the human soul | 10 | ··˘/˘··/˘· |
| There is no compromise. By faith alone | 10 | ···/˘···˘/ |
| Can man be justified. | 6 | ···/˘· |
| JULIA. | 2 | ·· |
| Hush, dear Valdesso; | 5 | ····· |
| That is a heresy. Do not, I pray you, | 10 | ···/˘····· |
| Proclaim it from the house-top, but preserve it | 11 | ˘/······˘/· |
| As something precious, hidden in your heart, | 10 | ·/˘/˘/˘··· |
| As I, who half believe and tremble at it. | 11 | ····˘/·/˘·· |
| VALDESSO. | 3 | ··· |
| I must proclaim the truth. | 6 | ··˘/·· |
| JULIA. | 2 | ·· |
| Enthusiast! | 4 | ˘/˘· |
| Why must you? You imperil both yourself | 10 | ····˘/˘·˘/ |
| And friends by your imprudence. Pray, be patient. | 11 | ····˘/˘··/˘ |
| You have occasion now to show that virtue | 11 | ··˘/˘····/˘ |
| Which you lay stress upon. Let us return | 10 | ········˘/ |
| To our lost pathway. Show me by what steps | 10 | ·/·/······ |
| I shall walk in it. | 5 | ····· |
| VALDESSO. | 3 | ··· |
| Hark! the convent bells | 5 | ··/˘· |
| Are ringing; it is midnight; I must leave you. | 11 | ·/˘··/····· |
| And yet I linger. Pardon me, dear Countess, | 11 | ···/˘/˘··/˘ |
| Since you to-night have made me your confessor, | 11 | ········˘/˘ |
| If I so far may venture, I will warn you | 11 | ·····/˘···· |
| Upon one point. | 4 | ···· |
| JULIA. | 2 | ·· |
| What is it? Speak, I pray you, | 7 | ······· |
| For I have no concealments in my conduct; | 11 | ····˘/˘··/˘ |
| All is as open as the light of day. | 10 | ···/˘····· |
| What is it you would warn me of? | 8 | ········ |
| VALDESSO. | 3 | ··· |
| Your friendship | 3 | ·/˘ |
| With Cardinal Ippolito. | 8 | ·/˘˘·˘/˘ |
| JULIA. | 2 | ·· |
| What is there | 3 | ··· |
| To cause suspicion or alarm in that, | 10 | ··˘/˘·˘/·· |
| More than in friendships that I entertain | 10 | ···/˘···˘/ |
| With you and others? I ne'er sat with him | 10 | ···/˘····· |
| Alone at night, as I am sitting now | 10 | ˘/·····/˘· |
| With you, Valdesso. | 5 | ····· |
| VALDESSO. | 3 | ··· |
| Pardon me; the portrait | 6 | /˘··/˘ |
| That Fra Bastiano painted was for him. | 10 | ·····/˘··· |
| Is that quite prudent? | 5 | ···/˘ |
| JULIA. | 2 | ·· |
| That is the same question | 6 | ····/˘ |
| Vittoria put to me, when I last saw her. | 11 | ˘/˘········ |
| I make you the same answer. That was not | 10 | ·····/˘··· |
| A pledge of love, but of pure gratitude. | 10 | ·······/˘· |
| Recall the adventure of that dreadful night | 11 | /··˘/˘··/˘· |
| When Barbarossa with two thousand Moors | 10 | ·······/˘· |
| Landed upon the coast, and in the darkness | 11 | /˘·······/˘ |
| Attacked my castle. Then, without delay, | 10 | ˘/·/˘···˘/ |
| The Cardinal came hurrying down from Rome | 10 | ·/˘·/˘˘··· |
| To rescue and protect me. Was it wrong | 10 | ·/˘·˘/···· |
| That in an hour like that I did not weigh | 10 | ···/······ |
| Too nicely this or that, but granted him | 10 | ·/˘····/˘· |
| A boon that pleased him, and that flattered me? | 10 | ·······/˘· |
| VALDESSO. | 3 | ··· |
| Only beware lest, in disguise of friendship | 11 | /˘˘/··˘/·/˘ |
| Another corsair, worse than Barbarossa, | 11 | ˘/˘/˘······ |
| Steal in and seize the castle, not by storm | 10 | ·····/˘··· |
| But strategy. And now I take my leave. | 10 | ·/˘˘······ |
| JULIA. | 2 | ·· |
| Farewell; but ere you go look forth and see | 10 | ·/········ |
| How night hath hushed the clamor and the stir | 10 | ·····/˘··· |
| Of the tumultuous streets. The cloudless moon | 10 | ···/˘··/˘· |
| Roofs the whole city as with tiles of silver; | 11 | ···/˘····/˘ |
| The dim, mysterious sea in silence sleeps; | 10 | ··˘/˘··/˘· |
| And straight into the air Vesuvius lifts | 10 | ······˘/˘· |
| His plume of smoke. How beautiful it is! | 10 | ·····/˘˘·· |
| Poisoned at Itri. | 5 | /˘··· |
| Poisoned? Who is poisoned? | 6 | /˘··/˘ |
| The Cardinal Ippolito, my master. | 11 | ·/˘˘·˘/˘·/˘ |
| Call it malaria. It was sudden. | 10 | ··˘/˘˘··/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.