Act II: Scene III. — Corey's Kitchen. A Table with Supper. Martha Knitting
He's come at last. I hear him in the passage.Something has gone amiss with him today;I know it by his step, and by the soundThe door made as he shut it. He is angry.
COREY.I say if Satan ever entered manHe's in John Proctor!
MARTHA.Giles, what is the matter?You frighten me.
COREY.I say if any manCan have a Devil in him, then that manIs Proctor,--is John Proctor, and no other!
MARTHA.Why, what has he been doing?
COREY.Everything!What do you think I heard there in the village?
MARTHA.I'm sure I cannot guess. What did you hear?
COREY.He says I burned his house!
MARTHA.Does he say that?
COREY.He says I burned his house. I was in bedAnd fast asleep that night; and I can prove it.
MARTHA.If he says that, I think the Father of LiesIs surely in the man.
COREY.He does say thatAnd that I did it to wreak vengeance on himFor taking sides against me in the quarrelI had with that John Gloyd about his wages.And God knows that I never bore him maliceFor that, as I have told him twenty times
MARTHA.It is John Gloyd has stirred him up to this.I do not like that Gloyd. I think him crafty,Not to be trusted, sullen and untruthful.Come, have your supper. You are tired and hungry.
COREY.I'm angry, and not hungry.
MARTHA.Do eat something.You'll be the better for it.
COREY (sitting down).I'm not hungry.
MARTHA.Let not the sun go down upon your wrath.
COREY.It has gone down upon it, and will riseTo-morrow, and go down again upon it.They have trumped up against me the old storyOf causing Goodell's death by trampling on him.
MARTHA.Oh, that is false. I know it to be false.
COREY.He has been dead these fourteen years or more.Why can't they let him rest? Why must they drag himOut of his grave to give me a bad name?I did not kill him. In his bed he died,As most men die, because his hour had come.I have wronged no man. Why should Proctor saySuch things bout me? I will not forgive himTill he confesses he has slandered me.Then, I've more trouble. All my cattle gone.
MARTHA.They will come back again.
COREY.Not in this world.Did I not tell you they were overlooked?They ran down through the woods, into the meadows,And tried to swim the river, and were drowned.It is a heavy loss.
MARTHA.I'm sorry for it.
COREY.All my dear oxen dead. I loved them, Martha,Next to yourself. I liked to look at them,And watch the breath come out of their wide nostrils,And see their patient eyes. Somehow I thoughtIt gave me strength only to look at them.And how they strained their necks against the yokeIf I but spoke, or touched them with the goad!They were my friends; and when Gloyd came and told meThey were all drowned, I could have drowned myselfFrom sheer vexation; and I said as muchTo Gloyd and others.
MARTHA.Do not trust John GloydWith anything you would not have repeated.
COREY.As I came through the woods this afternoon,Impatient at my loss, and much perplexedWith all that I had heard there in the village,The yellow leaves lit up the trees about meLike an enchanted palace, and I wishedI knew enough of magic or of WitchcraftTo change them into gold. Then suddenlyA tree shook down some crimson leaves upon me,Like drops of blood, and in the path before meStood Tituba the Indian, the old crone.
MARTHA.Were you not frightened?
COREY.No, I do not thinkI know the meaning of that word. Why frightened?I am not one of those who think the LordIs waiting till He catches them some dayIn the back yard alone! What should I fear?She started from the bushes by the path,And had a basket full of herbs and rootsFor some witch-broth or other,--the old hag.
MARTHA.She has been here to-day.
COREY.With hand outstretchedShe said: "Giles Corey, will you sign the Book?""Avaunt!" I cried: "Get thee behind me, Satan!"At which she laughed and left me. But a voiceWas whispering in my ear continually:"Self-murder is no crime. The life of manIs his, to keep it or to throw away!"
MARTHA.'T was a temptation of the Evil One!Giles, Giles! why will you harbor these dark thoughts?
COREY (rising).I am too tired to talk. I'll go to bed.
MARTHA.First tell me something about Bridget Bishop.How did she look? You saw her? You were there?
COREY.I'll tell you that to-morrow, not to-night.I'll go to bed.
MARTHA.First let us pray together.
COREY.I cannot pray to-night.
MARTHA.Say the Lord's Prayer,And that will comfort you.
COREY.I cannot say,"As we forgive those that have sinned against us,"When I do not forgive them.
MARTHA (kneeling on the hearth).God forgive you!
COREY.I will not make believe! I say to-nightThere's something thwarts me when I wish to pray,And thrusts into my mind, instead of prayers,Hate and revenge, and things that are not prayers.Something of my old self,--my old, bad life,--And the old Adam in me rises up,And will not let me pray. I am afraidThe Devil hinders me. You know I sayJust what I think, and nothing more nor less,And, when I pray, my heart is in my prayer.I cannot say one thing and mean another.If I can't pray, I will not make believe!
Words in this poem
- angry a.
- Troublesome; vexatious; rigorous. [See Anger.]
- wreak v. i.
- To reck; to care.
- sullen a.
- Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
- untruthful a.
- Not truthful; unveracious; contrary to the truth or the fact.
- somehow adv.
- In one way or another; in some way not yet known or designated; by some means; as, the thing must be done somehow; he lives somehow.
- spoke n.
- The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
- afternoon n.
- The part of the day which follows noon, between noon and evening.
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
- shook v. t.
- To pack, as staves, in a shook.
- crone n.
- An old ewe. Tusser. [OD. kronie, karonie, an old sheep, OF. carogne, F. charogne, carrion (also F. carogne illnatured woman.). See Carrion, and Crony.]
- avaunt v. t.
- To advance; to move forward; to elevate.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Act II: Scene III. — Corey's Kitchen. A Table with Supper. Martha Knitting is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, Act II: Scene III. — Corey's Kitchen. A Table with Supper. Martha Knitting, in Christus: A Mystery (1872), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-christus/act-ii-scene-iii-corey-s-kitchen-a-table-with-supper-martha-.html, id L19239.
Form and metre
Act II: Scene III. — Corey's Kitchen. A Table with Supper. Martha Knitting is 163 lines in 40 stanzas.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 4 -AA- corey · manA · manA · other
- 18 A--A- coreyA · rise · it · storyA · him
- 20 --A----A-- corey · more · himA · name · died · come · say · himA · me · gone
- 24 --A--A------ corey · martha · themA · nostrils · thought · themA · yoke · goad · me · myself · much · others
- 25 -AA martha · gloydA · repeatedA
- 26 ----A---AA- corey · afternoon · perplexed · village · meA · wished · witchcraft · suddenly · meA · meA · crone
- 30 ---A--A- corey · outstretched · book · satanA · voice · continually · manA · away
- 40 --ABB---A---- corey · night · prayA · prayersB · prayersB · life · up · afraid · sayA · less · prayer · another · believe
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| He's come at last. I hear him in the passage. | 11 | ·········/˘ |
| Something has gone amiss with him today; | 10 | /˘··˘/··˘/ |
| I know it by his step, and by the sound | 10 | ·········· |
| The door made as he shut it. He is angry. | 11 | ·········/˘ |
| COREY. | 2 | /˘ |
| I say if Satan ever entered man | 10 | ···/˘/˘/˘· |
| He's in John Proctor! | 5 | ···/˘ |
| MARTHA. | 2 | /˘ |
| Giles, what is the matter? | 6 | ····/˘ |
| You frighten me. | 4 | ·/˘· |
| COREY. | 2 | /˘ |
| I say if any man | 6 | ···/˘· |
| Can have a Devil in him, then that man | 10 | ···/˘····· |
| Is Proctor,--is John Proctor, and no other! | 11 | ·/˘··/˘··/˘ |
| MARTHA. | 2 | /˘ |
| Why, what has he been doing? | 7 | ·····/˘ |
| COREY. | 2 | /˘ |
| Everything! | 3 | /˘· |
| What do you think I heard there in the village? | 11 | ·········/˘ |
| MARTHA. | 2 | /˘ |
| I'm sure I cannot guess. What did you hear? | 10 | ···/˘····· |
| COREY. | 2 | /˘ |
| He says I burned his house! | 6 | ······ |
| MARTHA. | 2 | /˘ |
| Does he say that? | 4 | ···· |
| COREY. | 2 | /˘ |
| He says I burned his house. I was in bed | 10 | ·········· |
| And fast asleep that night; and I can prove it. | 11 | ··˘/······· |
| MARTHA. | 2 | /˘ |
| If he says that, I think the Father of Lies | 11 | ·······/˘·· |
| Is surely in the man. | 6 | ·/˘··· |
| COREY. | 2 | /˘ |
| He does say that | 4 | ···· |
| And that I did it to wreak vengeance on him | 11 | ·······/˘·· |
| For taking sides against me in the quarrel | 11 | ·/˘······/˘ |
| I had with that John Gloyd about his wages. | 11 | ·········/˘ |
| And God knows that I never bore him malice | 11 | ·····/˘··/˘ |
| For that, as I have told him twenty times | 10 | ·······/˘· |
| MARTHA. | 2 | /˘ |
| It is John Gloyd has stirred him up to this. | 10 | ·········· |
| I do not like that Gloyd. I think him crafty, | 11 | ·········/˘ |
| Not to be trusted, sullen and untruthful. | 11 | ···/˘/˘·˘/˘ |
| Come, have your supper. You are tired and hungry. | 11 | ···/˘··/·/˘ |
| COREY. | 2 | /˘ |
| I'm angry, and not hungry. | 7 | ·/˘··/˘ |
| MARTHA. | 2 | /˘ |
| Do eat something. | 4 | ··/˘ |
| You'll be the better for it. | 7 | ···/˘·· |
| COREY (sitting down). | 5 | /˘/˘· |
| I'm not hungry. | 4 | ··/˘ |
| MARTHA. | 2 | /˘ |
| Let not the sun go down upon your wrath. | 10 | ·········· |
| COREY. | 2 | /˘ |
| It has gone down upon it, and will rise | 10 | ·········· |
| To-morrow, and go down again upon it. | 11 | ·/˘···˘/··· |
| They have trumped up against me the old story | 11 | ·········/˘ |
| Of causing Goodell's death by trampling on him. | 11 | ·/˘/˘··/˘·· |
| MARTHA. | 2 | /˘ |
| Oh, that is false. I know it to be false. | 10 | ·········· |
| COREY. | 2 | /˘ |
| He has been dead these fourteen years or more. | 10 | ······/··· |
| Why can't they let him rest? Why must they drag him | 11 | ··········· |
| Out of his grave to give me a bad name? | 10 | ·········· |
| I did not kill him. In his bed he died, | 10 | ·········· |
| As most men die, because his hour had come. | 10 | ·······/·· |
| I have wronged no man. Why should Proctor say | 10 | ·······/˘· |
| Such things bout me? I will not forgive him | 10 | ·······˘/· |
| Till he confesses he has slandered me. | 10 | ··˘/˘··/˘· |
| Then, I've more trouble. All my cattle gone. | 10 | ···/˘··/˘· |
| MARTHA. | 2 | /˘ |
| They will come back again. | 6 | ····˘/ |
| COREY. | 2 | /˘ |
| Not in this world. | 4 | ···· |
| Did I not tell you they were overlooked? | 10 | ·······/˘· |
| They ran down through the woods, into the meadows, | 11 | ·········/· |
| And tried to swim the river, and were drowned. | 10 | ·····/˘··· |
| It is a heavy loss. | 6 | ···/˘· |
| MARTHA. | 2 | /˘ |
| I'm sorry for it. | 5 | ·/˘·· |
| COREY. | 2 | /˘ |
| All my dear oxen dead. I loved them, Martha, | 11 | ···/˘····/˘ |
| Next to yourself. I liked to look at them, | 10 | ··˘/······ |
| And watch the breath come out of their wide nostrils, | 11 | ·········/˘ |
| And see their patient eyes. Somehow I thought | 10 | ···/˘·/··· |
| It gave me strength only to look at them. | 10 | ····/˘···· |
| And how they strained their necks against the yoke | 10 | ·········· |
| If I but spoke, or touched them with the goad! | 10 | ·········· |
| They were my friends; and when Gloyd came and told me | 11 | ··········· |
| They were all drowned, I could have drowned myself | 10 | ·········/ |
| From sheer vexation; and I said as much | 10 | ··˘/˘····· |
| To Gloyd and others. | 5 | ···/˘ |
| MARTHA. | 2 | /˘ |
| Do not trust John Gloyd | 5 | ····· |
| With anything you would not have repeated. | 11 | ·/˘·····˘/˘ |
| COREY. | 2 | /˘ |
| As I came through the woods this afternoon, | 10 | ········˘/ |
| Impatient at my loss, and much perplexed | 10 | ˘/˘·····˘/ |
| With all that I had heard there in the village, | 11 | ·········/˘ |
| The yellow leaves lit up the trees about me | 11 | ·/˘········ |
| Like an enchanted palace, and I wished | 10 | ··˘/˘/˘··· |
| I knew enough of magic or of Witchcraft | 11 | ··˘/·/˘··/· |
| To change them into gold. Then suddenly | 10 | ·······/˘˘ |
| A tree shook down some crimson leaves upon me, | 11 | ·····/˘···· |
| Like drops of blood, and in the path before me | 11 | ··········· |
| Stood Tituba the Indian, the old crone. | 10 | ·····/˘··· |
| MARTHA. | 2 | /˘ |
| Were you not frightened? | 5 | ···/˘ |
| COREY. | 2 | /˘ |
| No, I do not think | 5 | ····· |
| I know the meaning of that word. Why frightened? | 11 | ···/˘····/˘ |
| I am not one of those who think the Lord | 10 | ·········· |
| Is waiting till He catches them some day | 10 | ·/˘··/˘··· |
| In the back yard alone! What should I fear? | 10 | ····˘/···· |
| She started from the bushes by the path, | 10 | ·/˘··/˘··· |
| And had a basket full of herbs and roots | 10 | ···/˘····· |
| For some witch-broth or other,--the old hag. | 10 | ·····/˘··· |
| MARTHA. | 2 | /˘ |
| She has been here to-day. | 6 | ······ |
| COREY. | 2 | /˘ |
| With hand outstretched | 4 | ··˘/ |
| She said: "Giles Corey, will you sign the Book?" | 10 | ···/˘····· |
| "Avaunt!" I cried: "Get thee behind me, Satan!" | 11 | ˘/·······/˘ |
| At which she laughed and left me. But a voice | 10 | ·········· |
| Was whispering in my ear continually: | 11 | ·/˘···˘/˘˘˘ |
| "Self-murder is no crime. The life of man | 10 | ·/˘······· |
| Is his, to keep it or to throw away!" | 10 | ········˘/ |
| MARTHA. | 2 | /˘ |
| 'T was a temptation of the Evil One! | 10 | ···˘/˘··/· |
| Giles, Giles! why will you harbor these dark thoughts? | 10 | ·····/˘··· |
| COREY (rising). | 4 | /˘/˘ |
| I am too tired to talk. I'll go to bed. | 10 | ···/······ |
| MARTHA. | 2 | /˘ |
| First tell me something about Bridget Bishop. | 11 | ···/˘··/˘/˘ |
| How did she look? You saw her? You were there? | 10 | ·········· |
| COREY. | 2 | /˘ |
| I'll tell you that to-morrow, not to-night. | 10 | ·····/˘··· |
| I'll go to bed. | 4 | ···· |
| MARTHA. | 2 | /˘ |
| First let us pray together. | 7 | ····˘/˘ |
| COREY. | 2 | /˘ |
| I cannot pray to-night. | 6 | ·/˘··· |
| MARTHA. | 2 | /˘ |
| Say the Lord's Prayer, | 4 | ···· |
| And that will comfort you. | 6 | ···/˘· |
| COREY. | 2 | /˘ |
| I cannot say, | 4 | ·/˘· |
| "As we forgive those that have sinned against us," | 11 | ··˘/······· |
| When I do not forgive them. | 7 | ····˘/· |
| MARTHA (kneeling on the hearth). | 7 | /˘/˘··· |
| God forgive you! | 4 | ·˘/· |
| COREY. | 2 | /˘ |
| I will not make believe! I say to-night | 10 | ····˘/···· |
| There's something thwarts me when I wish to pray, | 10 | ·/˘······· |
| And thrusts into my mind, instead of prayers, | 10 | ······˘/·· |
| Hate and revenge, and things that are not prayers. | 10 | ··˘/······ |
| Something of my old self,--my old, bad life,-- | 10 | /˘········ |
| And the old Adam in me rises up, | 10 | ···/˘··/˘· |
| And will not let me pray. I am afraid | 10 | ········˘/ |
| The Devil hinders me. You know I say | 10 | ·/˘/˘····· |
| Just what I think, and nothing more nor less, | 10 | ·····/˘··· |
| And, when I pray, my heart is in my prayer. | 10 | ·········· |
| I cannot say one thing and mean another. | 11 | ·/˘·····˘/˘ |
| If I can't pray, I will not make believe! | 10 | ········˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.