Act IV: Scene II. — Interior of the Meeting-House. Mather and The, Magistrates Seated in Front of the Pulpit. Before Them a Raised, Platform. Martha in Chains. Corey Near Her. Mary Walcot in A, Chair. A Crowd of Spectators, Among Them Gloyd. Confusion And, Murmurs During the Scene

Henry Wadsworth Longfellow (1807–1882) · 1872

351 lines · from Christus: A Mystery

HATHORNE.Call Martha Corey.

MARTHA.I am here.

HATHORNE.Come forward.

The Jurors of our Sovereign Lord and LadyThe King and Queen, here present, do accuse youOf having on the tenth of June last past,And divers other times before and after,Wickedly used and practised certain artsCalled Witchcrafts, Sorceries, and Incantations,Against one Mary Walcot, single woman,Of Salem Village; by which wicked artsThe aforesaid Mary Walcot was tormented,Tortured, afflicted, pined, consumed, and wasted,Against the peace of our Sovereign Lord and LadyThe King and Queen, as well as of the StatuteMade and provided in that case. What say you?

MARTHA.Before I answer, give me leave to pray.

HATHORNE.We have not sent for you, nor are we here,To hear you pray, but to examine youIn whatsoever is alleged against you.Why do you hurt this person?

MARTHA.I do not.I am not guilty of the charge against me.

MARY.Avoid, she-devil! You may torment me now!Avoid, avoid, Witch!

MARTHA.I am innocent.I never had to do with any WitchcraftSince I was born. I am a gospel woman.

MARY.You are a gospel Witch!

MARTHA (clasping her hands).Ah me! ah me!Oh, give me leave to pray!

MARY (stretching out her hands).She hurts me now.See, she has pinched my hands!

HATHORNE.Who made these marksUpon her hands?

MARTHA.I do not know. I standApart from her. I did not touch her hands.

HATHORNE.Who hurt her then?

MARTHA.I know not.

HATHORNE.Do you thinkShe is bewitched?

MARTHA.Indeed I do not think so.I am no Witch, and have no faith in Witches.

HATHORNE.Then answer me: When certain persons cameTo see you yesterday, how did you knowBeforehand why they came?

MARTHA.I had had speech;The children said I hurt them, and I thoughtThese people came to question me about it.

HATHORNE.How did you know the children had been toldTo note the clothes you wore?

MARTHA.My husband told meWhat others said about it.

HATHORNE.Goodman Corey,Say, did you tell her?

COREY.I must speak the truth;I did not tell her. It was some one else.

HATHORNE.Did you not say your husband told you so?How dare you tell a lie in this assembly?Who told you of the clothes? Confess the truth.

MARY.Ah, she is biting me! Avoid, avoid!

HATHORNE.You said your husband told you.

MARTHA.Yes, he told meThe children said I troubled them.

HATHORNE.Then tell me,Why do you trouble them?

MARTHA.I have denied it.

MARY.She threatened me; stabbed at me with her spindle;And, when my brother thrust her with his sword,He tore her gown, and cut a piece away.Here are they both, the spindle and the cloth.

HATHORNE.And there are persons here who know the truthOf what has now been said. What answer make you?

MARTHA.I make no answer. Give me leave to pray.

HATHORNE.Whom would you pray to?

MARTHA.To my God and Father.

HATHORNE.Who is your God and Father?

MARTHA.The Almighty!

HATHORNE.Doth he you pray to say that he is God?It is the Prince of Darkness, and not God.

MARY.There is a dark shape whispering in her ear.

HATHORNE.What does it say to you?

MARTHA.I see no shape.

HATHORNE.Did you not hear it whisper?

MARTHA.I heard nothing.

MARY.What torture! Ah, what agony I suffer!

HATHORNE.You see this woman cannot stand before you.If you would look for mercy, you must lookIn God's way, by confession of your guilt.Why does your spectre haunt and hurt this person?

MARTHA.I do not know. He who appeared of oldIn Samuel's shape, a saint and glorified,May come in whatsoever shape he chooses.I cannot help it. I am sick at heart!

COREY.O Martha, Martha! let me hold your hand.

HATHORNE.No; stand aside, old man.

MARY (starting up).Look there! Look there!I see a little bird, a yellow birdPerched on her finger; and it pecks at me.Ah, it will tear mine eyes out!

MARTHA.I see nothing.

HATHORNE.'T is the Familiar Spirit that attends her.

MARY.Now it has flown away. It sits up thereUpon the rafters. It is gone; is vanished.

MARTHA.Giles, wipe these tears of anger from mine eyes.Wipe the sweat from my forehead. I am faint.

MARY.Oh, she is crushing me with all her weight!

HATHORNE.Did you not carry once the Devil's BookTo this young woman?

MARTHA.Never.

HATHORNE.Have you signed it,Or touched it?

MARTHA.No; I never saw it.

HATHORNE.Did you not scourge her with an iron rod?

MARTHA.No, I did not. If any Evil SpiritHas taken my shape to do these evil deeds,I cannot help it. I am innocent.

HATHORNE.Did you not say the Magistrates were blind?That you would open their eyes?

MARTHA (with a scornful laugh).Yes, I said that;If you call me a sorceress, you are blind!If you accuse the innocent, you are blind!Can the innocent be guilty?

HATHORNE.Did you notOn one occasion hide your husband's saddleTo hinder him from coming to the sessions?

MARTHA.I thought it was a folly in a farmerTo waste his time pursuing such illusions.

HATHORNE.What was the bird that this young woman sawJust now upon your hand?

MARTHA.I know no bird.

HATHORNE.Have you not dealt with a Familiar Spirit?

MARTHA.No, never, never!

HATHORNE.What then was the BookYou showed to this young woman, and besought herTo write in it?

MARTHA.Where should I have a book?I showed her none, nor have none.

MARY.The next SabbathIs the Communion Day, but Martha CoreyWill not be there!

MARTHA.Ah, you are all against me.What can I do or say?

HATHORNE.You can confess.

MARTHA.No, I cannot, for I am innocent.

HATHORNE.We have the proof of many witnessesThat you are guilty.

MARTHA.Give me leave to speak.Will you condemn me on such evidence,--You who have known me for so many years?Will you condemn me in this house of God,Where I so long have worshipped with you all?Where I have eaten the bread and drunk the wineSo many times at our Lord's Table with you?Bear witness, you that hear me; you all knowThat I have led a blameless life among you,That never any whisper of suspicionWas breathed against me till this accusation.And shall this count for nothing? Will you takeMy life away from me, because this girl,Who is distraught, and not in her right mind,Accuses me of things I blush to name?

HATHORNE.What! is it not enough? Would you hear more?Giles Corey!

COREY.I am here.

HATHORNE.Come forward, then.

Is it not true, that on a certain nightYou were impeded strangely in your prayers?That something hindered you? and that you leftThis woman here, your wife, kneeling aloneUpon the hearth?

COREY.Yes; I cannot deny it.

HATHORNE.Did you not say the Devil hindered you?

COREY.I think I said some words to that effect.

HATHORNE.Is it not true, that fourteen head of cattle,To you belonging, broke from their enclosureAnd leaped into the river, and were drowned?

COREY.It is most true.

HATHORNE.And did you not then sayThat they were overlooked?

COREY.So much I said.I see; they're drawing round me closer, closer,A net I cannot break, cannot escape from! (Aside).

HATHORNE.Who did these things?

COREY.I do not know who did them.

HATHORNE.Then I will tell you. It is some one near you;You see her now; this woman, your own wife.

COREY.I call the heavens to witness, it is false!She never harmed me, never hindered meIn anything but what I should not do.And I bear witness in the sight of heaven,And in God's house here, that I never knew herAs otherwise than patient, brave, and true,Faithful, forgiving, full of charity,A virtuous and industrious and good wife!

HATHORNE.Tut, tut, man; do not rant so in your speech;You are a witness, not an advocate!Here, Sheriff, take this woman back to prison.

MARTHA.O Giles, this day you've sworn away my life!

MARY.Go, go and join the Witches at the door.Do you not hear the drum? Do you not see them?Go quick. They're waiting for you. You are late.

COREY.The dream! the dream! the dream!

HATHORNE.What does he say?Giles Corey, go not hence. You are yourselfAccused of Witchcraft and of SorceryBy many witnesses. Say, are you guilty?

COREY.I know my death is foreordained by you,Mine and my wife's. Therefore I will not answer.

HATHORNE.Do you refuse to plead?--'T were better for youTo make confession, or to plead Not Guilty.--Do you not hear me?--Answer, are you guilty?Do you not know a heavier doom awaits you,If you refuse to plead, than if found guilty?Where is John Gloyd?

GLOYD (coming forward).Here am I.

HATHORNE.Tell the CourtHave you not seen the supernatural powerOf this old man? Have you not seen him doStrange feats of strength?

GLOYD.I've seen him lead the field,On a hot day, in mowing, and againstUs younger men; and I have wrestled with him.He threw me like a feather. I have seen himLift up a barrel with his single hands,Which two strong men could hardly lift together,And, holding it above his head, drink from it.

HATHORNE.That is enough; we need not question further.What answer do you make to this, Giles Corey?

MARY.See there! See there!

HATHORNE.What is it? I see nothing.

MARY.Look! Look! It is the ghost of Robert Goodell,Whom fifteen years ago this man did murderBy stamping on his body! In his shroudHe comes here to bear witness to the crime!

HATHORNE.Ghosts of the dead and voices of the livingBear witness to your guilt, and you must die!It might have been an easier death. Your doomWill be on your own head, and not on ours.Twice more will you be questioned of these things;Twice more have room to plead or to confess.If you are contumacious to the Court,And if, when questioned, you refuse to answer,Then by the Statute you will be condemnedTo the peine forte et dure! To have your bodyPressed by great weights until you shall be dead!And may the Lord have mercy on your soul!

Words in this poem 20
divers a.
Different in kind or species; diverse. [F. divers, L. diversus turned in different directions, different, p. p. of divertere. See Divert, and cf. Diverse.]
avoid v. t.
To empty. Wyclif. [OF. esvuidier, es (L. ex) + vuidier, voidier, to empty. See Void, a.]
goodman n.
A familiar appellation of civility, equivalent to [Good + man]
tore n.
The dead grass that remains on mowing land in winter and spring. Mortimer. [Probably from the root of tear; cf. W. tór a break, cut, tóri to break, cut.]
spectre n.
Something preternaturally visible; an apparition; a ghost; a phantom. [F. spectre, fr. L. spectrum an appearance, image, specter, fr. specere to look. See Spy, and cf. Spectrum.]
flown a.
Flushed, inflated.
scourge n.
A lash; a strap or cord; especially, a lash used to inflict pain or punishment; an instrument of punishment or discipline; a whip. [F. escourgée, fr. L. excoriata (sc. scutica) a stripped off (lash or whip), fr. excoriate to strip, to skin. See Excoriate.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
distraught p. p.
Torn asunder; separated. [OE. distract, distrauht. See Distract, a.]
strangely adv.
As something foreign, or not one's own; in a manner adapted to something foreign and strange.
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
enclosure n.
Inclosure. See Inclosure.
closer n.
One who, or that which, closes; specifically, a boot closer. See under Boot.
forgiving a.
Disposed to forgive; inclined to overlook offenses; mild; merciful; compassionate; placable; as, a forgiving temper.
virtuous a.
Possessing or exhibiting virtue. Specifically: -- (a) Exhibiting manly courage and strength; valorous; valiant; brave. [OE. vertuous, OF. vertuos, vertuous, F. vertueux, fr. L. Virtuous. See Virtue, and cf. Virtuoso.]
industrious a.
Given to industry; characterized by diligence; constantly, regularly, or habitually occupied; busy; assiduous; not slothful or idle; -- commonly implying devotion to lawful and useful labor. [L. industrius, industriosus: cf. F. industrieux. See Industry.]
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
contumacious a.
Exhibiting contumacy; contemning authority; obstinate; perverse; stubborn; disobedient. [L. contumax, -acis. See Contumacy.]
forte n.
The strong point; that in which one excels. fort"a The construction of a fable seems by no means the forte of our modern poetical writers. Jeffrey. [IT. forte: cf. F. fort. See Fort.]
dure v. i.
To last; to continue; to endure. Sir W. Raleigh. [F. durer, L. durare to harden, be hardened, to endure, last, fr. durus hard. See Dure, a.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Act IV: Scene II. — Interior of the Meeting-House. Mather and The, Magistrates Seated in Front of the Pulpit. Before Them a Raised, Platform. Martha in Chains. Corey Near Her. Mary Walcot in A, Chair. A Crowd of Spectators, Among Them Gloyd. Confusion And, Murmurs During the Scene is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Wadsworth Longfellow, Act IV: Scene II. — Interior of the Meeting-House. Mather and The, Magistrates Seated in Front of the Pulpit. Before Them a Raised, Platform. Martha in Chains. Corey Near Her. Mary Walcot in A, Chair. A Crowd of Spectators, Among Them Gloyd. Confusion And, Murmurs During the Scene, in Christus: A Mystery (1872), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-christus/act-iv-scene-ii-interior-of-the-meeting-house-mather-and-the.html, id L19245.

Form and metre

Act IV: Scene II. — Interior of the Meeting-House. Mather and The, Magistrates Seated in Front of the Pulpit. Before Them a Raised, Platform. Martha in Chains. Corey Near Her. Mary Walcot in A, Chair. A Crowd of Spectators, Among Them Gloyd. Confusion And, Murmurs During the Scene is 351 lines in 106 stanzas.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 4 AB--C--C--A-B ladyA · youB · past · after · artsC · incantations · woman · artsC · tormented · wasted · ladyA · statute · youB
  2. 6 --AA- hathorne · here · youA · youA · person
  3. 12 A-A handsA · now · handsA
  4. 15 AA hathorneA · thenA
  5. 19 -A-A hathorne · cameA · know · cameA
  6. 38 -AA hathorne · godA · godA
  7. 48 AA hathorneA · manA
  8. 57 -AA hathorne · itA · itA
  9. 62 --AA- laugh · that · blindA · blindA · guilty
  10. 76 ------AB-BA----- martha · speak · evidence · years · god · all · wineA · youB · know · youB · suspicionA · accusation · take · girl · mind · name
  11. 79 AA hathorneA · thenA
  12. 91 ---A--A-- corey · false · me · doA · heaven · her · trueA · charity · wife
  13. 98 -ABBAB- hathorne · youA · guiltyB · guiltyB · youA · guiltyB · gloyd
  14. 101 ---AA--- gloyd · field · against · himA · himA · hands · together · it
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
HATHORNE.2
Call Martha Corey.5·/˘/˘
MARTHA.2
I am here.3···
HATHORNE.2
Come forward.3·/˘
The Jurors of our Sovereign Lord and Lady11·/˘·//˘··/˘
The King and Queen, here present, do accuse you11·····/˘·˘/·
Of having on the tenth of June last past,10·/˘·······
And divers other times before and after,10·//˘······
Wickedly used and practised certain arts10/˘˘····/˘·
Called Witchcrafts, Sorceries, and Incantations,11·/·/˘˘·˘//˘
Against one Mary Walcot, single woman,11···/˘/˘/˘/˘
Of Salem Village; by which wicked arts10·/˘/˘··/˘·
The aforesaid Mary Walcot was tormented,12·˘/·/˘/˘·/·˘
Tortured, afflicted, pined, consumed, and wasted,11/˘˘/˘·˘/·/˘
Against the peace of our Sovereign Lord and Lady12·····//˘··/˘
The King and Queen, as well as of the Statute11·········/˘
Made and provided in that case. What say you?11··˘/˘······
MARTHA.2
Before I answer, give me leave to pray.10···/˘·····
HATHORNE.2
We have not sent for you, nor are we here,10··········
To hear you pray, but to examine you10······˘/˘·
In whatsoever is alleged against you.11··˘/˘·˘/···
Why do you hurt this person?7·····/˘
MARTHA.2
I do not.3···
I am not guilty of the charge against me.11···/˘······
MARY.2
Avoid, she-devil! You may torment me now!10˘/·/··˘/··
Avoid, avoid, Witch!5˘/˘/·
MARTHA.2
I am innocent.5··/˘˘
I never had to do with any Witchcraft10·/····/˘/·
Since I was born. I am a gospel woman.11·······/˘/˘
MARY.2
You are a gospel Witch!6···/˘·
MARTHA (clasping her hands).6/˘/˘··
Ah me! ah me!4····
Oh, give me leave to pray!6······
MARY (stretching out her hands).7/˘/˘···
She hurts me now.4····
See, she has pinched my hands!6······
HATHORNE.2
Who made these marks4····
Upon her hands?4····
MARTHA.2
I do not know. I stand6······
Apart from her. I did not touch her hands.10˘/········
HATHORNE.2
Who hurt her then?4····
MARTHA.2
I know not.3···
HATHORNE.2
Do you think3···
She is bewitched?4··˘/
MARTHA.2
Indeed I do not think so.7˘/·····
I am no Witch, and have no faith in Witches.11·········/˘
HATHORNE.2
Then answer me: When certain persons came10·/˘··/˘/˘·
To see you yesterday, how did you know10···/˘·····
Beforehand why they came?6˘/····
MARTHA.2
I had had speech;4····
The children said I hurt them, and I thought10·/˘·······
These people came to question me about it.11·/˘··/˘····
HATHORNE.2
How did you know the children had been told10·····/˘···
To note the clothes you wore?6······
MARTHA.2
My husband told me5·/˘··
What others said about it.7·/˘····
HATHORNE.2
Goodman Corey,4/˘/˘
Say, did you tell her?5·····
COREY.2
I must speak the truth;5·····
I did not tell her. It was some one else.10··········
HATHORNE.2
Did you not say your husband told you so?10·····/˘···
How dare you tell a lie in this assembly?11········˘/˘
Who told you of the clothes? Confess the truth.10······˘/··
MARY.2
Ah, she is biting me! Avoid, avoid!10···/˘·˘/˘/
HATHORNE.2
You said your husband told you.7···/˘··
MARTHA.2
Yes, he told me4····
The children said I troubled them.9·/˘··/˘˘·
HATHORNE.2
Then tell me,3···
Why do you trouble them?6···/˘·
MARTHA.2
I have denied it.5··˘/·
MARY.2
She threatened me; stabbed at me with her spindle;11·/˘······/˘
And, when my brother thrust her with his sword,10···/˘·····
He tore her gown, and cut a piece away.10········˘/
Here are they both, the spindle and the cloth.10·····/˘···
HATHORNE.2
And there are persons here who know the truth10···/˘·····
Of what has now been said. What answer make you?11·······/˘··
MARTHA.2
I make no answer. Give me leave to pray.10···/˘·····
HATHORNE.2
Whom would you pray to?5·····
MARTHA.2
To my God and Father.6····/˘
HATHORNE.2
Who is your God and Father?7·····/˘
MARTHA.2
The Almighty!4·˘/˘
HATHORNE.2
Doth he you pray to say that he is God?10··········
It is the Prince of Darkness, and not God.10·····/˘···
MARY.2
There is a dark shape whispering in her ear.10·····/˘···
HATHORNE.2
What does it say to you?6······
MARTHA.2
I see no shape.4····
HATHORNE.2
Did you not hear it whisper?7·····/˘
MARTHA.2
I heard nothing.4··/˘
MARY.2
What torture! Ah, what agony I suffer!11·/˘··/˘˘·/˘
HATHORNE.2
You see this woman cannot stand before you.11···/˘/˘····
If you would look for mercy, you must look10·····/˘···
In God's way, by confession of your guilt.10····˘/˘···
Why does your spectre haunt and hurt this person?11···/˘····/˘
MARTHA.2
I do not know. He who appeared of old10······˘/··
In Samuel's shape, a saint and glorified,10·/˘····/˘·
May come in whatsoever shape he chooses.11····˘/˘··/˘
I cannot help it. I am sick at heart!10·/˘·······
COREY.2
O Martha, Martha! let me hold your hand.10·/˘/˘·····
HATHORNE.2
No; stand aside, old man.6··˘/··
MARY (starting up).5/˘/˘·
Look there! Look there!4····
I see a little bird, a yellow bird10···/˘··/˘·
Perched on her finger; and it pecks at me.10···/˘·····
Ah, it will tear mine eyes out!7·······
MARTHA.2
I see nothing.4··/˘
HATHORNE.2
'T is the Familiar Spirit that attends her.11···˘/˘/·˘/·
MARY.2
Now it has flown away. It sits up there10····˘/····
Upon the rafters. It is gone; is vanished.11···/˘····/˘
MARTHA.2
Giles, wipe these tears of anger from mine eyes.10·····/˘···
Wipe the sweat from my forehead. I am faint.10·····/˘···
MARY.2
Oh, she is crushing me with all her weight!10···/˘·····
HATHORNE.2
Did you not carry once the Devil's Book10···/˘··/˘·
To this young woman?5···/˘
MARTHA.2
Never.2
HATHORNE.2
Have you signed it,4····
Or touched it?3···
MARTHA.2
No; I never saw it.6··/˘··
HATHORNE.2
Did you not scourge her with an iron rod?10·······/˘·
MARTHA.2
No, I did not. If any Evil Spirit11·····/˘/˘/˘
Has taken my shape to do these evil deeds,10·/˘·····/·
I cannot help it. I am innocent.10·/˘····/˘˘
HATHORNE.2
Did you not say the Magistrates were blind?10·····/˘···
That you would open their eyes?7···/˘··
MARTHA (with a scornful laugh).7/˘··/˘·
Yes, I said that;4····
If you call me a sorceress, you are blind!11·····/˘˘···
If you accuse the innocent, you are blind!10··˘/·/˘···
Can the innocent be guilty?8··/˘˘·/˘
HATHORNE.2
Did you not3···
On one occasion hide your husband's saddle11··˘/˘··/˘/˘
To hinder him from coming to the sessions?11·/˘··/˘··/˘
MARTHA.2
I thought it was a folly in a farmer11·····/˘··/˘
To waste his time pursuing such illusions.11····˘/˘·˘/˘
HATHORNE.2
What was the bird that this young woman saw10·······/˘·
Just now upon your hand?6······
MARTHA.2
I know no bird.4····
HATHORNE.2
Have you not dealt with a Familiar Spirit?11······˘/˘/˘
MARTHA.2
No, never, never!5·/˘/˘
HATHORNE.2
What then was the Book5·····
You showed to this young woman, and besought her11·····/˘·˘/·
To write in it?4····
MARTHA.2
Where should I have a book?6······
I showed her none, nor have none.7·······
MARY.2
The next Sabbath4··/˘
Is the Communion Day, but Martha Corey11··˘/˘··/˘/˘
Will not be there!4····
MARTHA.2
Ah, you are all against me.7·······
What can I do or say?6······
HATHORNE.2
You can confess.4··˘/
MARTHA.2
No, I cannot, for I am innocent.10··˘/···/˘˘
HATHORNE.2
We have the proof of many witnesses10·····/˘/˘˘
That you are guilty.5···/˘
MARTHA.2
Give me leave to speak.5·····
Will you condemn me on such evidence,--10··˘/···/˘˘
You who have known me for so many years?10·······/˘·
Will you condemn me in this house of God,10··˘/······
Where I so long have worshipped with you all?10·····/˘···
Where I have eaten the bread and drunk the wine11···/˘······
So many times at our Lord's Table with you?10·/··/·/˘··
Bear witness, you that hear me; you all know10·/˘·······
That I have led a blameless life among you,11·····/˘····
That never any whisper of suspicion11·/˘/˘/˘·˘/˘
Was breathed against me till this accusation.11········˘/˘
And shall this count for nothing? Will you take10·····/˘···
My life away from me, because this girl,10··˘/······
Who is distraught, and not in her right mind,10··˘/······
Accuses me of things I blush to name?10˘/˘·······
HATHORNE.2
What! is it not enough? Would you hear more?10····˘/····
Giles Corey!3·/˘
COREY.2
I am here.3···
HATHORNE.2
Come forward, then.4·/˘·
Is it not true, that on a certain night10·······/˘·
You were impeded strangely in your prayers?10··˘/˘/˘···
That something hindered you? and that you left10·/˘/˘·····
This woman here, your wife, kneeling alone10·/˘···/˘˘/
Upon the hearth?4····
COREY.2
Yes; I cannot deny it.7··˘/˘/·
HATHORNE.2
Did you not say the Devil hindered you?10·····/˘/˘·
COREY.2
I think I said some words to that effect.10········˘/
HATHORNE.2
Is it not true, that fourteen head of cattle,11·····//··/˘
To you belonging, broke from their enclosure11··˘/˘···˘/˘
And leaped into the river, and were drowned?10·····/˘···
COREY.2
It is most true.4····
HATHORNE.2
And did you not then say6······
That they were overlooked?6···/˘·
COREY.2
So much I said.4····
I see; they're drawing round me closer, closer,11···/˘··/˘/˘
A net I cannot break, cannot escape from! (Aside).13···˘/·/˘˘/·˘/
HATHORNE.2
Who did these things?4····
COREY.2
I do not know who did them.7·······
HATHORNE.2
Then I will tell you. It is some one near you;11···········
You see her now; this woman, your own wife.10·····/˘···
COREY.2
I call the heavens to witness, it is false!11···/˘·/˘···
She never harmed me, never hindered me10·/˘··/˘/˘·
In anything but what I should not do.10·/˘·······
And I bear witness in the sight of heaven,11···/˘····/˘
And in God's house here, that I never knew her10·······/··
As otherwise than patient, brave, and true,10·/˘··/˘···
Faithful, forgiving, full of charity,10/˘˘/˘··/˘˘
A virtuous and industrious and good wife!10·/˘·˘/˘···
HATHORNE.2
Tut, tut, man; do not rant so in your speech;10··········
You are a witness, not an advocate!10···/˘··/˘·
Here, Sheriff, take this woman back to prison.11·/˘··/˘··/˘
MARTHA.2
O Giles, this day you've sworn away my life!10······˘/··
MARY.2
Go, go and join the Witches at the door.10·····/˘···
Do you not hear the drum? Do you not see them?11···········
Go quick. They're waiting for you. You are late.10···/˘·····
COREY.2
The dream! the dream! the dream!6······
HATHORNE.2
What does he say?4····
Giles Corey, go not hence. You are yourself10·/˘·····˘/
Accused of Witchcraft and of Sorcery10˘/·/···/˘˘
By many witnesses. Say, are you guilty?11·/˘/˘˘···/˘
COREY.2
I know my death is foreordained by you,10··········
Mine and my wife's. Therefore I will not answer.11·········/˘
HATHORNE.2
Do you refuse to plead?--'T were better for you12··/·····/˘··
To make confession, or to plead Not Guilty.--11··˘/˘····/˘
Do you not hear me?--Answer, are you guilty?11·····/˘··/˘
Do you not know a heavier doom awaits you,11·····/˘·˘/·
If you refuse to plead, than if found guilty?11··˘/·····/˘
Where is John Gloyd?4····
GLOYD (coming forward).5·/˘/˘
Here am I.3···
HATHORNE.2
Tell the Court3···
Have you not seen the supernatural power10······˘/˘/
Of this old man? Have you not seen him do10··········
Strange feats of strength?4····
GLOYD.1·
I've seen him lead the field,6······
On a hot day, in mowing, and against10·····/˘···
Us younger men; and I have wrestled with him.11·/˘····/˘··
He threw me like a feather. I have seen him11·····/˘····
Lift up a barrel with his single hands,10···/˘··/˘·
Which two strong men could hardly lift together,11·····/˘·˘/˘
And, holding it above his head, drink from it.11·/˘········
HATHORNE.2
That is enough; we need not question further.11··˘/···/˘/˘
What answer do you make to this, Giles Corey?11·/˘······/˘
MARY.2
See there! See there!4····
HATHORNE.2
What is it? I see nothing.7·····/˘
MARY.2
Look! Look! It is the ghost of Robert Goodell,11·······/˘/˘
Whom fifteen years ago this man did murder11·//·˘/···/˘
By stamping on his body! In his shroud10·/˘··/˘···
He comes here to bear witness to the crime!10·····/˘···
HATHORNE.2
Ghosts of the dead and voices of the living11·····/˘··/˘
Bear witness to your guilt, and you must die!10·/˘·······
It might have been an easier death. Your doom10·····/˘···
Will be on your own head, and not on ours.11·········/˘
Twice more will you be questioned of these things;10·····/˘···
Twice more have room to plead or to confess.10········˘/
If you are contumacious to the Court,10··········
And if, when questioned, you refuse to answer,11···/˘·˘/·/˘
Then by the Statute you will be condemned10···/˘···˘/
To the peine forte et dure! To have your body13···/˘·/˘···/˘
Pressed by great weights until you shall be dead!10··········
And may the Lord have mercy on your soul!10·····/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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