The Congo
Fat black bucks in a wine-barrel room,Barrel-house kings, with feet unstable,Sagged and reeled and pounded on the table,Pounded on the table,Beat an empty barrel with the handle of a broom,Hard as they were able,Boom, boom, BOOM,With a silk umbrella and the handle of a broom,Boomlay, boomlay, boomlay, BOOM.THEN I had religion, THEN I had a vision.I could not turn from their revel in derision.Then along that riverbankA thousand milesTattooed cannibals danced in files;Then I heard the boom of the blood-lust songAnd a thigh-bone beating on a tin-pan gong.And "BLOOD" screamed the whistles and the fifes of the warriors,"BLOOD" screamed the skull-faced, lean witch-doctors,"Whirl ye the deadly voo-doo rattle,Harry the uplands,Steal all the cattle,Rattle-rattle, rattle-rattle,Bing.Boomlay, boomlay, boomlay, BOOM,"A roaring, epic, rag-time tuneFrom the mouth of the CongoTo the Mountains of the Moon.Death is an Elephant,Torch-eyed and horrible,Foam-flanked and terrible.BOOM, steal the pygmies,BOOM, kill the Arabs,BOOM, kill the white men,Listen to the yell of Leopold's ghostBurning in Hell for his hand-maimed host.Hear how the demons chuckle and yellCutting his hands off, down in Hell.Listen to the creepy proclamation,Blown through the lairs of the forest-nation,Blown past the white-ants' hill of clay,Blown past the marsh where the butterflies play:--"Be careful what you do,Or Mumbo-Jumbo, God of the Congo,And all of the otherGods of the Congo,Mumbo-Jumbo will hoo-doo you,Mumbo-Jumbo will hoo-doo you,Mumbo-Jumbo will hoo-doo you."
Wild crap-shooters with a whoop and a callDanced the juba in their gambling-hallAnd laughed fit to kill, and shook the town,And guyed the policemen and laughed them downWith a boomlay, boomlay, boomlay, BOOM.A negro fairyland swung into view,A minstrel riverWhere dreams come true.The ebony palace soared on highThrough the blossoming trees to the evening sky.The inlaid porches and casements shoneWith gold and ivory and elephant-bone.And the black crowd laughed till their sides were soreAt the baboon butler in the agate door,And the well-known tunes of the parrot bandThat trilled on the bushes of that magic land.
A troupe of skull-faced witch-men cameThrough the agate doorway in suits of flame,Yea, long-tailed coats with a gold-leaf crustAnd hats that were covered with diamond-dust.And the crowd in the court gave a whoop and a callAnd danced the juba from wall to wall.But the witch-men suddenly stilled the throngWith a stern cold glare, and a stern old song:--"Mumbo-Jumbo will hoo-doo you."...Just then from the doorway, as fat as shotes,Came the cake-walk princes in their long red coats,Canes with a brilliant lacquer shine,And tall silk hats that were red as wine.And they pranced with their butterfly partners there,Coal-black maidens with pearls in their hair,Knee-skirts trimmed with the jassamine sweet,And bells on their ankles and little black feet.And the couples railed at the chant and the frownOf the witch-men lean, and laughed them down.(O rare was the revel, and well worth whileThat made those glowering witch-men smile.)
The cake-walk royalty then beganTo walk for a cake that was tall as a manTo the tune of "Boomlay, boomlay, BOOM,"While the witch-men laughed, with a sinister air,And sang with the scalawags prancing there:--"Walk with care, walk with care,Or Mumbo-Jumbo, God of the Congo,And all of the otherGods of the Congo,Mumbo-Jumbo will hoo-doo you.Beware, beware, walk with care,Boomlay, boomlay, boomlay, boom.Boomlay, boomlay, boomlay, boom,Boomlay, boomlay, boomlay, boom,Boomlay, boomlay, boomlay,BOOM."Oh rare was the revel, and well worth whileThat made those glowering witch-men smile.
A good old negro in the slums of the townPreached at a sister for her velvet gown.Howled at a brother for his low-down ways,His prowling, guzzling, sneak-thief days.Beat on the Bible till he wore it outStarting the jubilee revival shout.And some had visions, as they stood on chairs,And sang of Jacob, and the golden stairs,And they all repented, a thousand strongFrom their stupor and savagery and sin and wrongAnd slammed with their hymn books till they shook the roomWith "glory, glory, glory,"And "Boom, boom, BOOM."And the gray sky opened like a new-rent veilAnd showed the apostles with their coats of mail.In bright white steele they were seated roundAnd their fire-eyes watched where the Congo wound.And the twelve Apostles, from their thrones on highThrilled all the forest with their heavenly cry:--"Mumbo-Jumbo will die in the jungle;Never again will he hoo-doo you,Never again will he hoo-doo you."
Then along that river, a thousand milesThe vine-snared trees fell down in files.Pioneer angels cleared the wayFor a Congo paradise, for babes at play,For sacred capitals, for temples clean.Gone were the skull-faced witch-men lean.There, where the wild ghost-gods had wailedA million boats of the angels sailedWith oars of silver, and prows of blueAnd silken pennants that the sun shone through.'Twas a land transfigured, 'twas a new creation.Oh, a singing wind swept the negro nationAnd on through the backwoods clearing flew:--"Mumbo-Jumbo is dead in the jungle.Never again will he hoo-doo you.Never again will he hoo-doo you."
Redeemed were the forests, the beasts and the men,And only the vulture dared againBy the far, lone mountains of the moonTo cry, in the silence, the Congo tune:--"Mumbo-Jumbo will hoo-doo you,Mumbo-Jumbo will hoo-doo you.Mumbo... Jumbo... will... hoo-doo... you."
This poem, particularly the third section, was suggested by an allusionin a sermon by my pastor, F. W. Burnham, to the heroic life and death ofRay Eldred. Eldred was a missionary of the Disciples of Christ whoperished while swimming a treacherous branch of the Congo. See "A MasterBuilder on the Congo", by Andrew F. Hensey, published by Fleming H.Revell.
Words in this poem 23
- gong n.
- A privy or jakes. Chaucer. Gong farmer, Gong man, a cleaner of privies. [AS. gong, gang, a going, passage, drain. See Gang.]
- harry v. i.
- To make a predatory incursion; to plunder or lay waste.
- bing n.
- A heap or pile; as, a bing of wood. [Cf. Icel. bingr, Sw. binge, G. beige, beuge. Cf. Prov. E. bink bench, and bench coal the uppermost stratum of coal.]
- congo n.
- Black tea, of higher grade (finer leaf and less dusty) than the present bohea. See Tea. [Chin. kung-foo labor.]
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- chuckle v. t.
- To call, as a hen her chickens; to cluck. [From lst Chuck.]
- creepy a.
- Crawly; having or producing a sensation like that caused by insects creeping on the skin.
- juba n.
- The mane of an animal. [L., a mane.]
- shook v. t.
- To pack, as staves, in a shook.
- fairyland n.
- The imaginary land or abode of fairies.
- troupe n.
- A company or troop, especially the company pf performers in a play or an opera. [F., troop. See Troop.]
- doorway n.
- The passage of a door; entrance way into a house or a room.
- glare v. i.
- To shine with a bright, dazzling light. [OE. glaren, gloren; cf. AS. glær amber, LG. glaren to glow or burn like coals, D. gloren to glimmer; prob. akin to E. glass.]
- beware v. t.
- To avoid; to take care of; to have a care for.
- prowling a.
- Accustomed to prowl, or engaged in roving stealthily, as for prey.
- savagery n.
- The state of being savage; savageness; savagism. [F. sauvagerie.]
- jungle n.
- A dense growth of brushwood, grasses, reeds, vines, etc.; an almost impenetrable thicket of trees, canes, and reedy vegetation, as in India, Africa, Australia, and Brazil. [Hind. jangal desert, forest, jungle; Skr. ja desert.]
- pioneer n.
- A soldier detailed or employed to form roads, dig trenches, and make bridges, as an army advances. [F. pionier, orig., a foot soldier, OF. peonier, fr. OF. peon a foot soldier, F. pion. See Pawn in chess.]
- backwoods n.
- The forests or partly cleared grounds on the frontiers. [Back, a. + woods.]
- lone n.
- A lane. See Loanin.
- allusion n.
- A figurative or symbolical reference. [L. allusio, fr. alludere to allude: cf. F. allusion.]
- sermon n.
- A discourse or address; a talk; a writing; as, the sermens of Chaucer. [OE. sermoun, sermun, F. sermon, fr. L. sermo, - onis, a speaking, discourse, probably fr. serer, sertum, to join, connect; hence, a connected speech. See Series]
- revell v. t.
- To draw back; to retract. Harvey. [L. revellere; re- + vellere to pluck, pull.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Congo is in the public domain. This text is taken from The Congo, and Other Poems, Project Gutenberg ebook #1021; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Vachel Lindsay, The Congo, in The Congo and Other Poems (1914), text of Project Gutenberg ebook #1021, Laurel, https://laurelpoetry.com/poem/lindsay-congo/the-congo.html, id L20818.
Form and metre
The Congo is 154 lines in 8 stanzas. The metre is trochaic pentameter, measured from the stress the words themselves fix (confidence 72%).
See other poems in trochaic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABBBABAAACC-DDEE--F-FF--G-G------HHIIJJKKL---L-- roomA · unstableB · tableB · tableB · broomA · ableB · boomA · broomA · boomA · visionC · derisionC · riverbank · milesD · filesD · songE · gongE · warriors · doctors · rattleF · uplands · cattleF · rattleF · bing · boom · tuneG · congo · moonG · elephant · horrible · terrible · pygmies · arabs · men · ghostH · hostH · yellI · hellI · proclamationJ · nationJ · clayK · playK · doL · congo · other · congo · youL · you · you
- 2 AABB-C-CDDEEFFGG callA · hallA · townB · downB · boom · viewC · river · trueC · highD · skyD · shoneE · boneE · soreF · doorF · bandG · landG
- 3 AABBCCDD---EEFFGGHHII cameA · flameA · crustB · dustB · callC · wallC · throngD · songD · you · shotes · coats · shineE · wineE · thereF · hairF · sweetG · feetG · frownH · downH · whileI · smileI
- 4 AABCCCD-D-CBBB-BEE beganA · manA · boomB · airC · thereC · careC · congoD · other · congoD · you · careC · boomB · boomB · boomB · boomlay · boomB · whileE · smileE
- 5 AABBCCDDEEF-FGGHHII-JJ townA · gownA · waysB · daysB · outC · shoutC · chairsD · stairsD · strongE · wrongE · roomF · glory · boomF · veilG · mailG · roundH · woundH · highI · cryI · jungle · youJ · youJ
- 6 AABBCCDDEEFFE-EE milesA · filesA · wayB · playB · cleanC · leanC · wailedD · sailedD · blueE · throughE · creationF · nationF · flewE · jungle · youE · youE
- 7 AABBCCC menA · againA · moonB · tuneB · youC · youC · youC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Fat black bucks in a wine-barrel room, | 9 | ······/˘· |
| Barrel-house kings, with feet unstable, | 9 | /˘····˘/˘ |
| Sagged and reeled and pounded on the table, | 10 | ····/˘··/˘ |
| Pounded on the table, | 6 | /˘··/˘ |
| Beat an empty barrel with the handle of a broom, | 13 | ··/˘/˘··/˘··· |
| Hard as they were able, | 6 | ····/˘ |
| Boom, boom, BOOM, | 3 | ··· |
| With a silk umbrella and the handle of a broom, | 13 | ···˘/˘··/˘··· |
| Boomlay, boomlay, boomlay, BOOM. | 7 | ······· |
| THEN I had religion, THEN I had a vision. | 12 | ···˘/˘····/˘ |
| I could not turn from their revel in derision. | 12 | ······/˘·˘/˘ |
| Then along that riverbank | 7 | ·˘/·/˘· |
| A thousand miles | 4 | ·/˘· |
| Tattooed cannibals danced in files; | 7 | ˘//˘··· |
| Then I heard the boom of the blood-lust song | 10 | ·········· |
| And a thigh-bone beating on a tin-pan gong. | 11 | ····/˘····· |
| And "BLOOD" screamed the whistles and the fifes of the warriors, | 13 | ····/˘·····/˘ |
| "BLOOD" screamed the skull-faced, lean witch-doctors, | 9 | ·······/˘ |
| "Whirl ye the deadly voo-doo rattle, | 9 | ···/˘··/˘ |
| Harry the uplands, | 5 | /˘·/˘ |
| Steal all the cattle, | 5 | ···/˘ |
| Rattle-rattle, rattle-rattle, | 8 | /˘/˘/˘/˘ |
| Bing. | 1 | · |
| Boomlay, boomlay, boomlay, BOOM," | 7 | ······· |
| A roaring, epic, rag-time tune | 8 | ·/˘/˘··· |
| From the mouth of the Congo | 7 | ·····/˘ |
| To the Mountains of the Moon. | 7 | ··/˘··· |
| Death is an Elephant, | 6 | ···/˘˘ |
| Torch-eyed and horrible, | 6 | ···/˘˘ |
| Foam-flanked and terrible. | 6 | ···/˘˘ |
| BOOM, steal the pygmies, | 5 | ···/˘ |
| BOOM, kill the Arabs, | 5 | ···/˘ |
| BOOM, kill the white men, | 5 | ····· |
| Listen to the yell of Leopold's ghost | 10 | /˘····/˘·· |
| Burning in Hell for his hand-maimed host. | 9 | /˘······· |
| Hear how the demons chuckle and yell | 9 | ···/˘/˘·· |
| Cutting his hands off, down in Hell. | 8 | /˘······ |
| Listen to the creepy proclamation, | 10 | /˘··/˘·˘/˘ |
| Blown through the lairs of the forest-nation, | 10 | ······/˘/˘ |
| Blown past the white-ants' hill of clay, | 8 | ········ |
| Blown past the marsh where the butterflies play:-- | 10 | ······/˘·· |
| "Be careful what you do, | 6 | ·/˘··· |
| Or Mumbo-Jumbo, God of the Congo, | 10 | ·/˘/˘···/˘ |
| And all of the other | 6 | ····/˘ |
| Gods of the Congo, | 5 | ···/˘ |
| Mumbo-Jumbo will hoo-doo you, | 8 | /˘/˘···· |
| Mumbo-Jumbo will hoo-doo you, | 8 | /˘/˘···· |
| Mumbo-Jumbo will hoo-doo you." | 8 | /˘/˘···· |
| Wild crap-shooters with a whoop and a call | 10 | ··/˘······ |
| Danced the juba in their gambling-hall | 9 | ··/˘··/˘· |
| And laughed fit to kill, and shook the town, | 9 | ········· |
| And guyed the policemen and laughed them down | 10 | ···˘/˘···· |
| With a boomlay, boomlay, boomlay, BOOM. | 9 | ········· |
| A negro fairyland swung into view, | 10 | ·/˘/˘····· |
| A minstrel river | 5 | ·/˘/˘ |
| Where dreams come true. | 4 | ···· |
| The ebony palace soared on high | 8 | ·/˘/˘··· |
| Through the blossoming trees to the evening sky. | 10 | ··/˘···/˘· |
| The inlaid porches and casements shone | 10 | ·/·/˘····· |
| With gold and ivory and elephant-bone. | 9 | ···/˘·/˘· |
| And the black crowd laughed till their sides were sore | 10 | ·········· |
| At the baboon butler in the agate door, | 11 | ··˘//˘··/˘· |
| And the well-known tunes of the parrot band | 10 | ·······/˘· |
| That trilled on the bushes of that magic land. | 11 | ····/˘··/˘· |
| A troupe of skull-faced witch-men came | 8 | ········ |
| Through the agate doorway in suits of flame, | 10 | ··/˘/····· |
| Yea, long-tailed coats with a gold-leaf crust | 9 | ········· |
| And hats that were covered with diamond-dust. | 10 | ····/˘·/˘· |
| And the crowd in the court gave a whoop and a call | 12 | ············ |
| And danced the juba from wall to wall. | 9 | ···/˘···· |
| But the witch-men suddenly stilled the throng | 9 | ····/˘··· |
| With a stern cold glare, and a stern old song:-- | 10 | ·········· |
| "Mumbo-Jumbo will hoo-doo you."... | 8 | /˘/˘···· |
| Just then from the doorway, as fat as shotes, | 10 | ····/····· |
| Came the cake-walk princes in their long red coats, | 11 | ····/˘····· |
| Canes with a brilliant lacquer shine, | 8 | ···/˘/˘· |
| And tall silk hats that were red as wine. | 9 | ········· |
| And they pranced with their butterfly partners there, | 11 | ·····/˘·/˘· |
| Coal-black maidens with pearls in their hair, | 9 | ··/˘····· |
| Knee-skirts trimmed with the jassamine sweet, | 9 | ········· |
| And bells on their ankles and little black feet. | 11 | ····/˘·/˘·· |
| And the couples railed at the chant and the frown | 11 | ··/˘······· |
| Of the witch-men lean, and laughed them down. | 9 | ········· |
| (O rare was the revel, and well worth while | 10 | ····/˘···· |
| That made those glowering witch-men smile.) | 8 | ···/˘··· |
| The cake-walk royalty then began | 8 | ···/˘·˘/ |
| To walk for a cake that was tall as a man | 11 | ··········· |
| To the tune of "Boomlay, boomlay, BOOM," | 9 | ········· |
| While the witch-men laughed, with a sinister air, | 10 | ·······/˘· |
| And sang with the scalawags prancing there:-- | 10 | ·······/˘· |
| "Walk with care, walk with care, | 6 | ······ |
| Or Mumbo-Jumbo, God of the Congo, | 10 | ·/˘/˘···/˘ |
| And all of the other | 6 | ····/˘ |
| Gods of the Congo, | 5 | ···/˘ |
| Mumbo-Jumbo will hoo-doo you. | 8 | /˘/˘···· |
| Beware, beware, walk with care, | 7 | ˘/˘/··· |
| Boomlay, boomlay, boomlay, boom. | 7 | ······· |
| Boomlay, boomlay, boomlay, boom, | 7 | ······· |
| Boomlay, boomlay, boomlay, boom, | 7 | ······· |
| Boomlay, boomlay, boomlay, | 6 | ······ |
| BOOM." | 1 | · |
| Oh rare was the revel, and well worth while | 10 | ····/˘···· |
| That made those glowering witch-men smile. | 8 | ···/˘··· |
| A good old negro in the slums of the town | 11 | ···/˘······ |
| Preached at a sister for her velvet gown. | 10 | ···/˘··/˘· |
| Howled at a brother for his low-down ways, | 10 | ···/˘····· |
| His prowling, guzzling, sneak-thief days. | 8 | ·/˘/˘··· |
| Beat on the Bible till he wore it out | 10 | ···/˘····· |
| Starting the jubilee revival shout. | 10 | /˘·/˘·˘/˘· |
| And some had visions, as they stood on chairs, | 10 | ···/˘····· |
| And sang of Jacob, and the golden stairs, | 10 | ···/˘··/˘· |
| And they all repented, a thousand strong | 10 | ···˘/˘·/˘· |
| From their stupor and savagery and sin and wrong | 13 | ··/˘·/˘·˘···· |
| And slammed with their hymn books till they shook the room | 11 | ··········· |
| With "glory, glory, glory," | 7 | ·/˘/˘/˘ |
| And "Boom, boom, BOOM." | 4 | ···· |
| And the gray sky opened like a new-rent veil | 11 | ····/˘····· |
| And showed the apostles with their coats of mail. | 11 | ···˘/˘····· |
| In bright white steele they were seated round | 9 | ······/˘· |
| And their fire-eyes watched where the Congo wound. | 10 | ··/····/˘· |
| And the twelve Apostles, from their thrones on high | 11 | ···˘/˘····· |
| Thrilled all the forest with their heavenly cry:-- | 10 | ···/˘··/˘· |
| "Mumbo-Jumbo will die in the jungle; | 10 | /˘/˘····/˘ |
| Never again will he hoo-doo you, | 8 | /˘/····· |
| Never again will he hoo-doo you." | 8 | /˘/····· |
| Then along that river, a thousand miles | 10 | ·˘/·/˘·/˘· |
| The vine-snared trees fell down in files. | 8 | ········ |
| Pioneer angels cleared the way | 8 | ·˘//˘··· |
| For a Congo paradise, for babes at play, | 11 | ··/˘/˘····· |
| For sacred capitals, for temples clean. | 9 | ·/˘/˘·/˘· |
| Gone were the skull-faced witch-men lean. | 8 | ········ |
| There, where the wild ghost-gods had wailed | 8 | ········ |
| A million boats of the angels sailed | 9 | ·/˘···/˘· |
| With oars of silver, and prows of blue | 9 | ···/˘···· |
| And silken pennants that the sun shone through. | 10 | ·/˘/˘····· |
| 'Twas a land transfigured, 'twas a new creation. | 12 | ·········˘/˘ |
| Oh, a singing wind swept the negro nation | 11 | ··/˘···/˘/˘ |
| And on through the backwoods clearing flew:-- | 9 | ····///˘· |
| "Mumbo-Jumbo is dead in the jungle. | 10 | /˘/˘····/˘ |
| Never again will he hoo-doo you. | 8 | /˘/····· |
| Never again will he hoo-doo you." | 8 | /˘/····· |
| Redeemed were the forests, the beasts and the men, | 11 | ˘/··/˘····· |
| And only the vulture dared again | 9 | ·/˘·/˘·˘/ |
| By the far, lone mountains of the moon | 9 | ····/˘··· |
| To cry, in the silence, the Congo tune:-- | 10 | ····/˘·/˘· |
| "Mumbo-Jumbo will hoo-doo you, | 8 | /˘/˘···· |
| Mumbo-Jumbo will hoo-doo you. | 8 | /˘/˘···· |
| Mumbo... Jumbo... will... hoo-doo... you." | 8 | /˘/˘···· |
| This poem, particularly the third section, was suggested by an allusion | 18 | ·/·/˘··/˘·˘/˘··˘/˘ |
| in a sermon by my pastor, F. W. Burnham, to the heroic life and death of | 22 | ··/˘··/˘·/˘/˘··˘/˘···· |
| Ray Eldred. Eldred was a missionary of the Disciples of Christ who | 19 | ·/˘/˘··/˘·˘··˘/˘··· |
| perished while swimming a treacherous branch of the Congo. See "A Master | 17 | /˘·/˘·/˘···/˘··/˘ |
| Builder on the Congo", by Andrew F. Hensey, published by Fleming H. | 18 | /˘··/˘·/˘···/˘·/˘· |
| Revell. | 2 | ˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.